|
20% d’amour en plus |
Fançois Coulon |
1996 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image |
|
243 cartes postales en couleurs véritables |
George Perec |
|
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
|
4079 |
Zuzana Husárová |
2011 |
conceptual, digital poem, interactive, non-linear reading, canvas |
|
>>oh<< |
Reiner Strasser, Dan Waber, Jennifer Hill-Kaucher |
2005 |
cyberpoem, interactive, literary games, poem, audio |
|
A Fine View |
David Knoebel |
2000 |
animated text, VRML, Flash, flash poem, scheduled, aural, interactive |
|
A is for Apple |
David Clark |
2002 |
religion, pop culture, language, interactive, essay, audio-visual, audiovisual, knowledge, non-linear |
|
abcdefghijklmnopqrstuvwxyz (Performance Work) |
Jörg Piringer |
2007 |
interactive, lettrist, animation, sound poetry |
|
Accidental Meaning |
María Mencía |
2008 |
interactive, meaning, signification, non-semantic |
|
Algoritmo, (Algorithm) |
Pablo Brito Altamira |
2005 |
hypertext, novell, interactive, crime novel |
|
Alletsator |
Pedro Barbosa , Luís Carlos Petry |
2008 |
3D, collaboration, interactive, generative, hypermedia, combinatorial, game, random, quantum opera, cybertheater |
|
Animalamina |
Chris Joseph |
2003 |
animation, kinetic typography, children's poetry, collaboration, electronic music, Flash, games, generative, graphics, interactive, music, poetry, visual poetry |
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives |
Florian Hartling, Beat Suter |
2010 |
electronic literature, e-poetry, interactive, archive, net literature, archiving, transience, conceptual art |
|
Aya Karpinska and Daniel C. Howe |
Chris Funkhouser |
2012 |
3D, spatiality, poetry, installation, geometric, sound, verbal permutation, interactive, multi-sensory |
|
BA-Tale |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, intermedial, narrative, Slovak, Bratislava, storytelling |
|
Bluzgator generator |
Paweł Kozioł |
|
algorithmic text generation, data-collection, randomness, interactive, application |
|
Book of Shadows |
Simon Biggs |
1994 |
documentation, interactive, animation, CD-ROM |
|
Childhood in Richmond |
Komninos Zervos |
2001 |
audio, Flash, interactive, images, spoken word |
|
Cityscapes: Thinking Through Practice |
María Mencía |
2011 |
practice-based research, process, audiovisual, interactive, performance, collage, web, inter-phonetic, multicultural, muli-linguisitc, multi-ethnicities, urban calligram, urban screens |
|
Closed Reality – Embryo |
Andreja Kuluncic |
1999 |
interactive, experimental games, collaboration |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
COG (I) |
Loss Pequeño Glazier |
2002 |
visual poetry, interactive, combinatory, kinetic poetry, Flash |
|
Como el cielo los ojos (Like the sky the eyes) |
Edith Checa |
1998 |
hypertext novel, multi plot, timeline, interactive |
|
Connecting Memories: Contextualizing Creative Research Practice |
María Mencía |
2011 |
practice-led research, research, narrative, interactive, refugee |
|
Cultures in Webs: Working in Hypermedia with the Documentary Image |
Roderick Coover |
2003 |
art, diary, documentary, ethnographic, fieldnotes, hypertext, interactive, interactive cinema, nonfiction, participant observation, photography, travel writing, wine |
|
Cyberpoetry Underground |
Komninos Zervos |
2001 |
Flash, interactive, sound poetry, interface, recombination, multimedia, machine voice |
|
Cyborg Tactics and Perilous Hermeneutics in Lexia to Perplexia Shifts in materiality across space. |
Daniel Carter |
2010 |
cyborg, hermeneutics, electronic literature, experimental poetics, interactive |
|
Deep Walls |
Scott Snibbe |
2003 |
digital art, non-linguistic, shadows, loops, interactive, installation |
|
degenerativa |
Eugenio Tisselli |
2005 |
philosophical, erasure, degenerative, interactive, poetics |
|
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations |
Roberto Simanowski |
2011 |
interactive, close reading, kinetic poetry, mapping, locative, meaning, hermeneutics, interpretation, desemanticization, code, body, presence, erotics |
|
Echelon |
Simon Biggs |
2001 |
interactive, generative, email, surveillance, dictionary, keywords |
|
Electroboutique |
Aristarkh Chernyshev |
|
creative electronics, media art gallery, modern design, real-time data processing, up-to-date market-friendly art, consumer electronic art, commercial protest, device art, media art 2.0, interactive, audio-visual, crititainment, no-brain, real-time, plug-and-play, Windows-free. |
|
Enter:in' Wodies |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, installation, Kinect, body, poem |
|
Errand Upon Which We Came |
Stephanie Strickland, M. D. Coverley |
2002 |
animation, collaboration, interactive, kinetic, Shockwave, textual instrument, visual poetry |
|
Etang |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Euclid |
David Knoebel |
2000 |
VRML, kinetic, responsive, interactive, static, aural |
|
Evidence |
Lorenza Samuels |
|
hypertext, sound and image, crime, interactive, detective |
|
Frontières Vomies (Borders vometing) |
Jean-Marie Pelloquin |
1995 |
interactive, hypertext, Poetic, non-linear, interactive story |
|
Golem |
Simon Biggs |
1988 |
installation, interactive, video, book, myth, genetics, artificial intelligence |
|
Halo |
Simon Biggs |
1998 |
interactive, immersive, generative, projection, modelling, generative grammar, installation |
