|
"Where you will have been I am..." [not yet found] |
John Cayley |
2009 |
Google, search engine, performance, performance writing, singularity |
|
(S)PACING |
Talan Memmott |
2009 |
installation, performance, keyboard, video, audio, sensors, movement, time, Flash |
|
@Darius_at_GDC |
Darius Kazemi |
2013 |
twitter, bot, social, performance, scheduled |
|
@Tempspence |
Mark C. Marino, Rob Wittig |
2013 |
twitter, social, netprov, performance, generative |
|
A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen |
Lisa Swanstrom |
2011 |
3D, locative literature, narrative, genre, interaction, interactive narrative, actor-network theory, ANT, performance, performativity, spatiality |
|
A Night at the Cybertexts |
|
|
reading, cybertext, performance |
|
abcdefghijklmnopqrstuvwxyz (iPhone app) |
Jörg Piringer |
2010 |
iphone, sound toy, app, letters, kinetic, lettrist, physics, audio, performance, responsive |
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
Amoklæsning |
Simon Gotrian |
2001 |
performance, lyric, e-lit, Nordic, collaborative, mashup, audio-visual, responsive, multimodal |
|
An Evening with Electronic Literature Organization |
|
|
ELC2, reading, performance, collaboration, database, video, kinetic image work, interactive performance |
|
Autostart: A Festival of Digital Literature |
|
|
reading, performance, discussion |
|
B A C K L I T |
Cris Cheek |
2012 |
performance, mailing list, facebook, twitter, translocal, conversation |
|
Baby Work |
Shu Lea Cheang |
2012 |
installation, performance, cloning, child labor, play, haptic, audio, dissemble |
|
Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres |
|
2010 |
embodiment, locative narrative, genre, archiving, hermeneutics, interface, actor-network theory, ANT, performance, performativity, materiality |
|
Bindings |
David Jhave Johnston |
2012 |
video, dance, performance |
|
Borderline |
Donna Leishman |
2012 |
performance, audiovisual, participatory, VJ |
|
Brown E-Fest 2006: A Celebration of New Literary Hypermedia |
|
|
festival, performance, reading |
|
Chyphertext Performance |
Bjørn Magnhildøen |
2007 |
code poetics, network protocols, performance |
|
Cityscapes: Thinking Through Practice |
María Mencía |
2011 |
practice-based research, process, audiovisual, interactive, performance, collage, web, inter-phonetic, multicultural, muli-linguisitc, multi-ethnicities, urban calligram, urban screens |
|
Code: Redact <Redact> |
Sandy Baldwin, Alan Sondheim |
2008 |
codework, language, performance, embodiment, 3D, choreography, psychoanalysis |
|
Connected Memories |
María Mencía |
2009 |
orality, time, refugee, interview, database, narration, installation, Processing, reading, performance |
|
Contemplating Flight |
Donna Leishman |
2008 |
Flash, performance, folktales, interaction, image, symbols |
|
Corporate Text Cannibal |
Patricia Tomaszek |
2008 |
video, performance, poetry, creative cannibalism, digital cannibalism, remix |
|
Curating the MLA 2012 'Electronic Literature' Exhibit |
Dene Grigar, Lori Emerson, Kathi Inman Berens |
2012 |
curation, reading, performance, geolocative works, exhibition, desktop works, mobile work, locative literature |
|
Cyposium: Cyber Performance Symposium |
|
|
performance, cyberfomance, remote performance, internet theatre, screen stage, computer-mediated performance, virtual world |
|
Désir Insuffisant |
Philippe Bootz |
2005 |
parody, paratext, performance |
|
Disposable Language |
Talan Memmott |
2011 |
performance, dance, audio |
|
Do Not Forget It |
Pierre Alferi |
2012 |
video, performance |
|
Dramaturgy and the Digital |
Barbara Bridger |
2013 |
