|
"Of Dolls and Monsters": An Interview with Shelley Jackson |
Rita Raley |
2002 |
narrative, hypertext, materiality, fiction, Storyspace, interview, body, monstrosity, information, fantasy, link, image and text |
|
"Uncle Roger", an Online Narrabase |
Judy Malloy |
1991 |
hypertext fiction, hypertext, fiction, database narrative, artist books |
|
'What Is Seen Depends Upon How Everybody Is Doing Everything': Using Hypertext to Teach Gertrude Stein's Tender Buttons |
Dene Grigar |
1998 |
hypertext, Gertrude Stein, Jeff Galin, Joan Latchaw |
|
*water writes always in *plural |
Linda Carroli, Josephine Wilson |
1998 |
collaboration, hypertext, network fiction |
|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
12 Easy Lessons to Better Time Travel |
Mark C. Marino |
1998 |
hypertext, hyperfiction, humor, chatbot, chatterbot, timetravel |
|
20% d’amour en plus |
Fançois Coulon |
1996 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image |
|
24 hours with someone you know... |
Phillipa J. Burne |
1996 |
hypertext, HTML, branching path |
|
7 Poems |
Vadim Litvak |
|
Vadim Litvak, Vadim, Litvak, e-poetry, poetry, 7poems, 7 poems, 7 poem, hypertext |
|
88 Constellations for Wittgenstein (to be Played with the Left Hand) |
David Clark |
2009 |
hypertext, kinetic, animation, documentary, philosophy, language philosophy, Wittgenstein, Flash |
|
A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento |
Theodoros Chiotis |
2005 |
cartography, procedural poetics, memory, literary criticism, film, hypertext, novel |
|
A Companion to Digital Literary Studies |
|
2008 |
hypertext, textuality, literary studies, writing machines, digital literary studies, ePhilology, cybertextuality, algorithmic criticism |
|
A Dialogue Between Two Eyeballs |
Braxton Soderman |
2007 |
Shockwave, kinetic, audio, hypertext |
|
A Dream with Demons |
Edward Falco |
1995 |
hypertext, fiction, childhood, memory, adolescence, Storyspace |
|
A Life Set for Two |
Robert Kendall |
1996 |
hypertext, poetry, Visual Basic, memory, regret |
|
A Little Talk About Reproduction |
J. R. Carpenter |
1998 |
photocopy, artist books, hypertext, HTML, art, art theory, web art |
|
A Party at Silver Beach |
Judy Malloy |
2002 |
DHTML, hypertext, love |
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
|
A Sky of Cinders |
Tim Lockridge |
2007 |
hypertext, second person, sensations, prose, poem, dystopia, environmental disaster |
|
A Study in Shades |
Robert Kendall |
2000 |
hypertext, alzheimer's, perspective, split screen |
|
A Subjective Chronology of Cybertext, Hypertext, and Electronic Writing |
Stuart Moulthrop |
2006 |
hypertext, cybertext, history, electronic literature, literary history, e-lit, timeline, subjective |
|
About Time |
Rob Swigart |
2001 |
hypertext, future, time, temporality, ambient music, fiction |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
afternoon, a story |
Michael Joyce |
1990 |
hypertext, fiction, Storyspace, tragedy, associative indexing, narrative, Eastgate, trauma |
|
Algoritmo, (Algorithm) |
Pablo Brito Altamira |
2005 |
hypertext, novell, interactive, crime novel |
|
All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities |
Scott Rettberg |
2011 |
hypertext, collaboration, communities, storytelling, narrative, collective narrative |
|
An Interview with Talan Memmott |
David Thomas Prater, Talan Memmott |
2011 |
hypertext, online journals, editing |
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
As We May Think |
Vannevar Bush |
1945 |
hypertext, history, archive, science, memex, associative indexing, research |
|
Authors, Readers, and Progression in Hypertext Narrative |
Edward Maloney, James Phelan |
1999 |
narrative progression, hypertext, non-linear reading, linear reading |
|
Avatars of Story |
Marie-Laure Ryan |
2006 |
narrative, hypertext, Storyspace, interactive drama, games, narrative theory, story |
|
Bajke |
Ziga Turk, Barbara Zeleznik, Igor Bizjak |
1986 |
hypertext, adventure game |
|
Bare Bones |
Joeyllyn Rock |
2002 |
fairly tale, translation, subversion, adaptation, desire, narrative, hypertext |
|
Bean Project |
Carolyn Black |
2002 |
linear, hypertext, HTML, javascript, dreamweaver |
|
Beautopia |
Laura Sullivan |
2002 |
hypertext, Java, critical new media, political, gender, beauty, subjectivity |
|
Beyond Myth and Metaphor: Narrative in Digital Media |
Marie-Laure Ryan |
2002 |
narrative, hypertext, digital narrative, digital media, metaphor, narrative interface, interactivity |
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Blueberries |
Susan Gibb |
2009 |
hypertext, tinderbox |
|
Bones of the Book |
Robert Moor |
2012 |
e-books, electronic literature, hypertext, textuality, reading |
|
Book Unbound |
John Cayley |
1995 |
hypertext, hypercard, generative, 1990s, Mac, download |
|
Bookend; www.claptrap.com |
Laura Miller |
1998 |
hypertext, hypertext fiction, reading, literature, literary history, literacy |
|
Bread.Crumbs |
Talan Memmott |
1998 |
textual, narrative, linear, mythology, hypertext, hyperlink |
|
Califia |
M. D. Coverley |
2000 |
fiction, novel, multimedia, California, character, history, hypertext, multimodal, narrative, Toolbook |
|
Cannibal Dreams |
Lacy Cunningham, Justin Talbott |
2010 |
