|
Poetic Ergodic Capture |
Philippe Bootz |
2011 |
ergodic, cognition, ergodic/interactivity/participation, noematic reading, ergodic reading, ergodic capture, game poem |
|
Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality |
Maria Engberg |
2011 |
|
|
Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing |
Anna Gibbs, Maria Angel |
2011 |
|
|
E-Poetry 2011 |
|
|
|
|
EXPOSICIÓN LÚMEN_EX 2011 |
|
|
|
|
LÚMEN_EX AWARDS . EXTREMADURA UNIVERSITY (UNEX) |
|
|
|
|
ACITEOP. Disfunciones poéticas del lenguaje. |
Pelayo Méndez |
2011 |
visual poetry, algorithmic text generation, mashup, Google, web art, photography, web 2.0 |
|
Reading Time: For a Poetics of Hypermedia Writing |
Bill Marsh |
2001 |
poetics, performance, hypermedia, interpretation, hermeneutics, time, digital textuality, literary criticism, anti-hermeneutics, ephemerality, duration |
|
Factory School |
|
|
|
|
Bill Marsh |
|
|
|
|
Lionel Kearns |
|
|
|
|
Pauline Masurel |
|
|
|
|
Brian Lennon |
|
|
|
|
Kenneth Goldsmith |
|
|
|
|
Kerry Lawrynovicz |
|
|
|
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
FILE Games Rio 2011 |
|
|
|
|
Nele Lenze |
|
|
|
|
(Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review |
Martina Pfeiler |
2010 |
teaching, close reading, scholarship |
|
FILE Electronic Language International Festival |
|
|
|
|
Incubation 2000: a trAce International Conference on Writing and the Internet |
|
|
|
|
Eduardo Navas |
|
|
|
|
The Monstrous Book and the Manufactured Body in the Late Age of Print |
John M. Vincler |
2010 |
materiality, codex, paratext, interface |
|
Understanding New Media Art Through Close Reading. Four Remarks on Digital Hermeneutics |
Roberto Simanowski |
2010 |
digital hermeneutics, digital culture, electracy |
|
Inside Outside the Box: Default Settings and Electronic Poetics |
Davin Heckman |
2010 |
critical/political/philosophical, electronic poetics, mortality |
|
Performative Reading: Attending The Last Performance [dot org] |
Scott Rettberg |
2010 |
close reading, constraints, networked reading, attentive reading |
|
Genre: Forms of Discourse and Culture |
|
|
|
|
On Locative Narrative |
Rita Raley |
2008 |
|
|
Leonardo Electronic Almanac |
|
|
|
|
The Digital Loop: Feedback and Recurrence |
Rita Raley |
2002 |
|
|
_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_ |
Mez Breeze |
2000 |
codework |
|
Interferences: [Net.Writing] and the Practice of Codework |
Rita Raley |
2002 |
|
|
Toward a Semantic Literary Web: Three Case Histories |
Joseph Tabbi |
2007 |
semantic web, web 2.0, scholarship |
|
Tag Clouds: Reading the Poetic Interface |
Jeremy Douglass |
2007 |
interface, tag clouds, web 2.0 |
|
Modern Language Association Convention 2007 |
|
|
|
|
Modern Language Association |
|
|
|
|
An Interview with Dan Waber on "five by five" |
Rita Raley, Dan Waber |
2006 |
|
|
An Interview with John Cayley on "Torus" |
Rita Raley, John Cayley |
2006 |
3D, spatialization, spatial discourse, cave writing |
|
Lascaux.Symbol.ic |
Ted Warnell |
2000 |
codework |
|
Code.surface || Code.depth |
Rita Raley |
2006 |
materiality, code, codework, representation, geological computing |
|
Editor's Introduction: Writing.3D |
Rita Raley |
2006 |
|
|
The Nihilanth: Immersivity in a First-Person Gaming Mod |
Sandy Baldwin |
2006 |
3D, video games, modding, game mod, artist commentary |
|
Jason Pimble |
|
|
|
|
"mar puro”: An Interview with Aya Karpinska |
Rita Raley, Aya Natalia Karpinska |
2006 |
3D, spatial discourse |
|
Torus |
John Cayley |
2005 |
CAVE, 3D |
|
Word Museum |
William Gillespie |
2004 |
3D |
|
TLT vs. LL |
Ted Warnell |
2006 |
3D, code, codework |
|
mar puro |
Aya Natalia Karpinska |
2006 |
3D, spatial |
|
Ted Warnell |
|
|
|
|
Wo ist der Online-Ulysses? Kanonisierungsprozesse in der Netzliteratur |
Florian Hartling |
2004 |
digital literature, Germany, canon |
|
Institut für Medien- und Kommunikationswissenschaften |
|
|
|
|
Der digitale Autor. Autorschaft im Zeitalter des Internets |
Florian Hartling |
2009 |
authorship, digital literature, death of the author, Germany, dispositif |
|
6th International Comparative Literature Colloquium "The Author: Who or What Is Writing Literature?" |
|
|
|
|
Slovenian Comparative Literature Association |
|
|
|
|
Writing.3D |
|
2006 |
|
|
Brown University, Department of Literary Arts |
|
|
|
|
RedRidinghood |
Donna Leishman |
2001 |