Digital, dramaturgy, performance, digital performance, performance writing, script, generation |
|
Eat Your Tits and Puppets |
Claire Donato, Ian Hatcher |
2010 |
performance, sexuality, duets, feminism, body, code |
|
Electronic Literature Collection, Volume 2 Launch |
|
|
performance, editing, reading, Electronic Literature Collection, editorial, library, roundtable, electronic literature, launch |
|
Electronic Literature Reading at the Richard Hugo House |
|
|
electronic literature, reading, performance, performativity, e-lit |
|
ELMCIP Conference on Remediating the Social |
|
|
conference, exhibition, performance, ELMCIP, Edinburgh, communities |
|
ELMCIP Seminar on Digital Textuality with/in Performance |
|
|
digital textuality, electronic literature, performance |
|
Encapsulating E-Poetry 2009: Some Views on Contemporary Digital Poetry |
Chris Funkhouser |
2009 |
digital poetics, performance, festival, close reading, interfaces, code, terminology, e-poetry, review, transmediality, transtextuality, textual instruments |
|
Enquête Infolipo |
Delphine Riss, Cécile Bucher |
2007 |
survey, process, performance |
|
Etymon / Encarnación |
Loss Pequeño Glazier |
2012 |
video, audio, dance, performance |
|
Expansive Mayhem |
Loss Pequeño Glazier |
2011 |
performance, video, audio, scheduled |
|
exquisite_code |
Brendan Howell |
2009 |
collaboration, constraints, algorithm, codework, algorithmic, performance |
|
Feral C |
Mez Breeze |
2010 |
twitter, blog, hypertext, performance, scheduled, serial |
|
FILMTEXT 2.0 |
Mark Amerika |
2002 |
narrative, performance, literature, remix, film, remediate |
|
Google Earth: A Poem for Voice and Internet |
Manuel Portela |
2011 |
Google, connection, performance |
|
Huis Clos / No Exit |
Annie Abrahams |
2012 |
performance, communication, cross-cultural communication, mediation |
|
Huis Clos / No Exit |
Annie Abrahams |
2012 |
performance, mother tongue, language, telematic, webcam, control, communication, puppets |
|
Hyperlinking in 3D Interactive, Multimedia Performances |
Dene Grigar |
2010 |
3D, hypertext, interactive, performance, linking |
|
I like IRC & SMS |
Rita Raley |
2008 |
IRC, SMS, multimedia, installation, performance, user-generated texts |
|
Instrument Making (Interview with Eric Loyer) |
David Jhave Johnston, Erik Loyer |
2012 |
digital intruments, performance, collaboration |
|
Intermission |
Talan Memmott, Eric Snodgrass |
2011 |
collaboration, cinema, performance, remix, Bergman, dada, film, digital film |
|
Internet Text, 1994- [Through Feb 2, 2006] |
Alan Sondheim |
1994 |
performance, performative, digital textuality, archive, network forms, codework, critical |
|
Into the Green Green Mud |
Eric A. Meyer |
2006 |
animation, HTML, CSS, music, performance, open source, hypertext |
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature |
Martina Pfeiler, Johannes Auer |
2011 |
interview, concrete poetry, code, codework, ASCII, algorithm, performance, HTML, hypertext |
|
Labyrinth |
Martin Rieser |
1997 |
dialectic, monologue, video, performance |
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
Literary Programming (In the Age of Digital Transliteration) |
John Cayley |
1999 |
practice, programming, inscription, performance, poetry, hypertext, generation, kinetic text, transliteration |
|
Live Movies |
Gail White Scott, Kirby Malone |
2008 |
media art, performance |
|
Machinic Performance |
John Lumley |
2012 |
machinic, performance, digital textuality |
|
mayday |
Cris Cheek, Kirsten Lavers |
1998 |
hypertext, collective narrative, mass observation, performance |
|
MIDIPoet |
Eugenio Tisselli |
2002 |
