close reading

Displaying 1 - 24 of 24
Titlesort descending Author Year Tags
(Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review Martina Pfeiler 2010 teaching, close reading, scholarship
Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills John David Zuern 2012 electronic literature, digital fiction, pedagogy, teaching, ethics, close reading, digital textuality, reading-ethics of
Close Reading in the Realm of Static and Dynamic Texts Patricia Tomaszek 2007 criticism, literary criticism, digital poetics, close reading
Close-­Reading: Digital Poetry Leonardo Flores 2011 poetry, close reading
Dichtung Digital 40 2010 teaching, digital poetics, materiality, electronic literature, digital hermeneutics, close reading, electronic poetics, mashup
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations Roberto Simanowski 2011 interactive, close reading, kinetic poetry, mapping, locative, meaning, hermeneutics, interpretation, desemanticization, code, body, presence, erotics
Digital Literature and Arts II blended learning, close reading, collaborative teaching, non-linguistic, installation, textual instrument, instrumental text
Encapsulating E-Poetry 2009: Some Views on Contemporary Digital Poetry Chris Funkhouser 2009 digital poetics, performance, festival, close reading, interfaces, code, terminology, e-poetry, review, transmediality, transtextuality, textual instruments
Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates Roberto Simanowski 2007 Eduardo Kac, biopoetry, holopoetry, close reading, taxonomy, digital literature
How We Read: Close, Hyper, Machine N. Katherine Hayles 2010 reading, hyperreading, close reading, machine reading, pedagogy, teaching, distant reading, interpretation, literary studies, digital humanities
New Directions in Digital Poetry Chris Funkhouser 2012 poetry, digital poetry, close reading, generative, visual poetry, interactive, animated text
Nonce Upon Some Times: Rereading Hypertext Fiction Michael Joyce 1997 close reading
On Hypertext Criticism Richard E. Higgason 2003 criticism, close reading
Performative Reading: Attending The Last Performance [dot org] Scott Rettberg 2010 close reading, constraints, networked reading, attentive reading
Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser Chris Funkhouser 2012 review, meaning, interpretation, close reading, telematic embrace, digital poetics, literary criticism, semantics, literary theory
Scott Rettberg’s Writerly Text, “The Meddlesome Passenger”: Reading as Writing/Consumption as Production Robert Ford 1993 close reading, Roland Barthes, postmodern, writerly
Speak, "Memory": Simulation and Satire in Reagan Library Shuen-shing Lee 2010 hypertext, memory, hypertext fiction, close reading, satire, surrealism
The magnificent 7 Laura Borràs Castanyer 2010 non-english, ELO, e-literature, digital literature, romance language, close reading
The materialities of close reading: 1942, 2009 David Ciccoricco 2010 close reading, narrative theory, critical methodologies
The Paratexts of Inanimate Alice: Thresholds, Genre Expectations and Status Gavin Stewart 2010 paratext, technotext, Genette, close reading
The Strategy of Digital Modernism: Young-Hae Chang Heavy Industries's Dakota Jessica Pressman 2008 narrative, reading, intertextuality, interpretation, hermeneutics, close reading, digital modernism, modernism, Beat literature, jazz, remediation, retro, plot, Ezra Pound, high modernism
Understanding the Act of Reading: the WOE Beginners' Guide to Dissection J. Yellowlees Douglas 1991 close reading, reading hypertext
What is and Toward What End Do We Read Digital Literature? Roberto Simanowski 2010 eventilization, time, textuality, digital textuality, perl poetry, hermeneutics-digital, digital hermeneutics, close reading, digital literacy, digital humanities, creative cannibalism, digital cannibalism, interpretation, reading
Wreader's Digest - How To Appreciate Hyperfiction Anja Rau 2001 interface, narrative, fiction, close reading
XLS
Subscribe to close reading
creative commons  This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.