|
Flourish Klink |
|
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|
|
Focal Point Gallery |
|
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|
|
For a meaning of poiesis: 4 notes/interfaces |
Adolfo Montejo Navas |
2008 |
Brazilian electronic poetry, poiesis, oi futuro, Brazilian elit |
|
For the Natural Death of the Work of Art |
Johannes Auer |
2001 |
|
|
For Thee: A Response to Alice Bell |
Stuart Moulthrop |
2010 |
narrative, genre, hyperfiction, hypertext fiction, hypertext criticism, hypertext narrative, possible worlds theory, networks, experimental fiction, cognitive mapping, network theory, general economy, attention, obsolescence |
|
Forest |
Jacob Garbe |
2006 |
hypertext, fable |
|
Formen digitaler Literatur 2.0 |
Norbert Bachleitner |
2010 |
|
|
Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien |
|
2001 |
|
|
Formes du vertige dans le web-art, und lecture de desordre.net |
Estrella Rojas |
2011 |
|
|
Forming the Text, Performing the Work: Aspects of Media, Navigation, and Linking |
Anna Gunder |
2001 |
navigation, ergodicity, hypertext, linking, textual criticism, hypertext theory, storage, text access, multisequentiality, axial structure, space |
|
Fotis Jannidis |
|
|
|
|
Foundations of Digital Games 2012 (Raleigh, North Carolina) |
|
|
games, game studies |
|
Four Temperaments and the Forms of Poetry |
Gregory Orr |
1996 |
|
|
Fragments of the Dionysian Body |
Eric Steinhart |
1997 |
hypercard, nietzsche |
|
Frame: Journal for Literary Studies |
|
|
|
|
Framed: The Machine in/as the Garden |
Timothy Morton |
2010 |
aesthetics, ecocriticism, cinemascape, critical ecologies, ecology |
|
Framing Embodiment in General Purpose Computing |
Elisabeth Nesheim |
2011 |
general purpose computing, metaphor, interface, ocularcentrism, embodiment, haptic, tactility, touch, proprioception |
|
Framing Locative Consciousness |
Francisco J. Ricardo |
2010 |
place, space, locative narrative |
|
Frances Lucretia Van Scoy |
|
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|
Francesco Cordelli |
|
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Francisco J. Ricardo |
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|
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Franck Ghitalla |
|
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Frank Altschul Jensen |
|
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|
|
Frank Fietzek |
|
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|
|
Frank Marquardt |
|
|
|
|
Free Lutz! |
Johannes Auer |
2005 |
radio art, net literature, live performance |
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
Frode Grytten |
|
|
|
|
From ALAMO to Transitoire Observable: evolution of the French digital literature |
Philippe Bootz |
2010 |
poetry, france, history, Phillippe Bootz, Transitoire Observable |
|
From ASCII to Cyberspace: A Trajectory in Digital Poetry |
Eduardo Kac |
2011 |
poetics, holopoetry, animation, digital poetry, electronic poetry, ASCII, e-poetry, interaction |
|
From chaos to cybereal space |
Augusto de Campos |
2008 |
cyberpunk, brazilian cyberstudies, LSD, Timothy Leary |
|
From Concrete to Digital: The Reconceptualization of Poetic Space |
Anna Katharina Schaffner |
2010 |
poetic space, concrete poetry, antecedents |
|
From Fantasy to Structure: Dada and Neo-Classicism |
Peter Nicholls |
1995 |
|
|
From Instrumental Texts to Textual Instruments |
Noah Wardrip-Fruin |
2003 |
|
|
From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s |
Eric Dean Rasmussen |
2002 |
authorship, hypertext, hypertext theory, literary history, remediation, poststructuralism |
|
From Literary Digital Creative Writing to Digital Literature Teaching in France: A Preliminary Survey |
Philippe Bootz |
2011 |
digital literature, pedagogy, teaching digital literature in France, teaching |
|
From Oral Poetry to Tridimensional Poetry |
Agata Chiusano |
2011 |
poetry, video poetry, transmission, memory |
|
From page to screen: placing hypertext fiction in an historical and contemporary context of print and electronic literary experiments |
Martina E. Linnemann |
1999 |
hypertext, postmodernism, antecedents, non-linearity, interactivity, generation |
|
Frontiers of Narrative |
|
|
book series, narrative, narratology, transmodal |
|
Fugues: An Associative Project on Reading Poetry through the Use of Hypermedia |
Alice Van der Klei |
2008 |
critical new media, hypermedia, association, pedagogy, adaptation |
|
Fun da mentals: Rhetorical Devices for Electronic Literature |
|
|
teaching, rhetorics, exercises, writing prompts, writing, creative |
|
Funarte |
|
|
|
|
Funarte |
|
|
|
|
Fundació Espais d’Art Contemporani |
|
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|
Funk |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
Flash |
|
Further notes on codework |
Alan Sondheim |
2004 |
|
|
furtherfield.org |
|
|
|
|
Fuselit |
|
|
|
|
G-LINIE HTML |
Johannes Auer |
2008 |
|
|
Gabriela Magová |
|
|
|
|
Game Studies: The International Journal of Computer Game Research |
|
|
|
|
Game-Based Digitally Mediated Narrative Construction |
Frances Lucretia Van Scoy |
2010 |
short story, novel, Sydney Sheldin, game, text based, artificial intelligence, narrative, game-generated narrative, player character, authoring system |
