|
Choice vs. Interaction: the Case of Online Caroline |
William Cole |
2001 |
|
|
Choice: Current Reviews for Academic Libraries |
|
|
|
|
Chris Green |
|
|
|
|
Christian Gratton |
|
|
|
|
Christian Leifelt |
|
|
|
|
Christian Vandendorpe |
|
|
|
|
Christian Yde Frostholm |
|
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|
|
Christiane Heibach |
|
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|
Christiane Zintzen |
|
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|
|
Christoph Benda |
|
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|
|
Christophe Bruno |
|
|
|
|
Christopher Stratchey |
|
|
|
|
Christopher Strachey: The First Digital Artist? |
Noah Wardrip-Fruin |
2005 |
history, blog, pioneers |
|
Christyn Davies |
|
|
|
|
Chu Ta |
Thomas Bell |
2003 |
animated gif, static, scheduled |
|
Chuck Rybak |
|
|
|
|
Cia Rinnes Zaroum |
Anders Lundberg |
|
visual, poetry, essay, creative criticism, Nordic |
|
Ciberdrama e Hipermédia |
Rui Torres, Luís Carlos Petry |
2008 |
|
|
Cibertextualidades (#1) |
|
2006 |
cybertext, digital literature, digital poetry, intermediality, new media poetry, hypermedia |
|
Cibertextualidades (#2) |
|
2008 |
|
|
Cibertextualidades (#3) |
|
2009 |
cybertext, digital literature, digital poetry, intermediality, new media poetry, hypermedia |
|
Cibertextualidades: Introdução |
Rui Torres |
2006 |
cybertext, digital literature, digital poetry, intermediality, new media poetry, hypermedia |
|
Cícero Inacio da Silva |
|
|
|
|
cidadecitycité |
Augusto de Campos |
1999 |
flash poem, augusto de campos, city, Brazilian elit, epoetry |
|
Cinema2.com |
Alan Bigelow |
1999 |
|
|
Circumstances |
Katie Campbell |
2011 |
Flash, photoshop, poem |
|
City of Secrets |
Emily Short |
2003 |
interactive fiction, espionage, fantasy, thriller |
|
CityFish |
J. R. Carpenter |
2011 |
conference, city, narrative, QuickTime, google maps, new york, Nova Scotia, panorama |
|
Cityscapes: Social Poetics / Public Textualities |
María Mencía |
2005 |
city, cross-cultural communication, calligram, collaboration, exploration |
|
Ciutat de Vinaròs |
|
|
|
|
Claire Allan Dinsmore |
|
|
|
|
Clark Humphrey |
|
|
|
|
Claudia Benthien |
|
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|
|
Claudia Giannetti |
|
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|
|
Claudio Bueno |
|
|
|
|
Claudius Frey |
|
|
|
|
CLCWeb: Comparative Literature and Culture |
|
|
|
|
Clement Valla |
|
|
|
|
Closed Reality – Embryo |
Andreja Kuluncic |
1999 |
interactive, experimental games, collaboration |
|
Closer again! |
Alexandra Saemmer |
2010 |
digital literature, electronic literature, semiotic model, digital discourse, semiotics, figure of animation, temporal semiotic unit |
|
Cloud #1 |
Braxton Soderman |
2007 |
scheduled, static |
|
Code, Cod, Ode: Poetic Language & Programming |
Loss Pequeño Glazier |
2004 |
|
|
Code.surface || Code.depth |
Rita Raley |
2006 |
materiality, code, codework, representation, geological computing |
|
Codeswitching 23μg |
Theodoros Chiotis |
2007 |
code, text, Dewey Decimal System, post-print fiction, protocol, database narrative |
|
Codeworks: Netart on the border of Language and Codes |
Florian Cramer |
2005 |
radio art, net literature, codework |
|
Coding the Infome: Writing Abstract Reality |
Lisa Jevbratt |
2003 |
coding, interfaces, code, visualization, infome, abstract realities |
|
