|
babel |
|
|
|
|
"Distance, Homelessness, Anonymity, and Insignificance": An Interview with Young-Hae Chang Heavy Industries |
Thomas Swiss, Young-Hae Chang Heavy Industries |
2002 |
interview |
|
"Of Dolls and Monsters": An Interview with Shelley Jackson |
Rita Raley |
2002 |
narrative, hypertext, materiality, fiction, Storyspace, interview, body, monstrosity, information, fantasy, link, image and text |
|
"Terminal Hopscotch": Navigating Networked Space in Talan Memmott's Lexia to Perplexia |
Lisa Swanstrom |
2011 |
aesthetics of spatial dislocation, interpretation, digital literacy, grid |
|
&Now |
|
|
|
|
&NOW 2004: Festival of Writing as a Contemporary Conceptual Art |
|
|
|
|
&Now 2012: New Writing in Paris: Exchanges and Cross-Fertilizations |
|
|
|
|
(Dis)Location, (Dis)Connection, (Dis)Embodiment |
Mark Cooley |
2007 |
media art, collaboration, video, audio, random, database, juxtaposition, association |
|
(S)PACING |
Talan Memmott |
2009 |
installation, performance, keyboard, video, audio, sensors, movement, time, Flash |
|
...Reusement |
Jerome Fletcher |
2007 |
performance writing, erasure, performative, projective art, bilingual |
|
//**Code_Up |
Giselle Beiguelman |
2004 |
film, code, remediation, application, manipulation, algorithm, numeric systems, images |
|
1994-96 Word Nozzle (digital materiality) (Interview with Jason Lewis) |
Jason Edward Lewis, David Jhave Johnston |
2012 |
materiality |
|
2001 Electronic Literature Awards |
|
|
|
|
217 Views of the Tokaido Line |
Will Luers |
2011 |
essay, video, poetry, generated poetry, travel, motion, loop, haiku |
|
51 Responses: What inspired you to get involved with Digital Literature |
|
|
video, electronic literature, practice, responses, inspiration |
|
88 Constellations for Wittgenstein |
N. Katherine Hayles |
2012 |
digital literature, narrative assemblege |
|
A Clash between Game and Narrative |
Jesper Juul |
1998 |
computer games, interactive fiction, narrative |
|
A gramatura do tempo [intertexto a-textualidade] |
Roberto Keppler |
|
epoetry, Brazilian electronic poetry, computational media arts |
|
A History of the Future of Narrative |
Robert Coover |
2008 |
|
|
A Humument |
Tom Phillips |
1970 |
altered book, technotext, palimpsest, artist's book, treated book |
|
Å lese med fingrene |
Scott Rettberg |
2011 |
touchscreen, ipad, children's literature, haptic |
|
A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen |
Lisa Swanstrom |
2011 |
3D, locative literature, narrative, genre, interaction, interactive narrative, actor-network theory, ANT, performance, performativity, spatiality |
|
A Night at the Cybertexts |
|
|
reading, cybertext, performance |
|
A Response to "A New 'Gospel of the Three Dimensions'" |
Marie-Laure Ryan |
2012 |
interpretation, experience, electronic literature, digital literary art |
|
A White Paper of Information |
Matthew G. Kirschenbaum |
1998 |
information, compution, visualization |
|
Actamedia – Artemídia e Cultura digital Simpósio Internacional de Artemídia e Cultura Digital |
|
|
brazilian cyberstudies, new media criticism, new media artpoetry, interactivity |
|
Aesthetics and Literature: A Problematic Relation? |
Peter Lamarque |
2007 |
literature, aesthetics, appreciation, poetry, narrative |
|
Afsnit P |
|
|
|
|
Agrippa (A Book of the Dead) |
William Gibson |
1992 |
electronic poetry, poem, digital poetry |
|
Alan Bigelow |
|
|
|
|
Alan Golding |
|
|
|
|
Alan Sondheim |
|
|
|
|
Albertus Marques |
|
|
|
|
Aleš Vaupotič |
|
|
|
|
Alessandro Ludovico |
|
|
|
|
All Roads |
Jon Ingold |
2001 |
interactive fiction, fiction, games, Inform |
|
All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities |
Scott Rettberg |
2011 |
hypertext, collaboration, communities, storytelling, narrative, collective narrative |
|
Alquimias de webmantilha: propostas colaborativas em instalações cíbridas |
Lucia Leão |
2009 |
Brazilian elit, interactive installation |
|
Amaranth Borsuk |
|
|
|
|
Ana María Uribe |
|
|
|
|
Anders Fagerjord |
|
|
|
|
Archivability of Electronic Literature in Context |
Beat Suter |
2010 |
archiving, electronic literature, sustainability, preservation |
|
Archivierung von digitaler Literatur: Probleme,Tendenzen, Perspektiven / Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives |
|
2010 |
archiving, restoring, emulating, digital memory |
|
Arizona Journal of Hispanic Cultural Studies |
|
|
|
|
Arrested |
Nanette Wylde |
1997 |
flipbook, conbinatory, database, prejudice, offense |
|
Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature |
Peter Gendolla |
2009 |
aesthetics, artificial poetry, digital poetics, aesthetic perception, literariness |
|
Astrid Ensslin |
|
|
|
|
Atame: A Angústia do Precário |
Wilton Azevedo |
2006 |
love, passion, interprosa, flash fiction, Brazilian electronic poetry |
|
Atelier Multimediale Edizioni |
|
|
|
|
Automatype |
Daniel C. Howe |
2012 |
ambient, text art, algorithmic text generation, minimalism |
|
Autopoiesis: novelty, meaning and value |
Simon Biggs, James Leach |
2004 |
|
|
Avatars of Story |
Marie-Laure Ryan |
2006 |
narrative, hypertext, Storyspace, interactive drama, games, narrative theory, story |
|
Aya Natalia Karpinska |
|
|
|
|
Babel |
Simon Biggs |
2001 |
classification, interface, data visualization, mapping, navigation, Dewey Decimal System |
|
Bare Bones |
Joeyllyn Rock |
2002 |
fairly tale, translation, subversion, adaptation, desire, narrative, hypertext |
|
Beckett's Bounce |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Bertrand Gervais |
|
|
|
|
Between Experiments and Traditions: Italian and Portuguese E-poetry |
Giovanna Di Rosario |
2010 |
experimental poetics, Brazilian concrete poetry, Italian Futurism, visual poetry, epoetry, legibility |
|
Beyond Taxonomy: Digital Poetics and the Problem of Reading |
Talan Memmott |
2006 |
poetics, reading, literary history |
|
Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres |
|
|
|
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Bill Seaman |
|
|
|
|
Blind Ditch |
|
|
|
|
Blind Side of a Secret |
Thomas Swiss, Nils Mühlenbruch, Yoshi Sodeoka, Motomichi Nakamura |
2007 |
audio, collaboration, Flash, remix |
|
Blue Hyacinth |
Jim Andrews, Pauline Masurel |
2002 |
generative, combinatorial, random, cut-up |
|
Blue Velvet |
David Theo Goldberg, Stefka Hristova |
2006 |
documentary, vectors, New Orleans, hurricane |
|
Böhmische Dörfer |
Alexandra Saemmer |
2011 |
memory, history, trauma, prezi |
|
Bojan Anđelković |
|
|
|
|
Bones of the Book |
Robert Moor |
2012 |
e-books, electronic literature, hypertext, textuality, reading |
|
Bookend; www.claptrap.com |
Laura Miller |
1998 |
hypertext, hypertext fiction, reading, literature, literary history, literacy |
|
Bootstrapping Electronic Literature: An Introduction to the ELMCIP Project |
Scott Rettberg |
2012 |
introduction, ELMCIP |
|
Bust Down the Door Again! Gates of Hell-Victoria Version |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
Flash, remix, experimental cinema |