visual poetry, software, performance, performative |
|
Newsrub |
Barbara Campbell |
2009 |
collaboration, performance, news, rubbing, embodiment |
|
O Sujeito-Projeto: Metaperformance e Endoestética |
Claudia Giannetti |
2010 |
embodiment, performance, FILE, artificial intelligence |
|
Occupy MLA |
Mark C. Marino, Rob Wittig |
2011 |
twitter, performance, social, netprov, serial |
|
Paradoxical Print Publishers TRAUMAWIEN |
J. R. Carpenter |
2011 |
print, books, digital literature, performance, publishing |
|
Pentameters Toward the Dissolution of Certain Vectorialist Relations |
John Cayley |
2012 |
digital poetry, digital poetics, Google, reading, performance, critical theory, discourse networks, commons, computationalist linguistics, algorithm |
|
Performance and the Digital Text |
Jerome Fletcher |
2012 |
digital textuality, performance, textuality, context, event |
|
Performance as a Categoriser |
Clive Fencott |
2012 |
playreader, performance, digital textuality, electronic texts |
|
Performances Of Writing In The Age Of Digital Transliteration |
John Cayley |
1998 |
performance, digital writing, programmability, translation |
|
Peurs / Fears |
Annie Abrahams |
2007 |
contributory participation, voices, fear, performance |
|
Plaintext Performance |
Bjørn Magnhildøen |
2006 |
performance, text movie, appropriated texts, javascript, codework |
|
Postales |
Gabriela Golder |
2000 |
labyrinth, expatriation, net art, image and text, nonlinearity, cycles, performance, hypertext |
|
Postmeaning |
David Knoebel |
2011 |
facebook, twitter, performance, poetry |
|
Prosthesis |
Ian Hatcher |
2011 |
performance, embodiment, cognition |
|
Psychographic Poetry |
Chris Funkhouser |
2009 |
poetry, performance, aleatory, remix |
|
PW12 Performance Writing Weekend |
|
|
performance writing, performance, live performance, exhibition |
|
RadioREVOLTEN |
|
|
radio art, net literature, performance |
|
RC_AI |
Judd Morrissey |
2010 |
homage, generative, markov chain, ocr, performance, grammar, natural language, collaboration, Pinocchio, Robert Coover |
|
Re:Mix |
Mark Amerika |
2012 |
performance, remix, program, remediation, social |
|
Reading (de)coherent hypertexts: a creative performance based on a close reading of the German hyperfiction Zeit für die Bombe |
Alexandra Saemmer |
2012 |
hypertext, hyperfiction, performance, reading |
|
Reading by Michelle Teran: Work-in-Progress Guest Lecture |
|
|
social media, narrative, urban, performance, site specific, media archive, Berlin |
|
Reading Time: For a Poetics of Hypermedia Writing |
Bill Marsh |
2001 |
poetics, performance, hypermedia, interpretation, hermeneutics, time, digital textuality, literary criticism, anti-hermeneutics, ephemerality, duration |
|
Reality: Being @SpencerPratt |
Mark C. Marino, Rob Wittig |
2013 |
twitter, social, netprov, performance |
|
Reveal Codes: Hypertext and Performance |
Rita Raley |
2001 |
hypertext, performance, digital textuality, self-reflexivity, combinatorial, links, postmodernism, anamorphosis, complexity, linking |
|
Rhythmus 21 |
Hans Richter |
2012 |
film, dance, performance |
|
Searchsonata 181 |
Johannes Auer, Beat Suter, René Bauer |
2010 |
performance, algorithmic text generation, search engine, encryption, phonetic poetry |
|
Signal Box |
Ian Hatcher |
2012 |
audio, scheduled, dance, performance |
|
Slamming the Sonnet |
Jayne Fenton Keane, David Keane |
2002 |
poetry slam, virtual bodies, voice, performance, interactivity, poetry |
|
Soliloquy |
Kenneth Goldsmith |
2002 |
HTML/DHTML, conceptual, performance, transcription, memoir, appropriated texts, realism |
|
Sootfall |
Arianna Gass, Reed Gaines |