|
Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding |
Stuart Moulthrop |
1999 |
narrative, comics, games, meaning, postmodern |
|
Gang i Norden |
Morten Søndergaard |
2004 |
comparative literature, analysis, creative criticism, information visualization, Nordic, nordic e-lit |
|
Gary Comstock |
|
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|
|
Gary Sullivan |
|
|
|
|
Generalitat de Catalunya |
|
|
|
|
Generative Poems |
María Mencía |
2008 |
generative, installation, alphabets, image, code |
|
Género y ciberespacio. Ciberfeminismo y cibercultura |
Laura Borràs Castanyer |
2008 |
|
|
Genius |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Genre, Form, and Cultural Practice in Contemporary Electronic Literature |
Maria Engberg |
2008 |
genre |
|
Genre: Forms of Discourse and Culture |
|
|
|
|
Gentleman Fight Night |
Nick J. Swarth, Jeroen de Leijer |
2010 |
|
|
Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing |
Anna Gibbs, Maria Angel |
2011 |
|
|
Geof Huth |
|
|
|
|
Geoffrey Olsen |
|
|
|
|
Geoffry Gatza |
|
|
|
|
Geolocative Storytelling Off the Map |
Kathi Inman Berens |
2012 |
geolocative, locative, storytelling, L.A. Flood, sonic_implacement |
|
Geometrização do mundo e imagem digital: a tecnologia como condicionantes da arte contemporânea |
Miguel Said Vieira |
2009 |
copyleft, copyright, digital image, contemporary art, brazilian cyberstudies |
|
Geopoetik: Die ästhetische Erfahrung lokativer Medienkunst zwischen Materialität, Zeichenhaftigkeit und (Selbst)Reflexion |
Katja Kwastek |
2011 |
|
|
Georg Braungart |
|
|
|
|
Georg Mein |
|
|
|
|
George Hartley |
|
|
|
|
George Perec |
|
|
|
|
George P. Landow |
|
|
|
|
georgelazenby |
Anonymous |
2009 |
|
|
Georgia Institute of Technology |
|
|
|
|
Geothe |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
poetry generator |
|
Gerald Berche-Ngô |
|
|
|
|
Gerald L. Bruns |
|
|
|
|
Gerhard Lauer |
|
|
|
|
Gesturing Toward the Visual: Virtual Reality, Hypertext & Embodied Feminist Criticism |
Carolyn Guertin |
1999 |
|
|
Get a Google Poem |
Leevi Lehto |
2007 |
generative, Google, appropriation |
|
Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together |
J. R. Carpenter |
2007 |
feminism, cyberfeminism, internet, history, internet history, book |
|
Giles Moss |
|
|
|
|
Gisela Müller |
|
|
|
|
Gittan Sarah |
|
|
|
|
Giving form to choice: tree-structures and the question of notational systems in multimedia. |
Carol-Ann Braun |
2010 |
tree-structures, notational systems, multimedia, Raymond Queneau, Oulipo |
|
Glitch |
Katherine Chen, Phillip Chow, Yasmin Kadry, Vicky Lai, Kelsey Marotta |
2011 |
mobile, locative, site-specific, narrative, diary, blog |
|
Globalisierung und deutschsprachige Gegenwartsliteratur. Konstellationen, Konzepte, Perspektiven |
|
2010 |
|
|
Gloria Bordons |
|
|
|
|
Gnoetry |
|
2001 |
generated poetry, human-computer collaboration, constraints, software, process |
|
Goggi |
Jón Örn Loðmfjörð |
2008 |
|
|
Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Golpe de gracia and the Latin American Electronic Literature |
Perla Sassón-Henry |
2010 |
Golpe de Gracia, electronic literature, narrative, cross-platform narrative |
|
Google Poetics |
Sampsa Nuotio, Raisa Omaheimo |
2012 |
found poetry, poetry, Google |
|
Grammars for Generative Art (Part III) |
Mikael Hvidtfeldt Christensen |
2009 |
generative poetry, text generators, tree-adjoining grammars |
|
Grand Text Auto Exhibition at the Krannert Art Museum |
|
|
electronic literature, hypertext fiction, net.art, games |
|
Grande enquête |
Delphine Riss, Cécile Bucher |
2007 |
|
|
Greg Philbrook |
|
|
|
|
Greg Turnbull |
|
|
|
|
Grégory Fabre |
|
|
|
|
Gregory Orr |
|
|
|
|
Gregory Turner-Rahman |
|
|
|
|
Gregory Weir |
|
|
|
|
Gregory L. Ulmer |
|
|
|
|
Gretchen Henderson |
|
|
|
|
Guantanamobile |
Lisa Lynch, Elena Razlogova |
2004 |
vectors, documentary, website |
|
Gunnar Liestøl |
|
|
|
|
Gustavo Romano |
|
|
|
|
Guy Bennett |
|
|
|
|
Gyldendal norsk forlag |
|
|
|
|
H. Rystadius |
|
|
|
|
Hai Ren |
|
|
|
|
Halbeath |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
Flash |
|
Half-Breed Apache |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
HALMA: Hallische Medienarbeiten |
|
|
series |
|
Halo |
Simon Biggs |
1998 |
interactive, immersive, generative, projection, modelling, generative grammar, installation |
|
Hampton Press |
|
|
|
|
Hans Richter |
|
|
|
|
Hansgeorg Schmidt-Bergmann |
|
|
|
|
Harm van den Dorpel |
|
|
|
|
Haroldo de Campos |
|
|
|
|
Harry Polkinhorn |
|
|
|
|
Harry Ransom Center |
|
|
|
|
Harvard University Press |
|
|
|
|
Hasso Krull |
|
|
|
|
Hatje Cantz |
|
|
|
|
Heather Lee Schroeder |
|
|
|
|
Heidelberg University |
|
|
|
|
Heidrun Krieger Olinto |
|
|
|
|
Heiko Idensen |
|
|
|
|
Heim@tmuseum |
Gisela Müller |
2000 |
|
|
Heimatmuseum II |
Gisela Müller |
2004 |
|
|
Helen MacCormac |
|
|
|
|
Helena Olsson |
|
|
|
|
Hélène Perrin |
|
|
|
|
Helmut Schanze |
|
|
|
|
Heloisa Buarque de Hollanda |
|
|
|
|
Henk van der Waal |
|
|
|
|
Henrike Schmidt |
|
|
|
|
Henry Lieberman |
|
|
|
|
Her har man altid med sig |
Anna Hallberg |
2005 |
creative criticism, experimental, visual, e-lit, Nordic, nordic e-lit, static, memoir |
