|
Intent is Important (a sketch for a progressive criticism) |
Adrian Miles |
2003 |
intention, intentionality, interpretation, literary criticism |
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"Terminal Hopscotch": Navigating Networked Space in Talan Memmott's Lexia to Perplexia |
Lisa Swanstrom |
2011 |
aesthetics of spatial dislocation, interpretation, digital literacy, grid |
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A Response to "A New 'Gospel of the Three Dimensions'" |
Marie-Laure Ryan |
2012 |
interpretation, experience, electronic literature, digital literary art |
|
Code, Interpretation, Avant-garde |
Roberto Simanowski |
2011 |
code, interpretation, avant-garde |
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Contrasts and Convergences of Electronic Literature |
Dene Grigar |
2012 |
electronic literature, literary history, literature and technology, interpretation |
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Deep Surface |
Stuart Moulthrop |
2007 |
narrative, Flash, reading, interpretation, hermeneutics, audio, textual instrument, hyptertext, immersion |
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Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations |
Roberto Simanowski |
2011 |
interactive, close reading, kinetic poetry, mapping, locative, meaning, hermeneutics, interpretation, desemanticization, code, body, presence, erotics |
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Digital Poetry and the Limits of Interpretation (ENGL 5559) |
|
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electronic literature, digital poetry, interpretation, avant-garde, concrete poetry, procedural poetics, codework |
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Distributed Matters: Production of Presence and the Augmented Textuality of VR |
Luciana Gattass |
2012 |
presence, presence effects, interpretation, CAVE |
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Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue |
Anthony Enns |
2001 |
narrative, reading, hypertext fiction, interpretation, hermeneutics, plot, closure, ending |
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E-poetry: the Palpable Side of Signs |
Giovanna Di Rosario |
2008 |
visual poetry, materiality, epoetry, interpretation, writing, grammatology, calligram, meaning, typography, syntax, entax, rhopalic |
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How to Read Words in Digital Literature |
Alckmar Luiz dos Santos |
2010 |
poetics, digital poetry, reading, interpretation, e-poetry, infopoems, epigrammatic |
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How We Read: Close, Hyper, Machine |
N. Katherine Hayles |
2010 |
reading, hyperreading, close reading, machine reading, pedagogy, teaching, distant reading, interpretation, literary studies, digital humanities |
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I, Apparatus, You: A Technosocial Introduction to Creative Practice |
Jenny Weight |
2006 |
apparatus, dialogue, interpretation, phenomenology, programming, technosocial, text-as-apparatus, trilogue, uncanny |
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Intertextuality in Digital Poetry |
Yra van Dijk |
2008 |
digital poetry, hypertext theory, intertextuality, hypertextuality, electronic poetry, interpretation, hermeneutics |
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Is There a Text on This Screen? Reading in an Era of Hypertextuality |
Bertrand Gervais |
2008 |
textuality, digital textuality, reading, interpretation, materiality, digital materiality, hypertext |
|
New Word Order: Basra |
Sandy Baldwin |
2006 |
3D, interpretation, textual instrument, games, violence, hacktivist, game mod |
|
Post-Chapter Dialoge, Raley and Ricardo |
Rita Raley, Francisco J. Ricardo |
2009 |
polyattentiveness, reading, interpretation, digital literature |
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Post-Chapter Dialogue, Simanowski and Ricardo |
Roberto Simanowski, Francisco J. Ricardo |
2009 |
reading, interpretation, digital literature, materiality, literary theory, art theory, experience, production of presence |
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Reading Cybertexts - An Empirical Approach |
Raine Koskimaa |
2000 |
reading, interpretation |
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Reading Digital Literature |
|
|
reading, digital literature, interpretation, United States, Germany, transnational |