HTML, CSS, javascript, hypertext, static, responsive |
|
Canonizing Hypertext: Explorations and Constructions |
Astrid Ensslin |
2007 |
teaching, hypertext, pedagogy, electronic literature, hypertext fiction, hypertext literature, canonicity, literary competence |
|
Canyonlands: Edward Abbey in the Great American Desert |
Roderick Coover |
2010 |
history, documentary, American studies, cinemascape, critical ecologies, activism, anarchism, cultural geography, direct action, environment, environmentalism, hypertext, interactive cinema, landscape, navigation, nonfiction, sabotage, wilderness |
|
Catalogue: Nothingness |
Kate Armstrong |
2003 |
intervention, narrative, hypertext, consumerism, defamiliarization |
|
Catharsis |
Pedro Valle Javier |
2013 |
hypertext, HTML, static, responsive |
|
Charmin' Cleary |
Edward Falco |
1999 |
hypertext, fiction, short story, sex, violence, college |
|
Chasing Pandora |
Allyson Cikor, Emily Devereux, Greg Turnbull, Mathew Vickery, Trent Redmond |
2011 |
hypertext, HTML, audio, responsive |
|
Chemical Landscapes Digital Tales |
Edward Falco, Mary Pinto, Will Stauffer-Norris |
2006 |
Flash, hypertext, fiction, visual narrative, time-based, photogram, collaboration, HTML/DHTML |
|
Chi ha ucciso David Crane? (Who killed David Crane?) |
Fabrizio Verrandi |
2010 |
hypertext, crime |
|
Cinematic Paradigms for Hypertext |
Adrian Miles |
1998 |
cinema, hypertext, hypermedia |
|
City of Angles and Anguish |
David Herrstrom |
1999 |
hypertext, poetry |
|
Click |
John Barth |
1997 |
short story, postmodern fiction, hypertext |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report |
Theodor Holm Nelson |
1974 |
hypertext, hypermedia, multimedia, computers |
|
Cultures in Webs: Working in Hypermedia with the Documentary Image |
Roderick Coover |
2003 |
art, diary, documentary, ethnographic, fieldnotes, hypertext, interactive, interactive cinema, nonfiction, participant observation, photography, travel writing, wine |
|
Cybermountain Colloquium |
|
|
hypertext, colloquium |
|
Cybertext Killed the Hypertext Star |
Nick Montfort |
2000 |
cybertext, hypertext, debate, ergodic, ergodic literature, interactive fiction |
|
Cybertext: Perspectives on Ergodic Literature |
Espen Aarseth |
1997 |
ergodic literature, cybertext, hypertext, literary history |
|
Cyborg: Engineering the Body Electric |
Diane Greco Josefowicz |
1995 |
cyborg, hypertext, non-fiction |
|
Czarne Jagody |
Susan Gibb |
2012 |
hypertext |
|
DAC 2000: A Choose-Your-Own-Trip-Report! |
Nick Montfort |
2000 |
interactive fiction, hypertext |
|
Damascene |
Milorad Pavić |
1998 |
hypertext, non-linear, fiction |
|
Datafeeds |
Deena Larsen |
2008 |
hypertext, work, government, disability, senses |
|
Default Lives |
M. D. Coverley |
2001 |
hypertext, pachinko, game, choice, destiny, branching path |
|
Definitions |
Jon Fried |
2008 |
hypertext, grammer |
|
Desde Aquí (From here) |
Mónica Montes |
|
hypertext |
|
Destination Unknown: Experiments in the Network Novel |
Scott Rettberg |
2003 |
hypertext, fiction, novel, electronic literature, network, remediation, network novel |
|
det sublime |
Frank Altschul Jensen |
2007 |
hypertext, sports, Flash, textual, animation, Nordic, kinetic, constraint, scheduled |
|
Diagrams Series 6: 6.4 and 6.10 |
Jim Rosenberg |
2005 |
constraint, digital poetics, poetry, hypertext, conceptual, procedural, Squeak, literary systems, multiplicity |
|
Die Aaleskorte der Ölig |
Dirk Günther, Frank Klötgen |
1998 |
hypertext, novel, crime, fiction, HTML |
|
Digital Literature: From Text to Hypertext and Beyond |
Raine Koskimaa |
2000 |
hypertext, narrative, cybertext, ontolepses, metalepsis, spatial, hermeneutics, poetics, reading conventions |
|
Digital Literature: Theoretical and Aesthetic Reflections |
Luciana Gattass |
2011 |
digital literature, ergodic literature, hypertext, production of presence, interactivity, intermediality, remediation, flickering signifier, materiality, embodiment, Medienumbrüche |
|
Digital Media |
Scott Rettberg, Jill Walker Rettberg |
2010 |
teaching, interactive fiction, narrative, hypertext, pedagogy, electronic literature |
|
Digital Media Poetics presents Patricia Tomaszek |
Patricia Tomaszek |
2009 |
reading, generative literature, hypertext |
|
Disappearing Rain |
Deena Larsen |
2000 |
fiction, hypertext, narrative, hypertext fiction, links, haiku, poetry, generations, disappearance |
|
E-Learning and Literary Studies - Towards a New Culture of Teaching? |
Laura Borràs Castanyer |
2007 |
VLE, virtual environment, e-learning, hypertext, practical research |
|
E:Electron |
Deena Larsen, Geoffry Gatza |
2001 |
hypertext, Flash, periodic table, poetry, love, association, relationships |
|
Eclipse Louisiana |
M. D. Coverley |
2003 |
audio, hypertext, responsive |
|
Ecran Total |
Alain Salvatore |
1997 |
hypertext, hypertextfiction |
|
Electronic Literature: New Horizons for the Literary |
N. Katherine Hayles |
2008 |
hypertext, textuality, embodiment, affect, literary history, writing-materiality, literary criticism, narrative theory, intermediation, digitality |
|
Electronic Writing II (LITR 0210D, Spring 2008) |
|
|
visual poetry, hypertext, animation, games, electronic writing, workshop, soundscape, undergraduate |
