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Paul Shoebridge |
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Paul Vincent |
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Paul A. Green |
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Paul D. Miller (aka DJ Spooky: That Subliminal Kid) |
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Paul-Eerik Rummo |
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Paula Levine |
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Pauline Masurel |
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Paulo Faustino |
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Pav Milorad |
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Pavel Arseniev |
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Pedagogy |
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Pedro Barbosa |
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Pedro Reis |
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Pedro Valdeolmillos |
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Pedro Valle Javier |
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Peer Learning Network |
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Pei-yu Chi |
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Peinture et création numérique: le jeu et les coulisses |
Mihai Christian Ile |
2011 |
|
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Penguin |
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Penned in the Margins |
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PennSound |
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Penny Florence |
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Pequod |
|
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|
|
per.m]utations - permutationen |
Florian Cramer |
1998 |
permutation, algorithmic text generation |
|
Perfect Victoria |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
Flash, experimental cinema |
|
Performance as a Categoriser |
Clive Fencott |
2012 |
playreader, performance, digital textuality, electronic texts |
|
Performative Reading: Attending The Last Performance [dot org] |
Scott Rettberg |
2010 |
close reading, constraints, networked reading, attentive reading |
|
Perhaps |
Eduardo Kac |
1999 |
avatars, Brazilian electronic poetry, Eduardo Kac, epoetry, online poetry |
|
Perla Sassón-Henry |
|
|
|
|
Personal Narratives, Corporate Templates |
Jill Walker Rettberg |
2009 |
narrative, locative, social networks, semantic |
|
Perspectiva histórica da poesia eletrônica |
Jorge Luis Antonio |
2009 |
|
|
Perspectives of Digital Literature |
Olga Dedova |
|
|
|
Perspektívy pre ergodickú literatúru |
Andrzej Pajak |
2012 |
|
|
Peter Adolphsen |
|
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Peter Cho |
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Peter Ciccariello |
|
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Peter Gendolla |
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Peter Greenaway |
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Peter Lamarque |
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Peter Lunenfeld |
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Peter Nicholls |
|
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|
|
Peter Stallybrass |
|
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|
Peter Lunenfeld, The Secret War Between Downloading & Uploading (review) |
Jan Baetens |
2011 |
|
|
Peter M. Spangenberg |
|
|
|
|
Petra Sabin Wenzlová |
|
|
|
|
Phantasmal Fictions |
D. Fox Harrell |
2010 |
electronic literature, media theory, literary criticism, phantasmal media, cognitive science, cognitive theory, metaphor, computational media arts, imagination, conceptual blending |
|
Phares gamma |
Jacques Donguy |
2002 |
sound and image, hypertext, interactive |
|
Philadelpho Menezes |
|
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|
|
Philipp Hofmann |
|
|
|
|
Philippe Castellin |
|
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|
|
Philippe Bootz & Sandy Baldwin, eds, "Regards croisés. Perspectives on Digital Literature." |
Jan Baetens |
2011 |
|
|
Phillip Chow |
|
|
|
|
Phoenix |
Eduardo Kac |
1989 |
holopoem, Eduardo Kac, Brazilian elit |
|
Picking Petals |
Mindy Lam |
2011 |
Flash, poem |
|
Pierre Alferi |
|
|
|
|
Pierre Joris |
|
|
|
|
Pillage Laud |
Erin Mouré |
1999 |
|
|
PING |
Kate Armstrong |
2003 |
locative, space, movement, commands, perception, mood, situationist |
|
Ping Poetics |
Sandy Baldwin |
2009 |
digital poetics, poetics, coding, poesis, materiality, ping |
|
Piotr Czarnota |
|
|
|
|
Piret Viires |
|
|
|
|
Pixelated Drama |
Joe Milutis |
1997 |
pixel, high definition, cheap art, pixelvision camera, digital aesthetics, chess, artificial intelligence, bandwidth, lo-res, video art, Garry Kasparov, Nicholas Negroponte |
|
Planting Trees Out of the Grief: In Memoriam Robert Creeley |
Patricia Tomaszek |
2007 |
hypertext, lyrical essay |
|
PLAY with the last days of DRAG RACING PUPPETS |