|
Hermenetka |
Lucia Leão |
2005 |
net art, brazilian new media art, cartography, mapping |
|
Hermes Science |
|
|
|
|
Herzen State Pedagogical University |
|
|
|
|
Hexaemeron |
Andre Vallias |
|
Hexaemeron, Brazilian electronic poetry, andre vallias |
|
Hey, Where'd All the Smart Guys Go? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
HighTech - LowLit? Literatur und Technik: Autoren und Computer |
|
1991 |
|
|
Highways of the Mind |
Helen J Burgess, Jeanne M. Hamming |
2013 |
multimedia, hypertext book, scholarly multimedia, urban planning, science fiction, science and technology studies |
|
Hildegunn Otnes |
|
|
|
|
Hilfe! |
Susanne Berkenheger |
1999 |
|
|
him |
Dane Watkins |
2001 |
identity, gender, stereotypes |
|
Hipertext olvasás |
Tóth Barna |
2004 |
hypertext |
|
Histoire de la Femme aux Grosses Mains |
Véronique Hubert |
2002 |
fiction, story, poetry, absurd |
|
Hollis Frampton |
|
|
|
|
Holly Franking |
|
|
|
|
Holo/Olho (Holo/Eye) |
Eduardo Kac |
1983 |
holopoetry, Brazilian elit, Eduardo Kac |
|
Holopoetry and fractal holopoetry: Digital holography as an art medium |
Eduardo Kac |
1989 |
holopoetry, early Brazilian electronic poetry, Eduardo Kac |
|
Holopoetry and Perceptual Syntax |
Eduardo Kac |
1986 |
holopoetry, early Brazilian electronic poetry, Eduardo Kac |
|
Holopoetry, Biopoetry und digitale Literatur. Parameter einer Annäherung |
Roberto Simanowski |
2004 |
|
|
Home |
Annette Barbier, Drew Browning |
2001 |
VRML, home, domesticity, 3D |
|
Homenagem a Edgar Allan Poe. Abertura do Núcleo de Estudos do Modernismo em Língua Portuguesa |
|
|
|
|
Honeymoon in Beppu |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
Flash, narrative |
|
Hors Catégorie |
David Benin |
2007 |
interactive fiction, drugs, doping, Tour de France |
|
Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction |
David Benin |
2008 |
interactive fiction, embodiment, affect, drugs, doping, Tour de France |
|
Hot Air |
Chris Ault |
2008 |
feeds, noise, language pollution, tags |
|
Hotel Continental |
|
|
|
|
How Am I Not Myself |
Jason Huff |
2011 |
identity, play, wikipedia, mechanical turk, remix |
|
How has technology changed writing and literature? |
Matthew G. Kirschenbaum |
2012 |
technology, writing, word processing, archiving |
|
How I Was Played by Online Caroline |
Jill Walker Rettberg |
2006 |
|
|
How to Construct the Genre of Digital Poetry: A User Manual |
Friedrich W. Block |
2010 |
genre, digital poetry, creative community |
|
How to Read Words in Digital Literature |
Alckmar Luiz dos Santos |
2010 |
poetics, digital poetry, reading, interpretation, e-poetry, infopoems, epigrammatic |
|
Hra pro více hráčů: Herní studia a interdisciplinarita |
Jaroslav Švelch |
2012 |
|
|
Huis Clos / No Exit |
Annie Abrahams |
2012 |
performance, mother tongue, language, telematic, webcam, control, communication, puppets |
|
Húmus poema contínuo |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Hunger |
Billy Collins, Samuel Christopher |
2006 |
|
|
Hunter Crawford |
|
|
|
|
Hvis Adam i stedet havde spist en løg |
Christian Yde Frostholm |
2008 |
|
|
Hybrid moment |
Rafaël Rozendaal |
2012 |
Flash |
|
Hyper/Text/Theory |
|
1994 |
hypertext, literary theory, critical theory |
|
Hyperfiction – ein neues Genre? |
Beat Suter, Michael Böhler |
1999 |
|
|
Hyperfiction: Hyperliterarisches Lesebuch: Internet und Literatur |
|
1999 |
|
|
Hyperfiktion und interaktive Narration |
Beat Suter |
2000 |
genre, hyperfiction |
|
HyperKult Workshop Series |
|
|
|
|
HyperKult: Computer als Medium, Workshop Series |
|
|
|
|
Hyperlinking in 3D Interactive, Multimedia Performances |
Dene Grigar |
2010 |
3D, hypertext, interactive, performance, linking |
|
Hyperrhiz.01 |
|
2005 |
|
|
Hyperrhiz.02 |
|
2006 |
|
|
Hyperrhiz.04 |
|
2007 |
|
|
Hyperrhiz.05 |
|
2008 |
|
|
Hyperrhiz.07 |
|
2010 |
|
|
Hyperrhiz.08 |
|
2011 |
|
|
Hypertext |
|
|
hypertext, theory, literature, postmodern fiction, creative writing |
|
Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way |
Mariusz Pisarski |
2008 |
|
|
Hypertext and Creative Writing |
Jay David Bolter, Michael Joyce |
1987 |
Storyspace |
|
Hypertext Criticism: introduction to a special issue |
Susana Pajares Tosca |
2001 |
|
|
Hypertext Criticism: Writing about Hypertext |
Susana Pajares Tosca, Jill Walker Rettberg |
2003 |
hypertext criticism |
|
Hypertext Syntagmas: Cinematic Narration with Links |
Adrian Miles |
2001 |
semiotics, hypertext narrative |
|
Hypertext: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1992 |
hypertext, poststructuralism, critical theory, technology, literary theory, digital textuality |
|
Hypertext: Zur Kritik eines digitalen Mythos |
Stephan Porombka |
2001 |
|
|
Hypertextual Forms and Functioning of Their Units in Russian Literature of the 10s of XXth century – 10s of the XXIst century |
Natalia Fedorova |
2008 |
hypertext, conceptualism, visual poetry, kinetic poetry |
|
Hyun-Joo Yoo |
|
|
|
|
I didn't know infants in arms until. |
Kiki Petrosino, Rob Weychert |
2006 |
|
|
I Simpósio Internacional e V Simpósio Nacional de Literatura e Informática |
|
|
Brazilian elit, Processing, web sematics, teaching elit |
|
I Simpósio Nacional de Pesquisadores em Comunicação e Cibercultura (ABCiber) |
