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Writing Material Differences (LITR 1230J, Spring 2012) |
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material poetics, transcultural, translingual, performance writing, complex surfaces, inscription, installation, remediated text, code |
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Writing Technologies |
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Writing the World: Toward a Systems Approach to E-Writing |
Jim Carpenter |
2007 |
code, writing, programming, platform, source code, archiving, best practices, systems |
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Writing.3D |
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2006 |
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Xavier Malbreil |
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Xavier Marichal |
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Xexoxial Editions |
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Xilo |
Rodrigo Motta |
2011 |
narrative game, Brazil, FILE |
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Xtine Burrough |
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XXXVIII Premis Octubre XXI Encontre d'Escriptors organization of the Panel La literatura digital |
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Yara Guasque |
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Yasmin Kadry |
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Yatoo |
Ursula Hentschläger, Zelko Wiener |
2001 |
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Yolanda de Gregorio Robledo |
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Yong Hun Kim (aka Y) |
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Young-Hae Chang |
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Young-Hae Chang Heavy Industries |
Mette-Marie Zacher Sørensen |
2009 |
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Your Job Won't Stand a Chance |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
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Flash |
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Your World of Text |
Andrew Badr |
2009 |
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Yurly Tarnawsky |
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Yves Abrioux |
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Yvonne Spielmann |
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Zac Urness |
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Zach Whalen |
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Zachary Booth Simpson |
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Zahra Safavian |
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Zazil |
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Zážitok * multisenzorického čítania elektronickej literatúry |
Zuzana Husárová |
2012 |
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Zehra Yousofi |
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Zeitgenossen: "Yatoo" - Audio-visueller Hypertext als Rollover-Lovepoem |
Roberto Simanowski |
2002 |
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Zeitschrift für Literaturwissenschaft und Linguistik |
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Zelko Wiener |
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ZKM |
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Zoltàn Szüts |
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Zone |
Andy Campbell, David Jhave Johnston |
2013 |
3D, dark, dreaming methods, experimental computer game, experimental fiction |
|
Zvezdan Vukanovic |
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ZYX |
Eduardo Kac |
1985 |
holopoem, spatial, laser, Eduardo Kac, Brazilian electronic poetry |
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_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_ |
Mez Breeze |
2000 |
codework |
|
_The_Tem(Cor)p(oral)_Body_ |
Mez Breeze |
2012 |
codepoetry, code poetics |
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_Viro.Logic Condition][ing][ 1.1_ |
Mez Breeze |
2001 |
codework, mezangelle |
|
_][ad][Dressed in a Skin C.ode_ |
Mez Breeze |
2002 |
distributed cognition, gender, codework |
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АБЦ (Центр Андрея Белого) |
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Бледное пламя |
Vladimir Nabokov |
1999 |
hypertext, paratext, poetry, commentary |
|
Буриме |
Дмитрий Манин |
1996 |
ergodic/interactivity/participation, literary game, collective writing |
|
Быть ё моё |
Alexander Gornon |
1991 |
letterism, phonopoetics, video poetry, kinetic poetry |
|
Видеопоэзия |
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Георгий Жердяев |
|
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Государственный Центр современного искусства Екатеринбургский филиал |
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Грибница |
Ivan Khimin |
2013 |
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Дмитрий Манин |
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Екатерина Троепольская |
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Елена Богатырева |
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Журнальный зал |
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Интернет как гетто |
Роман Минаев |
2008 |
net art |
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Инфоэстетика |
|
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Lev Manovich, info aethsetics, media art, critical code studies |
|
История и практика сетевой литературы |
Alexey Krakovsky |
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Качели |
Anna Tolkacheva |
2010 |
|
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Кибер-Пушкин 1.0 бета |
Сергей Тетерин |
2002 |
e-poetry generator, cyberculture, digital performance |
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КоммерсантЪ-Дейли |
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Культпроект |
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Леонид Делицин |
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Литературная игра в Internet. Буриме как мечта авангардиста |
Сергей Кузнецов |
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Мифология on-line |
|
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media art, digital writing |
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Московская Школа фотографии и мультимедиа имени Родченко |
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Найдено в Петербурге |
|
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contemporary art, St-Petersburg artists, remediation |
|
Невидимая граница |
|
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contemporary art, St-Petersburg artists |
|
Невидимые города |
Italo Calvino |
2002 |
hyperfiction |
|
Новая Голландия |
|
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|
Павел Герасименко |
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Петербургская «Невидимая граница» в Москве |
Павел Герасименко |
2013 |
St-Petersburg artists, contemporary art, asciiart, media archeology |
|
Петр Белый |
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Роман Лейбов |
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Роман Минаев |
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Сад расходящихся хокку |
Дмитрий Манин, Роман Лейбов |
1997 |
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САМАРА: ЛИТерАРТ’ 2012 |
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Самарский государственный аэрокосмический университет имени академика С.П.Королева |
|
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Свобода |
Anna Tolkacheva |
2011 |
|
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Сергей Кузнецов |
|
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Сергей Тетерин |
|
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Сетевая словесность |
|
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Сети для художника |
Olia Lialina |
1996 |
net art |
|
Сонетник |
Дмитрий Манин |
|
collective writing, ergodic/interactivity/participation, literary games |
|
Тенёта |
|
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Теории и практики медиаискусства - 3 |
|
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media art, media archaeology |
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Техника чтения 2.0: литературные практики после интернет-революции |
Pavel Arseniev |
2013 |
reading technique, freedom of information, linguistic expression, materiality of communication |
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Уральский государственный университет им. Горького, факультет искусствоведения и культурологии |
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Фестиваль поэзии на острове | эпизод: Новая Голландия |
|
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Russian contemporary poetry, Trans-lit, video poetry, e-lit, doorway |
|
Электронная литература: неизвестное неизвестное. |
Mikhail Viesel |
2011 |
|
|
ә-măn’yoo-ĕn’sĭs |
Claire Donato, Timothy Terhaar |
2012 |
presentation, live performance, transcription, language, cybernetic, digital body, virtual bodies |
|
‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg |
Arnaud Regnauld, Hélène Perrin |
2008 |
|
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‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” |
Johndan Johnson-Eilola |
1991 |
pedagogy, hypertext |
|
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives |
J. Yellowlees Douglas |
1994 |
closure, narrative, hypertext |
|
“It’s Not That, It’s Not That, It’s Not That”: Reading Digital Poetry |
Lori Emerson |
2003 |
reading digital poetry, human-machine-relation |
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