|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
Collaborations in E-lit |
Stephanie Strickland, Nick Montfort |
2011 |
collaboration, electronic literature, e-lit, the ecological thought, recombinant poetics, code, remix, appropriation, interactive fiction, platform |
|
Digital Prohibition Piracy and Authorship in New Media Art |
Carolyn Guertin |
2012 |
creativity, remix, piracy, marxism, multitude, authorship, new media art, appropriation, digital anthropophagy, creative cannibalism, mashup, archiving, Google, tactical media, activism, sampling, adaptation |
|
Dressage #7 |
Tibor Papp, Claude Maillard |
1990 |
appropriation, visual poetry |
|
fleshtresholdnarrative |
Eugene Thacker |
1996 |
hypertext, remix, appropriation |
|
Kenneth Goldsmith |
Marcus Boon, Kenneth Goldsmith |
2011 |
structural, UbuWeb, avant-garde, appropriation, copyright, dissemination, John Giorno, Mark Andrés, digital poetics, aesthetics, poetics, remix, influence, impurity, internet, net aesthetics |
|
La Resocialista Internacional |
Andreas Maria Jacobs |
2008 |
poetry, translation, appropriation, politics, socialism, transmedial |
|
Ler Clarice Lispector, re-escrevendo Amor |
Rui Torres |
2004 |
appropriated texts, appropriation, digital literature, digital poetry, intertextuality |
|
Notes on Conceptualisms |
Vannessa Place, Robert Fitterman |
2009 |
conceptualism, poetry, conceptualist poetry, poetics, aesthetics, appropriation, procedural poetics, literature and technology |
|
noth'rs |
John Cayley |
1999 |
transliteral morphing, appropriation, collaboration, poetry |
|
Orpheus no longer uses the Qwerty layout: Literature and Digital Ghosts |
Theodoros Chiotis |
2009 |
digital aesthetics, Greek literature, post-print fiction, sampling, appropriation, digital discourse |
|
Precession of the Equinoxes |
Simon Biggs |
2001 |
generative, 3D, multi-user, reading, dictionary, appropriation |
|
Super Mario Clouds |
Cory Arcangel |
2002 |
nes, nintendo entertainment system, ROM, hack, video game, appropriation, 8-bit, game modification |
|
Taroko Gorge Remixed: Repetition and Difference in Machine Texts |
Flourish Klink, Talan Memmott, Nick Montfort, Andrew Plotkin, Scott Rettberg, Mark Sample, Eric Snodgrass, J. R. Carpenter |
2012 |
poetry generation, remix, arrays, appropriation |
|
Translation |
John Cayley |
2004 |
constraint, ambient, collaboration, generative, translation, procedural, transliteration, audio, music, textual instrument, appropriation, appropriated texts, time-based, QuickTime |
|
Uncreative Writing: Managing Language in the Digital Age |
Kenneth Goldsmith |
2011 |
uncreative writing, appropriation, appropriated texts, robo-poetics, remix, literary theory, literary history |
|
Unoriginal Genius: Poetry by Other Means in the New Century |
Marjorie Perloff |
2010 |
poetry, poetics, originality, authorship, appropriation, citation, quotation, transcription, avant-garde |
|
Voyage Into the Unknown |
Roderick Coover |
2008 |
hypertext, history, maps, appropriation, documentary, ecocriticism, appropriated texts, interactive documentary, cinemascapes, American studies, critical ecologies, Flash |
|
Who Grabbed My Gorge |
Nick Montfort |
2011 |
remix, generative, appropriation |
|
Without a Trace |
Jody Zellen |
2008 |
image, Trace, comic, appropriation |