|
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext |
Paul Hackman |
2011 |
hypertext fiction |
|
"Uncle Roger", an Online Narrabase |
Judy Malloy |
1991 |
hypertext fiction, hypertext, fiction, database narrative, artist books |
|
'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction |
Alice Bell, Astrid Ensslin |
2011 |
hypertext fiction, second person, narratology, stylistics |
|
A Pragmatics of Links |
Susana Pajares Tosca |
2000 |
links, rhetorics, hypertext fiction |
|
A Response to Twelve Blue by Michael Joyce |
Gregory L. Ulmer |
1997 |
poetics, fiction, word-and-image, hypertext fiction, literacy, electracy, image |
|
Bookend; www.claptrap.com |
Laura Miller |
1998 |
hypertext, hypertext fiction, reading, literature, literary history, literacy |
|
Canonizing Hypertext: Explorations and Constructions |
Astrid Ensslin |
2007 |
teaching, hypertext, pedagogy, electronic literature, hypertext fiction, hypertext literature, canonicity, literary competence |
|
Cavewriting: Spatial Hypertext Authoring System |
Damon Loren Baker |
2008 |
CAVE, cave writing, teaching, hypertext fiction |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
Disappearing Rain |
Deena Larsen |
2000 |
fiction, hypertext, narrative, hypertext fiction, links, haiku, poetry, generations, disappearance |
|
Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue |
Anthony Enns |
2001 |
narrative, reading, hypertext fiction, interpretation, hermeneutics, plot, closure, ending |
|
Down Time |
Rob Swigart |
2000 |
hypertext fiction, narrative, silicon valley, fiction, music, Director |
|
Electronic Literature (DIKULT 203, Fall 2011) |
|
|
electronic literature, e-lit, digital literature, digital literary studies, hypertext fiction, digital poetry, interactive fiction, teaching digital literature |
|
Electronic literature or digital art? And where are all the challenging hypertextual novels? |
Gitte Mose |
2009 |
digital art, hypertext fiction, literariness |
|
Electronic Literature Seen from a Distance: The Beginnings of a Field |
Jill Walker Rettberg |
2012 |
history, Storyspace, hypertext fiction |
|
Electronic Literature Without a Map |
Markku Eskelinen |
2008 |
computer games, ergodic literature, cybertext, electronic literature, narrative games, hypertext fiction, hermeneutics, literary studies, literary history, ergodic poetry, stretch text |
|
Ex-foliations: Reading Machines and the Upgrade Path |
Terry Harpold |
2008 |
hypertext, Storyspace, interface, reading, hypertext fiction, hypertext theory, obsolescence, Xanadu, ex-foliation, grammatext |
|
Experiments in Literary Cartography |
José Carlos Silvestre |
2010 |
spatiality, hypertext fiction, electronic fiction, narrative, maps, cartography, google maps |
|
False Pretenses, Parasites, and Monsters |
Tom LeClair |
2000 |
hypertext, materiality, fiction, collaboration, novel, aesthetics, hypertext fiction, literary criticism, gender, monstrosity, feminism, parasitism, encyclopedic novel |
|
Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis |
N. Katherine Hayles |
2000 |
hypertext, hypertext fiction, media-specific analysis, gender, subjectivity, feminism |
|
For Thee: A Response to Alice Bell |
Stuart Moulthrop |
2010 |
narrative, genre, hyperfiction, hypertext fiction, hypertext criticism, hypertext narrative, possible worlds theory, networks, experimental fiction, cognitive mapping, network theory, general economy, attention, obsolescence |
|
Forward Anywhere |
Judy Malloy, Cathy Marshall |
1995 |
collaboration, narrative, epistolary, email, hypertext fiction, family, childhood, memoir |
|
From Ireland with Letters |
Judy Malloy |
2012 |
hypertext fiction, hypertext poetry, polyphonic literature, narrative, slavery, migration, Irish culture, 17th century |
|
Grand Text Auto Exhibition at the Krannert Art Museum |
|
|
electronic literature, hypertext fiction, net.art, games |
|
Hyperfiction: Novels for the Computer |
Robert Coover |
1993 |
novels, hypertext, hypertext fiction, reading |
|
Hypertext Fiction in the Twilight Zone |
Raine Koskimaa |
1998 |
hypertext fiction, space, time |
|
Hypertext Fiction Reading: Haptics and Immersion |
Anne Mangen |
2008 |
haptics, reading, multisensory reading, touch, hypertext fiction |
|
Hypertext in the Attic: The Past, Present, and Future of Digital Writing |
Andreas Kitzmann |
2011 |
hypertext fiction, history, Storyspace |
|
Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness) |
Michael Joyce |
1992 |
hypertext, hypermedia, hypertext fiction, literary history |
|
Hyperworks: On Digital Literature and Computer Games |
Anna Gunder |
2004 |
ergodic literature, cybertext, digital literature, hypertext fiction, narratology, literature, sociology of literature, computer game, ludology, game studies, new media studies, textual criticism, media theory |
