Electronic Literature Organization 2012: Electrifying Literature: Affordances and Constraints

Event

Date: 
Wednesday, June 20, 2012 to Saturday, June 23, 2012
Location: 
West Virginia University, Center for Literary Computing Morgantown, WV
United States
Individual Organizers: 
Record Status: 
Tags: 
Short description: 

The 2012 Electronic Literature Organization Conference will be held June 20-23, 2012 in Morgantown, WV, the site of West Virginia University. In conjunction with the three-day conference, there will be a juried Media Arts Show open to the public at the Monongalia Arts Center in Morgantown and running from June 18-30, 2012. An accompanying online exhibit will bring works from the ELO Conference to a wider audience.

Even if nobody could define print literature, everyone knew where to look for it - in libraries and bookshops, at readings, in class, or on the Masterpiece channel. We have not yet created, however, a consensus about where to find electronic literature, or (for that matter) the location of the literary in an emerging digital aesthetic. Though we do have, in digital media, works that identify themselves as "locative," we don't really know where to look for e-lit, how it should be tagged and distributed, and whether or how it should be taught. Is born digital writing likely to reside, for example, in conventional literature programs? in Rhetoric? Comp? Creative Writing? Can new media literature be remediated? How should its conditions of creation be described? Do those descriptions become our primary texts when the works themselves become unavailable through technological obsolescence? To forward our thinking about the institutional and technological location of current literary writing, The Electronic Literature Organization and West Virginia University's Center for Literary Computing invite submissions to the ELO 2012 Conference.

(Source: Conference website).