|
Bust Down the Doors! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
narrative, audio, Flash, experimental cinema |
|
Cabaret Voltage |
|
|
|
|
Can We Help Being Creative? |
James Leach |
2011 |
creativity, community, creative community |
|
Canyonlands: Edward Abbey in the Great American Desert |
Roderick Coover |
2010 |
history, documentary, American studies, cinemascape, critical ecologies, activism, anarchism, cultural geography, direct action, environment, environmentalism, hypertext, interactive cinema, landscape, navigation, nonfiction, sabotage, wilderness |
|
Card Catalogs and Electronic Books |
Judy Malloy |
1976 |
artist books, 1970s, 1980s |
|
Carrying across Language and Code |
Natalia Fedorova, Nick Montfort |
2012 |
translation, digital poetry, algorithmic text generation, interactive fiction, computation, electronic literature |
|
Catalogue: Nothingness |
Kate Armstrong |
2003 |
intervention, narrative, hypertext, consumerism, defamiliarization |
|
charNG |
Edde Addad |
2011 |
generative |
|
Chasing Pandora |
Allyson Cikor, Emily Devereux, Greg Turnbull, Mathew Vickery, Trent Redmond |
2011 |
hypertext, HTML, audio, responsive |
|
Christian Ulrik Andersen |
|
|
|
|
Cibercultura e divisão social do trabalho intelectual no Brasil: em nome da consolidação institucional nacional de um novo campo interdisciplinar de estudos Contribuição à memória da fundação da ABCiber |
Eugênio Trivinho |
2010 |
cyberculture, social division of intellectual labor, interdisciplinary field of studies, cognitive and institutional responsibility, theoretical and critical mission |
|
Cinematic Paradigms for Hypertext |
Adrian Miles |
1998 |
cinema, hypertext, hypermedia |
|
Close Reading 2.0: Reimagining Critical Practices for E-Poetry |
Leonardo Flores |
2012 |
|
|
Close Reading New Media: Analyzing Electronic Literature |
|
2003 |
|
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
Code, Cod, Ode: Poetic Language & Programming |
Loss Pequeño Glazier |
2007 |
|
|
Código de barras |
Alma Pérez |
2006 |
sound, voice, distance |
|
COG (I) |
Loss Pequeño Glazier |
2002 |
visual poetry, interactive, combinatory, kinetic poetry, Flash |
|
Cognitive Fictions |
Joseph Tabbi |
2002 |
cognitive science, fiction, autopoiesis |
|
Collecting digital literature in Europe |
J. R. Carpenter |
2011 |
digital literature, collection, Electronic Literature Collection, Electronic Literature Directory, Electronic Literature Organization, Hermeneia, databases, curation, archive, electronic literature, e-lit |
|
Common Ground: One Night in a Three-story House |
Stephen Granade |
1999 |
interactive fiction, game, character, suburbs, TADS 2 |
|
Composition |
Camille Utterback |
2000 |
video, composition, live, text, symbols, image to text |
|
Computing Language and Poetry |
Nick Montfort |
2012 |
poetry generator, digital poetics, narrative, computer narrative, interactive fiction, narratology, stanzory |
|
Conclusion: Whither American Fiction? |
Jessica Pressman |
2012 |
american fiction, remediation, narrative, electronic literature |
|
Connected Memories |
María Mencía |
2009 |
orality, time, refugee, interview, database, narration, installation, Processing, reading, performance |
|
Continuum |
|
|
|
|
Contrasts and Convergences of Electronic Literature |
Dene Grigar |
2012 |
electronic literature, literary history, literature and technology, interpretation |
|
Control and Freedom |
Wendy Chun |
2006 |
internet, paraonoia, freedom, surveillance, networks, race, pornography, light |
|
Conversations with Poets about Technology (CAPTA) |
David Jhave Johnston |
2012 |
interview |
|
CREADER (interview with Jeneen Naji) |
Jeneen Naji, David Jhave Johnston |
2012 |
|
|
Creating Interactive Fiction with Inform 7 |
Aaron A. Reed |
2010 |
authoring, interactive fiction, how-to, programming, narrative, gaming |
|
Crowds and Power |
Jody Zellen |
2002 |
animated text, pop-ups, HTML |
|
Cultures in Webs: Working in Hypermedia with the Documentary Image |
Roderick Coover |
2003 |
art, diary, documentary, ethnographic, fieldnotes, hypertext, interactive, interactive cinema, nonfiction, participant observation, photography, travel writing, wine |
|
Curveship: An Interactive Fiction System for Narrative Variation |
Nick Montfort |
2011 |
interactive fiction, narratology, narrative, IF, interactive fiction system, narrative variation |
|
Cybertext Narratology |
Markku Eskelinen |
1999 |
cybertext, fiction, narratology, postmodern fiction, Oulipo |
|
Cybertext palimpsests - literature to the nth degree |
Markku Eskelinen |
2000 |
cybertext, narratology |
|
Cybertext Poetics: The Critical Landscape of New Media Literary Theory |
Markku Eskelinen |
2012 |
cybertext, digital poetics, literary theory, media theory, cybertext narratology, game studies, ludology |
|
Cybertext Yearbook 2010 |
|
2010 |
literary history, ergodic histories, Poland |
|
Dadaventuras |
Chris Joseph, Maria Colino |
2004 |
absurd, aleatory narrative, dada, Flash, hypermedia, narrative, random |
|
Dans la gueule du loup |
Nicolas Clauss, Jean-Jacques Birgé |
2003 |
Shockwave, responsive, kinetic, audio |
|
Datafeeds |
Deena Larsen |
2008 |
hypertext, work, government, disability, senses |
|
David S. Miall |
|
|
|
|
David Jhave Johnston |
|
|
|
|
De l'amour |
Xavier Malbreil |
2007 |
text and image, inscription |
|
De la confirmation à la subversion: Les figures d’animation face aux conventions du discours numérique |
Alexandra Saemmer |
2011 |
digital discourse, semiotics, poetics, figures of animation |
|
Debates in the Digital Humanities |
|
2012 |
digital humanities, humanities, teaching, research, information, professionalism, academia |
|
Deena Larsen |
|
|
|
|
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations |
Roberto Simanowski |
2011 |
interactive, close reading, kinetic poetry, mapping, locative, meaning, hermeneutics, interpretation, desemanticization, code, body, presence, erotics |
|
Digital Arts and Culture 1999 Conference |
|
|
digital culture, digital arts |
|
Digital Humanities in Practice (DIKULT 207, UiB, Fall 2013) |
|
|
database, scholarship, digital humanities, digital methods, language-driven digital art, big data, quantitative analysis, statistical computation, data-driven literature, data-collection, text mining, found text, mapping, tagging, data visualization |
|
Digital Literature in France |
Serge Bouchardon |
2012 |
literary history, france |
|
Digital Literature: Technologies of Storytelling (ENGL 352) |
|
|
|
|
Digital Litteratur: En innføring |
Hans Kristian Rustad |
2012 |
digital litteratur, digital literature, electronic literature |
|
Digital Oracles |
Martha Carrer Cruz Gabriel |
2006 |
search, privacy, trust, filtering, critical new media |
|
Digital Poetry (English 3116) |
|
|
poetry, digital poetics, poetics, practice, critique, digital poetry |
|
Digital Rhetoric and Poetics: Signifying Strategies in Electronic Literature |
Talan Memmott |
2011 |