|
Intermediation: The Pursuit of a Vision |
N. Katherine Hayles |
2007 |
electronic literature, reading, hypertext fiction, textuality, digital textuality, literary history, plot, intermediation, cognition, dynamic heterarchy, fluid analogies, print textuality, mark |
|
Interview with Michael Joyce |
Gabriela Redwine, Michael Joyce |
2009 |
hypertext, history, community, hypertext fiction, 1980s, interview, oral history, archive, preservation |
|
Intervista con Filippo Rosso: “eLiterature e Hypertext Fiction" |
Fabio De Vivo |
2009 |
e-literature, hypertext fiction, Narrativa Ipertestuale, Letteratura Elettronica, Letteratura Digitale, Filippo Rosso |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
New narrative pleasures? A cognitive-phenomenological study of the experience of reading digital narrative fictions |
Anne Mangen |
2006 |
interface, reading, hypertext fiction |
|
On the Birthday of a Stranger |
Michael Joyce |
1999 |
hypertext fiction, John Hawkes |
|
Ontological Boundaries and Methodological Leaps: The Importance of Possible Worlds Theory for Hypertext Fiction (and Beyond) |
Alice Bell |
2011 |
possible-worlds theory, hypertext, hypertext fiction, narratology, Storyspace |
|
Process-Intensive Fiction |
Noah Wardrip-Fruin, Michael Mateas, Nick Montfort, Emily Short, Aaron A. Reed, D. Fox Harrell, Pat Redding |
2010 |
digital poetry, digital fiction, computational process, hypertext fiction, interactive fiction, video games, variability, process intensity |
|
Quibbling |
Carolyn Guyer |
1992 |
hypertext fiction, text, hypertext narrative, narrative, ecriture feminine, fragmentation, identity |
|
Reach, a Fiction |
Michael Joyce |
2001 |
narrative, hypertext fiction |
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
Reproductive Technologies, Fetal Icons, and Genetic Freaks: Shelley Jackson’s Patchwork Girl and the Limits and Possibilities of Donna Haraway’s Cyborg |
Heather Latimer |
2011 |
hypertext fiction, cyborg, reproductive technologies, representation, monstrosity |
|
Samplers: Nine Vicious Little Hypertexts |
Deena Larsen |
1998 |
hypertext, Storyspace, hypertext fiction |
|
Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction |
Hans Kristian Rustad |
2008 |
hypertext, reading, hypertext fiction, reader-response |
|
Speak, "Memory": Simulation and Satire in Reagan Library |
Shuen-shing Lee |
2010 |
hypertext, memory, hypertext fiction, close reading, satire, surrealism |
|
Start at the End: a Hypertext Fiction |
Philipp Hofmann |
2001 |
hypertext fiction, tragedy |
|
Stitch Bitch |
Shelley Jackson |
1998 |
hypertext, reading, hypertext fiction, interpretation, writing |
|
Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl |
George P. Landow |
1996 |
hypertext, identity, hypertext fiction, gender, collage, monstrosity |
|
Stuck in a Loop? Dialogue in Hypertext Fiction |
Thomas Bronwen |
2007 |
narrative, hypertext fiction, dialogue |
|
Tending the Garden Plot: Victory Garden and Operation Enduring.... |
David Ciccoricco |
2004 |
war, politics, hypertext fiction |
|
The Ed Report |
William Gillespie, Nick Montfort, Dylan Meissner |
2000 |
hypertext fiction, serial fiction, satire, parody, political, government, report |
|
The Genealogy of a Creative Community: Why is Afternoon the "Grandaddy" of Hypertext Fiction? |
Jill Walker Rettberg |
2011 |
hypertext fiction, creative community, genealogy, literary history, reception history |
|
The melancholic hypertext : the fate of the writer in the tangential narrative |
Andreas Kitzmann |
1995 |
hypertext, hypertext fiction |
|
The Pleasure Principle: Immersion, Engagement, Flow |
J. Yellowlees Douglas, Andrew Hargadon |
2000 |
hypertext fiction, interactive narratives, navigation |
|
The Possible Worlds of Hypertext Fiction |
Alice Bell |
2010 |
hypertext fiction, hypertext criticism, hypertext theory |
|
The Program Era: Postwar Fiction and the Rise of Creative Writing |
Mark McGurl |
2009 |
electronic literature, hypertext fiction, literary history, literary institutions, technomodernism, literature-sociology, American literature |
|
The Roar of Destiny |
Judy Malloy |
1996 |
hypertext, hypertext fiction, hypertext poetry, network fiction |
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext |
Stuart Moulthrop |
1995 |
hypertext fiction, narrative, hypertext narrative |
|
Um estudio em vermelho |
Marcelo Spalding |
2009 |
hypertext, branching path, hypertext fiction, detective |
|
Uncle Buddy's Phantom Funhouse |
John McDaid |
1992 |
hyperfiction, hypertext fiction, hypercard |
|
We Descend : Archives Pertaining to Edgerus Scriptor, Volume 1 |
Bill Bly |
1997 |
history, hypertext fiction, interpretation, myth |