|
Primal Affective Ground and Digital Poetry |
David Jhave Johnston |
2010 |
digital poetics, visual language, sound, affect, generative, combinatorial, video |
|
(Dis)Location, (Dis)Connection, (Dis)Embodiment |
Mark Cooley |
2007 |
media art, collaboration, video, audio, random, database, juxtaposition, association |
|
(R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling |
Allegra Pietera |
2008 |
pedagogy, space, video, narrative, interdisciplinary, storytelling |
|
(S)PACING |
Talan Memmott |
2009 |
installation, performance, keyboard, video, audio, sensors, movement, time, Flash |
|
217 Views of the Tokaido Line |
Will Luers |
2011 |
essay, video, poetry, generated poetry, travel, motion, loop, haiku |
|
51 Responses: What inspired you to get involved with Digital Literature |
|
|
video, electronic literature, practice, responses, inspiration |
|
6-string Aria |
Bill Marsh |
2002 |
video, Flash, audio, kinetic, scheduled |
|
@georgelazenby: How Goes the Enemy? |
William Poundstone |
2012 |
video, Flash, scheduled, twitter |
|
A Tree with Managers and Jittery Boats |
Jason Nelson |
2010 |
Flash, video, e-poetry |
|
Algorithmic Search for Love |
Julian Palacz |
2010 |
video, movie, spoken word, collage, algorithmic art, search, phrase |
|
Amor de Clarice |
Rui Torres |
2005 |
Flash, textual instrument, appropriated texts, visual poetry, intertextuality, sound, video, intermediality |
|
An Evening with Electronic Literature Organization |
|
|
ELC2, reading, performance, collaboration, database, video, kinetic image work, interactive performance |
|
Any Vision |
Zuzana Husárová |
2011 |
static, video, scheduled, audio |
|
Astres / Stars |
Susan Coolen, Childe Rolan |
2007 |
video, animation, voice, stars |
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Bindings |
David Jhave Johnston |
2012 |
video, dance, performance |
|
C()n Du It |
Katarzyna Giełżyńska |
2012 |
audio, video, web criticism, animation, irony |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
Clearance |
Andy Campbell, Judi Alston |
2008 |
video, video poetry, video art, glimpsing, dark, mouse-responsive, atmospheric, apocalyptic, apocalypse, carving, stone, abandoned |
|
Collection |
Greg Philbrook |
2011 |
narrative, video |
|
Composition |
Camille Utterback |
2000 |
video, composition, live, text, symbols, image to text |
|
Corporate Text Cannibal |
Patricia Tomaszek |
2008 |
video, performance, poetry, creative cannibalism, digital cannibalism, remix |
|
Correspondences |
Joseph Butch Rovan |
2010 |
video, music, translation, dream logic, gesture, poetry, time, memory |
|
Custom Orthotics Changed My Life |
Richard Holeton |
2010 |
powerpoint, slideshow, bullet points, narrative, video |
|
Det siste utbruddet / The Last Volcano |
Roderick Coover, Scott Rettberg |
2010 |
history, video, translation, panorama, memory, disaster, recursion, Norway |
|
Developing: the Idea of Home |
Nancy Buchanan |
1999 |
documentary, associative, home, neighborhood, economics, environment, land use, California, video, audio |
|
Digitally Modified Organism |
Lello Masucci |
2010 |
video, recombinant, dmo |
|
Do Not Forget It |
Pierre Alferi |
2012 |
video, performance |
|
Drawing from Life |
Camille Utterback |
2001 |
DNA, image to text, genetic code, live, video, interactive video |
|
E-Poetry 2007 Paris Cellfone Documentary Extravaganza (Grand Text Auto) |
Scott Rettberg |
2007 |
video, phone video, trip report |
|
Electronic Literature Explained |
|
|
video, electronic literature, multimedia, short, introduction |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Entre Ville: this city between us redux |
J. R. Carpenter |
2011 |
hypermedia, hypermedia journal, Montreal, digital literature, literature, video, walking |
|
Epiglobis |
Alexander Mouton |
2007 |
media art, database, video, interactive video, generative, juxtaposition, audio |
|
Ethereal Landscapes |