Jason Nelson |
|
|
|
PLAYGAME: Jouer sans fins? |
Samuel Bianchini, Jean-Baptiste Labrune |
2011 |
|
|
Playing With Signs: Towards an Aesthetic Theory of Net Literature |
Peter Gendolla, Jörgen Schäfer |
2007 |
|
|
Playing with time in digital fiction |
Raine Koskimaa |
2011 |
|
|
Please Come Play with Me, Baby |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash |
|
Please Don't Thank Me |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
pleintekst.nl |
Florian Cramer |
2005 |
algorithmic text generation |
|
Plural maps: lost in São Paulo |
Lucia Leão |
2002 |
geolocative, Interactive art, net.art, Brazilian net.art |
|
Poem for 莫海伦 (Mo Hailun) |
Jaka Železnikar |
2007 |
firefox add-on, e-literature |
|
Poema-Bomba |
Augusto de Campos |
1997 |
early Brazilian electronic poetry, neoconcrete, augusto de campos, noigrandes |
|
PoemAds - Sob o signo da devoração |
Rui Torres |
2011 |
|
|
Poemário - Blog de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
collaboration, code, digital poetry, blog, generative poetry, networked poetry, poetry generator, user-generated texts |
|
Poemário - Editor de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
aleatory, code, digital poetry, Flash, generative poetry, interactive poetry, networked poetry, poetry generator, software, sound, user-generated texts |
|
Poemedia |
Erin Costello, Aaron Angello |
|
|
|
Poemes |
Ester Xargay, Carles Hac Mor |
|
|
|
Poems for the Millennium I |
|
1995 |
|
|
Poesi för en liten grupp |
Magnus Dahlerus |
2011 |
critical, Swedish, Scandinavian, poetry |
|
Poesia contemporània, tecnologies i educació |
|
2010 |
|
|
Poesia Digital: negociações com os processos digitais: teoria, história, antologias |
Jorge Luis Antonio |
2010 |
Brazilian elit, e-poetry, digital concrete poetry |
|
Poesia Eletrônica no Brasil: Alguns Exemplos |
Jorge Luis Antonio |
2003 |
Brazilian elit, epoetry, holopoetry, videopoetry |
|
Poesia em meio digital: algumas observações |
Rui Torres |
2004 |
cybertext, digital literature, new media poetry |
|
Poesia encontrada |
Rui Torres |
2007 |
aleatory, appropriated texts, code, digital collage, ephemerality, Flash, networked poetry |
|
Poesia Holográfica: as três dimensões do signo verbal |
Eduardo Kac |
1984 |
holopoetry, Eduardo Kac, telematic, Brazilian elit |
|
Poesia Intersignos: Do impresso ao sonoro e ao digital |
|
|
visual poetry, antecedents, digital concrete poetry, Brazilian elit |
|
Poesia luso-brasileira contemporânea: do verbo ao pixel |
Débora Silva, Rui Torres |
|
cybertext, digital literature, digital poetry, new media poetry, teaching digital literature, visual poetry |
|
Poesia Visual |
|
|
poesia experimental, visual poetry, digital concrete poetry, Brazilian elit |
|
Poesia Visual: Wlademir Dias-Pino |
|
|
concrete poetry, visual poetry, Brazilian elit, antecedents |
|
Poésie numérique et politiques d'événement |
Claudia Kozak |
2012 |
|
|
Poésie numérique: enjeux de lecture, lecture en jeu, étude de cas |
Philippe Bootz |
2011 |
|
|
poesiefestival berlin 2008 |
|
|
|
|
Poetic Ergodic Capture |
Philippe Bootz |
2011 |
ergodic, cognition, ergodic/interactivity/participation, noematic reading, ergodic reading, ergodic capture, game poem |
|
Poética das Hipermídias, uma Escritura Expandida |
Wilton Azevedo |
|
interpoetry, interpoesia, Brazilian electronic poetry, wilton azevedo |
|
Poetics |
|
|
|
|
Poetics in the Expanded Field: Textual, Visual, Digital . . . |
Barrett Watten |
2006 |
|
|
Poetics of Dynamic Text |
Loss Pequeño Glazier |
2003 |
textuality, code, language, apparatus, dynamics, reading practice, programmability |
|
Poetics Today |
|
|
|
|
Poetikon |
|
|
|
|
Poetrica |
Giselle Beiguelman |
2003 |
teleintervention, SMS, public space, brazilian new media art |
|
Poetry Beyond Text: Vision, Text & Cognition |
|
|
|
|
Poetry Beyond Text: Vision, Text & Cognition Symposium |
|
|
|
|
Poetry Generator |
Jonny Norridge |
|
poetry generator, concrete poetry |
|
Poëzie loont (Poetry pays) |
Arnoud van Adrichem |
2012 |
digital poetry, application, poëzie op het scherm |
|
Poëzie op het scherm 2008 |
|
|
|
|
Poëzie op het scherm 2010 |
|
|
|
|
Poëzie op het scherm 2012 |
|
|
|
|
POIESIS <POEMA>ENTRE PIXEL E PROGRAMA</> |
|
|
epoetry, Brazilian elit |
|
Poiesis and technologie. E-learning material development in Literature |
Laura Borràs Castanyer |
2007 |
|
|
POIESIS, p0es1s, p0es1e – and beyond: A retroperspective |
Friedrich W. Block |
2008 |
poiesis, Brazilian elit, poesis |
|
POIESIS, p0es1s, p0es1e – e adiante: Uma retroperspectiva |
Friedrich W. Block |
2008 |
poesis, poiesis, epoetry, Brazil, Brazilian elit |
|
Polish Way to E-Literature from Baroque to 21st Century |
Andrzej Pajak |
2008 |
|
|
Polity Press |
|
|
|
|
Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction |
Maria Engberg |
2010 |
narrative, anxiety |
|
Polyaesthetics: Designing and Experiencing Digital Narratives |
Maria Engberg |
2012 |
poetics, aesthetics, digital aesthetics, contemporary literature |
