|
The Big Plot |
Paolo Cirio |
2009 |
recombinant, narrative, fiction, mixed media, facebook, spy novel, romance, social media, facebook |
|
New Plots for Hypertext?: Towards a Poetics of the Hypertext Node |
Mariusz Pisarski |
2011 |
hypertext, narrative, coherence, fiction, kernel, lexia, node, poetics |
|
Histoire de la Femme aux Grosses Mains |
Véronique Hubert |
2002 |
fiction, story, poetry, absurd |
|
243 cartes postales en couleurs véritables |
George Perec |
|
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
|
Sale Temps |
Frank Dufour |
1997 |
interactive, fiction, pictures, photomontage, crime, novell, Faust |
|
Writing Digital Media |
Josh McCoy, Mike Treanor, Ben Samuel, Brandon Tearse, Michael Mateas, Noah Wardrip-Fruin |
2010 |
games, fiction, promacolypse, social interaction games, artificial intelligence, story, authoring system |
|
Grafoman |
|
1997 |
hypertext, non-linear, fiction |
|
Reclaiming the 'Golden Age': The Second Person in Digital Fiction |
Astrid Ensslin, Alice Bell |
2010 |
literary hypertext, electronic literature, flash fiction, fiction, second person, narration |
|
Damascene |
Milorad Pavić |
1998 |
hypertext, non-linear, fiction |
|
@frodegrytten (microfictions on Twitter) |
Frode Grytten |
2011 |
twitter, fiction, daily writing, microfiction |
|
The City |
Marketa Bankova |
1997 |
fiction, diary, non-linear reading, surreal, absurd, multimedia, hypertext novel, interactive |
|
spätwinterhitze |
Frank Klötgen |
2004 |
hypertext, sound environment, non-linear, fiction, crime, CD-ROM, interactive |
|
[Untitled Twitter Fiction @samplereality] |
Mark Sample |
2010 |
twitter, fiction, netprov |
|
A novella app (Interview with Samantha Gorman) |
Samantha Gorman, David Jhave Johnston |
2012 |
writing, novella, fiction, hybrid, app |
|
In Search of Oldton |
Tim Wright |
2004 |
fiction, map, cartographic, playing cards, contributory, place, memory, loss |
|
The Electronic Chronicles |
Adrianne Wortzel |
1994 |
hypertext, compendium, archives, civilization, fiction |
|
Cybertext Narratology |
Markku Eskelinen |
1999 |
cybertext, fiction, narratology, postmodern fiction, Oulipo |
|
Present, tense, ordinary, fiction comma dot calm |
Michael Joyce |
1999 |
fiction |
|
Three-Dimensional Dementia: Hypertext Fiction and the Aesthetics of Forgetting |
Carolyn Guertin |
1999 |
dementia, hypertext, fiction, space, forgetting, memory, association, plot |
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
The Nothings |
Alistair Gentry |
2002 |
fiction, hypertext, novel, modular novel |
|
Imaginary Year |
Jeremy Bushnell |
2000 |
fiction, seriali, interconnected narrative, Chicago, urban, mediation |
|
The Wedding Celebration of Gunter and Gwen |
Judy Malloy |
2008 |
hypertext, fiction, wedding, signs, artists, surveillance, history, espionage |
|
The Rainbow Factory |
Peter Howard |
2000 |
Flash, rainbow, labor, comedy, fiction, hypertext |
|
Autofiction on Screen: Self-representation of an Egyptian ‘Spinster’ in a Literary Blog |
Teresa Pepe |
2012 |
blog, literary blog, fiction, autobiography, self-representation, autofiction, gender, Egypt |
|
Die Aaleskorte der Ölig |
Dirk Günther, Frank Klötgen |
1998 |
hypertext, novel, crime, fiction, HTML |
|
Lair of the Marrow Monkey |
Erik Loyer |
1998 |
Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
|
The Executor |
Nick Montfort, William Gillespie |
2005 |
Processing, scrolling, chronology, fiction, death, collaboration |
|
One Book, Many Readings: Nostalgia and Finite State Machines |
|
2011 |
CYOA, choose your own adventure, data visualization, multilinear, fiction, print hypertext |
|
Notes on the Voyage of Owl and Girl |
J. R. Carpenter |
2012 |
generative, digital narrative, mapping, fiction |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
So Random |
Shawn Rider |
2005 |
fiction, tags, temporal, first-person |
|
The Princess Murderer |
Geniwate, Deena Larsen |
2003 |