|
|
brazilian cyberstudies, cyberculture, interactive media, digital networks, social informatization, scientific association |
|
I'm Sucking on a Tailpipe in Seoul |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2008 |
Flash, experimental cinema, environmentalism |
|
I, Apparatus, You: A Technosocial Introduction to Creative Practice |
Jenny Weight |
2006 |
apparatus, dialogue, interpretation, phenomenology, programming, technosocial, text-as-apparatus, trilogue, uncanny |
|
i-Docs |
|
|
interactive, documentary |
|
I-Pledge.org |
Alan Bigelow |
2006 |
|
|
Iadis |
|
|
|
|
Ian Bogost |
|
|
|
|
Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring. |
Linnea Eriksson |
2011 |
|
|
ich sterbe gleich, schatz. Dramatisches Chat-Destillat (2004). Von einer stillen Autorin, einem geschwätzigem Publikum und der Frage, warum Ümit in Istanbul Schuhe putzen soll |
Susanne Berkenheger |
2004 |
|
|
Ideas of Beauty: Conversations |
Shandra Lamaute |
2011 |
audio |
|
IF Demo Fair, PAX East |
|
|
interactive fiction, indie game, art game, experimental games |
|
If I Were You I'll Go to the Palace |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
IGDA - International Game Developers Association |
|
|
|
|
Igor Štromajer |
|
|
|
|
Igor Bizjak |
|
|
|
|
II Simpósio Nacional da ABCiber - Associação Brasileira de Pesquisadores em Cibercultura |
|
|
|
|
Ilana Snyder |
|
|
|
|
ILIAS |
|
|
|
|
ilvyrgif |
Giselle Beiguelman |
2013 |
ipad, Brazil, remix, mobile, animated gif |
|
image + narrative |
|
1997 |
electronic book review, image, narrative, literary theory, literary criticism, image and text |
|
Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot |
Jaishree K. Odin |
2002 |
poetry, hypertext, hypermedia |
|
Image [&] Narrative |
|
|
|
|
Imagem Máquina: A era das tecnologias do virtual |
|
2011 |
|
|
Imaginary Landscape 4.1 (betamix) |
Theodoros Chiotis |
2008 |
post-print fiction, multilingual or non-english, cybertext narratology |
|
Imaginary Year |
Jeremy Bushnell |
2000 |
fiction, seriali, interconnected narrative, Chicago, urban, mediation |
|
Imán |
|
|
|
|
Immersion versus Interactivity: Virtual Reality and Literary Theory |
Marie-Laure Ryan |
1994 |
3D, literary theory, virtual reality |
|
Immobilité |
Mark Amerika |
2011 |
mobile, video, narrative, iOS, iphone |
|
Imprensa Oficial do Estado de São Paulo |
|
|
|
|
In praise of an elevator |
Heather Lee Schroeder, Handplant Studio |
2008 |
|
|
Incidences |
|
|
|
|
Incident Report Viewing Station |
|
|
|
|
Incubation 2000: a trAce International Conference on Writing and the Internet |
|
|
|
|
Incubation2 : The 2nd trAce International Conference on Writing and the Internet |
|
|
writing, internet, process, learning, culture |
|
IndieCade 2010 |
|
|
|
|
Ines Cox |
|
|
|
|
Infocom |
|
|
|
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
Ingrid Ankerson |
|
|
|
|
ininstante |
Augusto de Campos |
1999 |
flash poem, early Brazilian electronic poetry, neoconcrete |
|
Inner Workings: Code and Representations of Interiority in New Media Poetics |
John Cayley |
2003 |
digital poetics, materiality, textuality, code, signification, codework, new media poetics, programmable media, turing |
|
Innovation oder Trivialität? Zur hypermedialen ‚Übersetzung‘ der Moderne am Beispiel des Elektronischen Lexikon-Romans |
Friedrich W. Block |
2000 |
|
|
Inside Outside the Box: Default Settings and Electronic Poetics |
Davin Heckman |
2010 |
critical/political/philosophical, electronic poetics, mortality |
|
Inspace |
|
|
|
|
Inspace ...no one can hear you scream |
|
|
|
|
Institut d’études anglophones de l’Université Paris-Diderot |
|
|
|
|
Institut für Medien- und Kommunikationswissenschaften |
|
|
|
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Institut für Medienwissenschaft (ifm), University of Basel |
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Institute of Contemporary Art |
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Instituto Moreira Salles (IMS) |
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Interactions: Reading & Response |
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Interactive Drama, Art, and Artificial Intelligence |
Michael Mateas |
2003 |
artificial intelligence, art, entertainment, believable agents, interactive drama, interactive characters, interactive story |
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Interactive Drama: Narrativity in a Highly Interactive Environment |
Marie-Laure Ryan |
1997 |
interactivity, interactive drama, Classicism, Aristotle |
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Interactive Fiction as Literature |
Mary Ann Buckles |
1987 |
interactive fiction, adventure games, computer games |
|
Interactive Fiction Communities: From Preservation through Promotion and Beyond |
Nick Montfort, Emily Short |
2012 |
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Interactive Fiction: The Computer Storygame 'Adventure' |
Mary Ann Buckles |
1985 |
interactive fiction, New Criticism, meaning, reader response |
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Interactive Fiction? I prefer Adventure |
Francesco Cordelli, Don Woods |
2001 |
interactive fiction, interview, text adventure |
|
Interactive Futures 2007 |
