|
Kuffertene |
Morten Søndergaard |
2003 |
hypertext literature, prose, linear |
|
Kulturbüro Siegen-Wittgenstein |
|
|
|
|
Künstlerische Gestaltungsmöglichkeiten von Hyperfiction und Hypermedia |
|
|
|
|
Kunstnett.no |
|
|
|
|
Kunstradio (ORF) |
|
|
|
|
Kybertext je viac než „kyber“ |
Mariusz Pisarski |
2012 |
|
|
L'Albatross |
Patrick Henri Burgaud |
2010 |
video, recombination, tagging |
|
L'art de game design: caracteréristiques de l'expression vidéoludique |
Sébastien Genevo |
2011 |
|
|
La Casa Sota el Temps |
Isaías Herrerro Florensa |
2007 |
Flash, interactivity, locative, maps, ergodic |
|
La literatura electrónica |
Laura Borràs Castanyer |
2009 |
|
|
La Lucha Continua |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
La Lutte Continue |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
Flash, experimental cinema |
|
La revolución biotecnológica-comunicacional. Nuevas formas literarias, nuevas miradas y viejos memes |
Laura Borràs Castanyer |
2007 |
|
|
Laboratorie NT2 |
|
|
|
|
Laboratório de Software Studies (Estudos Culturais de Software) da Universidade Federal de Juiz de Fora (UFJF) |
|
|
|
|
Lacy Cunningham |
|
|
|
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
Landscape Projects |
Judy Malloy |
1978 |
|
|
Landskaber omkring digtet kompas |
Morten Søndergaard |
2000 |
Scandinavian, danish, poetry, nature, navigation, maps, multimodal texts |
|
Lanfranco Aceti |
|
|
|
|
Language and Encoding: A Symposium for Artists, Programmers, and Scholars |
|
|
|
|
Language Machines |
Jeffrey Masten, Nancy Vickers, Peter Stallybrass |
1997 |
|
|
Language to Cover A Wall |
|
|
|
|
Larvatus Prodeo |
Braxton Soderman, Roxanne Carter |
2006 |
HTML, scheduled, static |
|
Lascaux.Symbol.ic |
Ted Warnell |
2000 |
codework |
|
Last Tango in Tokyo |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
LAT 23 |
LAT-23 , Claudio Bueno, Denise Agassi, Marcus Bastos, Nacho Duran |
2010 |
cartography, geolocative |
|
LAT-23 |
|
|
|
|
Laura McCabe |
|
|
|
|
Lauren Grusenmeyer |
|
|
|
|
Lauren Rabinovitz |
|
|
|
|
Laurent Pottier |
|
|
|
|
Lawrence Giffin |
|
|
|
|
Lawrence Erlbaum Associates |
|
|
|
|
Le Cube: Centre de Création Numérique |
|
|
|
|
Le jeu au risque de l'art |
Joël Gilles |
2011 |
|
|
Le lit des amants (The Lover's Bed / Rakastavaisten vuode) |
Elina Saloranta |
2004 |
experimental, multimodal, video art, combinatory poetics, interactive |
|
Learning from Science Fiction Criticism: Excessive Candour |
Julianne Chatelain |
2003 |
science fiction, reviewing |
|
Learning From the Review Culture of Fan Fiction |
Julianne Chatelain |
2003 |
fan fiction |
|
Leaving the City: Indra's Net V |
John Cayley |
1995 |
hypercard, poetry, interactive, text generation, china |
|
Lectura crítica del "Diari d'una absència" |
Rocio Avila |
2008 |
|
|
Leed, leed, malditos. Notas para una hermenéutica de la lectura hipertextual |
Laura Borràs Castanyer |
2003 |
|
|
Leer literatura (en) digital: una historia de intermediaciones, desplazamientos y contaminaciones |
Laura Borràs Castanyer |
2010 |
|
|
LEETHI Research Group |
|
|
|
|
LEi/iEBESÜBUNGEN |
Gisela Müller |
2002 |
|
|
Leighton Christiansen |
|
|
|
|
Lemmit Kaplinski |
|
|
|
|
Len Lye |
|
|
|
|
Lenora de Barros |
|
|
|
|
Leonard Dumas |
|
|
|
|
Leonardo |
|
|
|
|
Leonardo Solass |
|
|
|
|
Leonardo Electronic Almanac |
|
|
|
|
Leonardo Reviews |
|
|
|
|
Leonel Valbom |
|
|
|
|
Ler Clarice Lispector, re-escrevendo Amor |
Rui Torres |
2004 |
appropriated texts, appropriation, digital literature, digital poetry, intertextuality |
|
Les amis seur le seuil |
Philippe Bootz, Marcel Frémiot |
2011 |
|
|
Les figures de manipulation face aux conventions du jeu |
Alexandra Saemmer |
2011 |
|
|
les Immateriaux |
|
|
|
|
Lesen und Schreiben im Internet |
Johannes Auer |
1997 |
|
|
Leslie Rule |
|
|
|
|
Letter |
Eduardo Kac |
1996 |
3D, poetry, spatial, navigational, Brazilian electronic poetry, Eduardo Kac |
|
Letters in Space, At Play |
Scott Rettberg |
2011 |
kinetic poetry, kinetic typography, Electronic Literature Collection |
|
Lewis LaCook |
|
|
|
|
Libre Culture: Meditations on Free Culture |