Alexander Mouton, Christian Faur |
2005 |
artist book, photography, database, barcode, augmented, video, audio, biology, temporality, mortalitity |
|
Etymon / Encarnación |
Loss Pequeño Glazier |
2012 |
video, audio, dance, performance |
|
Expansive Mayhem |
Loss Pequeño Glazier |
2011 |
performance, video, audio, scheduled |
|
Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. |
David Jhave Johnston |
2011 |
video, generative, extinction, elegy, mutation, environment, meaning, nonsense, ecological thought |
|
eye in the making |
John Sparrow |
2006 |
hypertext, audio, video, poetry |
|
Family of silence |
Linda Suthiry Suk |
2012 |
Flash, video, audio, poetry, war, Cambodia |
|
Foliage |
Will Luers |
2007 |
video, nature, matter, color, pixels, media art |
|
Gabriella infinita |
Jaime Alejandro Rodríguez |
|
hypertext, fiction, novel, video, audio, disappearance, evidence, escape, metafiction, adaptation, translation |
|
Golem |
Simon Biggs |
1988 |
installation, interactive, video, book, myth, genetics, artificial intelligence |
|
hektor |
Nathaniel Stern |
2000 |
memory, poetry, photography, video, javascript, Flash, juxtaposition, collage, characters |
|
I know that somewhere this is a homage some where |
Adrian Miles |
1999 |
cinepoem, video, flashback |
|
i made this, you play this. we are enemies |
Jason Nelson |
2008 |
narrative games, consumerism, hand-drawn, satire, hypermedia, video |
|
I mellom tiden |
Anne Bang-Steinsvik |
2002 |
hypertext, visual, multimodal, video, sound, memory, photography, collage, montage |
|
Immobilité |
Mark Amerika |
2011 |
mobile, video, narrative, iOS, iphone |
|
Influencing Machine of Miss Natalija A. |
Zoe Beloff |
2001 |
creative non-fiction, gothic, installation, video, Flash |
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
INJECTIES (INJECTIONS) |
Paul Bogaert |
2010 |
video |
|
Interstitial |
David Jhave Johnston |
2006 |
Flash, video, death, triptych, water |
|
ira, sarah |
André Cutair |
2002 |
video, desire, Flash, scheduled, kinetic |
|
Jacques Brel op 8 april 1929 bij zijn geboorte Avenue du Diamant 138, Schaerbeek |
Frans Budé |
2009 |
video |
|
Je liegt en je filtert ... (You're lying and you filter ...) |
Paul Bogaert |
2006 |
video, audio, scheduled |
|
Kaos |
Ursula Andkjær Olsen |
2012 |
prose poem, chaos, box, slow, video |
|
Kastastrofetrilogien |
Scott Rettberg, Roderick Coover |
2011 |
video, Norway, disaster, media, interpersonal, cross-cultural communication, multilingual, catastrophe |
|
L'Albatross |
Patrick Henri Burgaud |
2010 |
video, recombination, tagging |
|
Labyrinth |
Martin Rieser |
1997 |
dialectic, monologue, video, performance |
|
Land/Wave Series |
Talan Memmott |
2010 |
video |
|
Maud |
Sally Rodgers, Steve Jones |
2011 |
video, audio |
|
maybe make some change |
Aaron A. Reed |
2011 |
interactive fiction, multimedia, Afghanistan, war, point of view, unreliable narrator, video, interactive documentary |
|
Meditation on a Bar Stool |
Natalie Zeriff |
2000 |
e-poetry, video, Flash, audio, scheduled, kinetic |
|
Middle Orange | Meia Naranja |
Loss Pequeño Glazier |
2010 |
video, epoetry, performative |
|
More Real than Now |
Jody Zellen |
2005 |
video, e-poetry, Flash, kinetic, scheduled |
|
Mummypoem (Sympathies Of War - A Postscript) |
Tom Konyves |
1978 |
video, digital poem, pioneering |
|
My Nervous Breakdown |
Alan Bigelow |
2010 |
Flash, psychology, therapy, suicide, video, sound, subjectivity |
|
My Summer Vacation |
Alan Bigelow |
2008 |
video, audio, Flash, loss, characters, point of view, spoken word |
|
Narrative Units |
Ethan Miller |
2006 |
information theory, narrative, visualization, video, software system, Python |
|
Nature on a Leash |
Gail White Scott |
2008 |
video, animation, nature, suburbs |
|
Negative Space: a Computerized Video Novel |
Holly Franking |
1990 |
video, text, graphics |
|
Negative Space: A Computerized Video Novel (CD-ROM edition) |
