|
(S)PACING |
Talan Memmott |
2009 |
installation, performance, keyboard, video, audio, sensors, movement, time, Flash |
|
Dig |
Steve Duffy |
2010 |
animation, movement, javascript, argument |
|
PING |
Kate Armstrong |
2003 |
locative, space, movement, commands, perception, mood, situationist |
|
Sky and Wires: At Home and Homeless |
Blake Carrington |
2007 |
media art, video, cartography, movement, stillness |
|
Stream |
Simon Biggs |
2003 |
installation, interactive, 3D, movement, streams, mapping, remote presence |
|
Text Rain |
Romy Achituv, Camille Utterback |
1999 |
installation, text instrument, interactive, movement, embodiment, image to text |
|
The Distributed Legible City |
Jeffrey Shaw |
1998 |
concrete poetry, urban, distributed, embodiment, installation, interaction, movement, architecture, multi-user |
|
The Legible City |
Jeffrey Shaw, Dirk Groeneveld |
1989 |
concrete poetry, urban, embodiment, installation, movement, architecture |
|
Tradition i opbrud |
|
2005 |
avante-garde, movement |
|
Triple Echo: Orpheus and Euridyce |
Martin Rieser |
2000 |
mythology, installation, interactive video, choric functions, movement |
|
Untitled 5 |
Camille Utterback |
2004 |
movement, space, projection, data visualization, cumulative interaction |
|
VIDEOPLACE |
Myron Krueger |
1975 |
embodiment, body, responsive environment, real-time, projection, video, movement, artificial reality, interface, gesture |
|
Walk This Way: Mobile Narrative as Composed Experience |
Rita Raley |
2010 |
narrative, locative, mobile, typology, experiential, environment, experience, movement |
|
Why Digital Literature Has Always Been “Beyond the Screen” |
Andrew Michael Roberts |
2010 |
interactivity, embodiment, affect, body, movement, enactment, depth, impersonality |