David M. Berry, Giles Moss |
2008 |
art, Creative Commons, free software, creativity, commons, free culture, libre, open source, Bruno Latour |
|
Libros informáticos, libros posinformáticos: formas de lo literario en la era digital. Muestra de tecnologías literarias catalanas contemporáneas |
Laura Borràs Castanyer |
2009 |
|
|
Liceus |
|
|
|
|
Life and the Screen: Identity on the Internet |
Sherry Turkle |
|
|
|
Life Sharing |
Eva Mattes, Franco Mattes |
2001 |
sharing, privacy, net.art |
|
light |
Machine Libertine |
2012 |
|
|
Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality |
Maria Engberg |
2011 |
|
|
Lights Bodies |
Scenocosme |
2010 |
|
|
Linda Suthiry Suk |
|
|
|
|
Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program |
Nick Montfort |
2011 |
creative computing, software studies, code, code reading, BASIC, commodore 64 |
|
Linnea Eriksson |
|
|
|
|
Lionel Kearns |
|
|
|
|
Lire la littérature numérique à l’université : deux situations pédagogiques |
Alexandra Saemmer |
2010 |
pedagogy, didactics, teaching digital literature |
|
Lisa Jevbratt |
|
|
|
|
Lisa Lynch |
|
|
|
|
Listening Post |
Mark H. Hansen, Ben Rubin |
2003 |
found text, networked audiovisual installation, voice synthesizer, data sonification, web harvested work, text stream |
|
Lit |
Eric LeMay |
2012 |
|
|
Liter@tur - Computer / Literatur / Internet |
|
|
|
|
Liter@tur: Computer - Literatur - Internet |
|
2001 |
|
|
Literal Art |
John Cayley |
2004 |
writing, literal art, materiality, pixel, line, affect, programmatology, digital poetry, poetics, e-poetics, Digital, alphabetic, Kittler, media studies, literary studies |
|
Literárne servery a amatérsky česko-slovenský literárny kontext |
Mira Nabělková: |
2012 |
|
|
Literary Games: The Intersection of Writing and Play (DANM 132, UC Santa Cruz) |
|
|
workshop, survey |
|
Literary Machines Made in Germany. German Proto-Cybertexts from the Baroque Era to the Present |
Jörgen Schäfer |
2006 |
|
|
Literary Programming (In the Age of Digital Transliteration) |
John Cayley |
1999 |
practice, programming, inscription, performance, poetry, hypertext, generation, kinetic text, transliteration |
|
Literatur auf dem Rechner |
Thomas Kamphusmann |
2002 |
|
|
Literatur im elektronischen Raum |
Christiane Heibach |
2003 |
|
|
Literatur im Netz |
|
|
|
|
Literatur und Strom 1: Code, Interface, Concept |
|
|
|
|
Literatur und Strom 2: Netzgeschichten |
|
|
|
|
Literatur und Strom 3: Code Döhl |
|
|
|
|
Literatur und Strom 4: Laut P |
|
|
|
|
Literatur, Raum, Neue Medien |
|
2011 |
|
|
Literatur, Raum, Neue Medien: Eine Annäherung |
Jörgen Schäfer, Peter Gendolla |
2011 |
|
|
literatur.com - Tendenzen im Literaturmarketing |
|
2001 |
|
|
Literatura Digital 2010. La Incubadora |
Laura Borràs Castanyer |
2010 |
|
|
Literatura Electrónica |
Juan José Diez |
2009 |
digital art, electronic literature, digital culture, reviews |
|
Literatura experimental, educació i eines interactives multimèdia |
Rui Torres |
2010 |
cybertext, digital literature, digital poetry, new media poetry, teaching digital literature |
|
Literature and Culture of Information (LCI) Specialization |
|
|
literature, information, literary studies, digital literary studies, literature and technology, media studies, writing systems, digital humanities |
|
Literature as Echo: Mark Z. Danielewski's House of Leaves |
Álvaro Seiça |
2010 |
contemporary american literature, echo, hyperfiction, gothic novel, Danielewski, House of Leaves, digital textuality, multilayered authorship |
|
Literature in Digital Culture: Pedagogical Possibilities |
Raine Koskimaa |
2010 |
teaching, electronic literature, literature, digital culture, distance learning |
|
Literaturgeschichte des Digitalmediums |
Helmut Schanze |
1996 |
|
|
Literaturmetaphysik: Der Schriftsteller in der technischen Welt |
Max Bense |
1950 |
|
|
Literaturwerkstatt Berlin |
|
|
|
|
Lit[art]ure: la literatura en tiempos de Internet |
Laura Borràs Castanyer |
2008 |
|
|
Live Herring '08 Media Art Exhibition |
|
|
|
|
Living Liberia Fabric |
D. Fox Harrell |
2010 |
|
|