Colecao N-Imagem |
|
|
|
|
Collage / Montage: Idensen live! |
Heiko Idensen |
2005 |
radio art, net literature, live performance |
|
Collection |
Greg Philbrook |
2011 |
narrative, video |
|
Collocations: Indra's Net II |
John Cayley |
1993 |
interactive poetry, hypercard, algorithmic text generation |
|
Columbia University Press |
|
|
|
|
Comedies of Separation: Toward a Theory of the Ludic Book |
Brian Kim Stefans |
2011 |
critical terms, rhetoric |
|
Command Lines: Aesthetics and Technique in Interactive Fiction and New Media |
Jeremy Douglass |
2007 |
interactive fiction, ludology, game studies, narrative theory, aesthetics of frustration |
|
Comment lire la littérature numérique? L’expérience d’enseigner la Poésie Numérique dans les Études de Philologie Catalane |
Laura Borràs Castanyer |
2007 |
|
|
Comments on Comments in Code |
Jeremy Douglass |
2011 |
code, code comments, paratext |
|
Common Tongues |
|
|
|
|
Common Ground |
|
|
|
|
Communications of the ACM |
|
|
|
|
Communitizing Electronic Literature |
Scott Rettberg |
2009 |
community, institutional critique, digital humanities, post-processing, e-lit publishing, ELO, ELC, archiving, e-lit academia, e-lit history |
|
Cómo analizar la nueva literatura. La crítica ante la creación literaria para la red |
Laura Borràs Castanyer |
2006 |
|
|
Como el cielo los ojos (Like the sky the eyes) |
Edith Checa |
1998 |
hypertext novel, multi plot, timeline, interactive |
|
Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer |
Julien Denault |
2009 |
text animation, figures of manipulation, memory, rhizome |
|
Computer Aided Poetry |
Eugenio Tisselli |
2006 |
generative poetry, generative |
|
Computer-Mediated Communication Magazine |
|
|
|
|
Con/Tact/ile |
Jerome Fletcher |
2011 |
|
|
Concatenation |
Geniwate |
|
|
|
Conceptual art: a critical anthology |
Alexander Alberrro, Blake Stimson |
1999 |
|
|
Conceptual Poetics |
Kenneth Goldsmith |
2007 |
|
|
Concrete Poetry in Analog and Digital Media |
Roberto Simanowski |
2003 |
|
|
Concrete Poetry: A World View |
Mary Ellen Solt |
1968 |
|
|
concrete_machine |
Johannes Auer |
2003 |
text picture, text-input, digital concrete poetry |
|
Conduit |
|
|
|
|
Configurations |
|
|
|
|
Confucius Say |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
|
|
Connecting the Dots |
|
|
|
|
Constructing an Aesthetic of Web Art from a Review of Artists' Use of the World Wide Web |
Alison Colman |
2005 |
|
|
Continuous Paper |
Nick Montfort |
2004 |
materiality, screen essentialism, humanities computing, word processing, computing, computer writing |
|
Contra Capa Livraria |
|
|
|
|
Contrapoemas & Anfipoemas |
Wlademir Dias-Pino |
2008 |
|
|
Controle, flagrante e prazer: Regimes escópicos e atencionais da vigilância nas cidades |
Fernanda Bruno |
2010 |
surveillance, pleasure, control, brazilian cyberstudies |
|
Convergence: The International Journal of Research into New Media Technologies |
|
|
|
|
coraçãocabeça |
Augusto de Campos |
1980 |
early Brazilian electronic poetry, neoconcrete, augusto de campos, noigrandes |
|
Cordite Poetry Review |
|
|
|
|
Core Sample |
Teri Rueb |
2007 |
locative, geography |
|
Corposcopio |
Lucia Leão |
2007 |
interactive performance, dance, digital aesthetics, brazilian new media art |
|
Counterpath Press |
|
|
|
|
Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation |
Donna Leishman |
2004 |
