|
"a crisis in se_Mantics: gendered symbols and notion" in computer graphics imaging |
Claudia Herbst |
2002 |
Shockwave, gender, CGI, programming, critical new media, symbols |
|
A Dialogue Between Two Eyeballs |
Braxton Soderman |
2007 |
Shockwave, kinetic, audio, hypertext |
|
A Pen |
Jim Andrews |
2007 |
Shockwave, vispo, textual instrument, interactive animation |
|
Birdfall |
Mez Breeze |
2000 |
static, kinetic, scheduled, HTML, audio, Flash, Shockwave |
|
carrier (becoming symborg) |
Damien Everett, Melinda Rackham |
1999 |
collaboration, audio, memoir, documentary, javascript, VRML, viral, games, Shockwave |
|
Chroma |
Erik Loyer |
2001 |
narrative, poetry, audio, Shockwave, games, race |
|
Clone-ing God & Ange-Lz |
Mez Breeze |
2000 |
HTML, scheduled, kinetic, audio, Flash, Shockwave |
|
Dans la gueule du loup |
Nicolas Clauss, Jean-Jacques Birgé |
2003 |
Shockwave, responsive, kinetic, audio |
|
Enigma n2 |
Jim Andrews |
2002 |
Shockwave, scheduled, audio |
|
Errand Upon Which We Came |
Stephanie Strickland, M. D. Coverley |
2002 |
animation, collaboration, interactive, kinetic, Shockwave, textual instrument, visual poetry |
|
Four Poems |
William Poundstone |
2000 |
kinetic, Shockwave, scheduled, audio |
|
Generative Poetry |
Geniwate, Brian Kim Stefans |
2005 |
animation, poetry, collaboration, generative, audio, Shockwave, violence, combinatorial, place, time-based |
|
Jig-Sound |
Jim Andrews |
2007 |
Shockwave, audio, responsive |
|
Lair of the Marrow Monkey |
Erik Loyer |
1998 |
Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
|
New Digital Emblems |
William Poundstone |
2001 |
animation, visual, Shockwave, image, essay/creative non-fiction, critical, emblem, rhetoric |
|
Nio |
Jim Andrews |
2001 |
animation, audio, music, Shockwave, textual instrument, combinatorial, QuickTime, documentary |
|
NobodyHere |
Jogchem Niemandsverdriet |
1998 |
HTML, animated gif, Flash, Shockwave, hypertext |
|
On Lionel Kearns |
Jim Andrews |
2004 |
audio, documentary, memoir, emulation, archiving, Shockwave, kinetic, animation, visual poetry, sound poetry |
|
Oppen Do Down |
Jim Andrews |
2001 |
audio, static, responsive, e-poetry, Shockwave |
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
Poèmes cumulatifs, en coups d'oeil, avec autoportrait |
Alexandre Gherban |
2007 |
generation, deconstruction, accretion, accumulation, manipulation, audio, user input, poetry, self-portrait, Shockwave |
|
Rice |
Geniwate |
1998 |
poetry, collaboration, hypertext, audio, Shockwave, memoir, place |
|
Rude Little Song |
Jim Andrews |
2002 |
audio, Shockwave, scheduled |
|
Springpoem |
Jim Andrews |
2007 |
vispo, Shockwave |
|
synonymovie |
Eugenio Tisselli |
2004 |
generative, database, Shockwave, text movie, appropriated texts, visual poetry or narrative, juxtaposition, synonyms |
|
The Intruder |
Natalie Bookchin |
1999 |
cybertext, games, Jorges Luis Borges, remediattion, perspective, Shockwave, adaptation |
|
The Mandrake Vehicles |
Oni Buchanan |
2006 |
animation, visual poetry, kinetic, typography, kinetic poetry, stretchtext, combinatorial, Shockwave |
|
The murmur of i n t e r s t i c e s |
Zahra Safavian |
2000 |
Shockwave, audio, responsive, kinetic |
|
The Set of U / La Série des U |
Philippe Bootz, Marcel Frémiot |
2004 |
animation, collaboration, generative, audio, music, Shockwave, combinatorial, multilingual |
|
Tierra de Extracción |
Domenico Chiappe, Andreas Meier |
2000 |
narrative, collaboration, hypertext, audio, Shockwave, multilingual or non-english |
|
Toward a Circulation of the Page |
Braxton Soderman |
2003 |
collage, kinetic, Shockwave, audio |
|
V: Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2002 |
visual poetry, poetry, collaboration, embodiment, Shockwave, textual instrument |
|
Visual Sonnet #1 |
Braxton Soderman |
2004 |
Shockwave, responsive, generative, sonnet |
|
When you reach Kyoto |
Geniwate, Brian Kim Stefans |
2005 |
Shockwave, audio, letters, scheduled, responsive |
|
WhereAbouts |
Orit Kruglanski |
2003 |
animation, poetry, urban, Shockwave, ergodic |