digital rhetoric, interaction design, codework, generation, meaning, poetics |
|
Disclaimer |
David Jhave Johnston |
2010 |
censorship, commentary, parody, generative, combinatorial, Flash |
|
Dois Pontos |
João Bandeira |
2000 |
video poetry, Brazilian elit, brazilian new media art, poiesis, oi futuro |
|
Down Time |
Rob Swigart |
2000 |
hypertext fiction, narrative, silicon valley, fiction, music, Director |
|
Drawing from Life |
Camille Utterback |
2001 |
DNA, image to text, genetic code, live, video, interactive video |
|
Dubravka Djurić |
|
|
|
|
Duel |
Kate Pullinger, Andy Campbell |
2011 |
|
|
Dutch digital literature |
Yra van Dijk |
2010 |
|
|
e(x)literature: the Preservation, Archiving, and Dissemination of Electronic Literature |
|
|
preservation, archiving, dissemination |
|
E-Lit. Som Litt.-Vit. |
Scott Rettberg |
2011 |
|
|
E-literature |
Joseph Tabbi |
2011 |
narrative, materiality, writing under constraint, electronic literature, e-lit, semantic web, constraint, meaning, Oulipian, differentiation, transclusion, world literature, literalism, semantics, Oulipo |
|
E-Poetry 2007 |
|
|
|
|
E:Electron |
Deena Larsen, Geoffry Gatza |
2001 |
hypertext, Flash, periodic table, poetry, love, association, relationships |
|
Eat Your Tits and Puppets |
Claire Donato, Ian Hatcher |
2010 |
performance, sexuality, duets, feminism, body, code |
|
Echelon |
Simon Biggs |
2001 |
interactive, generative, email, surveillance, dictionary, keywords |
|
Edward A Shanken |
|
|
|
|
Eight Was Where It Ended |
Jeremy Douglass |
2012 |
grief, bereavement, miscarriage, motherhood |
|
Electricians, Wig Makers, and Staging the New Novel |
Steve Tomasula |
2011 |
writing, novel, authorship, new media, collaboration, collage |
|
Electronic Literature - Senior Seminar (Fall 2011) |
|
|
|
|
Electronic Literature as an Information System |
Juan B. Gutiérrez, Mark C. Marino, Pablo Gervás, Laura Borràs Castanyer |
2009 |
definitions, models, information systems |
|
Electronic Literature Directory |
|
|
|
|
Electronic Literature Exhibit at the 2012 MLA Convention |
|
|
electronic literature, e-lit, exhibition, literary history |
|
Electronic Literature Organizaiton 2012 Media Art Show: Electrifying Literature: Affordances and Constraints |
|
|
electronic literature, media art, new media art, exhibition, ELO, Electronic Literature Organization |
|
Electronic Literature Organization |
|
|
|
|
Electronic Literature Organization 2008: Visionary Landscapes |
|
|
|
|
Electronic Literature Organization 2012: Electrifying Literature: Affordances and Constraints |
|
|
e-lit, literature, electronic literature, media ecology, conference series, digital literature, digital poetics, constraint, affordances |
|
Electronic Literature Organization Conferences |
|
|
|
|
Electronic Literature Publishing and Distribution in Europe |
Markku Eskelinen, Giovanna Di Rosario |
2012 |
publishing, electronic literature, magazines, competitions, collections, galleries, museums |
|
Electronic Literature Reading at the Richard Hugo House |
|
|
electronic literature, reading, performance, performativity, e-lit |
|
Electronic Literature: New Horizons for the Literary |
N. Katherine Hayles |
2008 |
hypertext, textuality, embodiment, affect, literary history, writing-materiality, literary criticism, narrative theory, intermediation, digitality |
|
Electronic Literature: New Horizons for the Literary (Website) |
|
|
|
|
Electronic Literature: Where Is It? |
Dene Grigar |
2008 |
teaching, pedagogy, electronic literature, reading, digital humanities, literary studies, academia, higher education, literary, literacy |
|
Electronic Mediations |
|
|
|
|
Electronic Writing II (LITR 0210D, Spring 2008) |
|
|
visual poetry, hypertext, animation, games, electronic writing, workshop, soundscape, undergraduate |
|
ELMCIP Conference on Remediating the Social |
|
|
conference, exhibition, performance, ELMCIP, Edinburgh, communities |
|
ELMCIP E-Literature and New Media Art Seminar |
|
|
new media art, digital literary art, electronic literature, e-lit, hybrid, digital aesthetics |
|
ELMCIP Electronic Literature and Pedagogy Workshop |
|
|
teaching, pedagogy, electronic literature, digital literature, digital arts |
|
ELMCIP Electronic Literature Knowledge Base |
|
|
|
|
ELMCIP Events 2010-12: Electronic Literature as a Model of Creativity and Innovation in Practice |
|
|
ELMCIP, electronic literature, creativity, innovation, seminar, workshop, reading, digital literature |
|
ELMCIP Seminar on Digital Poetics and the Present |
|
|
ELMCIP |
|
ELMCIP Seminar on Digital Textuality with/in Performance |
|
|
digital textuality, electronic literature, performance |
|
Epiglobis |
Alexander Mouton |
2007 |
media art, database, video, interactive video, generative, juxtaposition, audio |
|
Eric Sérandour |
|
|
|
|
Escritas Arcaicas |
Wlademir Dias-Pino |
2007 |
3D, animations, generative, Brazilian electronic poetry, oi futuro, poiesis |
|
Estética e Cibercultura: Arte no Contexto da Segregação Democrática Avançada |
Eugênio Trivinho |
|
|
|
Ethereal Landscapes |
Alexander Mouton, Christian Faur |
2005 |
artist book, photography, database, barcode, augmented, video, audio, biology, temporality, mortalitity |
|
European eLiterature Collection |
|
2012 |
collection, anthology, e-literature, electronic literature, digital literature, new media writing, preservation, archiving |
|
Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics |
Mark Amerika |
2004 |
writing, net art, digital narrative, ethics, aesthetics, performative |
|
Experiments in Literary Cartography |
José Carlos Silvestre |
2010 |
spatiality, hypertext fiction, electronic fiction, narrative, maps, cartography, google maps |
|
Exploiting Kairos in Electronic Literature: A Rhetorical Analysis |
Cheri Crenshaw |
2008 |
electronic literature, kairos, new media, media-specific analysis, rhetoric, remediation |
|
FaceDown |
Andy Campbell |
2001 |
visual narrative, mathematics, dark, chaos, face, scan |
|
Faen. Nå har de senket takhøyden igjen. Må huske å kjøpe nye knebeskyttere. |
Tor Åge Bringsværd |
1999 |
science fiction, hypertext, Norwegian |
|
Fechando a Questão dos Bits: Arte Digital e Propriedade Intelectual |
Richard Rinehart |
2010 |
copyright, Brazilian elit, FILE, download |
|
Feed |
Robert Kendall |
2008 |
text generation, poetry, association, chance |
|
Feral Hypertext: When Hypertext Literature Escapes Control |
Jill Walker Rettberg |
2005 |
|
|
Fibreculture Journal |
|
|
|
|
Figure 5 Media Series |
Megan Sapnar |
2001 |
Flash, QuickTime, audio, responsive |
|
Fils de l'art et la littérature (Interview with Alexandra Saemmer) |
David Jhave Johnston, Alexandra Saemmer |
2012 |
|
|
Firefly |
Deena Larsen |
2002 |
stanzas, narrative, hypertext |
|
First Monday |
|
|
|
|
flâneur - tag the world |
Anders Sundnes Løvlie |
2010 |
collaboration, locative, literature, mobile media, writing games |
|
Floppy |
Andy Campbell |
2004 |
interface, dark, floppy disk, corrupted files, file system, domestic violence, isolation, computer |
