|
"Of Dolls and Monsters": An Interview with Shelley Jackson |
Rita Raley |
2002 |
narrative, hypertext, materiality, fiction, Storyspace, interview, body, monstrosity, information, fantasy, link, image and text |
|
(R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling |
Allegra Pietera |
2008 |
pedagogy, space, video, narrative, interdisciplinary, storytelling |
|
A Clash between Game and Narrative |
Jesper Juul |
1998 |
computer games, interactive fiction, narrative |
|
A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen |
Lisa Swanstrom |
2011 |
3D, locative literature, narrative, genre, interaction, interactive narrative, actor-network theory, ANT, performance, performativity, spatiality |
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
|
A [S]creed for Digital Fiction |
Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Kristian Rustad, Jess Laccetti, Jessica Pressman |
2010 |
narrative, digital fiction, literary criticism, screed, keywords, methodology, critical terms |
|
ABC LA: Portrait d'une ville en 26 lettres |
Béatrice Mousli, Guy Bennett |
2009 |
multimodal, narrative |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
Aesthetics and Literature: A Problematic Relation? |
Peter Lamarque |
2007 |
literature, aesthetics, appreciation, poetry, narrative |
|
afternoon, a story |
Michael Joyce |
1990 |
hypertext, fiction, Storyspace, tragedy, associative indexing, narrative, Eastgate, trauma |
|
All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation |
Scott Rettberg |
2005 |
narrative, collaboration, fiction, collective, participation, systems |
|
All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities |
Scott Rettberg |
2011 |
hypertext, collaboration, communities, storytelling, narrative, collective narrative |
|
Ambulance: An Electronic Novel |
Jaime Levy, Monica Moran |
1993 |
music, narrative |
|
Avatars of Story |
Marie-Laure Ryan |
2006 |
narrative, hypertext, Storyspace, interactive drama, games, narrative theory, story |
|
BA-Tale |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, intermedial, narrative, Slovak, Bratislava, storytelling |
|
Bare Bones |
Joeyllyn Rock |
2002 |
fairly tale, translation, subversion, adaptation, desire, narrative, hypertext |
|
Beyond Myth and Metaphor: Narrative in Digital Media |
Marie-Laure Ryan |
2002 |
narrative, hypertext, digital narrative, digital media, metaphor, narrative interface, interactivity |
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Blue Light |
Kirsten Petersen, Nicole Anderson, Page Schumacher, Kevin Diep, Allison Gray, Tyler Lundfelt, Dylan Symington |
2011 |
mobile, locative, narrative, security |
|
Bread.Crumbs |
Talan Memmott |
1998 |
textual, narrative, linear, mythology, hypertext, hyperlink |
|
Bust Down the Doors! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
narrative, audio, Flash, experimental cinema |
|
Califia |
M. D. Coverley |
2000 |
fiction, novel, multimedia, California, character, history, hypertext, multimodal, narrative, Toolbook |
|
Catalogue: Nothingness |
Kate Armstrong |
2003 |
intervention, narrative, hypertext, consumerism, defamiliarization |
|
Chroma |
Erik Loyer |
2001 |
narrative, poetry, audio, Shockwave, games, race |
|
Circle |
Caitlin Fisher |
2011 |
augmented reality, narrative |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
CityFish |
J. R. Carpenter |
2011 |
conference, city, narrative, QuickTime, google maps, new york, Nova Scotia, panorama |
|
Collection |
Greg Philbrook |
2011 |
narrative, video |
|
Composition No. 1 |
Marc Saporta |
2011 |
app, artist book, cybertext, nonlinear fiction, narrative |
|
Computing Language and Poetry |
Nick Montfort |
2012 |
poetry generator, digital poetics, narrative, computer narrative, interactive fiction, narratology, stanzory |