animation, Flash, audio, parody, visual narrative, javascript |
|
Storyland |
Nanette Wylde |
2002 |
fiction, generative, audio, combinatorial |
|
Nanette Wylde |
|
|
|
|
Dan Waber |
|
|
|
|
Whom the Telling Changed |
Aaron A. Reed |
2005 |
interactive fiction, narrative, hypertext, fiction, Inform |
|
Elaine Froehlich |
|
|
|
|
David Durand |
|
|
|
|
Scan (Online Gallery) |
|
|
|
|
Scan (Refereed Journal) |
|
|
|
|
En guise de conclusion: Lieux d'opcité, le sort en jeu dans l'art |
Monique Maza |
2011 |
|
|
Peinture et création numérique: le jeu et les coulisses |
Mihai Christian Ile |
2011 |
|
|
Mihai Christian Ile |
|
|
|
|
Le jeu au risque de l'art |
Joël Gilles |
2011 |
|
|
Du jeu d l'art et des e-formes: perspective combinatoire |
Monique Maza |
2011 |
|
|
minE~i+)_mire ®+U experienced? |
Marc Veyrat |
2011 |
|
|
Poésie numérique: enjeux de lecture, lecture en jeu, étude de cas |
Philippe Bootz |
2011 |
|
|
PLAYGAME: Jouer sans fins? |
Samuel Bianchini, Jean-Baptiste Labrune |
2011 |
|
|
Jean-Baptiste Labrune |
|
|
|
|
Samuel Bianchini |
|
|
|
|
Musiques électroniques: vers de nouveaux modes de jeu |
Laurent Pottier |
2011 |
|
|
Laurent Pottier |
|
|
|
|
Ce qui nous reste |
Luc Dall'Armellina |
2011 |
|
|
Introduction à la deuxième partie: Lorsque l'art entre en jeu: approches croisées |
Monique Maza |
2011 |
|
|
Lucidité et lucidité dans Les 12 travaux de l'internaute |
Serge Bouchardon |
2011 |
|
|
Jeux en génération: Requalification esthétique des œuvres textuelles programées |
Ambroise Barras |
2011 |
|
|
Deviant: The Possession of Christian Shaw |
Donna Leishman |
2004 |
narrative, Flash, visual narrative, story, place, animation, audio |
|
Donna Leishman |
|
|
|
|
Not Just Text |
Steve Tomasula, Yurly Tarnawsky |
2011 |
collaboration, new media novel |
|
Yurly Tarnawsky |
|
|
|
|
"Trans-former" la poésie: formes émergentes de poésie numérique |
Giovanna Di Rosario |
2011 |
|
|
Formes du vertige dans le web-art, und lecture de desordre.net |
Estrella Rojas |
2011 |
|
|
Estrella Rojas |
|
|
|
|
Les figures de manipulation face aux conventions du jeu |
Alexandra Saemmer |
2011 |
|
|
De l'espace-temps parfait du jeu à l'esthétique du trouble interactif: engagement, réflexivité et déplacements expressifs |
Étienne Armand Amato, Fanny Georges |
2011 |
|
|
Fanny Georges |
|
|
|
|
Du jeu vidéo á l'éctriture hybride du réel. World of Electors ou l'at de la re-médiation |
Marida Di Crosta |
2011 |
|
|
L'art de game design: caracteréristiques de l'expression vidéoludique |
Sébastien Genevo |
2011 |
|
|
Introduction à la première partie: Le jeu, comme espace de résistance |
Alexandra Saemmer |
2011 |
|
|
E-Formes 2: Au risque du jeu |
|
2011 |
poetry, games, interaction, borders, play |
|
TechnoPoetry Festival 2002 |
|
|
|
|
Mark Rockswold |
|
|
|
|
Ingrid Ankerson |
|
|
|
|
Megan Sapnar |
|
|
|
|
Tim S Guthrie |
|
|
|
|
Will Stauffer-Norris |
|
|
|
|
Mary Pinto |
|
|
|
|
Responsive Environments |
Myron Krueger |
1977 |
art, meaning, technology, interaction, environment, responsive |
|
Myron Krueger |
|
|
|
|
carrier (becoming symborg) |
Damien Everett, Melinda Rackham |
1999 |
collaboration, audio, memoir, documentary, javascript, VRML, viral, games, Shockwave |
|
Damien Everett |
|
|
|
|
Melinda Rackham |
|
|
|
|
No More Teacher's Dirty Looks |
Theodor Holm Nelson |
1970 |
hypertext, stretchtext, education, computer aided instruction, hypergrams, information structures |
|
PING |
Kate Armstrong |
2003 |
locative, space, movement, commands, perception, mood, situationist |
|
Kate Armstrong |
|
|
|
|
Naomi Spellman |
|
|
|
|
Itinerant |
Teri Rueb |
2005 |
locative narrative, Frankenstein, Boston |
|
Teri Rueb |
|
|
|
|
Sue Huang |
|
|
|
|
Brian House |
|
|
|
|
Walk This Way: Mobile Narrative as Composed Experience |
Rita Raley |
2010 |
narrative, locative, mobile, typology, experiential, environment, experience, movement |
|
Dan Shiovitz |
|
|
|
|
Jon Ingold |
|
|
|
|
These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition |
Theodoros Chiotis |
2010 |
|
|
Stress Fractures: Essays on poetry |
|
2010 |
|
|
Every Rendition on A Broken Machine |
Ross Sutherland |
2010 |
|
|
Penned in the Margins |
|
|
|
|
Tom Chivers |
|
|
|
|
Ross Sutherland |
|
|
|
|
Cambridge Scholars Publishing |
|
|
|
|
Benjamin Shine |
|
|
|
|
Andrew McClain |
|
|
|
|
Josh Carroll |
|
|
|
|
Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Stamboom |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, collaboration, wordtoy, visual poetry or narrative, multilingual |
|
Everybody Dies |
Jim Munroe |
2008 |
interactive fiction, visual narrative, ergodic, Java |
|
Netpoetic |
|
2009 |
pedagogy, electronic literature, digital poetry, reviews, discussion, announcements, events |
|
Literatura Electrónica |
Juan José Diez |
2009 |
digital art, electronic literature, digital culture, reviews |
|
From ASCII to Cyberspace: A Trajectory in Digital Poetry |
Eduardo Kac |
2011 |
poetics, holopoetry, animation, digital poetry, electronic poetry, ASCII, e-poetry, interaction |
|
Laboratorie NT2 |
|
|
|
|
Letters in Space, At Play |
Scott Rettberg |
2011 |
kinetic poetry, kinetic typography, Electronic Literature Collection |
|
Simon Mills |
|
|
|
|
Trade Tattoo |
Len Lye |
1937 |
kinetic typography, film, analog |
|
Len Lye |
|
|
|
|
Kill the poem |
Johannes Auer |
1997 |
dynamic poetry, poem art |
|
Cybertext Yearbook 2007: Ludology |
|
2007 |
|
|
Cybertext Yearbook 2006: Ergodic Histories |
|
2006 |
literary history, ergodic |
|
Cybertext Yearbook 2002-2003 |
|
2003 |
digital poetry, electronic poetry, ergodic poetry, ergodic, e-poetry |
|
Event-Space on the Move (On the Computer Games Philosophy) |
Janez Strehovec |
2010 |
games, event-space |
|
Topos |
|
|
|
|
Alphabet on the Move: Digital Poetry and the Realm of Language |
Janez Strehovec |
2010 |
|
|
Literature in Digital Culture: Pedagogical Possibilities |
Raine Koskimaa |
2010 |
teaching, electronic literature, literature, digital culture, distance learning |
|
Takis Kayalis |
|
|
|
|
Publish and Die: The Preservation of Digital Literature within the UK |
Simon Biggs |
2010 |
archiving, electronic literature, obsolescence, media ecology, archive, preservation |
|
De Montfort University |
|
|
|
|
Creative Writing and New Media Archive |
|
|
archive, writing, lectures, lesson |
|
Electronic Literature Organization's Archive-It Collection |
|
|
archive, collection |
|
Leonardo |
|
|
|
|
Transcriptions: A Digital Humanities Project on the Cultures of Information |
|
|
digital humanities, teaching, technology, English, literature, literacy, digital literacy, digital cultures |
|
Tibor Papp |
|
|
|
|
KOANA |
|
|
|
|
ILIAS |
|
|
|
|
Incidences |
|
|
|
|
DOC(K)S |
|
|
|
|
KAOS |
|
|
|
|
Feuille vivant |
|
|
|
|
Hotel Continental |
|
|
|
|
Paul Braffort |
|
|
|
|
OULIPO |
|
|
|
|
les Immateriaux |
|
|
|
|
Centre Pompidou |
|
|
|
|
University at Buffalo SUNY |
|
|
|
|
The Moving Word: Towards the Theory of Web Literary Objects |
Janez Strehovec |
|
|
|
Remediation: Understanding New Media |
Jay David Bolter, Richard Grusin |
1999 |
history, theory, remediation, media, television, seminal |
|
Richard Grusin |
|
|
|
|
The Literary Platform |
|
|
|
|
Lectura crítica del "Diari d'una absència" |
Rocio Avila |
2008 |
|
|
Rocio Avila |
|
|
|
|
Xavier Marichal |
|
|
|
|
Universitat Oberta de Catalunya (UOC) |
|
|
|
|
Digital Literature and the Modernist Problem |
Maria Engberg, Jay David Bolter |
2010 |
digital literature, modernism, avant-garde |
|
Biennale.py |
0100101110101101.ORG Collective |
2001 |
|
|
Alok B. Nandi |
|
|
|
|
Tuomas Lukka |
|
|
|
|
0100101110101101.ORG Collective |
|
|
|
|
EDIUOC |
|
|
|
|
Katariina Ervasti |
|
|
|
|
Netzliteratur.net |
|
|
|
|
Kirsten Irving |
|
|
|
|
Cybertext Yearbook 2000 |
|
2000 |
ergodic literature, cybertext, game studies, digital culture, cybertext narratology, GZigZag, one session games of narrative, postmodern poetry, role playing, spatial discourse, transfiction, web literary objects |
|
Jon Stone |
|
|
|
|
Narr@tive: Digital Storytelling |
|
|
|
|
Fuselit |
|
|
|
|
University of Notre Dame |
|
|
|
|
Transitoire Observable |
|
|
|
|
Cybertext Yearbook 2001 |
|
2001 |
ergodic literature, cybertext, digital literature, ludology, e-poetry, cybertext theory, ergodic histories |
|
Cordite Poetry Review |
|
|
|
|
12 Easy Lessons to Better Time Travel |
Mark C. Marino |
1998 |
hypertext, hyperfiction, humor, chatbot, chatterbot, timetravel |
|
Nokturno |
|
|
|
|
Electric Bookshop |
|
|
|
|
Anton Ferret Baig |
|
|
|
|
Marc Lloan |
|
|
|
|
Les amis seur le seuil |
Philippe Bootz, Marcel Frémiot |
2011 |
|
|
Natalie Bookchin |
|
|
|
|
Stepping Into the River: Experiencing riverIsland |
Maria Engberg |
2006 |
|
|