|
Eurorun |
Ziga Turk, Matevž Kmet, Barbara Zeleznik, Igor Bizjak, Samo Fosnaric |
1985 |
hypertext, adventure game |
|
Everglade |
Rod Willmot |
1989 |
hypertext, poem |
|
Evidence |
Lorenza Samuels |
|
hypertext, sound and image, crime, interactive, detective |
|
Ex-foliations: Reading Machines and the Upgrade Path |
Terry Harpold |
2008 |
hypertext, Storyspace, interface, reading, hypertext fiction, hypertext theory, obsolescence, Xanadu, ex-foliation, grammatext |
|
eye in the making |
John Sparrow |
2006 |
hypertext, audio, video, poetry |
|
F2F |
Joe Milutis |
2005 |
digital humanities, conceptual essay, situationist, Gilles Deleuze, hypertext, online video, Flash, film theory, creative non-fiction |
|
Faen. Nå har de senket takhøyden igjen. Må huske å kjøpe nye knebeskyttere. |
Tor Åge Bringsværd |
1999 |
science fiction, hypertext, Norwegian |
|
Fallow Field |
Dene Grigar |
2004 |
Flash, HTML, hypertext, audio, responsive |
|
False Pretenses, Parasites, and Monsters |
Tom LeClair |
2000 |
hypertext, materiality, fiction, collaboration, novel, aesthetics, hypertext fiction, literary criticism, gender, monstrosity, feminism, parasitism, encyclopedic novel |
|
Fashionable Noise: On Digital Poetics |
Brian Kim Stefans |
2003 |
digital poetics, cyberpoetry, hypertext, visual poetry |
|
Feral C |
Mez Breeze |
2010 |
twitter, blog, hypertext, performance, scheduled, serial |
|
Ferris Wheels |
Deena Larsen |
1999 |
hypertext, short fiction |
|
Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World |
Jill Walker Rettberg |
2003 |
fiction, interaction, second-person address, net.art, hypertext |
|
Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
Firefly |
Deena Larsen |
2002 |
stanzas, narrative, hypertext |
|
Fishes and Flying Things |
J. R. Carpenter |
1995 |
HTML, hypertext |
|
Fixing the Computer World |
Theodor Holm Nelson |
2004 |
hypertext, web, software, Project Xanadu, transclusion |
|
fleshtresholdnarrative |
Eugene Thacker |
1996 |
hypertext, remix, appropriation |
|
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis |
N. Katherine Hayles |
2000 |
hypertext, hypertext fiction, media-specific analysis, gender, subjectivity, feminism |
|
Forest |
Jacob Garbe |
2006 |
hypertext, fable |
|
forking paths |
Stuart Moulthrop |
1987 |
hypertext, intertextuality, pastiche, adaptation |
|
Forming the Text, Performing the Work: Aspects of Media, Navigation, and Linking |
Anna Gunder |
2001 |
navigation, ergodicity, hypertext, linking, textual criticism, hypertext theory, storage, text access, multisequentiality, axial structure, space |
|
Fotomo Blues |
Paul Trevor |
1998 |
hypertext, e-poetry, digital poetry, hyperpoetry, satire |
|
Frame Work: A Hypertext Poem |
Robert Kendall |
1999 |
hypertext, poem |
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s |
Eric Dean Rasmussen |
2002 |
authorship, hypertext, hypertext theory, literary history, remediation, poststructuralism |
|
From page to screen: placing hypertext fiction in an historical and contemporary context of print and electronic literary experiments |
Martina E. Linnemann |
1999 |
hypertext, postmodernism, antecedents, non-linearity, interactivity, generation |
|
From Papyrus to Hypertext: Toward the Universal Digital Library |
Christian Vandendorpe |
2009 |
hypertext, interactivity, novel, reading, blog, textuality, digital humanities, writing-history of, writing-materiality, literacy, writing, meaning, orality, tabularity, effect, intensive reading, extensive reading |
|
From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
Silvio Gaggi |
1998 |
postmodernism, authorship, hypertext, deconstructionism, decentering |
|
Frontières Vomies (Borders vometing) |
Jean-Marie Pelloquin |
1995 |
interactive, hypertext, Poetic, non-linear, interactive story |
|
Fuzzy Coherence: Making Sense of Continuity in Hypertext Narratives |
Jukka Tyrkkö |
2011 |
navigation, paratext, hypertext, hypertextual coherence, narratology, materiality, codex |
|
Gabriella infinita |
Jaime Alejandro Rodríguez |
|
hypertext, fiction, novel, video, audio, disappearance, evidence, escape, metafiction, adaptation, translation |
|
Ghost Moons |
Deena Larsen |
2000 |
hypertext, kanji, haiku, javascript |
|
Going through the Signs |
Deena Larsen, Jody Zellen |
2006 |
HTML, javascript, hypertext, responsive |
|
Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Gorgeous Oaks |
Jason Nelson |
2002 |
map, HTML, hypertext, responsive, static |
|
Grafoman |
|
1997 |
hypertext, non-linear, fiction |
|
GRAMMATRON |
Mark Amerika |
1997 |
hypertext, avant-pop, hyptertext fiction, animation, HTML/DHTML, audio, golem, myth, metafiction |
|
Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present |
Jörgen Schäfer |
2007 |
literary history, combinatory literature, generative literature, MERGEcollaboration, antecedents, literary games, permutation, aleatorics, automatic writing, text generators, hypertext |
|
Hamnen |
Karl-Erik Tallmo |
1988 |
Swedish, hypertext, hypercard |
|
Hegirascope |
Stuart Moulthrop |
1995 |
hypertext, push, refresh, parody, pastiche, cyberculture, HTML |
|
Hipertext olvasás |
Tóth Barna |
2004 |
hypertext |
|
Hyper/Text/Theory |
|
1994 |
hypertext, literary theory, critical theory |