|
Conclusion: Whither American Fiction? |
Jessica Pressman |
2012 |
american fiction, remediation, narrative, electronic literature |
|
Connecting Memories: Contextualizing Creative Research Practice |
María Mencía |
2011 |
practice-led research, research, narrative, interactive, refugee |
|
Creating Interactive Fiction with Inform 7 |
Aaron A. Reed |
2010 |
authoring, interactive fiction, how-to, programming, narrative, gaming |
|
Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation |
Donna Leishman |
2004 |
animation, digital narrative, fragital, handcrafting, interactivity, resistance, narrative |
|
Croatian Tales of Long Ago |
Helena Bulaja |
2002 |
mythology, folk tales, animation, interactive animation, Flash, game, narrative, children's literature |
|
Curveship: An Interactive Fiction System for Narrative Variation |
Nick Montfort |
2011 |
interactive fiction, narratology, narrative, IF, interactive fiction system, narrative variation |
|
Custom Orthotics Changed My Life |
Richard Holeton |
2010 |
powerpoint, slideshow, bullet points, narrative, video |
|
Dadaventuras |
Chris Joseph, Maria Colino |
2004 |
absurd, aleatory narrative, dada, Flash, hypermedia, narrative, random |
|
Dakota |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
narrative, Flash, digital modernism, digital fiction, road narrative |
|
Das Epos der Maschine |
Urs Schreiber |
1998 |
cybertext, e-poetry, epic, machine control, multimodal, narrative, sound |
|
Deep Surface |
Stuart Moulthrop |
2007 |
narrative, Flash, reading, interpretation, hermeneutics, audio, textual instrument, hyptertext, immersion |
|
Deviant: The Possession of Christian Shaw |
Donna Leishman |
2004 |
narrative, Flash, visual narrative, story, place, animation, audio |
|
Digital Literature: From Text to Hypertext and Beyond |
Raine Koskimaa |
2000 |
hypertext, narrative, cybertext, ontolepses, metalepsis, spatial, hermeneutics, poetics, reading conventions |
|
Digital Media |
Scott Rettberg, Jill Walker Rettberg |
2010 |
teaching, interactive fiction, narrative, hypertext, pedagogy, electronic literature |
|
Digital Storytelling (DTC 354) |
|
|
e-lit, digital storytelling, narrative, critique, production, curation, field trip, gallery |
|
Dim O'Gauble |
Andy Campbell |
2007 |
narrative, Flash, digital fiction, dreams, vision, future, nightmare, paranormal, video art, glimpsing |
|
Disappearing Rain |
Deena Larsen |
2000 |
fiction, hypertext, narrative, hypertext fiction, links, haiku, poetry, generations, disappearance |
|
Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue |
Anthony Enns |
2001 |
narrative, reading, hypertext fiction, interpretation, hermeneutics, plot, closure, ending |
|
Down Time |
Rob Swigart |
2000 |
hypertext fiction, narrative, silicon valley, fiction, music, Director |
|
E-lit Writing Exercise: Locative Corpse |
|
|
narrative, collaboration, locative, writing exercise, exquisite corpse |
|
E-literature |
Joseph Tabbi |
2011 |
narrative, materiality, writing under constraint, electronic literature, e-lit, semantic web, constraint, meaning, Oulipian, differentiation, transclusion, world literature, literalism, semantics, Oulipo |
|
Editor's Introduction: Reconfiguring Place and Space in New Media Writing |
Scott Rettberg |
2006 |
narrative, place, body, space, locative narrative, navigation |
|
El Dorado: Scenes from the Road |
Rob Wittig |
1998 |
road trip, narrative, horizontal scroll, cross-cultural communication, episodic, maps |
|
Enfonçons la Porte! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, narrative |
|
Ergodic Characters |
Gonzalo Frasca |
1999 |
character, ergodic, game, narrative, secondary character, user control |
|
Event-Sequences, Plots and Narration in Computer Games |
Fotis Jannidis |
2006 |