International Conference on Narrative 2011 |
|
|
|
|
The International Society for the Study of Narrative |
|
|
|
|
Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction |
Maria Engberg |
2010 |
narrative, anxiety |
|
ASAP 2: Configuring the Present Across Arts and Media |
|
|
|
|
The Association for the Study of the Arts of the Present |
|
|
|
|
Planting Trees Out of the Grief: In Memoriam Robert Creeley |
Patricia Tomaszek |
2007 |
hypertext, lyrical essay |
|
University of Southern California |
|
|
|
|
The Death of a Factory |
Anni Kämäräinen |
1999 |
narrative, documentary, non-fiction, report, factories, sound art |
|
Urheilulajeja hentorakenteisille |
Sari Taimela |
|
narrative, hypertext |
|
Elektronisk litteratur i Norden |
Hans Kristian Rustad |
2008 |
electronic literature, Scandinavia, overview |
|
Skrift/bilde/lyd |
|
2010 |
anthology, multimodal texts, analysis |
|
Martin Engebretsen |
|
|
|
|
Cappelen Damm Høyskoleforlaget |
|
|
|
|
Poetikon |
|
|
|
|
Tristessa |
Morten Skogly |
|
narrative, generative, short story |
|
IT University of Copenhagen |
|
|
|
|
The ppg256 Series of Minimal Poetry Generators |
Nick Montfort |
2009 |
poetry, poetics, form, poetry generation, text generation, writing under constraint, programming, generator, elegance, minimalism, minimal systems |
|
e-Scholarship: University of California |
|
|
|
|
Electronic Literature Explained |
|
|
video, electronic literature, multimedia, short, introduction |
|
i-Docs |
|
|
interactive, documentary |
|
Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding |
Stuart Moulthrop |
1999 |
narrative, comics, games, meaning, postmodern |
|
Fibonacci's Daughter |
M. D. Coverley |
1997 |
fiction, chance, short fiction, California, fibonacci, fate, determinism, mall |
|
Evergreen Review |
|
|
|
|
Technology Platforms for 21st Century Literature |
|
|
|
|
Brown University Scholarly Technology Group |
|
|
|
|
The Uninvited |
Rudy Lemcke |
2005 |
|
|
E-lit Writing Exercise: Locative Corpse |
|
|
narrative, collaboration, locative, writing exercise, exquisite corpse |
|
Travis Alber |
|
|
|
|
Stepping Into the River: Experiencing John Cayley's riverIsland |
Maria Engberg |
2005 |
|
|
riverIsland |
John Cayley |
2007 |
hypercard, translation, QuickTime, text morphs, graphics |
|
Theodor Holm Nelson |
|
|
|
|
Atlantic Monthly |
|
|
|
|
Donna Haraway |
|
|
|
|
Mary Shelley |
|
|
|
|
The Richard Stockton College of New Jersey Literature Program |
|
|
|
|
Hypertext |
|
|
hypertext, theory, literature, postmodern fiction, creative writing |
|
Scott Rettberg’s Writerly Text, “The Meddlesome Passenger”: Reading as Writing/Consumption as Production |
Robert Ford |
1993 |
close reading, Roland Barthes, postmodern, writerly |
|
Vinduet |
|
|
|
|
Christopher Strachey: The First Digital Artist? |
Noah Wardrip-Fruin |
2005 |
history, blog, pioneers |
|
M.U.C. Love Letter Generator |
Christopher Stratchey |
1952 |
generative, epistolary, combinatory, pioneering, love, program |
|
Christopher Stratchey |
|
|
|
|
MIT Comparative Media Studies |
|
|
|
|
The Bomar Gene |
Jason Nelson |
2005 |
narrative, interface, family, mutation, genetics |
|
Ask Me for the Moon: Working Nights in Waikiki |
John David Zuern |
2004 |
poetry, tourism, labor, night, images |
|
Curtis Harrell |
|
|
|
|
s(Pacing) |
Talan Memmott |
2009 |
layers, installation, pacing, walking, scansion |
|
Choice: Current Reviews for Academic Libraries |
|
|
|
|
University of Illinois Press |
|
|
|
|
Christian Vandendorpe |
|
|
|
|
Editorial [on Regards Croisés: Perspectives on Digital Literature] |
Philippe Bootz |
2010 |
poetics, editing, electronic literature, digital literature, e-lit |
|
Preface [to Regards Croisés: Perspectives on Digital Literature] |
Sandy Baldwin |
2010 |
editing, electronic literature, digital literature, literary history, e-lit |
|
Virginia Tech, Department of English |
|
|
|
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
Carolyn Guyer |
|
|
|
|
Claire Allan Dinsmore |
|
|
|
|
Xavier Malbreil |
|
|
|
|
Textual Material in the Digital Medium |
Alexandra Saemmer |
2010 |
materiality, animation, reading, writing-materiality, immersion, metaphor, links, calligramme, metonym, metalepsis, hypotyposis, onomatopoeia |
|
How to Read Words in Digital Literature |
Alckmar Luiz dos Santos |
2010 |
poetics, digital poetry, reading, interpretation, e-poetry, infopoems, epigrammatic |