|
Foi |
João Bandeira |
2006 |
video poetry, brazilian new media art, poiesis, oi futuro, Brazilian elit |
|
Folgen |
Michelle Teran |
2011 |
narrative, site specific, locative, Berlin, urban, geolocative, social media, YouTube |
|
Foliage |
Will Luers |
2007 |
video, nature, matter, color, pixels, media art |
|
For My Next Illusion I Will Use Wings |
Alex Epstein |
2012 |
facebook, flash fiction |
|
Formes libres flottant sur les ondes |
Xavier Malbreil |
2002 |
image and text, HTML, animation, animated gif |
|
Forms of Future |
Michael Joyce |
1997 |
electronic literature, digital textuality, writing, interactive fiction, future, authorship |
|
Fórmula do mar |
Marcelo Tápia |
2007 |
poiesis, Brazilian concrete poetry, oi futuro, epoetry |
|
Fractured |
Andy Campbell |
2000 |
urban, horror, visual narrative, diary, dark, memories, chaos, journal, disturbing, abstract, confusion |
|
François Coulon |
|
|
|
|
From (W)reader to Breather: Cybertextual De-intentionalization and Kate Pullinger's Breathing Wall |
Astrid Ensslin |
2011 |
intentionality, retro-intentionalization, cybertext narratology, perception, reception, narrative, embodiment, cybersomatic, digital narrative |
|
From Storyspace to Browsers: Translating afternoon, a story into Polish and XML |
Mariusz Pisarski |
2012 |
|
|
From Synesthesias to Multimedia: How to Talk about New Media Narrative |
Daniel Punday |
2011 |
new media narrative, digital narratology, multimedia, multimedia narratology |
|
From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
Silvio Gaggi |
1998 |
postmodernism, authorship, hypertext, deconstructionism, decentering |
|
Fugues |
René Lapierre |
2007 |
poetry, hypermedia, piano, image and text |
|
Futures of Digital Studies 2010 |
|
|
|
|
Fuzzy Coherence: Making Sense of Continuity in Hypertext Narratives |
Jukka Tyrkkö |
2011 |
navigation, paratext, hypertext, hypertextual coherence, narratology, materiality, codex |
|
Gabriella infinita |
Jaime Alejandro Rodríguez |
|
hypertext, fiction, novel, video, audio, disappearance, evidence, escape, metafiction, adaptation, translation |
|
Galactic Tides by Night |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash, scheduled, e-poetry |
|
Galatea |
Emily Short |
2000 |
interactive fiction, fiction, chatterbot, chatterbot/conversational character, Inform, discourse |
|
Generating Narrative Variation in Interactive Fiction |
Nick Montfort |
2007 |
language generation, narratology, computational linguistics, interactive fiction |
|
Geo-locative narratives and e-lit: A Literary Positioning |
Laura Borràs Castanyer, Pablo Gervás, Juan B. Gutiérrez, Mark C. Marino |
2010 |
hermenia, web 2.0, GPS, locative, geolocation, locative narrativie |
|
George L. Dillon |
|
|
|
|
Ghost City |
Jody Zellen |
1997 |
city, audio, responsive, image and text, environment |
|
Ghost Moons |
Deena Larsen |
2000 |
hypertext, kanji, haiku, javascript |
|
Giselle Beiguelman |
|
|
|
|
Gisle Frøysland |
|
|
|
|
Golem |
Simon Biggs |
1988 |
installation, interactive, video, book, myth, genetics, artificial intelligence |
|
Gorge |
J. R. Carpenter |
2010 |
text generators, remix, generative, eating, food, body, desire |
|
Grafik Dynamo |
Kate Armstrong, Michael Tippett |
2005 |
image and text, comic, net art, generative, word and image, juxtaposition |
|
Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet |
Joseph Tabbi |
2010 |
narrative, non-linearity, literary modalities, combinatory |
|
Graphs, Maps, Trees: Abstract Models for Literary History |
Franco Moretti |
2007 |
distant reading, literary history, literary studies, genre, novel, visualization, quantitative analysis |
|
Grasping at Loose Bindings: Thoughts on Language, Literature, Communication in a Time of Change |
Davin Heckman |
2012 |
literature, media studies, digital culture, neoliberalism, Fulbright |
|
GVU Brown bag: Catharsis and Flow: Two Modes in Our Media Culture |
|
|
|
|
H2PTM'05 - Create, Play Exchange: Network Experiences |
|
|
|
|
haikU |
Nanette Wylde |
2001 |
generative, poetry, participation, haiku |
|
Heart Pole |
David Knoebel |
2005 |
3D, interactive writing, memory |
|
hektor |
Nathaniel Stern |
2000 |
memory, poetry, photography, video, javascript, Flash, juxtaposition, collage, characters |
|
Helen Varley Jamieson |
|
|
|
|
Hermeneia |
|
|
|
|
Hey Now |
Thomas Swiss, Motomichi Nakamura |
2001 |
Flash, collaboration, language, wrapping, audio, voice, animation |
|
Homer's Iliad |
Barry Smylie |
1999 |
Homer, classics, new media, remediation, adaptation |
|
House of Leaves |
Mark Z. Danielewski |
2000 |
narrative, novel, typography, print fiction, satire, postprint novel, postmodern fiction, horror, romance, mystery |
|
How Interactive Can Fiction Be? |
Michel Chaouli |
2005 |
|
|
How to Make a Dadaist Poem |
Tristan Tzara |
1920 |
dada, composition, poesis, poetics, recombinant |
|
How We Think: Digital Media and Contemporary Technogenesis |
N. Katherine Hayles |
2012 |
digital humanities, technogenesis, hyper reading, skimming, scanning, reading, neurology, humanities, narrative, database, spatiality |
|
Huis Clos / No Exit |
Annie Abrahams |
2012 |
performance, communication, cross-cultural communication, mediation |
|
Hypertext Fiction from 1987-1999 |
Jill Walker Rettberg |
2010 |
|
|
Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature |
Jan Baetens |
2011 |
hypertext, installment, sequentiality, fragment, short form, minimalism, link |
|
Hypertext: An alternative route to short story theorising |
Anastasia Natsina |
2007 |
|
|
hyPoem |
Jörg Piringer |
2002 |
kinetic typography, animation, interaction, Java, authoring system |
|
I like IRC & SMS |
Rita Raley |
2008 |
IRC, SMS, multimedia, installation, performance, user-generated texts |
|
I Love You |
Lello Masucci |
2012 |
love, multilingual, Flash, responsive |
|
i made this, you play this. we are enemies |
Jason Nelson |
2008 |
narrative games, consumerism, hand-drawn, satire, hypermedia, video |
|
I, Chatbot: The Gender and Race Performativity of Conversational Agents |
Mark C. Marino |
2006 |
chatbots, gender, narratology, ludology |
|
Ian Hatcher |
|
|
|
|
Implied Code as Mental Geography |
Jeremy Douglass |
2008 |
turing test, psychogeography, maps, cartography, navigation |
|
In Search of Novel Poetic Territories: On Media Poetry: An International Anthology |
Janez Strehovec |
2010 |
digital poetics, poetry, materiality, digital poetry, review |
|
In Search of Oldton |
Tim Wright |
2004 |
fiction, map, cartographic, playing cards, contributory, place, memory, loss |
|
In(ter)ventions: Literary practice at the Edge |
|
|
|
|
Inanimate Alice Episode #2: Italy |
Kate Pullinger, Chris Joseph |
2007 |
Flash, audio, responsive, static, scheduled |
|
Infinite Interfaces and Intimate Expressions: Hand-Held Mobile Devices and New Reflective Writing Spaces |
Lisa Holloway-Attaway |
2008 |
mobile, interface |
|
Influencing Machine of Miss Natalija A. |
Zoe Beloff |
2001 |