Lluis Calvo |
|
|
|
|
Local Transcendence: Essays on Postmodern Historicism and the Database |
Alan Liu |
2008 |
information, historicism, New Historicism, epistemology, database, postmodernism, digital culture, information society, media studies, media history |
|
Locative Narrative, Literature and Form |
Jeremy Hight |
2010 |
narrative, space, style, locative narrative |
|
Locusta Temporis (The Age of Locust) |
Enrico Colombini |
2010 |
hypertext, crime, adventure game |
|
Lombrices (Minhocas) |
Leon Ferrari, Ricardo Pons |
2004 |
video poetry, video installation, oi futuro, poiesis |
|
Long Weekend |
Beathe C. Rønning |
|
|
|
Look, here she lies (Kijk, hier ligt ze) |
Hans Kloos |
2009 |
Flash |
|
looppool |
Bas Böttcher |
1998 |
|
|
Lorenza Samuels |
|
|
|
|
Lori Talley |
|
|
|
|
Los Wikiless Timespedia |
Mark C. Marino, Scott Rettberg |
2008 |
satire, parody, wiki, newspaper, funny |
|
Loss of Grasp : Teknikliderlige mænd i midtvejskrise |
Mette-Marie Zacher Sørensen |
2010 |
|
|
Lotus Blossom |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Lotus Blossom (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Love and Kill |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Love Is... |
Alan Bigelow |
2008 |
|
|
Lucia Leão |
|
|
|
|
Lucia Santaella |
|
|
|
|
Lucidité et lucidité dans Les 12 travaux de l'internaute |
Serge Bouchardon |
2011 |
|
|
Lucie de Boutiny |
|
|
|
|
Lucio Agra |
|
|
|
|
Lucy Anderton |
|
|
|
|
Luís Aly |
|
|
|
|
Luís Borges Gouveia |
|
|
|
|
Luís Carlos Petry |
|
|
|
|
LÚMEN_EX AWARDS . EXTREMADURA UNIVERSITY (UNEX) |
|
|
|
|
Luminous Airplanes: A Hyperromance |
Paul La Farge |
2011 |
|
|
Luna Bisonte Prods |
|
|
|
|
Luz |
Loss Pequeño Glazier |
2006 |
|
|
Luz & Letra: Ensaios de Arte, Literatura e Comunicação |
Eduardo Kac |
2004 |
biopoetry, holopoetry, Eduardo Kac, Brazilian elit |
|
Læsetrance - tempo og tvang hos YHCHI |
Karen Wagner |
2008 |
Young-Hae Chang Heavy Industries, scheduled, audio-visual, creative criticism |
|
L’avventura è l’avventura |
Francesco Cordelli |
|
interactive fiction, blog, Italian, text adventure |
|
L’escriptura literària en l’era digital |
Laura Borràs Castanyer |
2010 |
|
|
M.M. et brevprojekt |
Mette Moestrup |
2003 |
e-mail, hypertext, letters, interpersonal, personal, Nordic |
|
M.U.C. Love Letter Generator |
Christopher Stratchey |
1952 |
generative, epistolary, combinatory, pioneering, love, program |
|
Macelib |
Dirk Schröder |
2005 |
algorithmic text generation, algorithmic poem |
|
Machine Enhanced (Re)minding: the Development of Storyspace |
Belinda Barnet |
2012 |
Storyspace, history, topography, interviews, hypertext, authoring software |
|
Machine Libertine |
Natalia Fedorova, Taras Mashtalir |
2010 |
|
|
Machine Poetics |
|
|
|
|
Machine Subjectivity, Politics and Digital Arts |
Jichen Zhu |
2010 |
artificial intelligence, interactive narrative, computational art, digital art, systems |
|
Machinic minds and posthuman bodies: the complexities of intimacy in three electronic works by Shelley Jackson |
Arnaud Regnauld |
2010 |
embodiment, intimacy |
|
Machinic Minds and Posthuman Bodies: the Complexities of Intimacy in Three Electronic Works by Shelley Jackson, Patchwork Girl, My Body & A Wunderkammer, and The Doll Games |
Arnaud Regnauld |
2010 |
|
|
Magdalena Suwara |
|
|
|
|
Magic Box |
|
|
|
|
Magnet |
Simon Biggs |
1997 |
sensors, projection, cameras, audio, levitation, haptic |
|
Magnus Dahlerus |
|
|
|
|
Mai Misfeldt |
|
|
|
|
MaJe Kindschuh-Larsen |
|
|
|
|
Making Digital Poetry: Writing with and through Spaces |
Mirona Magearu |
2012 |
|
|
Making Sense of the Digital as Embodied Experience |
Serge Bouchardon, Asunción López-Varela Azcárate |
2011 |
|
|
Making, Critique: A New Paradigm for the Humanities |
N. Katherine Hayles, Jessica Pressman |
2013 |
digital humanities |
|
Manchester Metropolitan University |
|
|
|
|
Manfred Faßler |
|
|
|
|
Manifesto Mediamático por uma [Proto-Arte] Vebvirtual |
Artur Matuk |
2010 |
|
|
Manuela Rossini |
|
|
|
|
Mapping |
Sylvia Tomayko-Peters |
2011 |
interactive, HTML, javascript |
|
Mar de Sophia |