|
Hyperfiction: Novels for the Computer |
Robert Coover |
1993 |
novels, hypertext, hypertext fiction, reading |
|
Hyperlinking in 3D Interactive, Multimedia Performances |
Dene Grigar |
2010 |
3D, hypertext, interactive, performance, linking |
|
Hypernews and Coherence |
Martin Engebretsen |
2001 |
news, hypertext, coherence, structure |
|
Hyperpoems and Hyperpossibilities |
Deena Larsen |
1992 |
MA thesis, hypertext |
|
Hypertekst og Bringsværds "Faen" |
|
|
coherence, hypertext, multilinear |
|
Hypertext |
|
|
hypertext, theory, literature, postmodern fiction, creative writing |
|
Hypertext and Ethnographic Representation: A Case Study |
Rulon Matley Wood |
2011 |
ethnography, hypertext, multimodality, multivocality, multilinearity, design, representation, web publishing |
|
Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature |
Jan Baetens |
2011 |
hypertext, installment, sequentiality, fragment, short form, minimalism, link |
|
Hypertext: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1992 |
hypertext, poststructuralism, critical theory, technology, literary theory, digital textuality |
|
Hypertext: The Electronic Labyrinth |
Ilana Snyder |
1996 |
hypertext, education, digital literacy |
|
Hypertexte |
Gerald Berche-Ngô |
2010 |
hypertext, interactive, story, non-linear |
|
Hypertextual Consciousness 1.0 |
Mark Amerika |
1995 |
critifiction, hypertext, criticism, conceptual art |
|
Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film |
Jill Walker Rettberg |
1998 |
hypertext, non-fiction |
|
Hypertextual Fiction on the Internet: A Structural and Narratological Analysis |
Roman Zenner |
2005 |
hypertext, literary analysis, narratology |
|
Hypertextual Forms and Functioning of Their Units in Russian Literature of the 10s of XXth century – 10s of the XXIst century |
Natalia Fedorova |
2008 |
hypertext, conceptualism, visual poetry, kinetic poetry |
|
Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness) |
Michael Joyce |
1992 |
hypertext, hypermedia, hypertext fiction, literary history |
|
I Have Said Nothing |
J. Yellowlees Douglas |
1994 |
hypertext, fiction, car crash, Storyspace |
|
I mellom tiden |
Anne Bang-Steinsvik |
2002 |
hypertext, visual, multimodal, video, sound, memory, photography, collage, montage |
|
Iakttagarens förmåga att inngripa |
Karl-Erik Tallmo |
1992 |
Swedish, hypertext, hypercard, crime novel |
|
Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot |
Jaishree K. Odin |
2002 |
poetry, hypertext, hypermedia |
|
In the Event of Text |
John Cayley, Markku Eskelinen |
1999 |
interview, textuality, translation, transliteration, cybertext, hypertext, grammatology, moo |
|
In the Footsteps of the Father |
Jennifer Ley |
2002 |
e-poetry, hypertext, HTML, scheduled |
|
Incarnation: Heart of the Maze |
Carolyn Guertin |
2000 |
HTML, QuickTime, audio, responsive, hypertext |
|
Internal Damage Data |
Mez Breeze |
2000 |
e-poetry, hypertext, HTML, animated gif, responsive |
|
Intersecting Lives |
Joanna Sakellion |
2002 |
relationship, Flash, responsive, hypertext |
|
Intervals and Links: The Indeterminancy of a Link's Possible Future |
Adrian Miles |
1999 |
hypertext, post-cinematic, link, indetermination, cinema |
|
Interview with Michael Joyce |
Gabriela Redwine, Michael Joyce |
2009 |
hypertext, history, community, hypertext fiction, 1980s, interview, oral history, archive, preservation |
|
Into the Green Green Mud |
Eric A. Meyer |
2006 |
animation, HTML, CSS, music, performance, open source, hypertext |
|
Introduction [to New Narratives: Stories and Storytelling in the Digital Age] |
Ruth Page, Bronwen Thomas |
2012 |
narrative, storytelling, narratology, digital narrative, new media narrative, interactive fiction, hypertext, digital narratology, narrative interaction, identity, fiction |
|
Is There a Text on This Screen? Reading in an Era of Hypertextuality |
Bertrand Gervais |
2008 |
textuality, digital textuality, reading, interpretation, materiality, digital materiality, hypertext |
|
its name was Penelope |
Judy Malloy |
1989 |
hypertext, fiction, memory, photography, myth |
|
k0cHack0g0s |
Judy Malloy |
2003 |
hypertext |
|
konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature |
Martina Pfeiler, Johannes Auer |
2011 |
interview, concrete poetry, code, codework, ASCII, algorithm, performance, HTML, hypertext |
|
Kontrabant (Smuggler) |
Ziga Turk, Matevž Kmet |
1984 |
hypertext, adventure game, pioneering |
|
Kontrabant 2 (Smuggler 2) |
Ziga Turk, Matevž Kmet, Saso Jankovic, Jani Kovacic |
1984 |
hypertext, adventure game, pioneering |
|
l0ve0ne |
Judy Malloy |
1994 |
hypertext, fiction, poetry, hacker culture, love, road trip |
|
Labyrinth: the Rulebook without Game |
Mark C. Marino |
2001 |
games, playable manuals, Flash, audio, hypertext |
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
Letter to Linus |
William Gillespie |
2001 |
visual poetry, hypertext, commons, conceptual, hypercube, economics and literature, neoliberalism, political |
|
Literary Hypertext: The Passing of the Golden Age |
Robert Coover |
1999 |
poetry, hypertext, fiction, golden age, transition, line |
|
Literary Programming (In the Age of Digital Transliteration) |
John Cayley |
1999 |