|
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
|
|
|
|
Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio) |
|
|
|
|
POPstory |
Gisela Müller |
1998 |
|
|
Pornosophic Philosophiction Coming Your Way’: interfacing with Mark Amerika’s GRAMMATRON |
Arnaud Regnauld |
2011 |
|
|
Porto Alegre Suite: Negritude and Solitude |
Young-Hae Chang Heavy Industries |
|
flash poem, portuguese, political, race |
|
Pós-Graduação da Escola de Comunicação da Universidade Federal do Rio de Janeiro (ECO-Pós) |
|
|
|
|
Possiplex: Ted Nelson ’59 and the Literary Machine |
Mark Bernstein |
2011 |
Ted Nelson, literary machine, hypertext, writing systems, personal computing, biography |
|
Postmeaning |
David Knoebel |
2011 |
facebook, twitter, performance, poetry |
|
Prairie Art Gallery |
|
|
|
|
Preface [to Regards Croisés: Perspectives on Digital Literature] |
Sandy Baldwin |
2010 |
editing, electronic literature, digital literature, literary history, e-lit |
|
Premis Octubre |
|
|
|
|
Presentation of ELMCIP European Anthology of Electronic Literature |
Talan Memmott |
2012 |
|
|
Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version) |
Maria Engberg, Talan Memmott |
2012 |
|
|
Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental |
Rui Torres |
2010 |
cybertext, digital literature, digital poetry, experimental literature, intermediality, new media poetry, preservation, teaching digital literature, digital archives |
|
Pressing the Reveal Code Key: Indra's Net VIII |
John Cayley |
1996 |
hypertext, hypercard, generative poetry |
|
Principles and Processes of Generative Literature: Questions to Literature |
Jean-Pierre Balpe |
2004 |
|
|
PRO ARTE |
|
|
|
|
Proceedings of the 6th Annual Digital Arts and Culture Conference |
|
2005 |
|
|
Proceedings of the fifteenth ACM conference on Hypertext and hypermedia |
|
2004 |
|
|
Process Window: Code Work, Code Aesthetics, Code Poetics |
Sandy Baldwin |
2003 |
aesthetics, code, codework, code poetics |
|
Process-Intensive Fiction |
Noah Wardrip-Fruin, Michael Mateas, Nick Montfort, Emily Short, Aaron A. Reed, D. Fox Harrell, Pat Redding |
2010 |
digital poetry, digital fiction, computational process, hypertext fiction, interactive fiction, video games, variability, process intensity |
|
Procida Academy of New Media and Digital Arts Project |
|
|
|
|
prog: ME |
|
|
|
|
Program:Møntvask |
|
2003 |
hypertext, visual, hyperlink, contemporary art, e-lit print, Nordic |
|
Programa Avançado de Cultura Contemporânea (PACC) |
|
|
|
|
Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP |
|
|
|
|
Programa de Mestrado em Comunicação e Práticas de Consumo da ESPM |
|
|
|
|
Programming for Fun, Together |
Nick Montfort |
2012 |
programming, demoscene, history and criticism, computational platforms, creative computing |
|
Programming words |
Laura Borràs Castanyer |
2010 |
|
|
Projecte8 |
Albert Ginestà |
|
|
|
Promiscuous Design |
Jason Nelson |
|
|
|
PROTOMIR |
Taras Mashtalir |
2009 |
|
|
Prthvî |
Andre Vallias |
1991 |
graphic poem, andre vallias, Brazilian electronic poetry, visual poetry |
|
Psychogeography, Détournement, Cyberspace |
Amy J Elias |
2011 |
psychogeography, détournement, cyberspace, Situationist Internationale, avant-garde, dérive, web 2.0, Debord, spectacle |
|
Public Love Poem |
Siofra McSherry |
2011 |
email, poetry, adstream |
|
Public Override Void |
Jim Carpenter |
2004 |
installation, generated poetry |
|
Public Secrets |
Sharon Daniel, Erik Loyer |
2008 |
Flash, collaboration, documentary, sociological, ethnographic, political, critical/political/philosophical |
|
Publications de l'Université de Saint-Étienne |
|
|
|
|
Publish and Die: The Preservation of Digital Literature within the UK |
Simon Biggs |
2010 |
archiving, electronic literature, obsolescence, media ecology, archive, preservation |
|
Q.Q.A.3 |
Luc Dall'Armellina |
2004 |
dialogic pong, conversation game |
|
Qiu Keman |
|
|
|
|
Quando? (When?) |
Eduardo Kac |
1988 |
holopoem, Eduardo Kac, early Brazilian electronic poetry |
|
Quantum Authoring for "Prom Week": What We Learned Writing Six Thousand Lines of Procedurally-Driven Dialogue |
Aaron A. Reed |
2012 |
dynamic media, virtual world, computer-mediated narratives, simulation, gameplay |
|
Quantum Feminist Mnemotechnics: The Archival Text, Digital Narrative and The Limits of Memory |
Carolyn Guertin |
2003 |
cyberfeminism, feminist theory, hypertext, hypermedia, electronic literature, digital narrative, new media arts, media ecology, quantum mechanics, embodiment, computer games, synaesthesia, transformation, cyberculture |
|
Quebra Cabeça |
Walter Silveira |
2007 |
video, intervention, digital graffiti, Brazilian electronic poetry, poiesis, oi futuro |
|
Queen Bees and the Hum of the Hive An Overview of Feminist Hypertext's Subversive Honeycombings |
Carolyn Guertin |
1998 |
|
|
Questionamento quanto às tecnologias da telepresença |
Yara Guasque |
2009 |
telepresence, Brazilian elit, remote presence, affective computing |
|