animation, digital narrative, fragital, handcrafting, interactivity, resistance, narrative |
|
Creative Communities: Nooks, Niches, and Networks |
Talan Memmott |
2011 |
electronic literature, digital art, community, mailing list, networks, social networks |
|
Creative Material Computing in a Laboratory Context |
Nick Montfort, Natalia Fedorova |
2012 |
creative material computing, platform studies, hardware, preservation |
|
Creative Nation: New Media Writing |
|
|
|
|
Creative Writing and New Media Archive |
|
|
archive, writing, lectures, lesson |
|
Creativity as a social relation? |
James Leach |
2012 |
|
|
Creativity is something for hairdressers - so what is it for writers? Why the differentiation of 'literature' and 'writing' is obsolete, and what the Internet has to do with it |
Florian Cramer |
2012 |
literature, writing, internet |
|
Creativity Support for Computational Literature |
Daniel C. Howe |
2009 |
creativity, pedagogy, platform, teaching, authoring software, Processing, RiTa, programming, procedural literacy, computational thinking, literary art, literary creativity, writing in programmable media |
|
Credits |
Young-Hae Chang, Young-Hae Chang Heavy Industries, Marc Voge |
2001 |
Flash, credits |
|
Cris Cheek on Poetics and Projection |
Cris Cheek |
2012 |
|
|
Cristiane Costa |
|
|
|
|
Critical Computing 2005 |
|
|
|
|
Criticism: A Quarterly for Literature and the Arts |
|
|
|
|
Crossed Lines |
Sarah Atkinson |
2008 |
artist talk, interactive film, installation, multilinear film |
|
Cultura da Imanência |
Ricardo Barreto |
2010 |
FILE |
|
Cultural Identity, Nothingness and Loneliness |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
Flash, presentation |
|
Culture Machine |
|
|
|
|
Cunnicornord |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
Cunnilingus in Nordkorea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash, sexual equality, sex, gender equality, South Korea vs. North Korea |
|
Cunnilingus Norcoreano |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
Curando (n)a Web |
Steve Dietz |
2010 |
curating digital art, online museums, Brazilian elit, FILE |
|
Currents in Electronic Literacy |
|
|
|
|
Curtis Harrell |
|
|
|
|
Cyberfest |
|
|
cybernated art, cyberculture, computer-mediated performance, e-lit |
|
Cyberlove: Paixão e poder na era da cibercultura |
Francisco Rüdiger |
|
Brazilian cyberculture, forms of sociability, power systems, commodity fetishism |
|
Cybertext Yearbook |
|
|
|
|
Cybertext Yearbook 2000 |
|
2000 |
ergodic literature, cybertext, game studies, digital culture, cybertext narratology, GZigZag, one session games of narrative, postmodern poetry, role playing, spatial discourse, transfiction, web literary objects |
|
Cybertext Yearbook 2001 |
|
2001 |
ergodic literature, cybertext, digital literature, ludology, e-poetry, cybertext theory, ergodic histories |
|
Cybertext Yearbook 2002-2003 |
|
2003 |
digital poetry, electronic poetry, ergodic poetry, ergodic, e-poetry |
|
Cybertext Yearbook 2006: Ergodic Histories |
|
2006 |
literary history, ergodic |
|
Cybertext Yearbook 2007: Ludology |
|
2007 |
|
|
Cyborg Tactics and Perilous Hermeneutics in Lexia to Perplexia Shifts in materiality across space. |
Daniel Carter |
2010 |
cyborg, hermeneutics, electronic literature, experimental poetics, interactive |
|
Cyland |
|
|
|
|
CYNETart 2000 - internationales Festival für computergestützte Kunst |