Rui Torres |
2005 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
|
mar puro |
Aya Natalia Karpinska |
2006 |
3D, spatial |
|
Marc Blank |
|
|
|
|
Marc Lloan |
|
|
|
|
Marcel van der Drift |
|
|
|
|
Marcel van den Berg |
|
|
|
|
Marcelo Spalding |
|
|
|
|
Marcus Bastos |
|
|
|
|
Marenostrum |
|
|
|
|
Margarete Strawn |
|
|
|
|
Marginalia in the Library of Babel |
Mark C. Marino |
2007 |
javascript, marginalia, Jorges Luis Borges, metafiction |
|
Maria Damon |
|
|
|
|
María Goicoechea |
|
|
|
|
Marie-Laure Ryan |
|
|
|
|
Marina Correa |
|
|
|
|
Marjorie Perloff |
|
|
|
|
Mark B. N. Hansen |
|
|
|
|
Mark Jeffery |
|
|
|
|
Mark McGurl |
|
|
|
|
Mark Peters |
|
|
|
|
Mark Rockswold |
|
|
|
|
Mark Shovman |
|
|
|
|
Mark Tribe |
|
|
|
|
Mark Amerika, "Remix the Book" (review) |
Jan Baetens |
2011 |
|
|
Mark B.N. Hansen |
|
|
|
|
Marketa Bankova |
|
|
|
|
Marta Meira |
|
|
|
|
Martha Carrer Cruz Gabriel |
|
|
|
|
Martin Engebretsen |
|
|
|
|
Martin Ferro-Thomsen |
|
|
|
|
Martin Spinelli |
|
|
|
|
Martin William Rieser |
|
|
|
|
Martina Kieninger |
|
|
|
|
Martyn Bedford |
|
|
|
|
Mary Pinto |
|
|
|
|
Mary Ann Buckles |
|
|
|
|
Mary Shelley |
|
|
|
|
Mary Ellen Solt |
|
|
|
|
Matej Gasperic |
|
|
|
|
Matevž Kmet |
|
|
|
|
Mathew Vickery |
|
|
|
|
Matina L Stamatakis |
|
|
|
|
Matt Blackburn |
|
|
|
|
Matt Schneider |
|
|
|
|
Matteo D'Ambrosio |
|
|
|
|
Matter and Void: Digital Narrative Endings |
Jennifer Roudabush |
2011 |
|
|
Matthew Mirapaul |
|
|
|
|
Matthias Krohn |
|
|
|
|
Matthieu Cherubini |
|
|
|
|
Maureen Seaton |
|
|
|
|
Maurice Benayoun |
|
|
|
|
Mauro Césari |
|
|
|
|
Max Bense |
|
|
|
|
Max Dunlop |
|
|
|
|
Maxim Gorky Literary Institute |
|
|
|
|
Mayakovsky for Sale |
|
2010 |
Google whack |
|
MC23: Digital Media |
|
|
hypertext, cyberspace, networks |
|
McDougall Art Gallery |
|
|
|
|
McLu-uhms |
David Jhave Johnston |
2011 |
McLuhan, media society, theory, Flash, audio, scheduled |
|
Meaning |
Jelena Glazova |
2009 |
poetry, ambient video, light, sound environment, expressionism |
|
Media studies, mobile augmented reality, and interaction design |
Jay David Bolter, Maria Engberg, Blair MacIntyre |
2013 |
|
|
Media Transatlantic: Media Theory in North America and German-Speaking Europe |
|
|
new media aesthetics, semiotics, phenomenology, language, geomedia |
|
Media XXI |
|
|
|
|
Mediálna analýza a literárny text |
Katarina Peovic Vukovic |
2012 |
|
|
Medien Kunst Netz 1 |
|
2004 |
|
|
Medienumbrüche |
|
|
series, media upheavals, digital humanities, media culture, media aesthetics, media history |
|
MEDIENwissenschaft: Rezensionen |
|
|
|
|
Meditation no 4 |
Tomasz Wilmański |
2004 |
animation, alphabet, algorithmic poem, letterism, aural, moody |
|
Meditationer omkring et o ('Meditations around an o') |
Karen Wagner |
2006 |
concrete poetry, digital concrete poetry |
|
Megan Sapnar |
|
|
|
|
Mela Kocher |
|
|
|
|
Melinda Rackham |
|
|
|
|
memory |
Machine Libertine |
|
video poetry, posthuman |
|
Memory Bytes |
|
2004 |
|
|
Menju |
|
|
|
|
Menschliche Praxis. Zu einer Re-Animation der literarischen Anthropologie in den Game Studies |
Frank Furtwängler |
2004 |
|
|
MEorIKE |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
poetry generator |
|
Merlyn Lossada |
|
|
|
|
Mesostics for Dick Higgins |
mIEKAL aND |
1998 |
elegy, mesostic |
|
Mesostics for Dick Higgins (Print) |
mIEKAL aND |
1998 |
|
|
Metablast |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash |
|
Metricalizer |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
automated metrical markup, meter, rhyme |
|
Mette Moestrup |
|
|
|
|
Mette-Marie Zacher Sørensen |
|
|
|
|
Mez Interview |
Josephine Bosma |
2000 |
|
|
MFS Modern Fiction Studies |
|
|
|
|
Mia Consalvo |
|
|
|
|
Michael Betancourt |
|
|
|
|
Michael Böhler |
|
|
|
|
Michael Hoffman |
|
|
|
|
Michael Madsen |
|
|
|
|
Michael Schwab |
|
|
|
|
Michael Simons |
|
|
|
|
Michael Tippett |
|
|
|
|
Michael Joyce. Polski pisarz: Michael Joyce, Czesław Miłosz i hipertekst. Postgutenbergowskie nadzieje księgi różności. |
|
2012 |
|
|
Michael Takeo Magruder |
|
|
|
|
Michal Rehúš |
|
|
|
|