computer games, player, narrative, ludology, narratology |
|
Excerpts from the Chronicles of Pookie & JR |
J. R. Carpenter |
2009 |
generative fiction, generative narrative, narrative, generator, Python, javascript, dialogue, remix, translation |
|
Experiments in Literary Cartography |
José Carlos Silvestre |
2010 |
spatiality, hypertext fiction, electronic fiction, narrative, maps, cartography, google maps |
|
Expressive Processing: Digital Fictions, Computer Games, and Software Studies |
Noah Wardrip-Fruin |
2009 |
narrative, game studies, story generation, software studies, platform, authoring system, digital fiction, computer games, algorithmic criticism |
|
FILMTEXT 2.0 |
Mark Amerika |
2002 |
narrative, performance, literature, remix, film, remediate |
|
Firefly |
Deena Larsen |
2002 |
stanzas, narrative, hypertext |
|
Flight Paths: A Networked Novel |
Kate Pullinger, Chris Joseph |
2008 |
collaboration, narrative, Flash, networked novel, network forms, adolescence, contributory |
|
Focalization and Digital Fiction |
David Ciccoricco |
2012 |
focalization, narratology, narrative, digital fiction, cybernetic narration |
|
Folgen |
Michelle Teran |
2011 |
narrative, site specific, locative, Berlin, urban, geolocative, social media, YouTube |
|
For Thee: A Response to Alice Bell |
Stuart Moulthrop |
2010 |
narrative, genre, hyperfiction, hypertext fiction, hypertext criticism, hypertext narrative, possible worlds theory, networks, experimental fiction, cognitive mapping, network theory, general economy, attention, obsolescence |
|
Forward Anywhere |
Judy Malloy, Cathy Marshall |
1995 |
collaboration, narrative, epistolary, email, hypertext fiction, family, childhood, memoir |
|
Fragments of Distances |
Jaka Železnikar |
2010 |
web-based, narrative, google maps, remembering |
|
From (W)reader to Breather: Cybertextual De-intentionalization and Kate Pullinger's Breathing Wall |
Astrid Ensslin |
2011 |
intentionality, retro-intentionalization, cybertext narratology, perception, reception, narrative, embodiment, cybersomatic, digital narrative |
|
From Ireland with Letters |
Judy Malloy |
2012 |
hypertext fiction, hypertext poetry, polyphonic literature, narrative, slavery, migration, Irish culture, 17th century |
|
Frontiers of Narrative |
|
|
book series, narrative, narratology, transmodal |
|
Game-Based Digitally Mediated Narrative Construction |
Frances Lucretia Van Scoy |
2010 |
short story, novel, Sydney Sheldin, game, text based, artificial intelligence, narrative, game-generated narrative, player character, authoring system |
|
Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding |
Stuart Moulthrop |
1999 |
narrative, comics, games, meaning, postmodern |
|
gCreating: Adventure in Style and The Marble Index in Curveship |
Nick Montfort |
|
interactive fiction, narration, narrative, literary art, interactive fiction system, artificial intelligence, e-lit, electronic literature |
|
GENERATION(S) |
J. R. Carpenter |
2010 |
code, remix, generative poetry, print, generative narrative, narrative, book, third-person narrative |
|
Glitch |
Katherine Chen, Phillip Chow, Yasmin Kadry, Vicky Lai, Kelsey Marotta |
2011 |
mobile, locative, site-specific, narrative, diary, blog |
|
Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Golpe de gracia and the Latin American Electronic Literature |
Perla Sassón-Henry |
2010 |
Golpe de Gracia, electronic literature, narrative, cross-platform narrative |
|
Grafik Dynamo (Catalog) |
Joseph Tabbi, Kate Armstrong, Michael Tippett |
2010 |
narrative, word-and-image, textuality, affect, literary criticism, comics, sublime, image and text, designwriting, graphic design |
|
Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet |
Joseph Tabbi |
2010 |
narrative, non-linearity, literary modalities, combinatory |
|