practice, programming, inscription, performance, poetry, hypertext, generation, kinetic text, transliteration |
|
Literature Nation |
mIEKAL aND, Maria Damon |
2003 |
poetry, hypertext, hypertext poetry |
|
Living Will |
Mark C. Marino |
2012 |
hypertext, interactive fiction, storygame |
|
Locusta Temporis (The Age of Locust) |
Enrico Colombini |
2010 |
hypertext, crime, adventure game |
|
M.M. et brevprojekt |
Mette Moestrup |
2003 |
e-mail, hypertext, letters, interpersonal, personal, Nordic |
|
Machine Enhanced (Re)minding: the Development of Storyspace |
Belinda Barnet |
2012 |
Storyspace, history, topography, interviews, hypertext, authoring software |
|
Marble Springs 1.0 |
Deena Larsen |
1993 |
hypercard, hypertext, identity, 19th ct., american west |
|
Marble Springs 3.0 |
Deena Larsen |
2012 |
hypertext, wiki, responsive, static |
|
mayday |
Cris Cheek, Kirsten Lavers |
1998 |
hypertext, collective narrative, mass observation, performance |
|
MC23: Digital Media |
|
|
hypertext, cyberspace, networks |
|
ME |
Jim Rosenberg |
2007 |
hypertext, diagrams |
|
Memoirs from Hijiyama |
Jonathan Yuen |
2002 |
nuclear bomb, Hiroshima, human suffering, grave, memorial, javascript, HTML, hypertext, poetry, visual poetry, prose poem |
|
Modern Moral Fairy Tales |
MaJe Kindschuh-Larsen, Deena Larsen |
2012 |
salmon, philosophy, internet, newspaper, journalism, hypertext, satire, dystopia, utopia |
|
Mountain Rumbles |
Deena Larsen |
1999 |
hypertext, fiction, microhypertext |
|
Mreža snova (The Dream Net) |
Kata Mijatovic |
2001 |
hypertext, Poetic, text picture, dream |
|
my body — a Wunderkammer |
Shelley Jackson |
1997 |
collaboration, HTML/DHTML, hypertext, embodiment, audio, memoir, autobiography, body, image and text, identity, illustration |
|
My Boyfriend Came Back From the War |
Olia Lialina |
1996 |
frames, hypertext, visual narrative, remix, war |
|
My Name is Captain, Captain |
Judd Morrissey, Lori Talley |
2002 |
poetry, hypertext, audio, sound, word and image, navigation, flight |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext |
Laura Shackelford |
2005 |
narrative, remediation, hypertext, postmodern fiction, hypertext theory, subjectivity, gender |
|
New Media Creative Writing (English 5764, Fall 2007) |
|
|
narrative, poetry, hypertext |
|
New Media Literary: Hypertextual, Cybertextual, and Networked |
Katarina Peovic Vukovic |
2008 |
hypertext, cybertext, introductory |
|
New Narratives: Stories and Storytelling in the Digital Age |
|
2011 |
narrative, storytelling, narrative theory, hypertext, digital narratology, narratology |
|
Nightmare Wanders Father's Song |
Curtis Harrell |
1998 |
hypertext, poetry, hidden links, lyric |
|
No More Teacher's Dirty Looks |
Theodor Holm Nelson |
1970 |
hypertext, stretchtext, education, computer aided instruction, hypergrams, information structures |
|
NobodyHere |
Jogchem Niemandsverdriet |
1998 |
HTML, animated gif, Flash, Shockwave, hypertext |
|
NON-roman |
Lucie de Boutiny |
1997 |
hypertext |
|
Notes Toward Absolute Zero |
Tim McLaughlin |
1995 |
hypertext, fiction, quest narrative |
|
Of Day, of Night |
Megan Heyward |
2005 |
visual, hypertext, narrative, memory |
|
Of Two Minds: Hypertext Pedagogy and Poetics |
Michael Joyce |
1995 |
hypertext, pedagogy, poetics, digital poetics |
|
Oisleánd: Indra's Net IX |
John Cayley |
1996 |
translation, hypertext, hypercard, poetry, mesostic |
|
Omission impossible: the ergodics of time |
Markku Eskelinen |
1998 |
time, hypertext, cybertext, narratology, ergodic |
|
One or More Disfigurements in the Home |
Benny Lichtner |
2009 |
hypertext, fragmentary, disfigurement |
|
Ontological Boundaries and Methodological Leaps: The Importance of Possible Worlds Theory for Hypertext Fiction (and Beyond) |
Alice Bell |
2011 |
possible-worlds theory, hypertext, hypertext fiction, narratology, Storyspace |
|
oooxxxooo |
Juliet Ann Martin |
|
poetry, hypertext, ASCII, concrete, HTML |
|
Opuscula |
Elin Sjursen |
1999 |
poetry, hypertext, animation, random, interactive, paratext |
|
Otte forsøk på at forstå hvad en bog er |
Morten Søndergaard |
2001 |
essay, born digital, multilingual or non-english, hypertext, traditional literature, nordic e-lit, philosophical, memoir |
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
Pale Fire |
Vladimir Nabokov |
1962 |
hypertext, paratext, dictionary, hypertext novel, link, commentary |
|
Pale Fire A Poem in four Cantos by John Shade |
Vladimir Nabokov |
2011 |
poetry, hypertext, commentary, paratext |
|
Patchwork Girl |
Shelley Jackson |
1995 |
hypertext, adaptation, postmodern fiction, gender, body, remix, monster, pastiche, Storyspace |
|
Patterns of Hypertext |
Mark Bernstein |
1998 |
hypertext, patterns, structure |
|
Pause |
François Coulon |
2003 |
hypertext, French |
|
Peggy |
Jean-Hugues Réty |
1999 |
hypertext, conditional links, javascript, cookies |
|
Pentagonal |
Carlos Labbé |
2001 |
hypertext, non-linear, simulation, email, digital poem |
|
Pentimento |
Jerome Fletcher, Geoffrey Olsen |
2003 |
e-poetry, hypertext, Java, responsive |
|
Phares gamma |
Jacques Donguy |
2002 |
sound and image, hypertext, interactive |
|
Piecing Together and Tearing Apart: Finding the Story in afternoon |
Jill Walker Rettberg |
1999 |
