|
III Mostra 3M de Arte Digital |
|
|
digital art, brazilian new media art, giselle beiguelman |
|
4 Square |
Jody Zellen |
2012 |
iOS, juxtaposition, collage, digital art |
|
A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx |
Christine Wilks |
2012 |
remix, Flash, collaborative art, digital art, e-poetry |
|
Aleph Null |
Jim Andrews |
2011 |
cinematic, instrument, network forms, digital art, tool |
|
Anti-Spam: Reinventing Data |
Álvaro Seiça |
2012 |
datascape, data mining, visualization, digital art, impedance, projection mapping |
|
Art and Electronic Media |
Edward A Shanken |
2009 |
electronic art, digital art, new media art, survey, art history |
|
Art and Electronic Media Online |
|
|
|
|
Arte Cibernética - Coleção Itaú Cultural |
|
|
interactive installation, Brazilian elit, digital art |
|
Bodies in Code |
Mark B. N. Hansen |
2006 |
embodiment, body, body image, body schema, technogenesis, digital art, digital technology, agency, virtual |
|
Ceci n'est pas un Nike |
Giselle Beiguelman |
2002 |
image and text, self-reflexivity, interaction, representation, digital art |
|
Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace |
Maya Zalbidea Paniagua |
2011 |
feminism, cyberfeminism, hyperfiction, digital art |
|
Creative Communities: Nooks, Niches, and Networks |
Talan Memmott |
2011 |
electronic literature, digital art, community, mailing list, networks, social networks |
|
Deep Walls |
Scott Snibbe |
2003 |
digital art, non-linguistic, shadows, loops, interactive, installation |
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2011) |
|
|
digital art, electronic literature, games, genre, antecedents |
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2012) |
|
|
digital art, electronic literature, computer games, genre |
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2013) |
|
|
digital art, electronic literature, computer games, genre |
|
Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller |
Aleš Vaupotič |
2011 |
new media art, digital art, e-literature, electronic literature |
|
Electronic literature or digital art? And where are all the challenging hypertextual novels? |
Gitte Mose |
2009 |
digital art, hypertext fiction, literariness |
|
Grand Text Auto |
Michael Mateas, Andrew Stern, Nick Montfort, Mary Flanagan, Scott Rettberg, Noah Wardrip-Fruin |
2003 |
poetry, digital art, MERGEcollaboration, games, computer narrative |
|
Gravity Clock |
Jörg Piringer |
2010 |
digital art, time, clock, iphone |
|
Hva sier trærne? |
Marte Aas, Marte Huke |
2005 |
digital art, conceptual, trees, generative |
|
ISEA2011 Istanbul |
|
|
electronic art, digital art, Turkey |
|
Literatura Electrónica |
Juan José Diez |
2009 |
digital art, electronic literature, digital culture, reviews |
|
Machine Subjectivity, Politics and Digital Arts |
Jichen Zhu |
2010 |
artificial intelligence, interactive narrative, computational art, digital art, systems |
|
New Media Art |
Mark Tribe, Reena Jana |
2006 |
digital art |
|
Of People not Machines: Authorship, Copyright and the Computer Programmer |
Elena Cooper |
2012 |
authorship, copyright, computer programmer, digital art, creative practice |
|
R3/\/\1X\/\/0RX - selected works |
Randy Adams, Chris Joseph, Christine Wilks, Peter Ciccariello, Erik K Rzepka, Matina L Stamatakis, Ted Warnell |
2012 |
animation, remix, collaboration, digital art, e-poetry, playable media, text, spoken word, music, visual poetry, code |
|
The Fundamentals of Digital Art |
Richard Colson |
2007 |
digital art, digital art history, creative data, physical computing, database, coding, programming, interfaces, dynamic spaces, virtaul environment, collaborative art, network culture |
|
The Word Made Digital (CMS 609J, Fall 2009) |
|
|
digital art, digital literature, video games, digital culture |
|
William Poundstone and the Aesthetics of Digital Literature |
Brian Kim Stefans |
2010 |
William Poundstone, web art, visual writing, ludic writing, digital art, visual art |
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.