Honeymoon in Beppu |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
Flash, narrative |
|
House of Leaves |
Mark Z. Danielewski |
2000 |
narrative, novel, typography, print fiction, satire, postprint novel, postmodern fiction, horror, romance, mystery |
|
How We Think: Digital Media and Contemporary Technogenesis |
N. Katherine Hayles |
2012 |
digital humanities, technogenesis, hyper reading, skimming, scanning, reading, neurology, humanities, narrative, database, spatiality |
|
image + narrative |
|
1997 |
electronic book review, image, narrative, literary theory, literary criticism, image and text |
|
Immobilité |
Mark Amerika |
2011 |
mobile, video, narrative, iOS, iphone |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
Inanimate Alice, Episode 4: Hometown |
Kate Pullinger, Chris Joseph |
2008 |
narrative, audio, games, visual narrative, collaboration |
|
Inigo Gets Out |
Amanda Goodenough |
1987 |
children's literature, cats, hypercard, graphic, point-and-click, narrative |
|
Inside Blackwell Mansion |
Claudia Yi Leon |
1999 |
3D, spatial narrative, Quicktime VR, haunted house, voice, narrative |
|
Introduction [to New Narratives: Stories and Storytelling in the Digital Age] |
Ruth Page, Bronwen Thomas |
2012 |
narrative, storytelling, narratology, digital narrative, new media narrative, interactive fiction, hypertext, digital narratology, narrative interaction, identity, fiction |
|
Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters |
Rob Wittig |
2011 |
narrative, fiction, form, electronic literature, textuality, writing-history of, design, slideshow |
|
Junction of Image, Text, and Sound in Net.fictions |
Zuzana Husárová |
2008 |
narrative, fiction, narratology, multisensory reading, reading-multisensory |
|
Kind of Blue |
Scott Rettberg |
2002 |
collaboration, novel, epistolary, remix, e-mail fiction, email, narrative, intertextuality, multivalent, conspiracy, madness |
|
La plissure du texte |
Roy Ascott |
1983 |
collaboration, narrative, fairy-tale |
|
Lair of the Marrow Monkey |
Erik Loyer |
1998 |
Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
Les Amants de Beaubourg |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
Flash, narrative |
|
Locative Narrative, Literature and Form |
Jeremy Hight |
2010 |
narrative, space, style, locative narrative |
|
London Eye |
Diane Greco Josefowicz |
2000 |
Flash, narrative, responsive, image and text, intertextuality |
|
Making Art Online |
Judy Malloy |
1991 |
collaboration, information art, narrative, artist statement |
|
Michigan Agricultural College Tour |
Katy Meyers |
2011 |
gowalla, locative, narrative, tour, fictionalized documentary, historical, fictional characters |
|
Mindwheel |
Robert Pinsky |
1984 |
interactive fiction, narrative, narrative games, games |
|
Modes of Narrative Specific to AI (Interview with Jichen Zhu) |
Jichen Zhu, David Jhave Johnston |
2012 |
artificial intelligence, cognitive science, association, narrative |
|
Morpheus Biblionaut |
William Gillespie, Travis Alber |
2009 |
narrative, space, linear, post-apocalyptic, science fiction, prose poem, Flash, collaboration |
|
MyNovel.org |
Alan Bigelow |
2006 |
power, satire, Flash, narrative |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
Narration, Intrigue, and Reader Positioning in Electronic Narratives |
Daniel Punday |
2012 |
narrative, reader, intriguee, intrigue, narratee, agency |
|
Narrative (Pre)Occupations: Self-Surveillance, Participation, and Public Space |
Carolyn Guertin |
2012 |
surveillance, narrative, electronic literature |
|
Narrative Archaeology and the New Narrativology |
Jeremy Hight |
2004 |
narrative, story, place, locative narrative |
|
Narrative choice-making, literary trajectories and interactive environments: on the structure and writing of the Unknown Territories |