creative non-fiction, gothic, installation, video, Flash |
|
Inside: A Journal of Dreams |
Andy Campbell, Judi Alston |
2002 |
collaboration, dreams, dark, memories, surreal, dream diary, dream journal, poisoned |
|
Interactive Fiction |
Nick Montfort |
2005 |
|
|
Intermission |
Talan Memmott, Eric Snodgrass |
2011 |
collaboration, cinema, performance, remix, Bergman, dada, film, digital film |
|
Interpoesia: Le Debut de L’ecriture en Expansion |
Wilton Azevedo |
2009 |
interpoetry, Brazilian elit, Transitoire Observable, interpoesia |
|
Interrupt II Studio |
|
|
interrupt, intervention, studio, discussion, writing systems, digital literary art, aesthetics, sociopolitical, tactical media, critique |
|
Interrupting D : Patchwork Girl’s Syncopated Body |
Arnaud Regnauld |
2010 |
|
|
Interview with Amaranth Borsuk |
Amaranth Borsuk, David Jhave Johnston |
2012 |
|
|
Interview with Andrew Klobucar |
Andrew Klobucar, David Jhave Johnston |
2012 |
|
|
Interview with Brian Kim Stefans |
Brian Kim Stefans, David Jhave Johnston |
2012 |
|
|
Interview with Charles Bernstein |
Charles Bernstein, David Jhave Johnston |
2012 |
|
|
Interview with Chris Funkhouser |
Chris Funkhouser, David Jhave Johnston |
2012 |
interview |
|
Interview with Christian Bök |
David Jhave Johnston, Christian Bök |
2012 |
|
|
Interview with D. Kimm |
D. Kimm, David Jhave Johnston |
2012 |
|
|
Interview with Ian Hatcher |
Ian Hatcher, David Jhave Johnston |
2012 |
interview |
|
Interview with J. R. Carpenter |
J. R. Carpenter, David Jhave Johnston |
2012 |
interview |
|
Interview with Loss Pequeño Glazier |
Loss Pequeño Glazier, David Jhave Johnston |
2012 |
|
|
Interview with Steve Tomasula |
David Jhave Johnston, Steve Tomasula |
2012 |
|
|
Introduction: Juncture and Form in New Media Criticism |
Francisco J. Ricardo |
2010 |
aesthetics, digital literary arts, experience, literary art, new media criticism, electronic literature, literary theory, art theory |
|
Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing |
Rob Wittig |
1994 |
electronic bulletin boards, collaboration, electronic literature, literary history |
|
Is There a Text on This Screen? Reading in an Era of Hypertextuality |
Bertrand Gervais |
2008 |
textuality, digital textuality, reading, interpretation, materiality, digital materiality, hypertext |
|
Isaías Herrerro Florensa |
|
|
|
|
Jacob Garbe |
|
|
|
|
Jaime Alejandro Rodríguez |
|
|
|
|
Jan Baeke |
|
|
|
|
Jan Baetens |
|
|
|
|
Jargon Reducer |
Nanette Wylde |
2006 |
software art, manipulation, jargon, filtering, textual analysis |
|
Jeanne M. Hamming |
|
|
|
|
Jeremy Douglass |
|
|
|
|
Jesper Juul |
|
|
|
|
Jessica Pressman |
|
|
|
|
Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance |
Christophe Collard |
2012 |
|
|
Jichen Zhu |
|
|
|
|
Jim Andrews |
|
|
|
|
Jim Andrews Retrospective |
|
|
vispo |
|
João Antonio da Silva Sampaio |
|
|
|
|
João Bandeira |
|
|
|
|
Jody Zellen |
|
|
|
|
John M. Vincler |
|
|
|
|
Jonathan Flatley |
|
|
|
|
Jonathan Baillehache |
|
|
|
|
Kastastrofetrilogien |
Scott Rettberg, Roderick Coover |
2011 |
video, Norway, disaster, media, interpersonal, cross-cultural communication, multilingual, catastrophe |
|
Katarina Peovic Vukovic |
|
|
|
|
Katja Kwastek |
|
|
|
|
Kiene Brillenburg Wurth |
|
|
|
|
Kind of Blue |
Scott Rettberg |
2002 |
collaboration, novel, epistolary, remix, e-mail fiction, email, narrative, intertextuality, multivalent, conspiracy, madness |
|
Kodachrome Blue Syntax |
Kenneth Sherwood |
2006 |
remediation, voice, stock footage, montage, loops, transcoding, media art |
|
La Groupe Alire (Interview with Philippe Bootz) |
Philippe Bootz, David Jhave Johnston |
2012 |
|
|
Lace (Dentelle) |
Pierre Albert-Birot, F.J. Bergmann |
2002 |
animation, translation, Flash |
|
Language Writing, Digital Poetics, and Transitional Materialities |
Alan Golding, Giselle Beiguelman |
2006 |
digital poetics, poetics, materiality, language writing |
|
Le Rabot poète |
Philippe Bootz |
2005 |
unconfortable reading, ergodic poetry |
|
Lector in machina |
Laura Borràs Castanyer |
2007 |
|
|
Leevi Lehto |
|
|
|
|
Leonardo Flores |
|
|
|
|
Les 12 Travaux de l'Internaute / The 12 Labors of the Internet User |
Serge Bouchardon |
2008 |
game, mythology, classics, Flash, interactive, satire, user interface, remediation, Hercules |
|
Lev Manovich |
|
|
|
|
Libertando-se da Prisão |
Theodor Holm Nelson |
2010 |
software studies, FILE, hardware, windows, Mac |
|
Lilith |
Eduardo Kac |
1989 |
Eduardo Kac, early Brazilian electronic poetry, spatial, holopoem |
|
Lisa Holloway-Attaway |
|
|
|
|
Literatur im Internet: Theorie und Praxis einer kooperativen Ästhetik |
Christiane Heibach |
2000 |
|
|
Literature and Media: Electronic Literature (EN1126, Fall 2010) |
|
|
|
|
Literatures in the Digital Era: Theory and Praxis |
Anastasia Natsina |
2007 |
literature, literary criticism |
|
Littérature numérique: le récit interactif, Paris, dec. 2009. |
Serge Bouchardon |
2009 |
interactive narrative, narrativity, interactivity |
|
Locating the Literary in New Media |
Joseph Tabbi |
2008 |
posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness |
|
Logging In |
Sandy Baldwin |
2008 |
logging, cognition, subjectivity, turing test, login |
|
Logozoa |
Robert Kendall |
2006 |
sticker, poetry, distributed, metaphor, textual organisms, participatory, photography |
|
Looking Behind the Façade: Playing and Performing an Interactive Drama |
Jörgen Schäfer |
2009 |
interactive drama, games |
|
Lord's Prayer, The |
Alan Bigelow |
2007 |
recombination, bible, Flash, poetry |
|
Love is in the air (first performance) |
Sonja Thomsen |
2010 |
multimodality, digital poetics, language – sound - picture relationship, sound and image, collaborative art, grid, non-linear, conceptual blending, interactive |
|
Luciana Gattass |
|
|
|
|
Ludion |
|
|
|
|
LYMS |
Ottar Ormstad |
2009 |
video poetry, lettrist, poetry, translation, image and text |
|
Lys-Mørke |
Tale Næss |
|
|
|
Making Sense: aspects of the literary in electronic environments |
Maria Angel, Anna Gibbs |
2010 |
e-literature, e-lit, interactive, literature and technology, body, affect |
|
Mandelbrot.fr (private reading device) |
Alexandra Saemmer, Bruno Scoccimarro |
1999 |
ephemerality, device, temporarilty, flow |
|
Mapping E-Lit: Lectura i anàlisi de la literatura digital |
|
|
electronic literature, e-lit, digital poetics |
|
Marble Springs 3.0 |
Deena Larsen |
2012 |
hypertext, wiki, responsive, static |
|
Marc Voge |
|
|
|
|
Mariane Bégnon |
|
|
|
|
Marida Di Crosta |
|
|
|
|
Mark C. Marino |
|
|
|
|
Mark Z. Danielewski |
|
|
|
|
Martine Neddam |
|
|
|
|
Mary Flanagan |
|
|
|
|
Mauro Carassai |
|
|
|
|
Mechanical Bride |
Ted Warnell |
2001 |
HTML, IRC, e-poetry |
|
Mechanisms: New Media and the Forensic Imagination |
Matthew G. Kirschenbaum |
2008 |
digital forensics, digital materiality, materiality, media studies, hardware |
|
Media Archaeology Lab |
|
|
|
|
Media: Culture : Pedagogy |
|
|
|
|
Mediums and Messages (Comparative Literature 163A) |