Quick Access to Poetry in the Age of Technology |
Bob Tedeschi |
2010 |
iphone, poetry |
|
Quimera |
|
|
|
|
R3/\/\1X\/\/0RX - selected works |
Randy Adams, Chris Joseph, Christine Wilks, Peter Ciccariello, Erik K Rzepka, Matina L Stamatakis, Ted Warnell |
2012 |
animation, remix, collaboration, digital art, e-poetry, playable media, text, spoken word, music, visual poetry, code |
|
Rachel Greene |
|
|
|
|
Radial City |
Jeremy Welsh, Paul A. Green |
2010 |
poetry, collaboration, video, city |
|
Radiant Copenhagen |
Anders Bojen, Kristoffer Ørum |
2009 |
science fiction, urban exploration, wiki, map, virtual environment, responsive, hacktivist, Flash, tourism, mashup |
|
Radio Copernicus: Talking Back to Radio |
|
|
|
|
Radiophonic Laura: Voice, Song, Information, Intelligence |
Joe Milutis |
2000 |
hypertext, online video, digital humanities, transmission art, essay/creative non-fiction |
|
RadioREVOLTEN |
|
|
radio art, net literature, performance |
|
Rafael Lain |
|
|
|
|
Rafaël Rozendaal |
|
|
|
|
Raffaele Pinto |
|
|
|
|
Rain on the Sea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Raisa Omaheimo |
|
|
|
|
Ramon Dachs |
|
|
|
|
Ramon Forns |
|
|
|
|
Ramon Dachs, un cas d'ergodicitat intersticial / Ramon Dachs, a case of interstitial ergodicity |
Laura Borràs Castanyer |
2007 |
|
|
Random Paths |
Jody Zellen |
2001 |
hypertext, e-poetry, HTML, javascript |
|
Randy Adams |
|
|
|
|
Ranjit Bhatnagar |
|
|
|
|
Raphael Rubinstein |
|
|
|
|
Raum als Interface |
|
2011 |
|
|
Ravi Shankar |
|
|
|
|
Ray Kurtzweil |
|
|
|
|
Ray Siemens |
|
|
|
|
Re-reading the Digital: An inquiry through practice |
Penny Florence |
2012 |
digital reading, subject, subjectivity |
|
Re-start |
Jelena Glazova |
2009 |
poetry, ambient video, light, sound environment, expressionism |
|
Re:Cycle |
Jim Bizzocchi |
2010 |
ambient, video, generative, recombinant, recombinant poetics, ambient video |
|
Re:Mix |
Mark Amerika |
2012 |
performance, remix, program, remediation, social |
|
Re:Positioning Fear |
Rafael Lozano-Hemmer |
1997 |
interactive, networked, projection, shadows, site-specific, sound |
|
Reabracadabra |
Eduardo Kac |
1985 |
early Brazilian electronic poetry, Eduardo Kac, epoetry |
|
Reading (in) the Net: Aesthetic Experience in Computer-Based Media |
Jörgen Schäfer, Peter Gendolla |
2010 |
|
|
Reading by Mark Marino and Rob Wittig (Electronic Literature Research Group, UiB) |
|
|
|
|
Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing |
Noah Wardrip-Fruin |
2008 |
electronic literature, digital literature, reading, interpretation, surface, data, expressive processing, interaction |
|
Reading Hypertext |
|
2009 |
criticism, hypertext, close-readings |
|
Reading Hypertext: Reading Blue Hyacinth |
Steve Ersinghaus |
2003 |
|
|
Reading Practices in Electronic Literature: A Dialogic Approach |
Cheri Crenshaw |
2008 |
reading, rhetoric, dialogism, remediation |
|
Reading Rebooted | Installation and web exhibit of digital literature |
|
|
|
|
Reading the Code between the Words: The Role of Translation in Young-hae Chang Heavy Industries’s Nippon |
Jessica Pressman |
2007 |
essay |
|
Reading the Illegible |
Craig Douglas Dworkin |
2003 |
|
|
Reading Time: For a Poetics of Hypermedia Writing |
Bill Marsh |
2001 |
poetics, performance, hypermedia, interpretation, hermeneutics, time, digital textuality, literary criticism, anti-hermeneutics, ephemerality, duration |
|
Reading Virtual Geographies |
Porter Olsen |
2012 |
Second Life, virtual world |
|
Readings on Digital Poetics (2011) |
|
|
|
|
Ream |
Nick Montfort |
2007 |
|
|
Reassembling the Literary: Toward a Theoretical Framework for Literary Communication in Computer-Based Media |
Jörgen Schäfer |
2010 |
translation, transcription, actor-network theory, mediation |
|
Rebecca Givens |
|
|
|
|
Recaos |
Eduardo Kac |
1986 |
early Brazilian electronic poetry, animated text, Eduardo Kac, epoetry |
|
Recent Experiments in Holopoetry and Computer Holopoetry |
Eduardo Kac |
1991 |
holopoetry, Eduardo Kac, visual poetry, Brazilian elit |
|
Reclaiming the 'Golden Age': The Second Person in Digital Fiction |
Astrid Ensslin, Alice Bell |
2010 |
literary hypertext, electronic literature, flash fiction, fiction, second person, narration |
|
Reconfiguring Place and Space in New Media Writing |
|
2006 |
|
|
RedRidinghood |
Donna Leishman |
2001 |
animation, Flash, audio, parody, visual narrative, javascript |
|
Reed Gaines |
|
|
|
|
Reena Jana |
|
|
|
|
Reflections on the Perception of Generativeand Interactive Hypermedia Works |
Jean-Pierre Balpe |
2007 |
|
|
Reinhard Döhl |
|
|
|
|
Relocating the Literary: In Networks, Knowledge Bases, Global Systems, Material and Mental Environments |
Joseph Tabbi |
2013 |
actor-network theory, cognitive capitalism, e-literature, electronic literature, literature, world literature, database, insitutions |
|
Remediating English Pedagogy: Nurturing immersive, complex and creative literary experiences for students in contemporary times |
Angela A. Thomas |