|
Alckmar Luiz dos Santos |
|
|
|
|
Digital Poetry Beyond the Metaphysics of 'Projective Saying' |
Janez Strehovec |
2010 |
digital poetics, poetry, poetics, digital poetry, media ecology, modernism, interfaces, cybertextuality, e-poetry, modern poetry |
|
Speak, "Memory": Simulation and Satire in Reagan Library |
Shuen-shing Lee |
2010 |
hypertext, memory, hypertext fiction, close reading, satire, surrealism |
|
Shuen-shing Lee |
|
|
|
|
The Unsatisfied Reading |
Philippe Bootz |
2010 |
poetics, reading, procedural, affect, Costa, sublime, presentation, representation, affective reading, analytical reading |
|
Narrative Motors |
Eugenio Tisselli |
2010 |
narrative, tropes, procedural, metaphor, databases, combinatory, style, metadata, dynamic, degenerative |
|
Christian Yde Frostholm |
|
|
|
|
Karen Wagner |
|
|
|
|
Long Weekend |
Beathe C. Rønning |
|
|
|
Beathe C. Rønning |
|
|
|
|
Alain Vuillemin |
|
|
|
|
Teemu Ikonen |
|
|
|
|
These Waves of Memories: A Hyperfiction by Caitlin Fisher |
Raine Koskimaa |
2004 |
hypertext, hyperfiction, memory, unreliable narration |
|
Piret Viires |
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Vlakimir Piskor |
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Teemu Ikonen |
|
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Daniele Giampa |
|
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Ioana-Eliza Deac |
|
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Philippe Castellin |
|
|
|
|
The Victorian Web |
|
|
hypertext, literary studies, literary history, religion, politics, economics, science, English literature, Victorian literature |
|
Brown University, Department of English |
|
|
|
|
Salvatore Monaco |
|
|
|
|
Déprise |
Serge Bouchardon |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Digital Poetics: The Making of E-Poetries |
Loss Pequeño Glazier |
2001 |
digital poetics, poetry, poetics, electronic poetry, e-poetry |
|
e and eye: art and poetry between the electronic and the visual |
|
|
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|
Tom LeClair |
|
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Bunk Magazine |
|
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|
|
Los Wikiless Timespedia |
Mark C. Marino, Scott Rettberg |
2008 |
satire, parody, wiki, newspaper, funny |
|
Marginalia in the Library of Babel |
Mark C. Marino |
2007 |
javascript, marginalia, Jorges Luis Borges, metafiction |
|
My Mother Was a Computer: Digital Subjects and Literary Texts |
N. Katherine Hayles |
2005 |
|
|
University of Chicago Press |
|
|
|
|
Stitch Bitch |
Shelley Jackson |
1998 |
hypertext, reading, hypertext fiction, interpretation, writing |
|
Paradoxa |
|
|
|
|
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis |
N. Katherine Hayles |
2000 |
hypertext, hypertext fiction, media-specific analysis, gender, subjectivity, feminism |
|
Dylan Meissner |
|
|
|
|
The Program Era: Postwar Fiction and the Rise of Creative Writing |
Mark McGurl |
2009 |
electronic literature, hypertext fiction, literary history, literary institutions, technomodernism, literature-sociology, American literature |
|
Harvard University Press |
|
|
|
|
Mark McGurl |
|
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E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity |
Mauro Carassai |
2011 |
|
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Understanding Digital Humanities: The Computational Turn and New Technology |
|
2011 |
|
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Authoring Software |
|
|
interactive fiction, software, electronic literature, hyperfiction, epoetry, algorithmic text generation, authoring system |
|
Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl |
George P. Landow |
1996 |
hypertext, identity, hypertext fiction, gender, collage, monstrosity |
|
A Quick Buzz around the Universe of Electronic Poetry |
Deena Larsen |
2001 |
poetry, digital poetry, electronic poetry, e-poetry |
|
From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s |
Eric Dean Rasmussen |
2002 |
authorship, hypertext, hypertext theory, literary history, remediation, poststructuralism |
|
Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue |
Anthony Enns |
2001 |
narrative, reading, hypertext fiction, interpretation, hermeneutics, plot, closure, ending |
|
Anthony Enns |
|