narrative, hyperfiction, fiction, presence, subversion, gender, death, murder |
|
About Time |
Rob Swigart |
2001 |
hypertext, future, time, temporality, ambient music, fiction |
|
Introduction [to New Narratives: Stories and Storytelling in the Digital Age] |
Ruth Page, Bronwen Thomas |
2012 |
narrative, storytelling, narratology, digital narrative, new media narrative, interactive fiction, hypertext, digital narratology, narrative interaction, identity, fiction |
|
The Cape: The Backstory |
J. R. Carpenter |
2008 |
narrative, fiction |
|
Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World |
Jill Walker Rettberg |
2003 |
fiction, interaction, second-person address, net.art, hypertext |
|
endings eventually end |
Jason Nelson, Davin Heckman |
2008 |
fiction, satire, prophecy, time |
|
popołudnie, pewna historia |
Michael Joyce |
2011 |
hypertext, fiction, tragedy, associative, indexing, narrative, trauma |
|
Gabriella infinita |
Jaime Alejandro Rodríguez |
|
hypertext, fiction, novel, video, audio, disappearance, evidence, escape, metafiction, adaptation, translation |
|
Inanimate Alice, Episode 1: China |
Kate Pullinger, Chris Joseph |
2005 |
audio, children's literature, collaboration, fiction, Flash, network forms, place |
|
Wreader's Digest - How To Appreciate Hyperfiction |
Anja Rau |
2001 |
interface, narrative, fiction, close reading |
|
Notes Toward Absolute Zero |
Tim McLaughlin |
1995 |
hypertext, fiction, quest narrative |
|
Turning In |
Wes Chapman |
1997 |
hypertext, fiction |
|
WOE |
Michael Joyce |
1991 |
fiction, hypertext |
|
Mountain Rumbles |
Deena Larsen |
1999 |
hypertext, fiction, microhypertext |
|
Post-Print Fiction (ENGH 400-002) |
|
|
post-print fiction, fiction, literature, contemporary literature, digital fiction, postmodern fiction, materiality, textuality, authorship, chance, procedural, technology |
|
I Have Said Nothing |
J. Yellowlees Douglas |
1994 |
hypertext, fiction, car crash, Storyspace |
|
Down Time |
Rob Swigart |
2000 |
hypertext fiction, narrative, silicon valley, fiction, music, Director |
|
Cognitive Fictions |
Joseph Tabbi |
2002 |
cognitive science, fiction, autopoiesis |
|
Penumbra |
Samantha Gorman, Danny Cannizzaro |
2011 |
tablet, ipad, fiction, point of view |
|
Girls' Day Out |
Kerry Lawrynovicz |
2004 |
Flash, poetry, generative, appropriated texts, combinatorial, fiction |
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
Savoir-Faire |
Emily Short |
2002 |
interactive fiction, fiction, games, Inform |
|
Storyland |
Nanette Wylde |
2002 |
fiction, generative, audio, combinatorial |
|
Whom the Telling Changed |
Aaron A. Reed |
2005 |
interactive fiction, narrative, hypertext, fiction, Inform |
|
Dreamaphage |
Jason Nelson |
2003 |
3D, Flash, fiction, interface, audio, memoir, constraints, viral |
|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
Chemical Landscapes Digital Tales |
Edward Falco, Mary Pinto, Will Stauffer-Norris |
2006 |
Flash, hypertext, fiction, visual narrative, time-based, photogram, collaboration, HTML/DHTML |
|
Bad Machine |
Dan Shiovitz |
1999 |
interactive fiction, fiction, games, codework, TADS |
|
All Roads |
Jon Ingold |
2001 |
interactive fiction, fiction, games, Inform |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
After Parthenope |
Scott Rettberg |
2011 |
fiction, generative, Processing, procedural, italy, naples |
|
"Uncle Roger", an Online Narrabase |
Judy Malloy |
1991 |
hypertext fiction, hypertext, fiction, database narrative, artist books |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation |
Scott Rettberg |
2005 |
narrative, collaboration, fiction, collective, participation, systems |
|
Fibonacci's Daughter |
M. D. Coverley |
1997 |
fiction, chance, short fiction, California, fibonacci, fate, determinism, mall |
|
Charmin' Cleary |
Edward Falco |
1999 |
hypertext, fiction, short story, sex, violence, college |
|
Literary Hypertext: The Passing of the Golden Age |