2012 |
|
|
Remediating the Social introduction |
Simon Biggs |
2012 |
|
|
Remediation |
Jay David Bolter, Richard Grusin |
1996 |
remediation, mediation |
|
Remediation: Understanding New Media |
Jay David Bolter, Richard Grusin |
1999 |
history, theory, remediation, media, television, seminal |
|
remixthebook.com |
|
|
remix, video, audio, interactive, channeling |
|
Remixthecontext: The Transmedia Artist in Network Culture |
Mark Amerika |
2012 |
|
|
Renate Giacomuzzi |
|
|
|
|
Renato Cohen |
|
|
|
|
Renaud Dauchel |
|
|
|
|
Rencontre: An Experimental Tool for Digital Literature |
Serge Bouchardon, Jean Clément, Jean-Hugues Réty, Nicolas Szilas |
2008 |
electronic literature, writing machines, visualization, hypersection, nonlinear fiction, authoring software |
|
René Decartes |
|
|
|
|
Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections" |
Davin Heckman, Rita Raley, Dene Grigar, Alan Liu, Bill Benzon, Gary Comstock, Mark C. Marino, Jan Baetens, Maria Angel, Jason Nelson, Joseph Tabbi |
2009 |
riposte, electronic literature, tagging, literary studies, literary professionalism, reading, semantic web, literary criticism, description, academia, methodology |
|
Responsive Environments |
Myron Krueger |
1977 |
art, meaning, technology, interaction, environment, responsive |
|
Restless |
Miranda F. Mellis |
2002 |
HTML |
|
Retorn a la Comallega |
Ton Ferret |
|
|
|
Reversed Mirror |
Eduardo Kac |
1997 |
videopoetry, Eduardo Kac, Brazilian electronic poetry, videopoem, epoetry |
|
Review of A Companion to Digital Literary Studies |
Scott Hermanson |
2009 |
literary studies, methodology, digital literary studies |
|
Review of Human Readable Messages_[Mezangelle 2003-2011] |
Rob Myers |
2012 |
|
|
Review of Mark Bernstein and Diane Greco, Reading Hypertext |
Marvin E. Hobson |
2011 |
|
|
Review: re:skin |
Jeanne M. Hamming |
2007 |
|
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Review: The Aesthetics of Net Literature |
Christiane Heibach |
2007 |
|
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Revisiting Reflexivity: American Metafiction and Hypertext Narratives |
Scott Rettberg |
2011 |
|
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Revista da Faculdade de Ciências Humanas e Sociais |
|
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|
|
Revue des Littératures de l’Union Européenne - Review of Literatures of the European Union |
|
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|
|
RE_WORKINPR |
Brian Lennon |
|
recombinant, code poetics |
|
Rhizomes, Lines and Nomads: Doing Fieldwork with Creative Networked Communities |
Penny Travlou |
2012 |
ethnography, transnational, transcultural, creative community, distributed |
|
Rhythms of Technology |
Rob Swigart |
2000 |
|
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Richard Colson |
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Richard Gess |
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Richard Grusin |
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Richard Montoya |
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Richard Rinehart |
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Rick Silva |
|
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|
Riddle Machines: the History and Nature of Interactive Fiction |
Nick Montfort |
|
|
|
Riddles of the Interface: Hieroglyphic Consciousness and New Experimental Multimedia |
Joe Milutis |
1999 |
interface, afrofuturism, hieroglyphic language, interactivity, digital language, CD-ROM, art |
|
Riposte to "A [S]creed for Digital Fiction" |
Kate Pullinger |
2010 |
digital fiction, e-books |
|
RiTa |
Daniel C. Howe |
2009 |
software toolkit, generative language, digital writing, Processing, Java, javascript |
|
Rita Felski |
|
|
|
|
riverIsland |
John Cayley |
2007 |
hypercard, translation, QuickTime, text morphs, graphics |
|
Riviera |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Riviera (Chinese) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Rob Elliot |
|
|
|
|
Rob Myers |
|
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|
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Rob Weychert |
|
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Robert Arellano |
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Robert Ashley |
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Robert Fitterman |
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Robert Hudecek |
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Robert Moor |
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Robert Pinsky |
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Roberto de Vicq de Cumptich |
|
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|
Robin Elliott |
|
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Robohand |
Josh White |
2011 |
reinterpretation |
|
Robotype |
|
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typography |
|
Rocio Avila |
|
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Rodopi |
|
