ebr Electronic Book Review

Publisher

Location: 
University of Illinois at Chicago
601 S. Morgan Street
Chicago, IL
United States
ISSN: 
1553-1139
Record Status: 
Short decription: 

Electronic Book Review (ebr) is a peer-reviewed journal of critical writing produced and published by the emergent digital literary network. Although ebr threads include essays addressing a wide range of topics across the arts, sciences, and humanities, ebr's editors are particularly interested in critically savvy, in-depth work addressing the digital future of literature, theory, criticism, and the arts.

 

Peer-Review Process

All articles published in Electronic Book Review have undergone a rigorous two-stage review process: anonymous peer review and public peer-to-peer (p2p) review. In the first stage of the review process, two or more ebr editors assess whether a submission is potentially suitable for publication. After this initial screening, the submission is subjected to an anonymous peer review by two referees - an editorial board member and another expert, typically a previous contributor - who are asked to write short evaluative reports giving specific publication recommendations. The editors request that referees' positive reports be accompanied by substantive comments, which are conveyed to authors prior to publication, thereby formally initiating the intellectual conversation. Selections from the reports are published with the submission as glosses. More substantial responses may appear as ripostes or even free-standing articles.

After being accepted for publication, the submission proceeds to stage two: it is published on ebr's staging site, where the submission and selections from the referees' reports are made available for comment by members of ebr's p2p network, all of whom have previously published in ebr or received an editorial invitation, on the basis of their previous writing, to contribute to ebr.

The ebr p2p network differs, on the one hand, from traditional academic communities, in which work circulates largely among committees, not primarily among authors, and, on the other hand, from commercial production, which is also networked but where value gets determined largely by non-writers concerned with marketing. Value at ebr, by contrast, is created through acts of evaluation occurring at every stage in an essay's editorial circulation, initially by editors and referees, next by contributors in ebr's p2p network, and eventually by ebr's audience.

 

Publication frequency

In continuous publication since 1994, Electronic Book Review is among the longest running open-access, literary-critical journals on the Internet. To take advantage of the Web's medium-specific constraints, ebr adopted a rolling model of publication. Rather than publishing individual volumes or issues with preset publication dates, a paradigm inherited from print media, writing is accepted for publication after undergoing a networked peer-review process. Individual texts (articles, essays, ripostes, and reviews) are stamped with two publication dates: the date on which a text was first published online and the date on which it was last modified.

Open-access policy

Electronic Book Review provides open access to all of its content on the principle that making research and scholarship freely available to the public on the Internet promotes a robust media ecology.

 

Guest editing

The ebr editorial team welcomes proposals for guest-edited gatherings, collections of articles comparable to those published as special issues of a print-based journal, provided that the gathered material fits conceptually within current ebr threads and conforms to ebr's peer-review policies.

 

Online submissions 

Most articles are commissioned by ebr editors or editorial-board members. However, unsolicited essays are welcome and can be submitted as plain-text files to our managing editor. We welcome critifictions and works of designwriting, though essays must meet ebr's technical specifications.

 

Editorial collective

Editor: Joseph Tabbi
Managing Editor: Davin Heckman
Executive Editor: Sandy Baldwin
Senior Editor: 
Eric Dean Rasmussen
Associate Editors: Stefanie Boese, Ryan Brooks

Database and Application Designer: Ewan Branda
Design Editor, Site Designer: Anne Burdick 

Critical writing published

Titlesort descending Author Appears in Year Publication Type
A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen Lisa Swanstrom electropoetics 2011 Article in an online journal, Review
A Poetics of the Link Jeff Parker electropoetics 2001 Article in an online journal
A Response to "A New 'Gospel of the Three Dimensions'" Marie-Laure Ryan 2012 Article in an online journal
A [S]creed for Digital Fiction Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Kristian Rustad, Jess Laccetti, Jessica Pressman electropoetics 2010 Article in an online journal
Alire: A Relentless Literary Investigation Philippe Bootz 1999 Article in an online journal
Between Play and Politics: Dysfunctionality in Digital Art Marie-Laure Ryan image + narrative 2010 Article in a print journal
Bridge Work Chris Funkhouser 2003 Article in an online journal
Critical Code Studies Mark C. Marino 2006 Article in an online journal
Cybertext Killed the Hypertext Star Nick Montfort electropoetics 2000 Article in an online journal
Cybertext Theory: What an English Professor Should Know Before Trying Markku Eskelinen 2001 Article in an online journal
Dali Clocks: Time Dimensions of Hypermedia Stephanie Strickland 2001 Article in an online journal, Conference paper or presentation
Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods Stephanie Strickland, Cynthia Lawson Jaramillo 2007 Article in an online journal
Electronic Literature: Where Is It? Dene Grigar 2008 Article in an online journal
electropoetics 1997 Series
Enlightening Interactive Fiction: Andrew Plotkin’s Shade Jeremy Douglass 2008 Article in an online journal
False Pretenses, Parasites, and Monsters Tom LeClair 2000 Article in an online journal
For Thee: A Response to Alice Bell Stuart Moulthrop 2010 Article in an online journal
Framed: The Machine in/as the Garden Timothy Morton 2010 Article in an online journal
image + narrative 1997 Series
Interactive Fiction Nick Montfort 2005 Article in an online journal
Interferences: [Net.Writing] and the Practice of Codework Rita Raley 2002 Article in an online journal
Letters That Matter: Electronic Literature Collection Vol 1 John David Zuern 2007 Article in an online journal
Literal Art John Cayley 2004 Article in an online journal
Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature Søren Bro Pold electropoetics 2007 Article in an online journal
Locating the Literary in New Media Joseph Tabbi 2008 Article in a print journal, Article in an online journal, Conference paper or presentation
Phantasmal Fictions D. Fox Harrell 2010 Article in an online journal
Ping Poetics Sandy Baldwin 2009 Article in an online journal
Review of A Companion to Digital Literary Studies Scott Hermanson 2009 Review
Riposte to "A [S]creed for Digital Fiction" Kate Pullinger 2010 Article in an online journal
Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl George P. Landow 1996 Review
Tending the Garden Plot: Victory Garden and Operation Enduring.... David Ciccoricco 2004 Article in an online journal
The Assimilation of Text by Image David Jhave Johnston 2012 Article in an online journal
The Code is not the Text (unless it is the Text) John Cayley 2002 Article in an online journal
Unraveling the Tapestry of Califia Jaishree K. Odin 2001 Article in an online journal
Where Are We Now?: Orienteering in the Electronic Literature Collection, Volume 2 John David Zuern 2011 Article in an online journal
Writing as a Woman: Annie Abrahams' e-writing Elisabeth Joyce 2005 Article in an online journal
The permanent URL of this page: 

http://www.elmcip.net/node/127

Record posted by: 
Eric Dean Rasmussen