Michel Chaouli |
|
|
|
|
Michel Houdiard |
|
|
|
|
Michele D'Auria |
|
|
|
|
Middle Orange | Meia Naranja |
Loss Pequeño Glazier |
2010 |
video, epoetry, performative |
|
mIEKAL aND |
|
|
|
|
Miguel Said Vieira |
|
|
|
|
Mihai Christian Ile |
|
|
|
|
Mike Treanor |
|
|
|
|
Mikhail Viesel |
|
|
|
|
Mimi Cabell |
|
|
|
|
Mindful Press |
|
|
|
|
Mindwheel |
Robert Pinsky |
1984 |
interactive fiction, narrative, narrative games, games |
|
Mindy Lam |
|
|
|
|
minE~i+)_mire ®+U experienced? |
Marc Veyrat |
2011 |
|
|
Miniatureskrift og andet uendeligt småt |
Karen Wagner |
2004 |
language, symbols, religion, art, art history, book arts, calligram, cyberculture |
|
Mining the Arteroids Development Folder |
Leonardo Flores |
2010 |
poetic game, programming, linguistic, video games, poetry, computer programming, visual poetry, interactivity, programmable media, development process |
|
Mira Nabělková: |
|
|
|
|
Miranda F. Mellis |
|
|
|
|
Mirona Magearu |
|
|
|
|
Miss DMZ |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2005 |
experimental cinema, Flash |
|
Missed Collections: Away From the Canon, Toward the Archive |
Dana Solomon |
2010 |
new media, yhchi, Young-Hae Chang Heavy Industries, electronic literature, non-linear, multi-directional, adaptive, textual preservation, archive, preservation, storage |
|
Misslungene Anbetung |
Uli Winters |
2007 |
automated puppet, poiesis, oi futuro |
|
Missy |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
MIT Comparative Media Studies |
|
|
|
|
MIT Media Laboratory |
|
|
|
|
Mitchell Kimbrough |
|
|
|
|
Mitteilungen des Deutschen Germanistenverbandes |
|
|
|
|
Mladý pes |
|
|
|
|
Moacir P. de Sá Pereira |
|
|
|
|
Mobile Bodies, Zones of Attention and Tactical Media Interventions |
Carolyn Guertin |
2011 |
|
|
mobile poetics: a select bibliography of digital textuality/art apps |
|
|
iphone, ipad, mobile |
|
Mobilizing the Poli |
Laura Goldstein |
2011 |
|
|
Modern Language Association |
|
|
|
|
Modern Language Association Convention 2007 |
|
|
|
|
Modern Language Association Convention 2008 |
|
|
|
|
Modern Language Association Conventions |
|
|
|
|
Modern Moral Fairy Tales |
MaJe Kindschuh-Larsen, Deena Larsen |
2012 |
salmon, philosophy, internet, newspaper, journalism, hypertext, satire, dystopia, utopia |
|
Modern Mother |
Arlene Stamp |
1998 |
storytelling, audio, fragmentary, documentary |
|
Modernisms: A Literary Guide |
Peter Nicholls |
1995 |
modernism, modernity, aesthetics, literature, literary studies, symbolism, futurism, death, expressionism, dada, neo-classicism, high modernism, surrealism, literary history |
|
Möglichkeitsraum Internet: Vom verwahrten Content zur interkreativen Allmende |
Beat Suter |
2004 |
|
|
Mohsin Hamid |
|
|
|
|
Moment |
Joe Keenan |
2001 |
DHTML, javascript, responsive, generative |
|
Mondriaan |
Zachary Booth Simpson |
2004 |
art, interactive, installation, modriaan |
|
Mónica Montes |
|
|
|
|
Monica Ong |
|
|
|
|
Morten Søndergaard |
|
|
|
|
Mosaic |
|
|
|
|
Mots-Voir |
|
|
|
|
Mr. President |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Mreža snova (The Dream Net) |
Kata Mijatovic |
2001 |
hypertext, Poetic, text picture, dream |
|
Mulheres más: Percepções e representações da mulher transgressora no mundo luso-hispânico |
|
2004 |
|
|
Multi-Dimensional Dementia: M.D. Coverley’s Califia and the Aesthetics of Forgetting |
Carolyn Guertin |
2001 |
|
|
Multi-Dimensional Dementia: M.D. Coverley’s Califia and the Aesthetics of Forgetting |
Carolyn Guertin |
2001 |
|
|
Multimedia Criticism |
Eric Dean Rasmussen |
2003 |
literary history, literary criticism, multimedia criticism, academia, multimedia, multimodality |
|
Multimedia, Multiculturalism, Language and the Avantgarde |
Simon Biggs |
2007 |
|
|
Musa Editora |
|
|
|
|
Musealisierung und Jugendwahn - Frieder Rusmanns Kunsttot-Manifest |
Roberto Simanowski |
|
|
|
Música na cibercultura |
Gisela G. S. Castro |
2010 |
Brazilian cyberculture, music consumption, web music, piracy, copyright |
|
Musiques électroniques: vers de nouveaux modes de jeu |
Laurent Pottier |
2011 |
|
|
Mustafa Stitou |