Roderick Coover |
2010 |
narrative, choice making, literary history, exploration |
|
Narrative in Social Media |
Dene Grigar |
2011 |
narrative, social media, social networking, twitter |
|
Narrative Motors |
Eugenio Tisselli |
2010 |
narrative, tropes, procedural, metaphor, databases, combinatory, style, metadata, dynamic, degenerative |
|
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext |
Laura Shackelford |
2005 |
narrative, remediation, hypertext, postmodern fiction, hypertext theory, subjectivity, gender |
|
Narrative Units |
Ethan Miller |
2006 |
information theory, narrative, visualization, video, software system, Python |
|
Networked Improv Narrative (Netprov) and the Story of Grace Wit & Charm: Rob Wittig's Thesis Defense |
Rob Wittig |
2011 |
netprov, improv, games, narrative |
|
New Media Creative Writing (English 5764, Fall 2007) |
|
|
narrative, poetry, hypertext |
|
New Narratives: Stories and Storytelling in the Digital Age |
|
2011 |
narrative, storytelling, narrative theory, hypertext, digital narratology, narratology |
|
Of Day, of Night |
Megan Heyward |
2005 |
visual, hypertext, narrative, memory |
|
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World |
Jennifer Smith |
2010 |
narrative, interaction, communal narratives, collective narrative, social media |
|
Palavrador |
Chico Marinho |
2006 |
narrative, 3D, collaboration, generative, critical/political/philosophical, virtual environment |
|
Palimpsest |
Alison Clifford, Graeme Truslove |
2011 |
narrative, virtual |
|
Passage |
Jason Rohrer |
|
narrative, game |
|
Personal Narratives, Corporate Templates |
Jill Walker Rettberg |
2009 |
narrative, locative, social networks, semantic |
|
Pieces |
Robert Kendall |
2008 |
narrative, jigsaw puzzle, assemblage, configuration, XML |
|
Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction |
Maria Engberg |
2010 |
narrative, anxiety |
|
popołudnie, pewna historia |
Michael Joyce |
2011 |
hypertext, fiction, tragedy, associative, indexing, narrative, trauma |
|
Pyxis Byzantium |
M. D. Coverley |
2008 |
hypertext, narrative, time, history, Byzantium, Constantinople, map, landscape |
|
Quibbling |
Carolyn Guyer |
1992 |
hypertext fiction, text, hypertext narrative, narrative, ecriture feminine, fragmentation, identity |
|
Radiant Copenhagen |
Anders Bojen, Kristoffer Ørum |
2009 |
map, collaborative, future, science fiction, speculative, narrative, spatial, geography |
|
Reach, a Fiction |
Michael Joyce |
2001 |
narrative, hypertext fiction |
|
Reading by Michelle Teran: Work-in-Progress Guest Lecture |
|
|
social media, narrative, urban, performance, site specific, media archive, Berlin |
|
Reading Network Fiction |
David Ciccoricco |
2007 |
narrative, hypertext, reading, interpretation, network fiction |
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
Reconstructing Mayakovsky |
Illya Szilak |
2008 |
narrative, hypertext, video, database, text movie, documentary, games |
|
Rush |
Torbjørn Skårild |
2006 |
Norwegian, Scandinavian, hypertext, narrative, choice, consequences, death, crime, money |
|
Seeing through the Blue Nowhere: On Narrative Transparency and New Media |
Michael Joyce |
2011 |
narrative, transparency, digital aesthetics, disorientation, poststructuralism, mediation, literary theory |
|
Senghor on the Rocks |
Florian Ledermann, Christoph Benda |
2008 |
narrative, novel, geopoetics, postcolonial, mapping, geodata, locative, network forms, multilingual, network |
|
Senghor on the Rocks: A Georeferenced Electronic Novel |
Christoph Benda, Florian Ledermann |
2008 |
narrative, novel, geopoetics, mapping, cartography |
|
She's a Flight Risk... |
Isabella V. |
2003 |
narrative, blog, fictional, hoax |
|
SKIN: A Mortal Work of Art |
Shelley Jackson |
2005 |