|
|
|
|
Cynthia Breazeal |
|
|
|
|
Cynthia Haynes |
|
|
|
|
Cynthia Lawson Jaramillo |
|
|
|
|
Czarne Jagody |
Susan Gibb |
2012 |
hypertext |
|
D. Fox Harrell |
|
|
|
|
Da Crítica aos Jogos na Criatividade na Era Digital |
Ricardo Barreto |
2010 |
|
|
Da poiésis digital de André Vallias |
Adolfo Montejo Navas |
2006 |
poiesis, andre vallias, Brazilian electronic poetry criticism |
|
DADA TO GO: A WALKTHROUGH LEVELS |
Sylvia Egger |
2005 |
radio art, net literature, dada |
|
Dada2data |
Chris Joseph |
2003 |
|
|
Daily |
Rozalie Hirs |
2011 |
|
|
Damien Everett |
|
|
|
|
Dan Shiovitz |
|
|
|
|
Dan Waber |
|
|
|
|
Dane Watkins |
|
|
|
|
Daniel Carter |
|
|
|
|
Daniel Eisenstat |
|
|
|
|
Daniel Ruiz |
|
|
|
|
Daniele Giampa |
|
|
|
|
Danish Radio |
|
|
|
|
Danny Cannizzaro |
|
|
|
|
Danube University Krems |
|
|
|
|
Daphne Dragona |
|
|
|
|
Darius Kazemi |
|
|
|
|
Darren Tofts |
|
|
|
|
das buch gertrud |
Reinhard Döhl |
1996 |
|
|
Das Erwachen der Mongoliden |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
database |
Adriana de Souza e Silva, Fabian Winkler |
2002 |
memory, transcription, installation, loss, hardware |
|
Datamatics |
Ryoji Ikeda |
2007 |
|
|
Dave Morris |
|
|
|
|
David Auerbach |
|
|
|
|
David Durand |
|
|
|
|
David Hadbawnik |
|
|
|
|
David Herman |
|
|
|
|
David Herrstrom |
|
|
|
|
David Lebling |
|
|
|
|
David J Chalmers |
|
|
|
|
David Theo Goldberg |
|
|
|
|
Davis Schneiderman |
|
|
|
|
Day |
Kenneth Goldsmith |
2003 |
|
|
Days of JavaMoon |
Duc Thuan |
2000 |
javascript, audio, responsive, gender |
|
Daz Herz Der Machine, или машина из слов бесконечно транслирующая желание |
Natalia Fedorova |
2012 |
poetry generator, Manchester Mark 1 |
|
db.11x8.5 |
Ted Warnell |
2005 |
collaboration, codework, generative, vispo |
|
De anderen hebben het gedaan (The others did it) |
Jan Baeke, Alfred Marseille |
2011 |
|
|
De Contrabas |
|
|
|
|
De l'art si je veux |
Laura Borràs Castanyer |
2010 |
|
|
De l'espace-temps parfait du jeu à l'esthétique du trouble interactif: engagement, réflexivité et déplacements expressifs |
Étienne Armand Amato, Fanny Georges |
2011 |
|
|
De la estética de la recepción a la estética de la interactividad. Notas para una hermenéutica hipertextual |
Laura Borràs Castanyer |
2004 |
|
|
De Montfort University |
|
|
|
|
Death Becomes the Artist |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Débora Silva |
|
|
|
|
Decio Pignatari |
|
|
|
|
Declaracion De Artista |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Declaration D'Artiste Numero 45.730.944: Les Parfait Web Site Artistique |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Definitions |
Jon Fried |
2008 |
hypertext, grammer |
|
Delivery Machine 01 |
Talan Memmott |
1998 |
|
|
Delphine Riss |
|
|
|
|
Deluxe Rubber Chicken |
|
|
|
|
Denise Agassi |
|
|
|
|
Dennis G. Jerz |
|
|
|
|
Departamento de Letras da PUC-RIO |
|
|
|
|
Déprise |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Déprise |
Serge Bouchardon |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Der Code ist nicht der Text (es sei denn, er ist der Text) / The Code is not the Text (unless it is the Text) |
John Cayley |
2004 |
|
|
Der digitale Autor. Autorschaft im Zeitalter des Internets |
Florian Hartling |
2009 |
authorship, digital literature, death of the author, Germany, dispositif |
|
Der Kahuna Modus |
Nika Bertram |
2001 |
|
|