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Rodrigo Melo |
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Rodrigo Motta |
|
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Roger Dean |
|
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Rolf Parr |
|
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|
ROMAN |
Роман Лейбов |
|
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|
Roman |
Roman Leibov |
1995 |
|
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Roman Leibov |
|
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Roman Osminkin |
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Roman Zenner |
|
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Ron Wakkary |
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Ronaldo Kiel |
|
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Roots |
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Ross Sutherland |
|
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Routledge |
|
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|
|
Rowman & Littlefield |
|
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|
|
Roxanne Carter |
|
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|
|
Royal Crown Super Salon |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash |
|
Rozalie Hirs |
|
|
|
|
Rozalie Hirs |
|
|
|
|
Ruben and Lullaby |
Erik Loyer |
2009 |
iphone, app, mobile, lovers, touch, haptic |
|
Rulon Matley Wood |
|
|
|
|
Rum Skab Værelse |
Martin Ferro-Thomsen |
2004 |
Scandinavian, danish, hypertext literature, hyperfiction, keywords |
|
Russian E-Lit 1.0 - 3.0 |
Natalia Fedorova |
2013 |
digital archives, hypertext, poetry generator, media poetry, net art, IF, video poetry, visual poetry, kinetic poetry |
|
s(Pacing) |
Talan Memmott |
2009 |
layers, installation, pacing, walking, scansion |
|
Sale Temps |
Frank Dufour |
1997 |
interactive, fiction, pictures, photomontage, crime, novell, Faust |
|
Salvador Plascencia |
|
|
|
|
Salvatore Iaconesi |
|
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|
|
Salvatore Monaco |
|
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|
Same Day Test |
Gavin Inglis |
2002 |
hypertext, HIV |
|
Sámi literature in the age of digitalization and globalization |
Coppélie Coqc |
2009 |
Sami, orality, adaptation, identity |
|
Samo Fosnaric |
|
|
|
|
Sampsa Nuotio |
|
|
|
|
Samsung (French) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samsung (German) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samsung (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Samsung (Spanish) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samsung (Tango Version) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samsung Means to Come |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Samsung Means to Come (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samsung Veut Dire Jouir |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samuel Weber |
|
|
|
|
Samuel Bianchini |
|
|
|
|
Samuel Christopher |
|
|
|
|
San Diego State University Press |
|
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|
|
Sandra Huber |
|
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|
Santiago Ortiz |
|
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|
SAP |
|
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|
Sara Arrhenius |
|
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Sarah Townsend |
|
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|
|
Sarah Atkinson |
|
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Sarah Smith |
|
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|
|
Saskia Reither |
|
|
|
|
Saso Jankovic |
|
|
|
|
Saul |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Saul Bass Title Sequences (selections) |
Brian Kim Stefans |
2011 |
|
|
Scan (Online Gallery) |
|
|
|
|
Scan (Refereed Journal) |
|
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|
Scandinavian E-texts in Context: "En Million Historier," "Svevedikt," and "Primärdirektivet" |
Melissa Lucas |
2009 |
|
|
Scandinavian Electronic Literature and Communities |
Hans Kristian Rustad |
2010 |
|
|
schlampe |
Gisela Müller |
1999 |
|
|
School of the Art Institute of Chicago |
|
|
|
|
Schreiben im World Wide Web - eine neue literarische Praxis? |
Christiane Heibach |
2002 |
|
|
Science Reviews |
|
|
|
|
Scott Benish |
|
|
|
|
Scott Snibbe |
|
|
|
|
Scott McCloud's The Right Number: Gaining Currency with Multimedia Technology and Digital Publishing in the Web Comics Revolution |
Dawn Dietrich |
2008 |
comics, web comics, micropayments, graphic novel |
|
Scott Rettberg’s Writerly Text, “The Meddlesome Passenger”: Reading as Writing/Consumption as Production |
Robert Ford |
1993 |
close reading, Roland Barthes, postmodern, writerly |
|
Scrape Scraperteeth |
Jason Nelson |
2011 |
|
|
Screaming Screen and Binary Idealism |
Johannes Auer |
2001 |
|
|
Sean Donohue |
|
|
|
|
Search Trilogy |
Johannes Auer, Beat Suter, René Bauer |
|
algorithmic text generation, live performance |
|