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Cynthia Haynes |
|
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Jan Rune Holmevik |
|
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Currents in Electronic Literacy |
|
|
|
|
A Response to Twelve Blue by Michael Joyce |
Gregory L. Ulmer |
1997 |
poetics, fiction, word-and-image, hypertext fiction, literacy, electracy, image |
|
Eyal Amiran |
|
|
|
|
Gregory L. Ulmer |
|
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|
|
Intermediation: The Pursuit of a Vision |
N. Katherine Hayles |
2007 |
electronic literature, reading, hypertext fiction, textuality, digital textuality, literary history, plot, intermediation, cognition, dynamic heterarchy, fluid analogies, print textuality, mark |
|
Rita Felski |
|
|
|
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New Literary History |
|
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|
|
Ravi Shankar |
|
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|
|
Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing |
Noah Wardrip-Fruin |
2008 |
electronic literature, digital literature, reading, interpretation, surface, data, expressive processing, interaction |
|
Jerome McGann |
|
|
|
|
Review of A Companion to Digital Literary Studies |
Scott Hermanson |
2009 |
literary studies, methodology, digital literary studies |
|
Etang |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Susan Schreibman |
|
|
|
|
Ray Siemens |
|
|
|
|
A Companion to Digital Literary Studies |
|
2008 |
hypertext, textuality, literary studies, writing machines, digital literary studies, ePhilology, cybertextuality, algorithmic criticism |
|
Accidental Meaning |
María Mencía |
2008 |
interactive, meaning, signification, non-semantic |
|
Trickhouse |
|
|
|
|
Noah Saterstrom |
|
|
|
|
book review: not a b (pdp remix) |
Chris Funkhouser |
2008 |
animation, electronic poetry, audio, anagrammatic poem, multimedia animation |
|
Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades |
Chris Funkhouser |
2007 |
poetry, cybertext, poetics, digital poetry, procedural, electronic poetry, algorithmic text generation, kinetic poetry, literary studies, literary criticism, e-poetry, cyberpoetry, graphical poetry, reference |
|
Blackwell Publishing |
|
|
|
|
my Molly (departed) |
Talan Memmott |
2007 |
audio, textual instrument, appropriated texts, remix |
|
Procida Academy of New Media and Digital Arts Project |
|
|
|
|
Tower |
Simon Biggs, Mark Shovman |
2011 |
embodiment, visualization, spiral, VR, speech-to-text, corpus, speech recognition, predictive text, multiple points of view |
|
Mark Shovman |
|
|
|
|
Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters |
Rob Wittig |
2011 |
narrative, fiction, form, electronic literature, textuality, writing-history of, design, slideshow |
|
Rencontre: An Experimental Tool for Digital Literature |
Serge Bouchardon, Jean Clément, Jean-Hugues Réty, Nicolas Szilas |
2008 |
electronic literature, writing machines, visualization, hypersection, nonlinear fiction, authoring software |
|
Nicolas Szilas |
|
|
|
|
Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry |
Andrew Michael Roberts |
2008 |
interactivity, aesthetics, autonomy, sensuous, appearing, avant-garde, anti-aesthetic |
|
Mindwheel |
Robert Pinsky |
1984 |
interactive fiction, narrative, narrative games, games |
|
Robert Pinsky |
|
|
|
|
The Routledge Companion to Literature and Science |
|
2011 |
|
|
Manuela Rossini |
|
|
|
|
Bruce Clarke |
|
|
|
|
The Readers Project |
John Cayley, Daniel C. Howe |
2009 |
Processing, reading, procedural, typography, reader, cognition, visualization |
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
E-Poetry 2001 |
|
|
|
|
Drunken Boat |
|
|
|
|
The Capilano Review |
|
|
|
|
Electronic Poetry Center (EPC) |
|
|
|
|
OBORO |
|
|
|
|
Radial City |
Jeremy Welsh, Paul A. Green |
2010 |
poetry, collaboration, video, city |
|
Paul A. Green |
|
|
|
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
Christophe Bruno |
|
|
|
|
Kiki Benzon |
|
|
|
|
Soleil Amer |
Bruno Scoccimarro |
2007 |
|
|
Bruno Scoccimarro |
|
|
|
|
Jay David Bolter |
|
|
|
|
Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2007 |
philosophy, chreods, code, design, practice |
|
Do You Think You're Part of This? Digital Texts and the Second Person Address |
Jill Walker Rettberg |
2000 |
narratology, second person, narrator, narratee, communication |