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Interactive Poetry - New Poetry for New Technologies |
Jeneen Naji |
2011 |
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Intercultural medium literature digital |
Hyun-Joo Yoo |
2005 |
interview |
|
Interface Criticism : Aesthetics Beyond Buttons. |
Søren Bro Pold, Christian Ulrik Andersen |
2011 |
interface, digital aesthetics |
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Interferences: [Net.Writing] and the Practice of Codework |
Rita Raley |
2002 |
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Interfictions: Vom Schreiben im Netz |
Roberto Simanowski |
2002 |
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Intergrams |
Jim Rosenberg |
1993 |
hypercard |
|
InterLab: labirintos do pensamento contemporâneo |
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2002 |
hypertext criticism, brazilian cyberstudies |
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Intermediation: The Pursuit of a Vision |
N. Katherine Hayles |
2007 |
electronic literature, reading, hypertext fiction, textuality, digital textuality, literary history, plot, intermediation, cognition, dynamic heterarchy, fluid analogies, print textuality, mark |
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Intermínims de navegació poètica |
Ramon Dachs |
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International Association of Philosophy and Literature |
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International Conference on Entertainment Computing (ICEC) 2011 |
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International Conference on Narrative 2011 |
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International Digital Media Arts Association 2010 |
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Internet Art |
Rachel Greene |
2004 |
internet art, email art, media art |
|
Internet i literatura avui: el fil d’Ariadna |
Laura Borràs Castanyer |
2001 |
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Internetliteratur. Zu einer modernen Produktions- und Rezeptionsasthetik des netzgenuinen deutschsprachigen Schrifttums |
Ewa Hendryk |
2010 |
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Interpoesia e Interprosa: Escrituras Poéticas Digitais |
Wilton Azevedo |
2010 |
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Interpoesia: o Inicio da Escritura Expandida |
Wilton Azevedo |
2009 |
interpoetry, Brazilian elit, Transitoire Observable, interpoesia |
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Intersecting Approaches to Electronic Literature: Close-Reading Code, Content, and Cartographies in “William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]” |
Jessica Pressman, Jeremy Douglass, Mark C. Marino |
2010 |
electronic literature, methodology, digital literature, Flash, animation, literary hermeneutics, literary aesthetics, critical code studies, programming, information visualization, visualization |
|
InterSzene |
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Intertextuality in Digital Poetry |
Yra van Dijk |
2008 |
digital poetry, hypertext theory, intertextuality, hypertextuality, electronic poetry, interpretation, hermeneutics |
|
Interview with Andy Campbell: “Digital Fiction and Interactive Fiction” |
Fabio De Vivo |
2010 |
e-literature, interview, digital fiction, interactive fiction |
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Interview with Jean-Luc Lamarque |
Jim Andrews, Jean-Luc Lamarque |
2003 |
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Interview with Nick Montfort |
Natalia Fedorova |
2011 |
|
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Interview with Steve McCaffery |
Steve McCaffery, David Jhave Johnston |
2012 |
|
|
Intervista con Caterina Davinio: “eLiterature, ePoetry e correlazioni” |
Fabio De Vivo |
2009 |
e-literature, Caterina Davinio, epoetry |
|
Intervista con Filippo Rosso: “eLiterature e Hypertext Fiction" |
Fabio De Vivo |
2009 |
e-literature, hypertext fiction, Narrativa Ipertestuale, Letteratura Elettronica, Letteratura Digitale, Filippo Rosso |
|
Into the Deep End: An Approach to Generation of Formal Poetry |
Andrew Brogdon |
2010 |
depth-first searches, dfs, search tree, formal poetry, makov chain, electronic poetry, phonetic data |
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Into the Night |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
Introduction à la deuxième partie: Lorsque l'art entre en jeu: approches croisées |
Monique Maza |
2011 |
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Introduction à la première partie: Le jeu, comme espace de résistance |
Alexandra Saemmer |
2011 |
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Introduction to net.art |
Natalie Bookchin |
1994 |
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Introduction [to New Narratives: Stories and Storytelling in the Digital Age] |
Ruth Page, Bronwen Thomas |
2012 |
narrative, storytelling, narratology, digital narrative, new media narrative, interactive fiction, hypertext, digital narratology, narrative interaction, identity, fiction |
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Introduzione |
Laura Borràs Castanyer |
2006 |