narrative, conceptual, distributed, tattoo, physical, hybrid |
|
Slice |
Toby Litt |
|
blog, narrative, twitter |
|
Soft Cinema: Navigating the Database |
Lev Manovich, Andreas Kratky |
2005 |
narrative, ambient narrative, cinema, database |
|
Stravinsky's Muse |
Mark C. Marino |
2002 |
narrative, Flash, hypertext, fiction, lexicon, animation |
|
STRUTS |
J. R. Carpenter |
2011 |
narrative, RSS, place, javascript |
|
Stuck in a Loop? Dialogue in Hypertext Fiction |
Thomas Bronwen |
2007 |
narrative, hypertext fiction, dialogue |
|
Suits: A Narrative of About Twenty-Seven Hours, More or Less |
Jennifer Roudabush |
2011 |
narrative, non-linear, loss, memory |
|
Tale-Spin |
James Richard Meehan |
1976 |
story generator, generation, narrative, expressive processing |
|
Teaching Narrative Theory |
|
2010 |
teaching, narrative, theory |
|
Technologies That Describe: Data Visualization and Contemporary Fiction |
Heather Houser |
2012 |
visualization, data visualization, contemporary fiction, prose, narrative, literary studies, interpretation, design, visual culture |
|
The 24-Hr. Micro-Elit Project |
Dene Grigar |
2009 |
twitter, microfiction, collaboration, narrative |
|
The Bomar Gene |
Jason Nelson |
2005 |
narrative, interface, family, mutation, genetics |
|
The Broadside of a Yarn |
J. R. Carpenter |
2012 |
networked narrative, narrative, multimodal, performative, map, generative, QR code, dialogue, literature, performance writing |
|
The Broadside of a Yarn: A Situationist Strategy for Spinning Sea Stories Ashore |
J. R. Carpenter |
2012 |
multimodal, locative narrative, narrative, generative, generative narrative, performative, map, mapping, situationist |
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
The Cape: The Backstory |
J. R. Carpenter |
2008 |
narrative, fiction |
|
The Compelling Charm of Numbers: Writing for and thru the Network of Data |
Roberto Simanowski |
2012 |
facebook, diaries, personal, narrative, non-fiction, representation, quantified self |
|
The Death of a Factory |
Anni Kämäräinen |
1999 |
narrative, documentary, non-fiction, report, factories, sound art |
|
The Flat |
Andy Campbell |
2005 |
narrative, horror, nightmare, dark, haunting, ghost, suspense, atmospheric, multimodal, childhood memories |
|
The Fugue Book |
Ton Ferret |
2008 |
narrative, Flash, collaboration, facebook, network forms, critical/political/philosophical, php |
|
The Glass Snail: a Pre-Christmas Tale |
Milorad Pavić |
2003 |
narrative, fiction, multilinear, christmas |
|
The Heuristics of Automatic Story Generation |
Marie-Laure Ryan |
1987 |
narrative, generative, story generation |
|
The History of Hypertext Authoring and Beyond: Interview with Stuart Moulthrop |
Judy Malloy, Stuart Moulthrop |
2011 |
hypertext, history, games, narrative, coding |
|
The Jew's Daughter |
Judd Morrissey |
2000 |
narrative, collaboration, generative text, HTML/DHTML, hypertext, interactive, intertexutality, fiction, Flash, single page, stretchtext |
|
The Life of the City of the Mind |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2011 |
Flash, experimental cinema, jazz, narrative |
|
The Machinimatic Moment |
Gregory Turner-Rahman |
2008 |
machinima, narrative, user-generated, game, liminality |
|
The Postmodern Condition: A Report on Knowledge |
Jean-François Lyotard |
1984 |
postmodernism, epistemology, postmodernity, modernity, performativity, technology, legitimation, language games, paralogy, narrative, metanarrative |
|
The Princess Murderer |
Geniwate, Deena Larsen |
2003 |
narrative, hyperfiction, fiction, presence, subversion, gender, death, murder |
|
The Raw Shark Texts |
Steven Hall |
2007 |
narrative, fiction, memory, experimental fiction, print fiction, amnesia, innovative fiction |
|
The Reading Glove |
Karen Tanenbaum, Joshua Tanenbaum |