hypertext, fiction, narratology, confusion, ambiguity |
|
Planting Trees Out of the Grief: In Memoriam Robert Creeley |
Patricia Tomaszek |
2007 |
hypertext, lyrical essay |
|
Playable Media and Textual Instruments |
Noah Wardrip-Fruin |
2005 |
game, interactive, hypertext, play, textual instrument |
|
Poem by Nari does Windows |
Ted Warnell |
2000 |
hypertext, windows, poetry, constraint, visual poetry |
|
popołudnie, pewna historia |
Michael Joyce |
2011 |
hypertext, fiction, tragedy, associative, indexing, narrative, trauma |
|
Possiplex: Ted Nelson ’59 and the Literary Machine |
Mark Bernstein |
2011 |
Ted Nelson, literary machine, hypertext, writing systems, personal computing, biography |
|
Postales |
Gabriela Golder |
2000 |
labyrinth, expatriation, net art, image and text, nonlinearity, cycles, performance, hypertext |
|
Prepare |
Jaak Tomberg, Lemmit Kaplinski |
1999 |
hypertext |
|
Pressing the Reveal Code Key: Indra's Net VIII |
John Cayley |
1996 |
hypertext, hypercard, generative poetry |
|
Principles of Spatialization in Text and Hypertext |
Karin Wenz |
1997 |
hypertext, spatialization, space, narrative space, discursive space |
|
Print Pathways and Electronic Labyrinths: How Hypertext Narratives Affect the Act of Reading |
J. Yellowlees Douglas |
1991 |
hypertext, reading |
|
Program:Møntvask |
|
2003 |
hypertext, visual, hyperlink, contemporary art, e-lit print, Nordic |
|
Purpling |
Nick Montfort |
2008 |
constraint, hypertext, procedural, poetry |
|
Pyxis Byzantium |
M. D. Coverley |
2008 |
hypertext, narrative, time, history, Byzantium, Constantinople, map, landscape |
|
Quantum Feminist Mnemotechnics: The Archival Text, Digital Narrative and The Limits of Memory |
Carolyn Guertin |
2003 |
cyberfeminism, feminist theory, hypertext, hypermedia, electronic literature, digital narrative, new media arts, media ecology, quantum mechanics, embodiment, computer games, synaesthesia, transformation, cyberculture |
|
Radiophonic Laura: Voice, Song, Information, Intelligence |
Joe Milutis |
2000 |
hypertext, online video, digital humanities, transmission art, essay/creative non-fiction |
|
Random Paths |
Jody Zellen |
2001 |
hypertext, e-poetry, HTML, javascript |
|
Reading (de)coherent hypertexts: a creative performance based on a close reading of the German hyperfiction Zeit für die Bombe |
Alexandra Saemmer |
2012 |
hypertext, hyperfiction, performance, reading |
|
Reading Hypertext |
|
2009 |
criticism, hypertext, close-readings |
|
Reading Hypertext and the Experience of Literature |
David S. Miall, Teresa Dobson |
2001 |
hypertext, reading, literary reading, literacy, digital literacy, absorbtion, style, links |
|
Reading Network Fiction |
David Ciccoricco |
2007 |
narrative, hypertext, reading, interpretation, network fiction |
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
Reconstructing Mayakovsky |
Illya Szilak |
2008 |
narrative, hypertext, video, database, text movie, documentary, games |
|
Remediating Stretchtext |
Mark Bernstein |
2010 |
hypertext, hypertext narrative, literary hypertext, stretchtext |
|
Repetition and Recombination: Reading Network Fiction |
David Ciccoricco |
2005 |
network fiction, hypertext, repetition |
|
Reveal Codes: Hypertext and Performance |
Rita Raley |
2001 |
hypertext, performance, digital textuality, self-reflexivity, combinatorial, links, postmodernism, anamorphosis, complexity, linking |
|
Revelations of Secret Surveillance |
Judy Malloy |
2004 |
control, epic, hypertext, surveillance |
|
Review of From Papyrus to Hypertext: Toward the Universal Digital Library |
Eric Dean Rasmussen |
2010 |
teaching, hypertext, pedagogy, reading, textuality, writing-history of, archive, literacy, intensive reading, extensive reading |
|
Rice |
Geniwate |
1998 |
poetry, collaboration, hypertext, audio, Shockwave, memoir, place |
|
Roland HT |
Vika Zafrin |
2002 |
Song of Roland, hypertext, digital humanities, critical new media |
|
Roland HT |
Vika Zafrin |
2007 |
XML, hypertext, Song of Roland, digital humanities, critical new media |
|
Rush |
Torbjørn Skårild |
2006 |
Norwegian, Scandinavian, hypertext, narrative, choice, consequences, death, crime, money |
|
Russian E-Lit 1.0 - 3.0 |
Natalia Fedorova |
2013 |
digital archives, hypertext, poetry generator, media poetry, net art, IF, video poetry, visual poetry, kinetic poetry |
|
Same Day Test |
Gavin Inglis |
2002 |
hypertext, HIV |
|
Samplers: Nine Vicious Little Hypertexts |
Deena Larsen |
1998 |
hypertext, Storyspace, hypertext fiction |
|
Scholarly Publishing of Hypertext, the Case of "The Victorian Web" |
George P. Landow |
2011 |
hypertext, Victorian literature, scholarly editing, publishing |
|
Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction |
Hans Kristian Rustad |
2008 |
hypertext, reading, hypertext fiction, reader-response |
|
Signal to Noise |
Ian Hatcher |
2007 |
hypertext, interactivity, collective navigation |
|
Simultan |
Urs Richle |
2008 |
hypertext novel, hypertext, collaboration |
|
Skakbræt |
Sonja Thomsen |
2002 |
non-linear, conceptual writing, collaborative, multimodal texts, combinatory poetics, grid, hypertext |
|
Smrkci (Smurfs) |
Ales Jaklic, Matej Gasperic, Ales B. Ivanko |
1985 |
hypertext, adventure game |