Critical writing presented

Title Author
Abandoning Canon: Fluid Texts and Implicit Collaboration in Electronic Narratives Lyle Skains
Adventures in Transition: Jason Nelson’s Scary Journey from Flash to J-Code and Desk to Hand Jason Nelson
Against Information: Reading (in) the Electronic Waste Land Andrew Klobucar
Aleph Null as Tool, Thought Process, and Poetics Leonardo Flores
Alternative Avenues in Digital Poetics and Post-Literary Studies Talan Memmott, Maria Damon, Claire Donato, Chris Funkhouser, Carolyn Guertin, Jeff T. Johnson, Eric Snodgrass, Alan Sondheim
Andrews' Open Canvas: A Critical Code Studies Reading of Aleph Null Mark C. Marino
Archiving Workshop Bill Bly, Deena Larsen, Marjorie C. Luesebrink
At the Time of Writing: Digital Media, Gesture and Handwriting Anna Gibbs, Maria Angel
Bob Brown's Reading Machine and the Comic Experience of Electrified Reading Eric Rettberg
Bookishness on Screen Jessica Pressman
Bringing the Art of Design to the National Park Service: The Fort Vancouver Mobile Project Dene Grigar
Cicatrix: Pain, Sex, and Dying in E-Literature Sandy Baldwin, Maria Damon, Alan Sondheim
Commenting Creative Code Nick Montfort, Stephanie Strickland
Condors' polyphony and jawed water-lines catapulted out: Gnoetry and Its Place in Text Processing's History Chris Funkhouser, Andrew Klobucar
Creativity is something for hairdressers - so what is it for writers? Why the differentiation of 'literature' and 'writing' is obsolete, and what the Internet has to do with it Florian Cramer
Documenting Your Work: A Workshop on Using the ELMCIP Knowledge Base for Authors, Critics, and Teachers of Electronic Literature Scott Rettberg, Eric Dean Rasmussen
E-Literature and the Social Janez Strehovec
E-literature and the Un-coded Model of Meaning: Towards an Ordinary Digital Philosophy Mauro Carassai
Electrifying Detail: Writing and Reading Triggers in Textual Zoom Florentina Armaselu
Electronic Literature for All: Performance in Exhibits and Public Readings Clara Fernández-Vara
Electronic Literature: Linking Database Projects Maria Angel, Laura Borràs Castanyer, Anna Gibbs, Dene Grigar, Davin Heckman, Eric Dean Rasmussen, Joseph Tabbi
ELiterature Formalization and Pedagogical Implications Fabio De Vivo
From Reality to Interactive Fiction and the Way Back Urs Richle
Galatea’s Riposte: The Reception and Receptacle of Interactive Fiction Lisa Swanstrom
Geolocative Storytelling Off the Map Kathi Inman Berens
Gesture-Driven Electronic Literature for Mobile Devices: The Gestural Narrative Interaction Engine (GeNIE) D. Fox Harrell
Jim Andrews on Aleph Null Jim Andrews
Literature: Lift this End Stuart Moulthrop
Locating the Literary in Electronic Lucidity: Jason Nelson's Evidence of Everything Exploding Astrid Ensslin
Machine Libertine Natalia Fedorova
Marking Transition: the Work of Neal von Flue Hanli Geyser
Mimesis: An Integrated Social Networking Application and Computer Game for Exploring Social Discrimination D. Fox Harrell
Narrative (Pre)Occupations: Self-Surveillance, Participation, and Public Space Carolyn Guertin
netwurker_mez + her cardboard avatar [who might be made up of Boxes, but is *not* Boxxy] Mez Breeze, Florian Cramer
Ocotillo Loss Pequeño Glazier
On the Surface of Aleph Null Giovanna Di Rosario
Performing the Digital Archive: Remediation, Emulation, Recreation Manuel Portela
Poetic Machines: From Paper to Pixels Jeneen Naji
Productions of Presence: Sensing Electronic Literature Luciana Gattass
Prosthesis, or The Forthcoming Public Cloud IaaS Magic Quadrant Tenancy Ian Hatcher
Quantum Authoring for "Prom Week": What We Learned Writing Six Thousand Lines of Procedurally-Driven Dialogue Aaron A. Reed
Re:Cycle - A Computationally Generative Ambient Video System Jim Bizzocchi
Reading Augmented Spaces and the Dimensions that Define Them Jacob Garbe, John T Murray
Reading Virtual Geographies Porter Olsen
Semiotic Cross Analyses of Digital Poetry Philippe Bootz, Alexandra Saemmer
Shakespeare in Simlish? Responsive Systems and Literary Language Noah Wardrip-Fruin
Slow Games, Slow Poems: The Act of Deliberation in "Slow Year" Mark Sample
Sound Rites: Relationships Between Words and Sound in New Media Writing Hazel Smith
Taroko Gorge Remixed: Repetition and Difference in Machine Texts Flourish Klink, Talan Memmott, Nick Montfort, Andrew Plotkin, Scott Rettberg, Mark Sample, Eric Snodgrass, J. R. Carpenter
Terms of Use John Cayley
The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization Alexandra Saemmer
The Book, the Cinema, and the Vestigial Structures of Electronic Literature David Clark
The End of E-Lit Steve Tomasula
The Pasts and Futures of Netprov Rob Wittig
The Presumed Literariness of Digital Kent Aardse
The Quaker Oat Box – Infinite Regress Marjorie C. Luesebrink
Transient Self-Portrait María Mencía
Vectors, Scalar, and Magic: Emerging Platforms for E-lit Scholarship Erik Loyer, Mark C. Marino, Craig Dietrich
Why ‘But is it e-lit?’ Is a Ridiculous Question: The Case for Online Journals as Organic, Evolving Works of Digital Literature David Thomas Prater
Writing the Web with RiTa and Javascript Daniel C. Howe
ә-măn’yoo-ĕn’sĭs Claire Donato, Timothy Terhaar
“III=II=I=I=II=III” John Cayley
XLS
Images: 
Poster for Electronic Literature Organization 2012 Conference
Multimedia: 
The permanent URL of this page: 

http://www.elmcip.net/node/2107

Record posted by: 
Eric Dean Rasmussen