|
|
|
|
Mutability, Medium and Character |
Dene Grigar |
2002 |
NEH Summer Institute, N. Katherine Hayles |
|
my Molly (departed) |
Talan Memmott |
2007 |
audio, textual instrument, appropriated texts, remix |
|
My Mother Was a Computer: Digital Subjects and Literary Texts |
N. Katherine Hayles |
2005 |
|
|
My Words / Mes Mots |
Serge Bouchardon |
2009 |
collaboration, interactive, gestural |
|
Myron Krueger |
|
|
|
|
Mystery House Taken Over |
Nick Montfort, Dan Shiovitz, Emily Short |
2004 |
remix, adventure game, graphic adventure, interactive fiction, game mod, collaboration, hacking |
|
Mythos Internet |
|
1997 |
|
|
MythWatch.org |
Alan Bigelow |
2010 |
|
|
Na ceste k hypermediálnemu artefaktu |
Bogumiła Suwara |
2012 |
|
|
Nacho Duran |
|
|
|
|
Nancy Baym |
|
|
|
|
Nancy Buchanan |
|
|
|
|
Nancy Vickers |
|
|
|
|
Nanette Wylde |
|
|
|
|
Nanni Balestrini |
|
|
|
|
Naomi Spellman |
|
|
|
|
Narr@tive: Digital Storytelling |
|
|
|
|
Narration, Intrigue, and Reader Positioning in Electronic Narratives |
Daniel Punday |
2012 |
narrative, reader, intriguee, intrigue, narratee, agency |
|
Narrative and the Split Condition of Digital Textuality |
Marie-Laure Ryan |
2004 |
|
|
Narrative Architectures After the Book: New Containers & Standards for Stories in Digital Culture |
Carolyn Guertin |
2006 |
|
|
Narrative in Social Media |
Dene Grigar |
2011 |
narrative, social media, social networking, twitter |
|
Narrative Motors |
Eugenio Tisselli |
2010 |
narrative, tropes, procedural, metaphor, databases, combinatory, style, metadata, dynamic, degenerative |
|
Narrative Traditions in Digital Conditions: Communal Authorship in Digital-Born Text, |
Jennifer Roudabush |
2011 |
|
|
Narratologie 2004. Herausforderungen der Erzähltheorie durch Netzliteratur und Computerspiele |
Fotis Jannidis |
2004 |
|
|
Natalie Bookchin |
|
|
|
|
Natalie Zeriff |
|
|
|
|
Natalie Binczek |
|
|
|
|
Nathan Wardrip-Fruin |
|
|
|
|
Nathaniel Lew |
|
|
|
|
National Language Liberation Front |
|
|
|
|
natyr |
Ottar Ormstad |
2013 |
video poem, digital concrete poetry, multilingual |
|
Nederlands Letterenfonds |
|
|
|
|
Neil Jenkins |
|
|
|
|
Nele Lenze |
|
|
|
|
Nelli Rothvee |
|
|
|
|
Nepabunna |
Geniwate |
2001 |
Flash, Australia, myth, satellite imagery |
|
Nesystematický návod na použitie slovenskej experimentálnej poézie |
Michal Rehúš, Jaroslav Šrank |
2012 |
|
|
Net Literature and Radio: A Work-in-Progress Report |
Johannes Auer |
2008 |
|
|
Net Literature in the Classroom: Teaching Practice at the University of Siegen |
Peter Gendolla, Jörgen Schäfer, Patricia Tomaszek |
2010 |
|
|
Net poetry |
Nelli Rothvee |
1997 |
|
|
Netochka Nezvanova |
|
|
|
|
Netochka Nezvanova |
Netochka Nezvanova |
|
virtual character |
|
Netpoetic |
|
2009 |
pedagogy, electronic literature, digital poetry, reviews, discussion, announcements, events |
|
Networks, Margins and Centres |
Simon Biggs |
2003 |
|
|
Netzliteratur. Umbrüche in der literarischen Kommunikation |
Peter Gendolla, Jörgen Schäfer |
2004 |
|
|
netzliteratur.net |
|
|
|
|
Netzliteratur.net |
|
|
|
|
Netzliteratur: Umbrüche in der literarischen Kommunikation |
|
|
|
|
New Directions in Digital Poetry: A Review |
Jan Baetens |
2012 |
digital poetry, review, criticism |
|
New Literary History |
|
|
|
|
New Literary Observer |
|
|
|
|
New Media Art |
Mark Tribe, Reena Jana |
2006 |
digital art |
|
New Media Literary: Hypertextual, Cybertextual, and Networked |
Katarina Peovic Vukovic |
2008 |
hypertext, cybertext, introductory |
|
New Media Scotland |
|
|
|
|
New Media Writing Prize |
|
|
new media writing, prize, awards, UK |
|
New River (Spring 2007) |
|
|
|
|
New York City Map |
Marketa Bankova |
2000 |
interactive, virtual world, map, google maps, language – sound - picture relationship, abstract realities |
|
New York University Press |
|
|
|
|
Nick Robinson |
|
|
|
|
Nick Rudnicki |
|
|
|
|
Nicolas Szilas |
|
|
|
|
Nicolas Clauss |
|
|
|
|
Nicolas Clauss' Art if I want |
Laura Borràs Castanyer |
2005 |
|
|
Nicole Anderson |
|
|
|
|
Nightmare Wanders Father's Song |
Curtis Harrell |
1998 |