Secret |
Eduardo Kac |
1996 |
VRML navigational poem, Eduardo Kac, VRML, Brazilian electronic poetry |
|
Selene and Chandra |
Hunter Crawford, Margarete Strawn |
2011 |
mobile media, short story, thumb novel |
|
Semiotica |
|
|
|
|
Senghor on the Rocks |
Florian Ledermann, Christoph Benda |
2008 |
narrative, novel, geopoetics, postcolonial, mapping, geodata, locative, network forms, multilingual, network |
|
Senghor on the Rocks: A Georeferenced Electronic Novel |
Christoph Benda, Florian Ledermann |
2008 |
narrative, novel, geopoetics, mapping, cartography |
|
Sentences |
Charles O. Hartman, Hugh Kenner |
1995 |
manipulation, daistic, algorithmic poem |
|
Sergi Llorens |
|
|
|
|
Sérgio Nesteriuk |
|
|
|
|
Sérgio Bairon |
|
|
|
|
Sérgio Monteiro de Almeida |
|
|
|
|
Seven Types of Interface in the Electronic Literature Collection Volume Two |
Stephanie Strickland, Marjorie C. Luesebrink |
2012 |
interface, ELC2, electronic literature, e-lit, embodiment, reading, interpretation |
|
Shade |
Andrew Plotkin |
2000 |
interactive fiction, text fiction, text adventure |
|
Shadows From Another Place |
Paula Levine |
2004 |
locative, maps, consciousness, GPS, war, bombing |
|
Sharon Daniel |
|
|
|
|
Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997) |
Arnaud Regnauld |
2010 |
|
|
Shelly Godsland |
|
|
|
|
Sherry Turkle |
|
|
|
|
Shu Lea Cheang |
|
|
|
|
Shuen-shing Lee |
|
|
|
|
Shyness, Cushions, and Food: Case Studies in American Creative Communities |
Rob Wittig |
2012 |
|
|
SIGGRAPH 2004 |
|
|
|
|
SIGGRAPH 2011 |
|
|
|
|
Significant Affects in Digital Literature |
Eric Dean Rasmussen |
2011 |
|
|
Sigrid Schubert |
|
|
|
|
Silent Conversation |
Gregory Weir |
2005 |
|
|
Silvestre Pestana |
|
|
|
|
Silvia Rigon |
|
|
|
|
Simon Biggs |
|
|
|
|
Simon Egenfeldt-Nielsen |
|
|
|
|
Simon Gotrian |
|
|
|
|
Simon Kerr |
|
|
|
|
Simon Mills |
|
|
|
|
Simone Winko |
|
|
|
|
Simultan |
Urs Richle |
2008 |
hypertext novel, hypertext, collaboration |
|
Siofra McSherry |
|
|
|
|
siofra.net |
|
|
|
|
Sissel Lillebostad |
|
|
|
|
Six Problems in Search of a Solution: The Challenge of Cybertext Theory and Ludology to Literary Theory |
Markku Eskelinen |
2007 |
|
|
Skakbræt |
Sonja Thomsen |
2002 |
non-linear, conceptual writing, collaborative, multimodal texts, combinatory poetics, grid, hypertext |
|
Skeleton Sky |
Carolyn Guertin |
1999 |
|
|
SKIN: A Mortal Work of Art |
Shelley Jackson |
2005 |
narrative, conceptual, distributed, tattoo, physical, hybrid |
|
Skrift/bilde/lyd |
|
2010 |
anthology, multimodal texts, analysis |
|
Skye Giordano |
|
|
|
|
Slechte adem in de mist (Bad breath in the mist) |
Tonnus Oosterhoff |
2011 |
Flash |
|
Slought Foundation |
|
|
|
|
Slovenian Comparative Literature Association |
|
|
|
|
Slovenská literatúra na internete |
Jana Kuzmíková |
2012 |
|
|
Slow Games, Slow Poems: The Act of Deliberation in "Slow Year" |
Mark Sample |
2012 |
slow reading, reading, temporality, digital poetics |
|
Small Uncomfortable Reading Poems |
Philippe Bootz |
2012 |
poetry, ergodic reading, noematic reading |
|
Smash the Gang of Four Billion |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash |
|
Smeekbede |
Mustafa Stitou |
2010 |
digital poetry, poëzie op het scherm, creative work |
|
Smita Kheria |
|
|
|
|
Smolny Institute |
|
|
|
|
Smrkci (Smurfs) |
Ales Jaklic, Matej Gasperic, Ales B. Ivanko |
1985 |
hypertext, adventure game |
|
SMServices - Text on Demand |
Gisela Müller |
2000 |
|
|
sniff_jazzbox.audible_city |
René Bauer, Beat Suter, Johannes Auer |
2007 |
|
|
Snow Queen |
Machine Libertine |
2010 |
|
|
So, So, Soulful |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Sociedade da Informação: balanço e implicações |
|
2004 |
|
|
Sofia Gaio |
|
|
|
|
Soft Cinema: Ambient Narrative |
Lev Manovich |
|
ambient narrative, cinema |
|
SoftCult Review Journal |
|
|
|
|
Softies |
David Jhave Johnston |
2009 |
animation, typography |
|
Soirée bleuOrange |
|
|
|
|
Soldati |
Daniela Calisi |
|
|
|
Soleil Amer |
Bruno Scoccimarro |
2007 |
|
|
Solidão de um Pássaro sem Asas |
Jorge Luis Antonio |
|
|
|
Some Joyces, Not an Eco: Introduction to Instruments and Playable Texts |
Stuart Moulthrop |
2008 |
Michael Joyce, textual instrument, playable texts, Umberto Eco |
|
Some stylistic devices on media interface |
Alexandra Saemmer |
2008 |
semiotics, animation, interface, figuration, interfacial media figures, terminology, poetics of interaction |
|
Something Else Press, inc. |
|
|
|
|
Somewhere Nearby is Colossal Cave: Examining Will Crowther's Original "Adventure" in Code and in Kentucky |
Dennis G. Jerz |
2007 |
interactive fiction, text adventure, code studies, spelunking, adventure |
|
Sondra Eby |
|
|
|
|
Sonho quântico: um modelo de roteiro e narrativa e de liguagem em hipermídia |
Vicente Gosciola |
2009 |
game studies, computer narrative, Brazilian elit |
|
Sonja Thomsen |
|
|
|
|
Sonny Rae Tempest |
|
|
|
|
Sonya Rapoport |
|
|
|
|
Soul |
David Jhave Johnston |
2005 |
love, sex, body, soul |
|
