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Primal Affective Ground and Digital Poetry |
David Jhave Johnston |
2010 |
digital poetics, visual language, sound, affect, generative, combinatorial, video |
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Electronic Literature: New Horizons for the Literary |
N. Katherine Hayles |
2008 |
hypertext, textuality, embodiment, affect, literary history, writing-materiality, literary criticism, narrative theory, intermediation, digitality |
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Grafik Dynamo (Catalog) |
Joseph Tabbi, Kate Armstrong, Michael Tippett |
2010 |
narrative, word-and-image, textuality, affect, literary criticism, comics, sublime, image and text, designwriting, graphic design |
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Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction |
David Benin |
2008 |
interactive fiction, embodiment, affect, drugs, doping, Tour de France |
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Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives |
Daniel Punday |
2004 |
game narratives, melancholy, emotion, affect, immersion, reader response |
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List(en)ing Post |
Rita Raley |
2009 |
generative, reading, attention, polyattentiveness, attentive, embodiment, affect, disorientation, surveillance, interference, mobility, listening, crowds, multi-sensorial, algorithmic text generation, imobility, social relations, totality, voyeurism, statistical work, media ecology, lists |
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Literal Art |
John Cayley |
2004 |
writing, literal art, materiality, pixel, line, affect, programmatology, digital poetry, poetics, e-poetics, Digital, alphabetic, Kittler, media studies, literary studies |
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Making Sense: aspects of the literary in electronic environments |
Maria Angel, Anna Gibbs |
2010 |
e-literature, e-lit, interactive, literature and technology, body, affect |
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Office Diva |
Josephine Anstey, Dave Pape |
2011 |
installation, psychoanalysis, voice, emotion, affect, character |
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Tailspin |
Christine Wilks |
2008 |
Flash, affect, audio, sound, visual narrative, disability |
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The Unsatisfied Reading |
Philippe Bootz |
2010 |
poetics, reading, procedural, affect, Costa, sublime, presentation, representation, affective reading, analytical reading |
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Third Hand Plays: The Comedy of Subjection |
Brian Kim Stefans |
2011 |
electronc literature, subjection, affect, Hugh Kenner, Samauel Beckett, Flaubert, desire, politics of literature, James Joyce |
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Why Digital Literature Has Always Been “Beyond the Screen” |
Andrew Michael Roberts |
2010 |
interactivity, embodiment, affect, body, movement, enactment, depth, impersonality |