|
Walking Together What Remains |
Chris Green, Erik Natzke |
2001 |
constraints, Flash, scheduled, static |
|
Moods & Conjunctions |
John Cayley |
1993 |
procedural, collocational, constraints, sex, language |
|
The IBM Poem |
Emmett Williams |
1966 |
computer poetry, alphabet, constraints, permutation |
|
The Aesthetics and Practice of Computational Literature |
Daniel C. Howe, Braxton Soderman |
2008 |
aesthetics, computation, generation, authoring system, layering, materiality, authorial intent, constraints, distributed creativity |
|
Gnoetry |
|
2001 |
generated poetry, human-computer collaboration, constraints, software, process |
|
A Response to Nick Montfort's "Programming for Fun, Together" |
Scott Rettberg |
2012 |
response, constraints, collaboration, social, programming, hacking |
|
Locating the Literary in New Media |
Joseph Tabbi |
2008 |
posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness |
|
Performative Reading: Attending The Last Performance [dot org] |
Scott Rettberg |
2010 |
close reading, constraints, networked reading, attentive reading |
|
Dreamaphage |
Jason Nelson |
2003 |
3D, Flash, fiction, interface, audio, memoir, constraints, viral |
|
exquisite_code |
Brendan Howell |
2009 |
collaboration, constraints, algorithm, codework, algorithmic, performance |
|
The Oulipo: Constraints and Collaboration |
William Gillespie |
2000 |
collaboration, Oulipo, constraints, writing games |