|
|
|
|
Mes Hypertropes: Programmed Poems from a Founding Member of Oulipo |
Amaranth Borsuk |
2012 |
|
|
Miami University |
|
|
|
|
Mobile Media Narratives: From Site-Specific Stories to Locative Hypertexts |
Jason Farman |
2010 |
personal computing, pervasive computing, mobile media, ubiquitous computing, mobile technologies, site-specific, community narrative, locative narrative |
|
Modern Language Association Convention 2012 |
|
|
convention, international |
|
Modern Language Association Convention 2013 |
|
|
|
|
Muds |
David Jhave Johnston |
2009 |
|
|
My Own Private Augmented Reality: ulillillia's Mind Game |
Allen Riley |
2010 |
digital media, digital software, experiential, poetry, augmeted reality |
|
MyNovel.org |
Alan Bigelow |
2006 |
power, satire, Flash, narrative |
|
N. Katherine Hayles |
|
|
|
|
Nam Shub – A Text Creation and Performance Environment |
Jörg Piringer |
2007 |
platform, software art, visual poetry, sound poetry. tool |
|
Narrative Units |
Ethan Miller |
2006 |
information theory, narrative, visualization, video, software system, Python |
|
Natural History |
Johannes Heldén |
2007 |
nature, science fiction, dystopic, sculpture |
|
Nature on a Leash |
Gail White Scott |
2008 |
video, animation, nature, suburbs |
|
Network Archaeology |
|
|
network, network archaeology, media archaeology, media archive, new media, communication |
|
Networked Culture (DTC 338) |
|
|
curation, e-lit, digital ethnography, networked culture, social media |
|
New Forms of Subjectivity? Writing and Corporeality in Australian New Media Art |
Anna Gibbs, Maria Angel |
2008 |
Australia, subjectivity, corporeality, image and text, visual media |
|
New Media Creative Writing (English 5764, Fall 2007) |
|
|
narrative, poetry, hypertext |
|
New Media Poetics: As We May Think/How to Write |
Adalaide Morris |
2006 |
|
|
New Media Poetry: Aesthetics, Institutions and Audiences |
|
|
|
|
New Media: Its Utility and Liability for Literature and for Life |
Joseph Tabbi |
2011 |
|
|
New Word Order |
Sandy Baldwin |
2003 |
3D, collaboration, game, modding |
|
Newsrub |
Barbara Campbell |
2009 |
collaboration, performance, news, rubbing, embodiment |
|
Next Generation Literary Machines: The “Dynamic Network Aesthetic” of Contemporary Poetry Generators |
Holly Dupej |
2012 |
poetry generator, mass aggregation, participation, instability, unpredictability, generation, network, aesthetics, literary machines |
|
Noise |
Gerald Smith |
2011 |
digital poetry, concrete poetry |
|
Nonce Upon Some Times: Rereading Hypertext Fiction |
Michael Joyce |
1997 |
close reading |
|
NONCE.EXECUTOR (disposable language) |
Talan Memmott |
2011 |
poetry, video poetry, image and text, music |
|
Nonlinearity and Literary Theory |
Espen Aarseth |
1994 |
nonlinenarity, cybertext |
|
NT2: Nouvelles technologies, nouvelles textualités |
Bertrand Gervais, Gabriel Tremblay-Gaudette |
2011 |
|
|
Número especial sobre Crítica Hipertextual Journal of Digital Information: Editorial |
Susana Pajares Tosca |
2001 |
|
|
O Sujeito-Projeto: Metaperformance e Endoestética |
Claudia Giannetti |
2010 |
embodiment, performance, FILE, artificial intelligence |
|
Office Diva |
Josephine Anstey, Dave Pape |
2011 |
installation, psychoanalysis, voice, emotion, affect, character |
|
Oficinas do Convento de 2009, Conversas à Volta do Peso e da Leveza |
|
|
|
|
Oito Milhões de Pixels em Imagens de Quatro Quilates: 4K |
Jane de Almeida |
2010 |
embodiment, digital image, 4K cinema, Brazilian elit, FILE |
|
Old Wine in New Bottles |
Scott Rettberg |
2010 |
remediation, adaptation |
|
Omission impossible: the ergodics of time |
Markku Eskelinen |
1998 |
time, hypertext, cybertext, narratology, ergodic |
|
On Lionel Kearns |
Jim Andrews |
2004 |
audio, documentary, memoir, emulation, archiving, Shockwave, kinetic, animation, visual poetry, sound poetry |
|
On the Record: Notas para Errata Erratum - Projeto Duchamp Remix no Museu de Arte Contemporânea de Los Angeles (MOCA) |
Paul D. Miller (aka DJ Spooky: That Subliminal Kid) |
2010 |
electronic music, FILE |
|
On the Surface of Aleph Null |
Giovanna Di Rosario |
2012 |
|
|
Ontological Boundaries and Methodological Leaps: The Importance of Possible Worlds Theory for Hypertext Fiction (and Beyond) |
Alice Bell |
2011 |
possible-worlds theory, hypertext, hypertext fiction, narratology, Storyspace |
|
Opening Sources |
Ian Hatcher |
2008 |
reading, collective writing, feedback loop |
|
Osso |
Augusto de Campos |
2007 |
clip-poem, Brazilian electronic poetry, epoetry, digital concrete poetry |
|
Our Ailing Educational Institutions |
Bernard Stiegler |
2003 |
technical systems, systems, mnemotechnics, education, globalization, digital culture, philosophy |
|
overboard |
John Cayley |
2004 |
literal art, algorithmic text generation |
|
P.o.E.M.M. |
Jason Edward Lewis, Bruno Nadeau |
2011 |
mobile, touch, interactive, haptic |
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
Para uma eventual conversa sobre poesia |
Ricardo Aleixo |
2007 |
sound environment, sound poetry, poiesis, oi futuro, sampling, brazilian new media art |
|
Paris Réseau/ Paris Network |
Karen O'Rourke |
2000 |
interactive narrative, mapping, art, collaborative art, bilingual |
|
Passage Sets |
Bill Seaman |
2010 |
generative, visual poetry, video, installation |
|
Patchwork Girl |
Shelley Jackson |
1995 |
hypertext, adaptation, postmodern fiction, gender, body, remix, monster, pastiche, Storyspace |
|
Pause |
François Coulon |
2003 |
hypertext, French |
|
Pé Ponta-Cabeça |
Arnaldo Antunes |
2007 |
calligraphy, ASCII, Brazilian elit |
|
Peggy |
Jean-Hugues Réty |
1999 |
hypertext, conditional links, javascript, cookies |
|
Pelayo Méndez |
|
|
|
|
Penny Travlou |
|
|
|
|
Performances Of Writing In The Age Of Digital Transliteration |
John Cayley |
1998 |
performance, digital writing, programmability, translation |
|
Performed poetics in multi-linear narrative situations |
Martin Rieser |
2012 |
peformance, senses, spatiality, architecture |
|
Peter's Haiku Generator |
Peter Howard |
1996 |
haiku, generated poetry, javascript |
|
petite brosse à dépoussiérer la fiction |
Philippe Bootz |
2011 |
HTML, javascript, responsive |
|
Peurs / Fears |
Annie Abrahams |
2007 |
contributory participation, voices, fear, performance |
|
pianographique |
Jean-Luc Lamarque |
1993 |
multimedia instrument, literal art, keyboard, music, audio, collage, spatial, visual poetry |
|
Pieces |
Robert Kendall |
2008 |
narrative, jigsaw puzzle, assemblage, configuration, XML |
|
Pipe Bomb: Exploding Code in the Work of Rene Margritte and Jodi |
Patrick LeMieux |
2010 |
essay, art criticism, Rene Margritte, HTML, aesthetic, digital media, artwork, Joan Heemskerk, Dirk Paesmans, Jodi |
|
PO.EX (Interview with Maneul Portela) |
David Jhave Johnston, Manuel Portela |
2012 |
reflexive operations, archive, text generation |
|
Poetic mediation across practices and institutions: Sailing with Pequod together with Poets and Interaction Designers |