|
BeeHive [Hypertext Hypermedia Journal] |
|
|
|
|
Pamela Jackson |
|
|
|
|
All Tomorrow's Parties |
Scott Rettberg |
2010 |
history, ELO, community, parody, literary institutions, Robert Coover |
|
Mark B.N. Hansen |
|
|
|
|
What's on your mind? Status Updates, Friend Suggestions And Data Mining |
Renée Turner |
2009 |
subjectivity, social networks, datamining |
|
Techsty: Literatura i nowe media |
|
|
|
|
Personal Narratives, Corporate Templates |
Jill Walker Rettberg |
2009 |
narrative, locative, social networks, semantic |
|
Between Place and Interface: Designing Situated Sound for the iPhone |
Anders Fagerjord |
2009 |
|
|
What is Electronic Writing? |
Brian Kim Stefans |
2006 |
|
|
The Definition of Hypertext and its History as a Concept |
George P. Landow |
1992 |
|
|
Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot |
Jaishree K. Odin |
2002 |
poetry, hypertext, hypermedia |
|
Whitney Anne Trettien |
|
|
|
|
Unraveling the Tapestry of Califia |
Jaishree K. Odin |
2001 |
hypertext, fiction, literary criticism, gender |
|
Image [&] Narrative |
|
|
|
|
Terry Harpold |
|
|
|
|
Jaishree K. Odin |
|
|
|
|
University of Minnesota Press |
|
|
|
|
Lori Talley |
|
|
|
|
A Sky of Cinders |
Tim Lockridge |
2007 |
hypertext, second person, sensations, prose, poem, dystopia, environmental disaster |
|
Tim Lockridge |
|
|
|
|
Fun da mentals: Rhetorical Devices for Electronic Literature |
|
|
teaching, rhetorics, exercises, writing prompts, writing, creative |
|
Om Monica Aasprongs Soldatmarkedet |
Audun Lindholm |
2007 |
concrete poetry, hybrid, fonts, typewriters |
|
Mark Tribe |
|
|
|
|
Understanding Video Games: the Essential Introduction |
Simon Egenfeldt-Nielsen, Jonas Heide Smith, Susana Pajares Tosca |
2008 |
ludology, video games, textbook |
|
Routledge |
|
|
|
|
Jonas Heide Smith |
|
|
|
|
Simon Egenfeldt-Nielsen |
|
|
|
|
La Casa Sota el Temps |
Isaías Herrerro Florensa |
2007 |
Flash, interactivity, locative, maps, ergodic |
|
West Virginia University Press |
|
|
|
|
Culture Machine |
|
|
|
|
Marie-Laure Ryan |
|
|
|
|
Phantasmal Fictions |
D. Fox Harrell |
2010 |
electronic literature, media theory, literary criticism, phantasmal media, cognitive science, cognitive theory, metaphor, computational media arts, imagination, conceptual blending |
|
Jeffrey R. Di Leo |
|
|
|
|
D. Fox Harrell |
|
|
|
|
The Fugue Book |
Ton Ferret |
2008 |
narrative, Flash, collaboration, facebook, network forms, critical/political/philosophical, php |
|
Canonizing Hypertext: Explorations and Constructions |
Astrid Ensslin |
2007 |
teaching, hypertext, pedagogy, electronic literature, hypertext fiction, hypertext literature, canonicity, literary competence |
|
Electronic Literature in the University |
Eric Dean Rasmussen |
2003 |
archiving, electronic literature, digital literature, literary history, academia, digital literary arts, higher education |
|
Multimedia Criticism |
Eric Dean Rasmussen |
2003 |
literary history, literary criticism, multimedia criticism, academia, multimedia, multimodality |
|
Vectors: Journal of Culture and Technology in a Dynamic Vernacular |
|
|
|
|
Steve Anderson |
|
|
|
|
Tara McPherson |
|
|
|
|
Public Secrets |
Sharon Daniel, Erik Loyer |
2008 |
Flash, collaboration, documentary, sociological, ethnographic, political, critical/political/philosophical |
|
Tierra de Extracción |
Domenico Chiappe, Andreas Meier |
2000 |
narrative, collaboration, hypertext, audio, Shockwave, multilingual or non-english |
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2011) |
|
|
digital art, electronic literature, games, genre, antecedents |
|
Conduit |
|
|
|
|
William D. Waltz |
|
|
|
|
The Bubble Bath |
Susanne Berkenheger |
2005 |
mashup, Microsoft, protocol, parody, satire |
|
Some Joyces, Not an Eco: Introduction to Instruments and Playable Texts |
Stuart Moulthrop |
2008 |
Michael Joyce, textual instrument, playable texts, Umberto Eco |
|
The Iowa Review Web |
|
|
|
|
Jon Winet |
|
|
|
|
Poetry Beyond Text: Vision, Text & Cognition |
|
|
|
|
Poetry Beyond Text: Vision, Text & Cognition Symposium |
|
|
|
|
Riposte to "A [S]creed for Digital Fiction" |
Kate Pullinger |
2010 |
digital fiction, e-books |
|
Jess Laccetti |
|
|
|
|
Framed: The Machine in/as the Garden |
Timothy Morton |
2010 |
aesthetics, ecocriticism, cinemascape, critical ecologies, ecology |