hypertext, poetry, hidden links, lyric |
|
Nika Bertram |
|
|
|
|
Nikos Barbopoulos-Vlandis |
|
|
|
|
Nine attempts to clone a poem |
Jason Nelson |
|
|
|
NLLF Press |
|
|
|
|
No Country For Old Men |
Zehra Yousofi |
2010 |
interactive |
|
No matter |
Daniela Calisi |
2007 |
kinetic typography, poetry, Flash |
|
No More Teacher's Dirty Looks |
Theodor Holm Nelson |
1970 |
hypertext, stretchtext, education, computer aided instruction, hypergrams, information structures |
|
Noah Wardrip-Fruin |
|
|
|
|
Noah Saterstrom |
|
|
|
|
Noah Vawter |
|
|
|
|
Nobody knows but you |
Aya Natalia Karpinska |
2005 |
interactive textual installation, video game, VJ battle |
|
Nokturno |
|
|
|
|
Nome |
Arnaldo Antunes |
1993 |
concrete poetry, multimedia |
|
Norbert Bachleitner |
|
|
|
|
Norbert M. Schmitz |
|
|
|
|
Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling |
|
|
|
|
Not Just Text |
Steve Tomasula, Yurly Tarnawsky |
2011 |
collaboration, new media novel |
|
Notes from the underground: experimental screen based works |
|
|
|
|
Notes on N. Katherine Hayles: Literature and the Literary: Why Electronic Literature is Key to Their Future |
Jill Walker Rettberg |
2007 |
university, electronic literature, curriculum, institution, institutionalization, literary, literariness |
|
Notes on the Last Vispo Anthology: Visual Poetry 1998-2008 (for Rain Taxi review) |
Chris Funkhouser |
2012 |
vispo, handwritten |
|
Nothing temps |
Lluis Calvo |
|
|
|
Nous n'avons pas compris Descartes |
Andre Vallias |
1991 |
early Brazilian electronic poetry, graphical poetry, andre vallias |
|
Nouspace Gallery & Media Lounge |
|
|
|
|
Nuno F. Ferreira |
|
|
|
|
Nuno M. Cardoso |
|
|
|
|
NUPILL - Núcleo de Pesquisa em Informática, Literatura e Linguística |
|
|
|
|
NURBS theory | conceptualizing cultural processes: from discrete categories to continuous curves |
Lev Manovich |
2008 |
Nurbs, software studies, FILE |
|
O chip e o caleidoscópio |
|
2005 |
media archaeology, brazilian cyberstudies, net.art, interdisciplary |
|
O Mar |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
O materialite elektronickej literatúry:_ |
Zuzana Husárová |
2012 |
|
|
OBORO |
|
|
|
|
OCO |
Eduardo Kac |
1985 |
lettrist, spatial, holopoem |
|
Odile Farge |
|
|
|
|
Odyssée 3 min 50 |
Linda Suthiry Suk |
2007 |
flash poem |
|
Odysseen im Schreibraum. Utopien, Abgründe und Möglichkeiten des Schreibens im Netz |
Heiko Idensen |
2000 |
|
|
Of People not Machines: Authorship, Copyright and the Computer Programmer |
Elena Cooper |
2012 |
authorship, copyright, computer programmer, digital art, creative practice |
|
Off the Printed Page: Background and Theory about Electronic Literature |
Dene Grigar |
2004 |
Ciberart |
|
Officina di Letteratura Elettronica/Workshop of Electronic Literature |
|
|
|
|
Oi Cabeça |
|
|
Brazilian elit, art game, cave writing, ELO, augmented reality |
|
Oi Futuro |
|
|
|
|
Oisleánd: Indra's Net IX |
John Cayley |
1996 |
translation, hypertext, hypercard, poetry, mesostic |
|
OLE Officina di Letteratura Elettronica |
|
|
|
|
Olga Dedova |
|
|
|
|
Oliver Gassner |
|
|
|
|
Oliver Langberg |
|
|
|
|
Om Monica Aasprongs Soldatmarkedet |
Audun Lindholm |
2007 |
concrete poetry, hybrid, fonts, typewriters |
|
On Byways and Backlanes: The Philosophy of Free Culture |
David M. Berry |
2007 |
Creative Commons, commons, free culture, copyright, Heidegger |
|
On Condenstaion: how "Computer Aided Poetry" works |
Eugenio Tisselli |
2010 |
cloud computing, digital poetry, condensation, world wide web, transformation, computer aided poetry |
|
On Hypertext Criticism |
Richard E. Higgason |
2003 |
criticism, close reading |
|
On Hypertext Criticism |
Deena Larsen |
2003 |
|
|
On Locative Narrative |
Rita Raley |
2008 |
|
|
On Navigation and Interactivity |
Simon Biggs |
1996 |
|
|
On the Art of Producing a Phenomenally Short Fiction Collection over the Net Using Twitter: ‘The 24-Hr. Micro-Elit Project |
Dene Grigar |
2010 |
twitter, The 24-Hr. Micro-Elit Project, authoring software, Judy Malloy |
|
On the Web |
Xtine Burrough |
2007 |
altered book, handwriting, scrolling |
|