Holly Franking |
1995 |
video, text, graphics |
|
OneSmallStep: a MySpace LuvStory |
Mark Cooley |
2006 |
media art, media archeology, fetish, consumption, voyeurism, video, random, remix, database |
|
Passage Sets |
Bill Seaman |
2010 |
generative, visual poetry, video, installation |
|
Post Modern Object |
Meghan Newell |
2002 |
image and text, video, interface, postmodern, critical new media |
|
Quebra Cabeça |
Walter Silveira |
2007 |
video, intervention, digital graffiti, Brazilian electronic poetry, poiesis, oi futuro |
|
Radial City |
Jeremy Welsh, Paul A. Green |
2010 |
poetry, collaboration, video, city |
|
Re:Cycle |
Jim Bizzocchi |
2010 |
ambient, video, generative, recombinant, recombinant poetics, ambient video |
|
Reconstructing Mayakovsky |
Illya Szilak |
2008 |
narrative, hypertext, video, database, text movie, documentary, games |
|
remixthebook.com |
|
|
remix, video, audio, interactive, channeling |
|
Secret Door |
Martin Rieser |
2006 |
installation, video, site specific |
|
Sky and Wires: At Home and Homeless |
Blake Carrington |
2007 |
media art, video, cartography, movement, stillness |
|
slippingglimpse |
Stephanie Strickland, Cynthia Lawson Jaramillo, Paul Ryan |
2006 |
visual poetry, collaboration, materiality, video, writing-materiality, text movie, animation, kinetic, Flash, poetry |
|
Sooth |
David Jhave Johnston |
2005 |
animation, Flash, poetry, video, audio |
|
Sympathies of War |
Tom Konyves |
1978 |
video, digital poem, pioneering |
|
The Walking Man |
Will Luers |
2008 |
documentary, video |
|
The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
|
The Way North |
Joel Weishaus |
2006 |
climate change, myth, inuit culture, audio, video, hypertext, intertextuality |
|
The World As Yours |
Loss Pequeño Glazier |
2012 |
audio, video, dance, performance |
|
Thoems |
David Jhave Johnston |
2007 |
video, audio, Flash |
|
Three Rails Live |
Roderick Coover, Scott Rettberg, Nick Montfort |
2011 |
combinatory poetics, digital narrative, video, installation, spoken word, collaboration |
|
Time Qullts (a loop study) |
Will Luers |
2008 |
video, remix, media art, moie history, nested loops |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
Trope |
Sarah Waterson, Elena Knox, Christyn Davies |
2008 |
poetry, collaboration, performance, Second Life, tropes, video, wordtoy, virtual environment |
|
Understanding Echo |
Martin Rieser |
2002 |
video, projection, installation |
|
Up Against the Screen Mother Fuckers |
Justin Katko |
2008 |
CAVE, poetry, video, audio, hacktivist, critical/political/philosophical |
|
v i r a l p o e t i c s |
Mary Flanagan |
1999 |
virus, poetics. collage, repurposing content, audio, video, database |
|
Video Blog::Vog |
Adrian Miles |
2002 |
video, e-poetry, QuickTime, audio, interactive |
|
VIDEOPLACE |
Myron Krueger |
1975 |
embodiment, body, responsive environment, real-time, projection, video, movement, artificial reality, interface, gesture |
|
Welcome to Pine Point |
Michael Simons, Paul Shoebridge |
2011 |
multimedia, video, audio, Flash, kinetic, static |
|
What They Said... (While We Were Sleeping) |
Alan Bigelow |
2008 |
political, Flash, residual media, animated text, video |
|
What we had has not yet been / Wat we hadden is nog niet geweest |
Jan Baeke, Alfred Marseille |
2007 |
video |
|
Whispering |
Sean Donohue |
2001 |
video, e-poetry, Flash, audio, scheduled |
|
wide and widely branded |
Jason Nelson |
2010 |
compass, digital poem, video, sound, mouse-over text, Flash |
|
Winter City Sleeps |
Adrianna De Barros |
2001 |
Flash, audio, scheduled, kinetic, video, weather |
|
[the perpetual bed] |
Mary Flanagan |
1998 |
VRML, chat, world, video, narrative, surrealist |
|
Битница: A Translation |
Joe Milutis |
2010 |
video, appropriated texts, translation, performance, homophonic, homolexic, audiovisual, vispo, transmutilation |
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.