|
Blackbird: An Online Journal of Literature and the Arts |
|
|
|
|
Tom Phillips |
|
|
|
|
Pantheon Books |
|
|
|
|
*water writes always in *plural |
Linda Carroli, Josephine Wilson |
1998 |
collaboration, hypertext, network fiction |
|
Josephine Wilson |
|
|
|
|
University of Alabama Press |
|
|
|
|
Christyn Davies |
|
|
|
|
Elena Knox |
|
|
|
|
Paul Ryan |
|
|
|
|
William Poundstone |
|
|
|
|
Jason Edward Lewis |
|
|
|
|
Bruno Nadeau |
|
|
|
|
Jim Munroe |
|
|
|
|
Andrew Stern |
|
|
|
|
Chico Marinho |
|
|
|
|
Orit Kruglanski |
|
|
|
|
Justin Katko |
|
|
|
|
Geof Huth |
|
|
|
|
Feliz L. Molina |
|
|
|
|
Harm van den Dorpel |
|
|
|
|
Rozalie Hirs |
|
|
|
|
Ton Ferret |
|
|
|
|
Juliet Davis |
|
|
|
|
Sharon Daniel |
|
|
|
|
Alison Clifford |
|
|
|
|
Peter Cho |
|
|
|
|
Andreas Meier |
|
|
|
|
Domenico Chiappe |
|
|
|
|
Oni Buchanan |
|
|
|
|
Kevin Carpentier |
|
|
|
|
Annie Abrahams |
|
|
|
|
Frank Marquardt |
|
|
|
|
Dirk Stratton |
|
|
|
|
Spineless Books |
|
|
|
|
Electronic Literature Collection, Volume Two |
|
2011 |
Electronic Literature Organization, electronic literature, anthology, e-lit, digital literature |
|
The Gaming Situation |
Markku Eskelinen |
|
interpretation, game studies, configuration |
|
Game Studies: The International Journal of Computer Game Research |
|
|
|
|
Brion Moss |
|
|
|
|
Adam Chapman |
|
|
|
|
The Impermanence Agent |
Noah Wardrip-Fruin, Adam Chapman, Brion Moss |
1999 |
recombinant, push, web, server-based, proxy |
|
Somewhere Nearby is Colossal Cave: Examining Will Crowther's Original "Adventure" in Code and in Kentucky |
Dennis G. Jerz |
2007 |
interactive fiction, text adventure, code studies, spelunking, adventure |
|
Dennis G. Jerz |
|
|
|
|
Book Unbound |
John Cayley |
1995 |
hypertext, hypercard, generative, 1990s, Mac, download |
|
wellSweep Press |
|
|
|
|
Interactive Fiction? I prefer Adventure |
Francesco Cordelli, Don Woods |
2001 |
interactive fiction, interview, text adventure |
|
L’avventura è l’avventura |
Francesco Cordelli |
|
interactive fiction, blog, Italian, text adventure |
|
Francesco Cordelli |
|
|
|
|
Don Woods |
|
|
|
|
Will Crowther |
|
|
|
|
Steven Hall |
|
|
|
|
Alt-X |
|
|
|
|
Senghor on the Rocks: A Georeferenced Electronic Novel |
Christoph Benda, Florian Ledermann |
2008 |
narrative, novel, geopoetics, mapping, cartography |
|
Senghor on the Rocks |
Florian Ledermann, Christoph Benda |
2008 |
narrative, novel, geopoetics, postcolonial, mapping, geodata, locative, network forms, multilingual, network |
|
Christoph Benda |
|
|
|
|
Florian Ledermann |
|
|
|
|
Uppsala University |
|
|
|
|
Anna Gunder |
|
|
|
|
Harry Ransom Center |
|
|
|
|
MFS Modern Fiction Studies |
|
|
|
|
Judi Alston |
|
|
|
|
Young-Hae Chang |
|
|
|
|
Digital Orientalism: Japan and Electronic Literature |
Alice Ferrebe |
2008 |
translation, transculturation, transliteration, orientalism, ethnicity, self-reflexivity |
|
Alice Ferrebe |
|
|
|
|
Anne Frances Wysocki |
|
|
|
|
Born Magazine |
|
|
|
|
Michele D'Auria |
|
|
|
|
Détournement / Diversion |
Serge Bouchardon |
2007 |
|
|
e-cris |
Luc Dall'Armellina |
2001 |
|
|
bp Nichol |
|
|
|
|
Listening Post |
Mark H. Hansen, Ben Rubin |
2003 |
found text, networked audiovisual installation, voice synthesizer, data sonification, web harvested work, text stream |
|
Ben Rubin |
|
|
|
|
Leonardo Reviews |
|
|
|
|
For Thee: A Response to Alice Bell |
Stuart Moulthrop |
2010 |
narrative, genre, hyperfiction, hypertext fiction, hypertext criticism, hypertext narrative, possible worlds theory, networks, experimental fiction, cognitive mapping, network theory, general economy, attention, obsolescence |
|
oooxxxooo |
Juliet Ann Martin |
|
poetry, hypertext, ASCII, concrete, HTML |
|
Kaycee Nicole |
Kaycee Nicole Swenson |
1999 |
hoax, weblog |
|
Kaycee Nicole Swenson |
|
|
|
|
Isabella V. |
|
|
|
|
Truisms |
Jenny Holzer |
1977 |
|
|
Jenny Holzer |
|
|
|
|
SKIN: A Mortal Work of Art |
Shelley Jackson |
2005 |
narrative, conceptual, distributed, tattoo, physical, hybrid |
|
Tim Etchells |
|
|
|
|
The 2005 Association of Internet Researchers Annual |
|
2005 |
|
|
Jeremy Hunsinger |
|
|
|
|
Nancy Baym |
|
|
|
|
Mia Consalvo |
|
|
|
|
Enter the Plains |
Johannes Heldén |
2006 |
|
|
The ABCDESTRUCTIONOPQRXYZÅÄÖ |
Johannes Heldén |
2005 |
|
|
The Role of the Reader in Performative Digital Poetry |
Karin Wenz |
2008 |
|