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Investieren! Fünf Stellungnahmen zum Scheitern der Hypertextliteratur und ein Vorschlag zu ihrer Rettung |
Stephan Porombka |
2001 |
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Investigación en teoría de la literatura y tecnologías digitales |
Laura Borràs Castanyer |
2002 |
|
|
IO (Kac) |
Eduardo Kac |
1990 |
3D, animation, spatial, binary, early Brazilian electronic poetry, Eduardo Kac |
|
IO: analysis |
Andre Vallias |
1995 |
graphic poem, flash poem, andre vallias, neoconcrete, Brazilian electronic poetry |
|
Ioana-Eliza Deac |
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Ipertesto Poetico Quadridimensionale |
Machina Amniotica |
1995 |
hyperpoetry, non-linear, generated |
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Irad Lee |
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Irmela Schneider |
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Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters |
Rob Wittig |
2011 |
narrative, fiction, form, electronic literature, textuality, writing-history of, design, slideshow |
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Is Your Computer's Sound on? Fiction on the Flash Platform |
Jens Kirk |
2009 |
Flash, transition from print, adaptation |
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Isabella V. |
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ISEA: International Symposium on Electronic Art |
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Isopoema |
Lluis Calvo, Pedro Valdeolmillos |
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Ist die Neue-Medien-Kunst wirklich neu? Über das Verhältnis von Ideengeschichte und Medien in ästhetischer Theorie und Praxis |
Christiane Heibach |
2004 |
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IT University of Copenhagen |
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Italo Calvino |
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Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
Itinerant |
Teri Rueb |
2005 |
locative narrative, Frankenstein, Boston |
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Ivan Khimin |
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Ivana Bentes |
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J.B. Metzler Verlag |
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J.M. Calleja |
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Ja tornaré |
Marc Lloan |
2005 |
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Jaap de Jonge |
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Jacob Harris |
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Jacob Welby |
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Jacques Deregnaucourt |
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Jacques Donguy |
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Jacques Brel op 8 april 1929 bij zijn geboorte Avenue du Diamant 138, Schaerbeek |
Frans Budé |
2009 |
video |
|
Jahrbuch für Computerphilologie |
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Jairo Lugo-Ocando |
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Jaishree K. Odin |
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Jake Kennedy |
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Jake Moore |
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James Stevens |
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James Holmes |
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James Kalmbach |
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James Pope |
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Jamie McDonald |
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Jan Pieter van Laar |
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Jan Rune Holmevik |
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Jana Kuzmíková |
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Jane de Almeida |
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Jane McGonigal |
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Janet Kuypers |
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Janet Murray |
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Jani Kovacic |
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JAR |
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Jardins de plàstic I |
Isaías Herrerro Florensa |
2008 |
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Jaroslav Švelch |
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Jaroslav Šrank |
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Jason Epstein |
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Jason Pimble |
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Jason Rohrer |
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Jason Scott |
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Jason Edward Lewis |
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Jay David Bolter |
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Jean-Baptiste Barrière |
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Jean-Baptiste Labrune |
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Jean-Jacques Birgé |
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Jeff Parker |