|
Space for writing: a sidelong glance at the history of immersive spatial hypertext |
Damon Loren Baker |
2010 |
hypertext, spatial hypertext, electronic writing, virtual reality, CAVE, cave writing |
|
spätwinterhitze |
Frank Klötgen |
2004 |
hypertext, sound environment, non-linear, fiction, crime, CD-ROM, interactive |
|
Speak, "Memory": Simulation and Satire in Reagan Library |
Shuen-shing Lee |
2010 |
hypertext, memory, hypertext fiction, close reading, satire, surrealism |
|
Speak: a Hypertext Essay |
Linda Carroli |
2000 |
hypertext, essay, critical new media |
|
Stained Word Window |
Deena Larsen |
1999 |
hypertext, Java, javascript, poetry |
|
Stitch Bitch |
Shelley Jackson |
1998 |
hypertext, reading, hypertext fiction, interpretation, writing |
|
Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl |
George P. Landow |
1996 |
hypertext, identity, hypertext fiction, gender, collage, monstrosity |
|
Storms |
Eduardo Kac |
1993 |
interactive poetry, early Brazilian electronic poetry, Eduardo Kac, kabbalah, hypertext |
|
Strange Possessions |
Todd Sanders |
2002 |
elements, HTML, hypertext, image and text |
|
Stravinsky's Muse |
Mark C. Marino |
2002 |
narrative, Flash, hypertext, fiction, lexicon, animation |
|
Subjective Boundaries: Shelley Jackson's Hypertexts and the Terrain of the Skin |
Cara Ogburn |
2008 |
skin, embodiment, hypertext |
|
Sunshine '69 |
Robert Arellano |
1996 |
hypertext, fiction, novel, 1960s, acid, travel, historical |
|
Świadomość Hipertekstualna 1.0 |
Mark Amerika |
2003 |
conceptual art, criticism, critifiction, hypertext |
|
tExtra.Tour (tExtra.Touren) |
Oliver Gassner |
2003 |
hypertext, sound, online performance space, art, email art, lectures |
|
The Ballad of Sand and Harry Soot |
Stephanie Strickland |
1999 |
poetry, hypertext, digital poetry, e-poetry, multimodal |
|
The Body Politic |
Jennifer Ley |
1999 |
HTML, hypertext, poetry, cruelty, body |
|
The Book After the Book |
Giselle Beiguelman |
2001 |
animation, hypertext, essay, text as image |
|
The Challenge of Cybertext: Teaching Literature in the Digital World |
Raine Koskimaa |
2007 |
electracy, hypertext, literary pedagogy, meta-interpretation, procedural literacy, digital culture |
|
The Contingencies of the Hypertext Link |
Terry Harpold |
1991 |
hypertext, link, contingency |
|
The Cyberspace, Hypertext, and Critical Theory Web |
|
|
hypertext, embodiment, gender, digital culture, critical theory, cyberspace, virtual reality, cultural studies, cyberpunk, politics, economics, science |
|
The Electronic Chronicles |
Adrianne Wortzel |
1994 |
hypertext, compendium, archives, civilization, fiction |
|
The End of Books |
Robert Coover |
1992 |
hypertext, fiction, books, novel, line, linearity, closure, choice, narrative flow |
|
The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden |
Robert L. Selig |
2000 |
hypertext, narrativity, closure |
|
The Help File |
Nick Montfort |
1999 |
help, conceptual art, parody, hypertext |
|
The History of Hypertext Authoring and Beyond: Interview with Stuart Moulthrop |
Judy Malloy, Stuart Moulthrop |
2011 |
hypertext, history, games, narrative, coding |
|
The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext |
John Cayley |
2011 |
hypertext, book, history of the book, writing, authorship |
|
The Interactive Diagram Sentence |
Jim Rosenberg |
1996 |
hypertext, diagrams, juxtaposition, non-linear |
|
The Jew's Daughter |
Judd Morrissey |
2000 |
narrative, collaboration, generative text, HTML/DHTML, hypertext, interactive, intertexutality, fiction, Flash, single page, stretchtext |
|
The Last Performance |
Judd Morrissey, Mark Jeffery |
2007 |
architecture, ambient sound, constraint, collaboration, hypertext, conceptual, generative, performance, database, procedural, installation |
|
The Lyrical Quality of Links |
Susana Pajares Tosca |
1999 |
links, hypertext |
|
The Mall as a Machine for Living |
Matt Blackburn |
2001 |
hypertext, e-poetry, HTML, responsive |
|
The Meddlesome Passenger |
Scott Rettberg |
2002 |
hypertext, fiction, intertextuality, textuality, poststructuralism, death of the author, travel |
|
The Medium Is the Metaphor |
Melinda White |
2008 |
medium, metaphor, hypertext, critical new media, Flash |
|
The melancholic hypertext : the fate of the writer in the tangential narrative |
Andreas Kitzmann |
1995 |
hypertext, hypertext fiction |
|
The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s Vas |
John M. Vincler |
2010 |
digital technology, body, late age of print, hypertext, materiality, novel |
|
The Nothings |
Alistair Gentry |
2002 |
fiction, hypertext, novel, modular novel |
|
The O2 Tales |
Anna Pitt |
2010 |
xhtml, javascript, hypertext, audio, responsive |
|
The Pines at Walden Pond |
Deena Larsen |
2000 |
hypertext, HTML, responsive |
|
The Rainbow Factory |
Peter Howard |
2000 |
Flash, rainbow, labor, comedy, fiction, hypertext |
|
The Roar of Destiny |
Judy Malloy |
1996 |
hypertext, hypertext fiction, hypertext poetry, network fiction |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
The Victorian Web |
|
|
hypertext, literary studies, literary history, religion, politics, economics, science, English literature, Victorian literature |
|