2012 |
haptic, interface, touch, physical, narrative, spy novel, audio narrator, interactive narrative, embodied |
|
The Strategy of Digital Modernism: Young-Hae Chang Heavy Industries's Dakota |
Jessica Pressman |
2008 |
narrative, reading, intertextuality, interpretation, hermeneutics, close reading, digital modernism, modernism, Beat literature, jazz, remediation, retro, plot, Ezra Pound, high modernism |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
There he was, gone. |
J. R. Carpenter |
2012 |
generative, narrative, dialogue, performance, maps, place |
|
There, There Square |
Jacqueline Goss |
2008 |
map, narrative, locative, cartography, Flash |
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
This Is Not A Poem |
Alan Bigelow |
2010 |
poetry, game, remix, toy, language engine, DJ, multimodal, narrative |
|
Tierra de Extracción |
Domenico Chiappe, Andreas Meier |
2000 |
narrative, collaboration, hypertext, audio, Shockwave, multilingual or non-english |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
Tokyo Garage |
Scott Rettberg |
2009 |
generative, narrative, poetry, city, javascript, remix, urbanity, metropolis, tokyo, homage, détournement |
|
TRANS.MISSION [A.DIALOGUE] |
J. R. Carpenter |
2011 |
generator, generative narrative, narrative, dialogue, performance, script, javascript, network archaeology, media archaeology |
|
Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext |
Stuart Moulthrop |
1995 |
hypertext fiction, narrative, hypertext narrative |
|
Tretet die Tür ein! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, narrative |
|
Trilogy |
Lisa Bloomfield, Rod Moore, Katherine Haake |
2001 |
hypertext, narrative, story, animation, HTML, visual narrative |
|
Tristessa |
Morten Skogly |
|
narrative, generative, short story |
|
Twelve Blue |
Michael Joyce |
1996 |
narrative, HTML/DHTML, hypertext, fiction, Storyspace |
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
Urheilulajeja hentorakenteisille |
Sari Taimela |
|
narrative, hypertext |
|
Using Gowalla to Create a Historical Narrative |
Katy Meyers |
2011 |
narrative, documentary, artist statement, locative narrative |
|
Walk This Way: Mobile Narrative as Composed Experience |
Rita Raley |
2010 |
narrative, locative, mobile, typology, experiential, environment, experience, movement |
|
Waxweb |
David Blair |
1993 |
film, interactive video, hypertext, bees, tragedy, narrative, time |
|
Web 2.0 Storytelling: Emergence of a New Genre |
Bryan Alexander, Alan Levine |
2008 |
web 2.0, Flickr, facebook, YouTube, twitter, narrative, genre, overview |
|
Web/Fiction/Design: A brief beta-test of this year’s winner of the ELO Awards, Caitlin Fisher’s These Waves of Girls |
Anja Rau |
2001 |
design, usability, narrative, review, awards, authorship, collaboration, Flash, Electronic Literature Organization, ELO |
|
Whale Hunt |
Jonathan Harris |
2007 |
photography, multimodal, narrative |
|
When I Was President |
Alan Bigelow |
2007 |
multimodal, narrative, Flash, politics |
|
Who is Flora? |
Travis Alber |
2002 |
Flash, narrative, travel, postcards, found text |
|
Whom the Telling Changed |
Aaron A. Reed |
2005 |
interactive fiction, narrative, hypertext, fiction, Inform |
|
With Love, from a Failed Planet |
Jason Nelson |
2011 |
narrative, satire, humor, neoliberalism, short fiction, corporations, capitalism |
|
Wreader's Digest - How To Appreciate Hyperfiction |
Anja Rau |
2001 |
interface, narrative, fiction, close reading |
|
Zombies, Run! |
Naomi Alderman |
2011 |
locative narrative, narrative, iphone, app, game, zombies |
|
[the perpetual bed] |
Mary Flanagan |
1998 |
VRML, chat, world, video, narrative, surrealist |
|
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives |
J. Yellowlees Douglas |
1994 |
closure, narrative, hypertext |