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Jeff Rush |
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Jeffrey Masten |
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Jeffrey Shaw |
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Jeffrey R. Di Leo |
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Jemima Rellie |
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Jeneen Naji |
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Jennie Rothenberg Gritz |
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Jennifer Hill-Kaucher |
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Jennifer Ley |
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Jenny Holzer |
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Jens Schröter |
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Jeremy Hunsinger |
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Jeroen de Leijer |
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Jerome McGann |
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Jerome Rothenberg |
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Jess Laccetti |
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Jeux en génération: Requalification esthétique des œuvres textuelles programées |
Ambroise Barras |
2011 |
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|
Jey Biddulph |
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Jig-Sound |
Jim Andrews |
2007 |
Shockwave, audio, responsive |
|
Jim Carpenter |
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|
Jim Munroe |
|
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Jim Punk |
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Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues |
Arnaud Regnauld, Hélène Perrin |
2007 |
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Joanna Ciesielska |
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Joanna Sakellion |
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Joe Keenan |
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Joe Milazzo |
|
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|
Joe Jones |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Jogchem Niemandsverdriet |
|
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|
|
John Bell |
|
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|
John Bresland |
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John Burger |
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John Kusch |
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John Lavagnino |
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John Thomas Murray |
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Jon Fried |
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Jon Ingold |
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Jon Stone |
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Jon Winet |
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Jón Örn Loðmfjörð |
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Jonas Heide Smith |
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Jonathan Carr |
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Jonathan Yuen |
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Jonathan Jones |
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Jonathan Minori |
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Jonathan Pollock |
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Jonathan Peter Moore |
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|
Jongno |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Jongno (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Jonny Gerig Meyer |
|
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|
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Jonny Norridge |
|
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|
José Carlos Silvestre |
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Joseph Farbrook |
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Joseph Nechvatal |
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Joseph Weizenbaum |
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Josephine Bosma |
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Josephine Wilson |
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Josh Carroll |
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Josh McCoy |
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Josh White |
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Joshua Neves |
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Joshua Strebel |
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Journal of American Studies of Turkey |
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Journal of Dutch Literature |
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Journal of Literary Theory |
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Journey (Jornada) |
Anita Cheng, Ronaldo Kiel |
2006 |
dance, video installation, poiesis |
|
Joyland Poetry: A Hub for Poetry |
|
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|
|
Joyride |
Andy Campbell, Judi Alston |
2002 |
car accident, drugs, wreck |
|
Juan Delcan |
|
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|
Judi Alston |
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|