The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
|
The Way North |
Joel Weishaus |
2006 |
climate change, myth, inuit culture, audio, video, hypertext, intertextuality |
|
The Wedding Celebration of Gunter and Gwen |
Judy Malloy |
2008 |
hypertext, fiction, wedding, signs, artists, surveillance, history, espionage |
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
These Waves of Memories: A Hyperfiction by Caitlin Fisher |
Raine Koskimaa |
2004 |
hypertext, hyperfiction, memory, unreliable narration |
|
Three-Dimensional Dementia: Hypertext Fiction and the Aesthetics of Forgetting |
Carolyn Guertin |
1999 |
dementia, hypertext, fiction, space, forgetting, memory, association, plot |
|
Tideland |
M. D. Coverley |
2000 |
memory, life, experiences, memory flow, transience, HTML, javascript, hypertext, audio |
|
Tierra de Extracción |
Domenico Chiappe, Andreas Meier |
2000 |
narrative, collaboration, hypertext, audio, Shockwave, multilingual or non-english |
|
To Find the White Cat in the Snow |
David Herrstrom |
1996 |
hypertext, poetry |
|
Training Missions |
Joe Amato |
2001 |
poetry, hypertext, imaging, media, Flash, spoken word |
|
Trilogy |
Lisa Bloomfield, Rod Moore, Katherine Haake |
2001 |
hypertext, narrative, story, animation, HTML, visual narrative |
|
True North |
Stephanie Strickland |
1997 |
poetry, hypertext, history, time, geography, mathematics |
|
Turning In |
Wes Chapman |
1997 |
hypertext, fiction |
|
Twelve Blue |
Michael Joyce |
1996 |
narrative, HTML/DHTML, hypertext, fiction, Storyspace |
|
Twilight, A Symphony |
Michael Joyce |
1996 |
hypertext, fiction, Storyspace |
|
Um estudio em vermelho |
Marcelo Spalding |
2009 |
hypertext, branching path, hypertext fiction, detective |
|
Un conte à votre façon |
Raymond Queneau |
1999 |
hypertext, interactive, non-linear, abstract, algorithm, combinatorial techniques |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
Uncontrollable Semantics |
Jason Nelson |
2012 |
Flash, HTML5, hypertext, responsive |
|
Unraveling the Tapestry of Califia |
Jaishree K. Odin |
2001 |
hypertext, fiction, literary criticism, gender |
|
Unravelled |
Spenser Wain, Zac Urness, Kollin Branicki |
2011 |
hypertext, audio, xhtml, responsive |
|
Urheilulajeja hentorakenteisille |
Sari Taimela |
|
narrative, hypertext |
|
Verrà H.P. e avrà i tuoi occhi (H.P. will come and will have your eyes) |
Antonio Koch |
2010 |
hypertext, crime |
|
Victory Garden |
Stuart Moulthrop |
1991 |
hypertext, fiction, war, politics, multilinear |
|
Virtual Reality Exhibit at the Singapore Museum |
David Herrstrom |
1997 |
hypertext, poetry, virtual reality |
|
Voyage avec l’ange |
Tamara Lai |
1999 |
hypertext, sound and image, voice, interactive, story, humour, mythical |
|
Voyage Into the Unknown |
Roderick Coover |
2008 |
hypertext, history, maps, appropriation, documentary, ecocriticism, appropriated texts, interactive documentary, cinemascapes, American studies, critical ecologies, Flash |
|
Wanderkammer: A Walk Through Texts |
J. R. Carpenter |
2011 |
hypertext, HTML, walking |
|
Waxweb |
David Blair |
1993 |
film, interactive video, hypertext, bees, tragedy, narrative, time |
|
Weave |
Thomas Bell |
2002 |
e-poetry, hypertext, HTML, animated gif, scheduled, responsive |
|
Web Warp & Weft |
Helen Whitehead |
2001 |
hypertext, e-poetry, HTML, javascript, audio, scheduled |
|
Webessay |
Karen Wagner, Charlotte Hansen |
2003 |
encyclopedic, essay, hypertext, travel, danish, Scandinavian, Nordic, e-lit |
|
What hypertext is |
Noah Wardrip-Fruin |
2004 |
hypertext, definition, history, design, hyperfilm, hypergra, hypermedia, stretchtext |
|
When Digital Literature goes Multimedia: Three German Examples |
Roberto Simanowski |
2000 |
multimedia, hypertext, spectacle |
|
Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction |
J. Yellowlees Douglas |
1993 |
text performance, reading-performance, hypertext |
|
Whom the Telling Changed |
Aaron A. Reed |
2005 |
interactive fiction, narrative, hypertext, fiction, Inform |
|
Wittgenstein, Genette, and the Reader's Narrative in Hypertext |
Gunnar Liestøl |
1994 |
hypertext, narratology, multilinear, linearity |
|
WOE |
Michael Joyce |
1991 |
fiction, hypertext |
|
Words and pictures ex machina? Hypertext and ekphrasis |
Diana Pimental |
2008 |
text and image, hypertext, deus ex machina, ekphrasis, remediation, poetry, photography |
|
Writing Space: The Computer, Hypertext, and the History of Writing |
Jay David Bolter |
1991 |
electronic writing, hypertext, writing-history of, new media, writing, technology, electronic publishing |
|
Writing Space: The Computer, Hypertext, and the History of Writing, 2nd ed. |
Jay David Bolter |
2001 |
hypertext, writing-history of, remediation, new media, writing, technology |
|
Zaira, City of Memories |
Gökçen Ergüven |
2004 |
Calvino, hypertext, hypertext novel, Invisible Cities, net art, adaptation, remediation |
|
Бледное пламя |
Vladimir Nabokov |
1999 |
hypertext, paratext, poetry, commentary |
|
Кибература |
|
|
|
|
‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” |
Johndan Johnson-Eilola |
1991 |
pedagogy, hypertext |
|
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives |
J. Yellowlees Douglas |
1994 |
closure, narrative, hypertext |