2013 |
netprov, twitter, social, performance |
|
Special America |
Claire Donato, Jeff T. Johnson |
2011 |
American exceptionalism, institutional critique, performance, new aesthetic, memes, radical appropriation, song and dance |
|
Speculation: An Alternate Reality Game |
Stephanie Boluk, Patrick Jagoda, Patrick LeMieux |
2013 |
alternate reality game, performance, gamification, transmedia, social network analysis, science fiction |
|
Star Wars, One Letter at a Time |
Brian Kim Stefans |
2005 |
Flash, conceptual, audio, appropriated texts, performance |
|
Talking Cure |
Noah Wardrip-Fruin |
2002 |
word-and-image, performance, audio, speech-to-text, speech recognition, psychoanalysis, sound environment, image to text, Freud |
|
The Accidental Artist |
Alan Sondheim |
2009 |
virtual world, performance, exhibition |
|
The Famous Sound of Absolute Wreaders |
Johannes Auer, Reinhard Döhl, Beat Suter, René Bauer, Martina Kieninger, Sylvia Egger |
2003 |
radio art, net literature, performance, algorithmic text generation |
|
The Last Performance |
Judd Morrissey, Mark Jeffery |
2007 |
architecture, ambient sound, constraint, collaboration, hypertext, conceptual, generative, performance, database, procedural, installation |
|
The Misanthrope of Karlskrona |
Scott Rettberg |
2011 |
generator, comedy, cross-cultural communication, performance |
|
The Nowhere Dance |
Alan Sondheim |
2009 |
performance, virtual world |
|
The Precession |
Mark Jeffery, Judd Morrissey |
2009 |
performance, distributed narrative, twitter, collective narrative |
|
The Print Map as a ‘literary platform’ |
J. R. Carpenter |
2013 |
map, mapping, print, publishing, publishing models, QR code, generation, performance |
|
The Quiddities |
Joe Milutis |
2011 |
digital humanities, creative non-fiction, online writing, experimental poetics, Shakespeare, datamining, print on demand, referentiality, performance, embodiment, noise |
|
The River Dart |
J. R. Carpenter |
2009 |
serial, twitter, social, performance |
|
The sport of détournement, the détournement of sport, basic skills for media remixes |
Rob Wittig |
2009 |
performance, sports, rhetoric, remix, baseball, soundboard |
|
The Torrent |
Joe Milutis |
2009 |
collaboration, expanded fiction, print on demand, installation, blog, oblivion, video art, performance, remix, translation, intellectual property, authorship, virtual literature |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
|
The World As Yours |
Loss Pequeño Glazier |
2012 |
audio, video, dance, performance |
|
There he was, gone. |
J. R. Carpenter |
2012 |
generative, narrative, dialogue, performance, maps, place |
|
TRANS.MISSION [A.DIALOGUE] |
J. R. Carpenter |
2011 |
generator, generative narrative, narrative, dialogue, performance, script, javascript, network archaeology, media archaeology |
|
Trickle |
Jörg Piringer |
2012 |
kinetic, dance, performance, audio, scheduled |
|
Trope |
Sarah Waterson, Elena Knox, Christyn Davies |
2008 |
poetry, collaboration, performance, Second Life, tropes, video, wordtoy, virtual environment |
|
Upstage |
Helen Varley Jamieson |
2012 |
collaboration, performance, networked community |
|
Vienna Underground: The Third Woman Project |
Martin Rieser |
2008 |
sensors, sound art, installed text, performance, bioterrorism, game, locative, video installation |
|
Voice of the poet programmer Jörg Piringer |
J. R. Carpenter |
2011 |
digital poetry, performance, voice activated, visual poetry |
|
Битница: A Translation |
Joe Milutis |
2010 |
video, appropriated texts, translation, performance, homophonic, homolexic, audiovisual, vispo, transmutilation |