|
8 Brincadeiras para Salette Tavares |
Rui Torres |
2010 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, intertextuality, poetry generator |
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
Amor de Clarice |
Rui Torres |
2005 |
Flash, textual instrument, appropriated texts, visual poetry, intertextuality, sound, video, intermediality |
|
Amor de Clarice (v. 2). Versão Combinatória |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Amor de Clarice [Resenha] |
Pedro Reis |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Amor-mundo, ou a vida, esse sonho triste (cn) |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Apenas estas palavras mutantes |
Pedro Barbosa |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature, sound |
|
Apresentação de Amor de Clarice |
Sérgio Bairon |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature |
|
Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective |
Asunción López-Varela Azcárate |
2008 |
intertextuality, textuality, digital literacy, literary studies, intermediality, multimodality |
|
E-Borges: Stuart Moulthrop’s Victory Garden |
Álvaro Seiça |
2012 |
war, intertextuality, Borges, labyrinth |
|
Electronic Literature and the Mashup of Analog and Digital Code |
Eduardo Navas |
2010 |
electronic literature, intertextuality, mashup, remix, networked culture |
|
forking paths |
Stuart Moulthrop |
1987 |
hypertext, intertextuality, pastiche, adaptation |
|
Frankenstein; or, The Modern Prometheus |
Mary Shelley |
1831 |
intertextuality, literature, gothic, monster, knowledge, Prometheus, education |
|
Húmus poema contínuo |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
Intertextuality in Digital Poetry |
Yra van Dijk |
2008 |
digital poetry, hypertext theory, intertextuality, hypertextuality, electronic poetry, interpretation, hermeneutics |
|
Kind of Blue |
Scott Rettberg |
2002 |
collaboration, novel, epistolary, remix, e-mail fiction, email, narrative, intertextuality, multivalent, conspiracy, madness |
|
Ler Clarice Lispector, re-escrevendo Amor |
Rui Torres |
2004 |
appropriated texts, appropriation, digital literature, digital poetry, intertextuality |
|
London Eye |
Diane Greco Josefowicz |
2000 |
Flash, narrative, responsive, image and text, intertextuality |
|
Mar de Sophia |
Rui Torres |
2005 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
Poetic Transformations in(to) the Digital |
Friedrich W. Block, Rui Torres |
2007 |
adaptation, intertextuality, poetics, visual poetry, sound poetry, combinatory, algorithmic |
|
Scripting Writing and Reading in Jim Andrews's Digital Poems |
Manuel Portela |
2010 |
visuality, semiotics, animation, intertextuality, digital toys |
|
The Meddlesome Passenger |
Scott Rettberg |
2002 |
hypertext, fiction, intertextuality, textuality, poststructuralism, death of the author, travel |
|
The Strategy of Digital Modernism: Young-Hae Chang Heavy Industries's Dakota |
Jessica Pressman |
2008 |
narrative, reading, intertextuality, interpretation, hermeneutics, close reading, digital modernism, modernism, Beat literature, jazz, remediation, retro, plot, Ezra Pound, high modernism |
|
The Way North |
Joel Weishaus |
2006 |
climate change, myth, inuit culture, audio, video, hypertext, intertextuality |