OneSmallStep: a MySpace LuvStory |
Mark Cooley |
2006 |
media art, media archeology, fetish, consumption, voyeurism, video, random, remix, database |
|
Oni Buchanan |
|
|
|
|
Online Caroline |
Tim Wright, Rob Bevan |
2000 |
|
|
Onrust (Restlessness) |
Tonnus Oosterhoff |
2010 |
Flash, handwriting, electronic poetry, writing-materiality |
|
oooxxxooo |
Juliet Ann Martin |
|
poetry, hypertext, ASCII, concrete, HTML |
|
Opacité |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactive narrative, interactivity, opacity, HTML5, web-based, smartphone, tablet |
|
Open and Shut? Narrative Closure and Completeness in Shelley Jackson’s my body: a Wunderkammer |
Jennifer Roudabush |
2009 |
|
|
Open Publishing |
Suw Charman |
2007 |
lectures, publishing |
|
Open Texture |
|
|
|
|
Open University |
|
|
|
|
Operation Dear Leader |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Operation Nukorea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash |
|
Opération Teddy Bear |
Edouard Lussan |
1996 |
comic, interactive, story, world war 2, linear |
|
Options for Teaching |
|
|
|
|
Oracle |
Simon Biggs |
2009 |
speech recognition, interaction, interpretative grammar engine, generative grammar engine, text performance, audience engagement |
|
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World |
Jennifer Roudabush |
2010 |
narrative, interaction, communal narratives, collective narrative, social media |
|
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World |
Jennifer Roudabush |
2010 |
|
|
Orality and Literacy: The Technologizing of the Word |
Walter Ong |
1982 |
|
|
Organism for Poetic Research |
|
|
|
|
Oriana Persico |
|
|
|
|
Oriane Deseilligny |
|
|
|
|
Orient (Japanese) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Orient (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Orit Kruglanski |
|
|
|
|
Oros |
Ursula Hentschläger, Zelko Wiener |
2003 |
|
|
Orpheus no longer uses the Qwerty layout: Literature and Digital Ghosts |
Theodoros Chiotis |
2009 |
digital aesthetics, Greek literature, post-print fiction, sampling, appropriation, digital discourse |
|
Orson Whales |
Alex Itin |
2008 |
Herman Melville, Moby Dick, video poetry, mashup, prose poem, prose |
|
Os espaços líquidos da cibermídia |
Lucia Santaella |
2009 |
|
|
Os Fins dos Meios |
Cícero Inacio da Silva |
|
|
|
Osvaldo Cleger |
|
|
|
|
Other Spaces: French Cubism and Russian Futurism |
Peter Nicholls |
1995 |
|
|
Otte forsøk på at forstå hvad en bog er |
Morten Søndergaard |
2001 |
essay, born digital, multilingual or non-english, hypertext, traditional literature, nordic e-lit, philosophical, memoir |
|
OULIPO |
|
|
|
|
Ouroboros (aka. Uróboros) |
João Antonio da Silva Sampaio |
1999 |
early Brazilian electronic poetry, visual poetry, Brazil |
|
Out of Place: Digital In-Grouping |
Donna Leishman |
2012 |
|
|
Over and Over, Even |
Adriana Calcanhotto |
2007 |
sound installation, Brazilian electronic poetry, poiesis, oi futuro |
|
Oxford University Press (UK) |
|
|
|
|
p0es1s |
|
|
|
|
p0es1s - Poetologie digitaler Texte |
|
|
|
|
p0es1s. Digitale Poesie |
|
|
|
|
p0es1s: Ästhetik digitaler Poesie/The Aesthetics of Digital Poetry |
|
2004 |
|
|
PAC - Poesia Assistida per Computadora |
Eugenio Tisselli |
2006 |
generative |
|
Paddle |
Neil Hennessy |
1998 |
kinetic typography |
|
Page Schumacher |
|
|
|
|
Page to Screen: Taking Literacy into the Electronic Era |
|
1998 |
|
|
Pale Fire |
Vladimir Nabokov |
1962 |
hypertext, paratext, dictionary, hypertext novel, link, commentary |
|
Pale Fire A Poem in four Cantos by John Shade |
Vladimir Nabokov |
2011 |
poetry, hypertext, commentary, paratext |
|
Palimpsest |
Alison Clifford, Graeme Truslove |
2011 |
narrative, virtual |
|
Pamela Jackson |
|
|
|
|
PamelaSmall.com |
Alan Bigelow |
2005 |
|
|
Panoramic Poems, Narratives and Travels |
Roderick Coover |
2009 |
|
|
Pantheon Books |
|
|
|
|
Pao! Pao! Pao! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash |
|
Paola Pizzichini |
|
|
|
|
Paolo Granata |
|
|
|
|
Pär Thörn |
|
|
|
|
Pär Thörn |
|
|
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.