Robert Coover |
1999 |
poetry, hypertext, fiction, golden age, transition, line |
|
The Glass Snail: a Pre-Christmas Tale |
Milorad Pavić |
2003 |
narrative, fiction, multilinear, christmas |
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
False Pretenses, Parasites, and Monsters |
Tom LeClair |
2000 |
hypertext, materiality, fiction, collaboration, novel, aesthetics, hypertext fiction, literary criticism, gender, monstrosity, feminism, parasitism, encyclopedic novel |
|
Stravinsky's Muse |
Mark C. Marino |
2002 |
narrative, Flash, hypertext, fiction, lexicon, animation |
|
"Of Dolls and Monsters": An Interview with Shelley Jackson |
Rita Raley |
2002 |
narrative, hypertext, materiality, fiction, Storyspace, interview, body, monstrosity, information, fantasy, link, image and text |
|
l0ve0ne |
Judy Malloy |
1994 |
hypertext, fiction, poetry, hacker culture, love, road trip |
|
A Response to Twelve Blue by Michael Joyce |
Gregory L. Ulmer |
1997 |
poetics, fiction, word-and-image, hypertext fiction, literacy, electracy, image |
|
Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters |
Rob Wittig |
2011 |
narrative, fiction, form, electronic literature, textuality, writing-history of, design, slideshow |
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
The Meddlesome Passenger |
Scott Rettberg |
2002 |
hypertext, fiction, intertextuality, textuality, poststructuralism, death of the author, travel |
|
Destination Unknown: Experiments in the Network Novel |
Scott Rettberg |
2003 |
hypertext, fiction, novel, electronic literature, network, remediation, network novel |
|
Unraveling the Tapestry of Califia |
Jaishree K. Odin |
2001 |
hypertext, fiction, literary criticism, gender |
|
its name was Penelope |
Judy Malloy |
1989 |
hypertext, fiction, memory, photography, myth |
|
Disappearing Rain |
Deena Larsen |
2000 |
fiction, hypertext, narrative, hypertext fiction, links, haiku, poetry, generations, disappearance |
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
Califia |
M. D. Coverley |
2000 |
fiction, novel, multimedia, California, character, history, hypertext, multimodal, narrative, Toolbook |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
The Raw Shark Texts |
Steven Hall |
2007 |
narrative, fiction, memory, experimental fiction, print fiction, amnesia, innovative fiction |
|
Junction of Image, Text, and Sound in Net.fictions |
Zuzana Husárová |
2008 |
narrative, fiction, narratology, multisensory reading, reading-multisensory |
|
Galatea |
Emily Short |
2000 |
interactive fiction, fiction, chatterbot, chatterbot/conversational character, Inform, discourse |
|
Sunshine '69 |
Robert Arellano |
1996 |
hypertext, fiction, novel, 1960s, acid, travel, historical |
|
Blue Company |
Rob Wittig |
2002 |
web, comedy, e-mail, fiction, e-mail novel, network forms |
|
Piecing Together and Tearing Apart: Finding the Story in afternoon |
Jill Walker Rettberg |
1999 |
hypertext, fiction, narratology, confusion, ambiguity |
|
The End of Books |
Robert Coover |
1992 |
hypertext, fiction, books, novel, line, linearity, closure, choice, narrative flow |
|
Victory Garden |
Stuart Moulthrop |
1991 |
hypertext, fiction, war, politics, multilinear |
|
A Dream with Demons |
Edward Falco |
1995 |
hypertext, fiction, childhood, memory, adolescence, Storyspace |
|
Twilight, A Symphony |
Michael Joyce |
1996 |
hypertext, fiction, Storyspace |
|
Twelve Blue |
Michael Joyce |
1996 |
narrative, HTML/DHTML, hypertext, fiction, Storyspace |
|
afternoon, a story |
Michael Joyce |
1990 |
hypertext, fiction, Storyspace, tragedy, associative indexing, narrative, Eastgate, trauma |
|
Aesthetics of Visual Noise in Digital Literary Arts |
Maria Engberg |
2010 |
fiction, visuality, word-and-image, noise |
|
The Jew's Daughter |
Judd Morrissey |
2000 |
narrative, collaboration, generative text, HTML/DHTML, hypertext, interactive, intertexutality, fiction, Flash, single page, stretchtext |