Spam Heart |
David Jhave Johnston |
2010 |
spam, scheduled, generative |
|
Spatial Remediations |
Roderick Coover |
2012 |
interactive documentary, spatiality, remediation |
|
Speak, "Memory": Simulation and Satire in Reagan Library |
Shuen-shing Lee |
2010 |
hypertext, memory, hypertext fiction, close reading, satire, surrealism |
|
Speak: a Hypertext Essay |
Linda Carroli |
2000 |
hypertext, essay, critical new media |
|
Speaking Clock |
John Cayley |
1995 |
hypercard, interactive, time-based |
|
Speaking With The Other |
Simon Biggs |
1994 |
|
|
Spenser Wain |
|
|
|
|
SPIEL (Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft) |
|
|
|
|
Spielbare Konflikte: Gattungsstrukturen und Spielhandlungen im interaktiven Drama |
Jörgen Schäfer |
2008 |
|
|
Spineless Books |
|
|
|
|
Sprachen der Lyrik: Von der Antike bis zur digitalen Poesie |
|
2008 |
|
|
Sprachzeichenprozesse: Überlegungen zur Codierung von Literatur in 'alten' und 'neuen' Medien |
Jörgen Schäfer |
2004 |
|
|
Spring Day Notation |
Judy Malloy |
2012 |
spring, nature, beauty, art, HTML, scheduled |
|
Springer |
|
|
|
|
Springpoem |
Jim Andrews |
2007 |
vispo, Shockwave |
|
SP_/\_M s.o.n.n.e.t |
Teo Spiller |
2008 |
spam, email art, sonnet, sound |
|
Stained Word Window |
Deena Larsen |
1999 |
hypertext, Java, javascript, poetry |
|
Stamboom |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, collaboration, wordtoy, visual poetry or narrative, multilingual |
|
STANDART |
|
|
|
|
Statement 29: To My Good And Loyal Subjects |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash |
|
Statement 63: After Recent Surgery on my Scalp |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash |
|
Stefan Münker |
|
|
|
|
Stefan Neuhaus |
|
|
|
|
Stefan Schemat |
|
|
|
|
Stefan Muller Arisona |
|
|
|
|
Stefka Hristova |
|
|
|
|
Stephan Porombka |
|
|
|
|
Stephanie Boluk |
|
|
|
|
Stepping Into the River: Experiencing John Cayley's riverIsland |
Maria Engberg |
2005 |
|
|
Stepping Into the River: Experiencing riverIsland |
Maria Engberg |
2006 |
|
|
Steve Anderson |
|
|
|
|
Steve Dietz |
|
|
|
|
Steve Ersinghaus |
|
|
|
|
Steve Gibson |
|
|
|
|
Steve Matanle |
|
|
|
|
Steve Minor |
|
|
|
|
Steven Hall |
|
|
|
|
Steven J. LeMieux |
|
|
|
|
Stichting Perdu |
|
|
|
|
Still Life |
Eric LeMay |
2011 |
Flash, responsive, scheduled |
|
Stitch Bitch |
Shelley Jackson |
1998 |
hypertext, reading, hypertext fiction, interpretation, writing |
|
Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl |
George P. Landow |
1996 |
hypertext, identity, hypertext fiction, gender, collage, monstrosity |
|
Stochastische Texte |
Theo Lutz |
1959 |
prehistoric digital poetry, algorithmic text generation, generative |
|
Stochastische Texte - Stochastic Texts |
Theo Lutz |
1959 |
|
|
Storms |
Eduardo Kac |
1993 |
interactive poetry, early Brazilian electronic poetry, Eduardo Kac, kabbalah, hypertext |
|
Storyland |
Nanette Wylde |
2002 |
fiction, generative, audio, combinatorial |
|
Streamflow conditions |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
|
Stress Fractures: Essays on poetry |
|
2010 |
|
|
Stroemfeld/Roter Stern |
|
|
|
|
Stuck in a Loop? Dialogue in Hypertext Fiction |
Thomas Bronwen |
2007 |
narrative, hypertext fiction, dialogue |
|
Studio XX |
|
|
|
|
Stuttgarter Gruppe und Netzprojekte |
Roberto Simanowski, Reinhard Döhl, Johannes Auer |
2001 |
interview |
|
Stuttgarter Schule [akustische, konkrete, visuelle Poesie] |
|
|
|
|
Subculturas e cibercultura(s): Para uma genealogia das identidades de um campo |
Adriana Amaral |
2010 |
cyberculture, subculture, brazilian cyberstudies |
|
Subito Press |
|
|
|
|
Subject: Hello |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash |
|
Substratum |
Alison Clifford, Graeme Truslove |
2010 |
|
|
Sue Huang |
|
|
|
|
Suhrkamp Verlag |
|
|
|
|
Suicide in an Airplane |
Brian Kim Stefans |
2009 |
algorithmic poem, multimodal, poetry |
|
Sujeitobjeto (Practices of Meaning) |
Betty Leirner, Florian Kutzli |
2007 |
photography, videopoetry, Brazilian elit, poiesis, oi futuro |
|
Sun & Moon Press |
|
|
|
|
Super Mario Clouds |
Cory Arcangel |
2002 |
nes, nintendo entertainment system, ROM, hack, video game, appropriation, 8-bit, game modification |
|
Super Smile |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2005 |
experimental cinema, Flash |
|
Supercritical Creativity |
David M. Berry |
2010 |
creativity |
|
Superstitious Appliances |
Jason Nelson |
2001 |
audio, body, Flash, responsive |
|
SURFACE TEXT: Text as Surface in Immersive 3D Environments |
John Cayley |
2009 |
lectures, cave writing, digital writing |
|
Surfaces |
|
|
|
|
Susan Coolen |
|
|
|
|
Susan Garfinkel |
|
|
|
|
Susan Gibb |
|
|
|
|
Susan Schreibman |
|
|
|
|
Suw Charman |
|
|
|
|
Svetlana Ostrova |
|
|
|
|
Swarthmore College Bulletin |
|
|
|
|
Świadomość Hipertekstualna 1.0 |
Mark Amerika |
2003 |
conceptual art, criticism, critifiction, hypertext |
|
Swiss Literature Institute |
|
|
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.