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Reading Digital Literature: A Subject Between Media and Methods |
Roberto Simanowski |
2010 |
digital literature, literariness, literary studies, interpretation, reading, hermeneutics-expanded |
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Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing |
Noah Wardrip-Fruin |
2008 |
electronic literature, digital literature, reading, interpretation, surface, data, expressive processing, interaction |
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Reading Moving Letters: Digital Literature in Research and Teaching |
|
2010 |
teaching, pedagogy, electronic literature, digital literature, literary studies, hermeneutics, reading, interpretation |
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Reading Network Fiction |
David Ciccoricco |
2007 |
narrative, hypertext, reading, interpretation, network fiction |
|
Reading Time: For a Poetics of Hypermedia Writing |
Bill Marsh |
2001 |
poetics, performance, hypermedia, interpretation, hermeneutics, time, digital textuality, literary criticism, anti-hermeneutics, ephemerality, duration |
|
Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser |
Chris Funkhouser |
2012 |
review, meaning, interpretation, close reading, telematic embrace, digital poetics, literary criticism, semantics, literary theory |
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Screening the Page/Paging the Screen: Digital Poetics and the Differential Text |
Marjorie Perloff |
2006 |
digital poetics, poetry, poetics, digital poetry, interpretation, hermeneutics, literary criticism, e-poetry |
|
Sensory Modalities and Digital Media |
Andrew Klobucar |
2008 |
social networks, pedagogy, interpretation, architecture, indeterminacy, semantic networks |
|
Seven Types of Interface in the Electronic Literature Collection Volume Two |
Stephanie Strickland, Marjorie C. Luesebrink |
2012 |
interface, ELC2, electronic literature, e-lit, embodiment, reading, interpretation |
|
Stitch Bitch |
Shelley Jackson |
1998 |
hypertext, reading, hypertext fiction, interpretation, writing |
|
Strange Rain and the Poetics of Motion and Touch |
Mark Sample |
2012 |
digital storytelling, tropes, interface, interpretation, Apple iOS, haptic, motion, touch |
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Technologies That Describe: Data Visualization and Contemporary Fiction |
Heather Houser |
2012 |
visualization, data visualization, contemporary fiction, prose, narrative, literary studies, interpretation, design, visual culture |
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The Digital Poem against the Interface Free |
Lori Emerson |
2012 |
interfaces, reading, interpretation, electronic literature, e-poetry, digital poetry, interface free |
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The End of Books--Or Books Without End: Reading Interactive Narratives |
J. Yellowlees Douglas |
2000 |
closure, hypertext fiction, interactive, readers, choice, narrative, theory, interpretation |
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The End of Books--Or Books Without End: Reading Interactive Narratives |
J. Yellowlees Douglas |
2000 |
closure, hypertext fiction, interactive, readers, choice, narrative, theory, interpretation |
|
The Experience of the Unique in Reading Digital Literature |
Raine Koskimaa |
2011 |
unique, generative, singularity, interpretation |
|
The Gaming Situation |
Markku Eskelinen |
|
interpretation, game studies, configuration |
|
The Strategy of Digital Modernism: Young-Hae Chang Heavy Industries's Dakota |
Jessica Pressman |
2008 |
narrative, reading, intertextuality, interpretation, hermeneutics, close reading, digital modernism, modernism, Beat literature, jazz, remediation, retro, plot, Ezra Pound, high modernism |
|
Thirteen Ways of Looking at a Blackbird |
Edward Picot |
2007 |
poetry, remediation, interpretation, image and text, audio |
|
Toward a Semiotic Critique of Computer Poetry |
Matteo D'Ambrosio |
2011 |
semiotics, electronic poetry, interpretation |
|
We Descend : Archives Pertaining to Edgerus Scriptor, Volume 1 |
Bill Bly |
1997 |
history, hypertext fiction, interpretation, myth |
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What is and Toward What End Do We Read Digital Literature? |
Roberto Simanowski |
2010 |
eventilization, time, textuality, digital textuality, perl poetry, hermeneutics-digital, digital hermeneutics, close reading, digital literacy, digital humanities, creative cannibalism, digital cannibalism, interpretation, reading |