Erling Björgvinsson |
2011 |
|
|
Poetic Transformations in(to) the Digital |
Friedrich W. Block, Rui Torres |
2007 |
adaptation, intertextuality, poetics, visual poetry, sound poetry, combinatory, algorithmic |
|
Poetry Foundation (Website) |
|
|
|
|
POIESIS <POEMA>ENTRE PIXEL E PROGRAMA</> |
|
2008 |
p0es1e, epoetry, Brazilian elit |
|
Points of View (1983) (Interview with Jeffery Shaw) |
Jeffrey Shaw, David Jhave Johnston |
2012 |
|
|
Porting E-Poetry: The Case of First Screening |
Leonardo Flores |
2012 |
preservation, obsolescence, digital materiality, emulation, translation |
|
Post Modern Object |
Meghan Newell |
2002 |
image and text, video, interface, postmodern, critical new media |
|
Post-Chapter Dialoge, Raley and Ricardo |
Rita Raley, Francisco J. Ricardo |
2009 |
polyattentiveness, reading, interpretation, digital literature |
|
Post-Chapter Dialogue, Gendolla and Ricardo |
Peter Gendolla, Francisco J. Ricardo |
2009 |
digital literature, literariness, aesthetics |
|
Post-Chapter Dialogue, Simanowski and Ricardo |
Roberto Simanowski, Francisco J. Ricardo |
2009 |
reading, interpretation, digital literature, materiality, literary theory, art theory, experience, production of presence |
|
Postales |
Gabriela Golder |
2000 |
labyrinth, expatriation, net art, image and text, nonlinearity, cycles, performance, hypertext |
|
Precession of the Equinoxes |
Simon Biggs |
2001 |
generative, 3D, multi-user, reading, dictionary, appropriation |
|
Predictor |
Simon Biggs |
2010 |
interpretative text generator, predictive text, frequency analysis, web art, netart |
|
Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995 |
Chris Funkhouser |
2008 |
literary history, digital poetry, antecedents, e-poetry |
|
Presence |
Simon Biggs |
1995 |
interactive, immersive, projection, sensors, installation |
|
Print Is Flat, Code Is Deep: Rethinking Signification in New Media |
N. Katherine Hayles |
2004 |
|
|
Productions of Presence: Sensing Electronic Literature |
Luciana Gattass |
2012 |
installations, poiesis, proprioception |
|
Protée |
|
|
|
|
Pulse |
Zuzana Husárová, Ľubomír Panák |
2010 |
collaboration, Slovak, generative, autopoietic, open, intermedial, poem |
|
Pyxis Byzantium |
M. D. Coverley |
2008 |
hypertext, narrative, time, history, Byzantium, Constantinople, map, landscape |
|
Radio Salience |
Stuart Moulthrop |
2007 |
image-text, voice generation, poetry, Flash |
|
Reading Digital Literature |
|
|
reading, digital literature, interpretation, United States, Germany, transnational |
|
Reading Digital Literature: A Subject Between Media and Methods |
Roberto Simanowski |
2010 |
digital literature, literariness, literary studies, interpretation, reading, hermeneutics-expanded |
|
Reading Hypertext and the Experience of Literature |
David S. Miall, Teresa Dobson |
2001 |
hypertext, reading, literary reading, literacy, digital literacy, absorbtion, style, links |
|
Reading Moving Letters: Digital Literature in Research and Teaching |
|
2010 |
teaching, pedagogy, electronic literature, digital literature, literary studies, hermeneutics, reading, interpretation |
|
Recombinant Poetics |
Bill Seaman |
2007 |
poetics, recombinant poetics, media poetry |
|
Red/tratos |
Eduardo Scala |
2002 |
lierary authors, visual poetry, digital concrete poetry, poiesis, Brazilian elit |
|
Redeeming the Gene, Molding the Golem, Folding the Protein |
Sonya Rapoport |
2002 |
myth, parody, genetics, kabbalah, feminism, golem |
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Remediating the Social (E-Book) |
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2012 |
ELMCIP, conference proceedings |
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Remix Writing and Postproduction Art (Workshop) |
Mark Amerika |
2008 |
remix, postproduction art |
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remixthebook |
Mark Amerika |
2011 |
remix, pseudoautobiography, artist-medium, philosophy, performance writing |
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Repetition and Recombination: Reading Network Fiction |
David Ciccoricco |
2005 |
network fiction, hypertext, repetition |
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Requiem |
Caitlin Fisher, Charles Fisher |
2010 |
augmented reality, poem, spatial |
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reRead |
Simon Biggs |
2009 |
generative grammars, unencumbered interactive environment, video tracking, endless writing, image and text |
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Résumé I? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
Flash |
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Reveal Codes: Hypertext and Performance |
Rita Raley |
2001 |
hypertext, performance, digital textuality, self-reflexivity, combinatorial, links, postmodernism, anamorphosis, complexity, linking |
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reWrite |
Simon Biggs |
2007 |
installation, interactive |
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Rhetoric and New Media (EN1306, Spring 2010) |
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Ricardo Aleixo |
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Ricardo Pons |
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Robert Coover |
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Roland HT |
Vika Zafrin |
2002 |
Song of Roland, hypertext, digital humanities, critical new media |
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Roland HT |
Vika Zafrin |
2007 |
XML, hypertext, Song of Roland, digital humanities, critical new media |
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Rudolf Frieling |
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Ruth Catlow |
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Salette Tavares – Desalinho das Linhas |
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Samantha Gorman |
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San Francisco Museum of Modern Art |
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Saving the Alphabet |
Alan Bigelow |
2005 |
interactive, language, conspiracy, loss of language, evil cooperation, avant-garde, visual poetry, prose poem |
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Sea Island |
Edward Falco |
1995 |
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Sebastian Elk |
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Second Life/Linden Lab |
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See Spot Link. Link, Spot, Link: How to read and appreciate electronic literature (Workshop) |
Deena Larsen |
2008 |
links, images, sound, motion, electronic literature |
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Seedsigns for Philadelpho |
mIEKAL aND |
2001 |
elegy, digital poetry, music, lettrist, Flash |
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Seeing through the Blue Nowhere: On Narrative Transparency and New Media |
Michael Joyce |
2011 |