Julian Palacz |
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Julie Frölich |
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Julien Denault |
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Juliet Davis |
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Junction of Image, Text, and Sound in Net.fictions |
Zuzana Husárová |
2008 |
narrative, fiction, narratology, multisensory reading, reading-multisensory |
|
June Hayes |
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Jussi Parikka |
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Justin Katko |
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Justin Talbott |
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Justin Buber |
Anonymous |
2011 |
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Jørgen Sonne |
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K. Michel |
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Kac, Cayley, and Kargl on Translation |
J. R. Carpenter |
2011 |
digital literature, translation, installation, bio-tech |
|
Kairos |
Isaías Herrerro Florensa |
2009 |
|
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KAMUNA |
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KAMUNA |
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Kantye West |
Anonymous |
2012 |
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KAOS |
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Karen O'Rourke |
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|
Karen Osborne |
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Karen Wagner |
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|
Karl Erik Schøllhammer |
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|
|
Karlien van den Beukel |
|
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|
|
Kata Mijatovic |
|
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|
|
Katariina Ervasti |
|
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|
|
Katarzyna Giełżyńska |
|
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|
|
Kate Armstrong |
|
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|
Katherine Chen |
|
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|
Katherine Haake |
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|
Katherine Rong Jin |
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Katia Maciel |
|
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|
Katie Campbell |
|
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|
|
Katie L. Price |
|
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|
|
Kaycee Nicole |
Kaycee Nicole Swenson |
1999 |
hoax, weblog |
|
Kaycee Nicole Swenson |
|
|
|
|
Kelsey Marotta |
|
|
|
|
Kenneth Goldsmith |
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|
Kenneth Thibodeau |
|
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|
Kenneth Goldsmith |
Marcus Boon, Kenneth Goldsmith |
2011 |
structural, UbuWeb, avant-garde, appropriation, copyright, dissemination, John Giorno, Mark Andrés, digital poetics, aesthetics, poetics, remix, influence, impurity, internet, net aesthetics |
|
Kerry Lawrynovicz |
|
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|
|
Kerry Ring |
|
|
|
|
Kevin Carpentier |
|
|
|
|
Kevin Diep |
|
|
|
|
kig forbi |
Christian Yde Frostholm, Charlotte Hansen, Karen Wagner |
1999 |
visual, Nordic, born digital, exhibition, generative hypertext, collaborative, appropriated texts, memoir |
|
Kiki Benzon |
|
|
|
|
Kiki Petrosino |
|
|
|
|
Kill the poem |
Johannes Auer |
1997 |
dynamic poetry, poem art |
|
Kill the Poem - digitale visuell-konkrete Poesie und Poem Art (CD-ROM) |
Johannes Auer, Reinhard Döhl |
2000 |
|
|
Kim White |
|
|
|
|
Kim Kierkegaardashian |
Anonymous |
2012 |
|
|
Kinetic Poetry |
Manuel Portela |
2010 |
kinetic poetry, teaching digital literature, teaching methodology, pedagogy, algorithmic criticism |
|
Kira Moss |
|
|
|
|
Kirby Malone |
|
|
|
|
Kirsten Irving |
|
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|
|
Kirsten Lavers |
|
|
|
|
Kirsten Petersen |
|
|
|
|
Kissing the Steak: The Poetry of Text Generators |
Chris Funkhouser |
2009 |
text generators, generative |
|
Kjetil Sletteland |
|
|
|
|
Kjærstad, hyperroman og hieroglyffer |
Karen Wagner |
2003 |
hieroglyphic language, Norwegian, danish, Nordic, essay, e-lit, love, linking |
|
Klartext Verlag |
|
|
|
|
Klas Mathiasson |
|
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|
Klaus W. Hempfer |
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Klincksieck |
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|
|
Kluge: A Mediation |
Brian Kim Stefans |
2005 |
Flash, algorithm |
|
KOANA |
|
|
|
|
Kollaborative Schreibweisen - virtuelle Text- und Theorie-Arbeit: Schnittstellen für Interaktionen mit Texten im Netzwerk |
Heiko Idensen |
2001 |
|
|
Kollin Branicki |
|
|
|
|
Kombinatorische Dichtung und Computernetzliteratur (Kasseler Fassung) |
Florian Cramer |
2000 |
|
|
Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet |
Michel Chaouli |
2003 |
|
|
Konservativer Avantgardismus oder: Die Rettung der Kunst im Zeichen der Technik |
Roberto Simanowski |
2010 |
|
|
Krešimir Pintaric |
|
|
|
|
Ksenia Fedorova |
|
|
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.