|
Primal Affective Ground and Digital Poetry |
David Jhave Johnston |
2010 |
digital poetics, visual language, sound, affect, generative, combinatorial, video |
|
Amor de Clarice |
Rui Torres |
2005 |
Flash, textual instrument, appropriated texts, visual poetry, intertextuality, sound, video, intermediality |
|
Amor de Clarice (v. 2). Versão Combinatória |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Amor-mundo, ou a vida, esse sonho triste (cn) |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
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Apenas estas palavras mutantes |
Pedro Barbosa |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature, sound |
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
Aya Karpinska and Daniel C. Howe |
Chris Funkhouser |
2012 |
3D, spatiality, poetry, installation, geometric, sound, verbal permutation, interactive, multi-sensory |
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Birds Singing Other Birds' Songs |
María Mencía |
2001 |
noise, sound poetry, music, sound, animality, transcription, kinetic typography, audio, representation, responsive |
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Blinding Lights |
Adrianna De Barros |
2001 |
text, sound, poem, Flash, scheduled, audio |
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CHAOSity |
NIki Nolin, Wade Roberts, Karen Osborne, Maureen Seaton |
2000 |
collaboration, prose poems, audio, animation, Flash, sound |
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Código de barras |
Alma Pérez |
2006 |
sound, voice, distance |
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Das Epos der Maschine |
Urs Schreiber |
1998 |
cybertext, e-poetry, epic, machine control, multimodal, narrative, sound |
|
Do Peso e da Leveza |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
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From Audio Black to Artful Noises: Looking at Sound in Electronic Literature |
Kenneth Sherwood |
2008 |
sound and image, sound, multimedia |
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From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation |
Laura Borràs Castanyer |
2011 |
materiality of language, materiality, sound, birdsongs |
|
Húmus poema contínuo |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
I mellom tiden |
Anne Bang-Steinsvik |
2002 |
hypertext, visual, multimodal, video, sound, memory, photography, collage, montage |
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Is There a Message in the Medium? The Materiality of Language |
John Cayley |
2011 |
materiality, light, sound, writing-materiality, materiality of language, literary theory, reading, book |
|
Labylogue |
Maurice Benayoun, Jean-Pierre Balpe, Jean-Baptiste Barrière |
2000 |
Interactive art, virtual reality, virtual environment, 3D, sound, poetry, software-generated text, algorithmic text generation, networked, installation, speech recognition |
|
Mar de Sophia |
Rui Torres |
2005 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
|
My Name is Captain, Captain |
Judd Morrissey, Lori Talley |
2002 |
poetry, hypertext, audio, sound, word and image, navigation, flight |
|
My Nervous Breakdown |
Alan Bigelow |
2010 |
Flash, psychology, therapy, suicide, video, sound, subjectivity |
|
operabil Vienna |
Marko Košnik |
2005 |
video art, word and image, sound, generative art, generated poetry |
|
Poemário - Editor de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
aleatory, code, digital poetry, Flash, generative poetry, interactive poetry, networked poetry, poetry generator, software, sound, user-generated texts |
|
Poemas no meio do caminho |
Rui Torres |
2008 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound, 3D, combinatorial |
|
R, Adieu |
Joe Milutis |
2010 |
digital humanities, sound art, text-sound, conceptual essay, creative non-fiction, language games, linguistics, dada, Oulipo, poetry, sound |
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Re:Positioning Fear |
Rafael Lozano-Hemmer |
1997 |
interactive, networked, projection, shadows, site-specific, sound |
|
RepeatAfterMe |
Jörg Piringer |
2011 |
sound, typography, time-based |
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Searchsongs |
Johannes Auer, René Bauer, Beat Suter |
2007 |
search engine poetry, yearning, text-input, sound |
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See Spot Link. Link, Spot, Link: How to read and appreciate electronic literature (Workshop) |
Deena Larsen |
2008 |
links, images, sound, motion, electronic literature |
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Sound Rites: Relationships Between Words and Sound in New Media Writing |
Hazel Smith |
2012 |
sound, multimedia |
|
Sphiros |
James B. Pollack |
2009 |
Flash, animation, layers, zooming interface, sound, image, headtracking |
|
SP_/\_M s.o.n.n.e.t |
Teo Spiller |
2008 |
spam, email art, sonnet, sound |
|
Streamflow conditions |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
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Tailspin |
Christine Wilks |
2008 |
Flash, affect, audio, sound, visual narrative, disability |
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tExtra.Tour (tExtra.Touren) |
Oliver Gassner |
2003 |
hypertext, sound, online performance space, art, email art, lectures |
|
the missing engine of laputa |
Marko Košnik |
2006 |
video art, word and image, sound, generative art, generative poetry |
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The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
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Um Corvo Nunca Mais |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
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Velvet |
Alexander Mouton |
2008 |
media art, image, sound, dreams, memory, surreal, interactive video |
|
wide and widely branded |
Jason Nelson |
2010 |
compass, digital poem, video, sound, mouse-over text, Flash |
|
Window |
Katharine Norman |
2012 |
combinatory, poetry, audiovisual, sound, place, listening, John Cage, seasons, time, observation, HTML5, javascript |