narrative, transparency, digital aesthetics, disorientation, poststructuralism, mediation, literary theory |
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SFZero |
Sam Lavigne |
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alternate reality game, game, collaboration, San Francisco |
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Shelley Jackson |
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Sign After the X |
David Clark |
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ludic documentary |
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Simpósio Internacional de Arte Mídia e Cultura Digital - Acta Media 10 |
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brazilian cyberstudies, digital networks, creative practice |
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Six Little Loops |
Brian Evans |
2008 |
algorithmic art, maps, animation, music, synesthesia, abstract expressionism |
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Slaaplied (Lullaby) |
Tonnus Oosterhoff |
2006 |
Flash, music, death, consciousness, poetry |
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Slamming the Sonnet |
Jayne Fenton Keane, David Keane |
2002 |
poetry slam, virtual bodies, voice, performance, interactivity, poetry |
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Solstice |
Jacqueline Goss |
2007 |
found text, combinatory, search poetry, time, localized, Flash, keyboard |
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Songlines in the Streets: Story Mapping with Itinerant Hypernarrative |
Brian Greenspan |
2011 |
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Sonne Ordklip |
Jørgen Sonne |
2001 |
concrete poetry, visual poetry, poetry, danish, Scandinavian, cut-up, newspaper, humor, keywords, children, animal, culture, wordplay, art, language, nature, food |
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Soothcircuit |
Robert Kendall |
2004 |
poetry, oracle, chance, insight, aphorism |
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Sous Terre, The Subnetwork |
Grégory Chatonsky |
2001 |
subway, network, time, attention, waiting, memory |
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Spawn |
Andy Campbell |
2002 |
Flash, poetry, interactive, poem, meaning, liquid, mouse-responsive, chaos, responsive, kinetic typography |
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Speculation: An Alternate Reality Game |
Stephanie Boluk, Patrick Jagoda, Patrick LeMieux |
2013 |
alternate reality game, performance, gamification, transmedia, social network analysis, science fiction |
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Stanford Literary Lab |
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START HERE> |
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electronic literature, group curation, digital commons |
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Stephanie Strickland |
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Stillicidio |
Daniela Calisi |
2011 |
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STORYSPACE: a Tool for Interaction, Report to the Markle Foundation Regarding G85105, |
Jay David Bolter, Michael Joyce |
1986 |
Storyspace |
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Strange Rain |
Erik Loyer |
2011 |
haptic, app, touch, mobile, iphone, love, loss |
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Sue Thomas |
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Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts |
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2011 |
digital humanities |
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Sydney's Siberia |
Jason Nelson |
2010 |
poetry, zoom, image and text |
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symploke |
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Tactical Media |
Rita Raley |
2009 |
tactical media, digital arts |
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Taking A Scroll: Text, Image and the Construction of Meaning in a Digital Panorama |
Roderick Coover |
2008 |
scrolling, layering, compositing, panorama, paths, choice |
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Taroko Gorge [2012 remix] |
Nick Montfort |
2012 |
HTML, javascript, static, scheduled |
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Teaching Literature at a Distance: Open, Online and Blended Learning |
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2010 |
teaching, pedagogy, distance learning, open and distance learning, ODL, e-learning |
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Techno-historical Limits of the Interface: The Performance of Interactive Narrative Experiences |
Andrew Hutchison |
2009 |
mediation, interactivity, narrative elements, technical and historical contexts, technical limits |
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Tekst.no |
Ture Schwebs, Hildegunn Otnes |
2001 |
textbook |
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Teresa Dobson |
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The 24-Hr. Micro-Elit Project |
Dene Grigar |
2009 |
twitter, microfiction, collaboration, narrative |
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The Assimilation of Text by Image |
David Jhave Johnston |
2012 |
electronic literature, visual poetry, spatial arts, avant-garde |
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The Ballad of Sand and Harry Soot |
Stephanie Strickland |
1999 |
poetry, hypertext, digital poetry, e-poetry, multimodal |
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The Creative Imperative |
Simon Biggs |
2011 |
creativity, social ontology, agency, gift economy, community |
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The Cut-Up Method of Brion Gysin |
William S. Burroughs |
1963 |
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The Cyberspace, Hypertext, and Critical Theory Web |
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hypertext, embodiment, gender, digital culture, critical theory, cyberspace, virtual reality, cultural studies, cyberpunk, politics, economics, science |
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The Deena Larsen Collection |
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The Diary of Anne Sykes |
Andy Campbell |
2004 |
diary, dark, memories, chaos, journal, animated text, moving text, thoughts, chaotic, doodles, sketches, drawings |
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The Digital Poem against the Interface Free |
Lori Emerson |
2012 |
interfaces, reading, interpretation, electronic literature, e-poetry, digital poetry, interface free |
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The Eden Database |
Ted Warnell |
2002 |
database, codework, software art |
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The ELMCIP Knowledge Base |
Scott Rettberg, Eric Dean Rasmussen |
2011 |
ELMCIP, databases, digital humanities, electronic literature, teaching methodology, research infrastructure, literary studies |