|
Hundekopf |
Brian House, Sue Huang |
2005 |
urban, interactive, locative narrative, mobile, train, resistance, environment |
|
Hyperlinking in 3D Interactive, Multimedia Performances |
Dene Grigar |
2010 |
3D, hypertext, interactive, performance, linking |
|
Hypertexte |
Gerald Berche-Ngô |
2010 |
hypertext, interactive, story, non-linear |
|
i-Docs |
|
|
interactive, documentary |
|
konkretpoesi.se |
|
|
|
|
Le lit des amants (The Lover's Bed / Rakastavaisten vuode) |
Elina Saloranta |
2004 |
experimental, multimodal, video art, combinatory poetics, interactive |
|
Leaving the City: Indra's Net V |
John Cayley |
1995 |
hypercard, poetry, interactive, text generation, china |
|
Les 12 Travaux de l'Internaute / The 12 Labors of the Internet User |
Serge Bouchardon |
2008 |
game, mythology, classics, Flash, interactive, satire, user interface, remediation, Hercules |
|
Love is in the air (first performance) |
Sonja Thomsen |
2010 |
multimodality, digital poetics, language – sound - picture relationship, sound and image, collaborative art, grid, non-linear, conceptual blending, interactive |
|
Making Sense: aspects of the literary in electronic environments |
Maria Angel, Anna Gibbs |
2010 |
e-literature, e-lit, interactive, literature and technology, body, affect |
|
Mapping |
Sylvia Tomayko-Peters |
2011 |
interactive, HTML, javascript |
|
Merz-i |
Marc Veyrat |
2007 |
Flash, animation, interactive, visual art, iconography |
|
Mondriaan |
Zachary Booth Simpson |
2004 |
art, interactive, installation, modriaan |
|
My Words / Mes Mots |
Serge Bouchardon |
2009 |
collaboration, interactive, gestural |
|
New Directions in Digital Poetry |
Chris Funkhouser |
2012 |
poetry, digital poetry, close reading, generative, visual poetry, interactive, animated text |
|
New York City Map |
Marketa Bankova |
2000 |
interactive, virtual world, map, google maps, language – sound - picture relationship, abstract realities |
|
Nine Gestures for J.D. Salinger |
Mikhail Mansion |
2010 |
interactive, constraint, response, writing, machine response |
|
No Country For Old Men |
Zehra Yousofi |
2010 |
interactive |
|
Opération Teddy Bear |
Edouard Lussan |
1996 |
comic, interactive, story, world war 2, linear |
|
Opuscula |
Elin Sjursen |
1999 |
poetry, hypertext, animation, random, interactive, paratext |
|
P.o.E.M.M. |
Jason Edward Lewis, Bruno Nadeau |
2011 |
mobile, touch, interactive, haptic |
|
Phares gamma |
Jacques Donguy |
2002 |
sound and image, hypertext, interactive |
|
Playable Media and Textual Instruments |
Noah Wardrip-Fruin |
2005 |
game, interactive, hypertext, play, textual instrument |
|
Presence |
Simon Biggs |
1995 |
interactive, immersive, projection, sensors, installation |
|
Re:Positioning Fear |
Rafael Lozano-Hemmer |
1997 |
interactive, networked, projection, shadows, site-specific, sound |
|
remixthebook.com |
|
|
remix, video, audio, interactive, channeling |
|
reWrite |
Simon Biggs |
2007 |
installation, interactive |
|
Sale Temps |
Frank Dufour |
1997 |
interactive, fiction, pictures, photomontage, crime, novell, Faust |
|
Saving the Alphabet |
Alan Bigelow |
2005 |
interactive, language, conspiracy, loss of language, evil cooperation, avant-garde, visual poetry, prose poem |
|
spätwinterhitze |
Frank Klötgen |
2004 |
hypertext, sound environment, non-linear, fiction, crime, CD-ROM, interactive |
|
Spawn |
Andy Campbell |
2002 |
Flash, poetry, interactive, poem, meaning, liquid, mouse-responsive, chaos, responsive, kinetic typography |
|
Speaking Clock |
John Cayley |
1995 |
hypercard, interactive, time-based |
|
Stagno |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Stream |
Simon Biggs |
2003 |
installation, interactive, 3D, movement, streams, mapping, remote presence |
|
Text Rain |
Romy Achituv, Camille Utterback |
1999 |
installation, text instrument, interactive, movement, embodiment, image to text |
|
text.curtain |
Daniel C. Howe |
2005 |
interactive, installation, play |
|
The Castle |
Simon Biggs |
1995 |
projection, site-specific, interactive, generative grammar engine |
|
The City |
Marketa Bankova |
1997 |
fiction, diary, non-linear reading, surreal, absurd, multimedia, hypertext novel, interactive |
|
The Jew's Daughter |
Judd Morrissey |
2000 |
narrative, collaboration, generative text, HTML/DHTML, hypertext, interactive, intertexutality, fiction, Flash, single page, stretchtext |
|
The New Digital Storytelling: Creating Narratives with New Media |
Bryan Alexander |
2011 |
new media, narratives, story, storytelling, digital storytelling, interactive, multimedia, web 2.0 |
|
The Talking Dead |
Jay Bushman |
2010 |
twitter, twitter-theatre, networked fiction, social networks, mystery, interactive |
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
Un conte à votre façon |
Raymond Queneau |
1999 |
hypertext, interactive, non-linear, abstract, algorithm, combinatorial techniques |
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
Universo Molécula |
Isaías Herrerro Florensa |
2007 |
poetry, interactive, javascript |
|
Video Blog::Vog |
Adrian Miles |
2002 |
video, e-poetry, QuickTime, audio, interactive |
|
Voyage avec l’ange |
Tamara Lai |
1999 |
hypertext, sound and image, voice, interactive, story, humour, mythical |
|
Walkdont |
David Knoebel |
2000 |
animated text, VRML, Java, static, kinetic, scheduled, aural, interactive |