Der Leser als DJ oder was Internetliteratur mit HipHop verbindet |
Johannes Auer |
1999 |
|
|
Der Link als Herme und Seitensprung. Überlegungen zur Komposition von Webfiction. |
Dirk Schröder |
1999 |
|
|
Der ludoliterarische Typenkreis. Analyse und Kategorisierung digitaler Spiele und anderer Cybertexte |
Mela Kocher |
2004 |
|
|
Der Tod des Autors als Geburt des Editors |
Uwe Wirth |
2001 |
|
|
Derivative Writing: E-literature in the world of new social and economic paradigms |
Janez Strehovec |
2012 |
|
|
Dérives |
Caroline Delieutraz |
2012 |
interactive flash |
|
Deseo - Desejo - Desire: 3 Erotic Anipoems |
Ana María Uribe |
2003 |
Flash, static, audio, e-poetry, desire |
|
Designing for Lotsa Media |
Christy Dena |
2008 |
lectures, cross-media, transmedia, storytelling |
|
Désir Insuffisant |
Philippe Bootz |
2005 |
parody, paratext, performance |
|
det sublime |
Frank Altschul Jensen |
2007 |
hypertext, sports, Flash, textual, animation, Nordic, kinetic, constraint, scheduled |
|
Détournement / Diversion |
Serge Bouchardon |
2007 |
|
|
Deus |
Eduardo Kac |
1986 |
early Brazilian electronic poetry, God, Eduardo Kac, epoetry |
|
Deus Ex Machina |
Isaías Herrerro Florensa |
|
|
|
Deutschsprachige Literaturmagazine im Internet: Ein Handbuch |
Renate Giacomuzzi |
2012 |
|
|
Developing a Network-Based Creative Community: Electronic Literature as Model of Creativity and Innovation in Practice (ELMCIP) |
Scott Rettberg |
2010 |
ELO, ELMCIP, electronic literature, scott rettberg |
|
Deviant: The Possession of Christian Shaw |
Donna Leishman |
2004 |
narrative, Flash, visual narrative, story, place, animation, audio |
|
DFIN |
|
|
|
|
Dichter am Apparat - Literatur begegnet Film, Radio und Internet |
|
|
|
|
Dictionary |
Роман Минаев |
2004 |
net-art |
|
Die bedingten Buchstaben: Sprachreflexion und kombinatorische Literatur |
Jörgen Schäfer |
2010 |
|
|
Die Literaturkarte als Interface |
Annika Richterich |
2011 |
|
|
Die Schwimmmeisterin |
Susanne Berkenheger |
2002 |
|
|
Die unsichtbare Geschichte: Thesen zum Wesen der Netzliteratur |
Christiane Heibach |
2000 |
|
|
Dietrich Scholler |
|
|
|
|
Digidicht |
|
|
|
|
Digital Aesthetics Research Center |
|
|
|
|
Digital Art and Culture After Industry? |
Søren Bro Pold, Christian Ulrik Andersen |
2011 |
|
|
Digital Arts and Culture Conferences |
|
|
|
|
Digital Criticism is Coming of Age: Reading Moving Letters – A Review |
Anna Katharina Schaffner |
2011 |
|
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2011) |
|
|
digital art, electronic literature, games, genre, antecedents |
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2012) |
|
|
digital art, electronic literature, computer games, genre |
|
Digital Gestures |
Carrie J. Noland |
2006 |
digital poetics, poetics, embodiment, gesture |
|
Digital literary arts, pedagogy and the issue of disciplinarity |
Maria Engberg |
2013 |
|
|
Digital Literature (Engl 391, Fall 2008) |
|
|
|
|
Digital Literature (Engl 391, Fall 2010) |
|
|
|
|
Digital Literature and the Modernist Problem |
Maria Engberg, Jay David Bolter |
2011 |
|
|
Digital Literature and the Modernist Problem |
Maria Engberg, Jay David Bolter |
2010 |
digital literature, modernism, avant-garde |
|
Digital Literature – In Search of a Discipline ? |
Alexandra Saemmer |
2009 |
teaching digital literature in France, pedagogy, didactics |
|
Digital Literature. A Question of Style |
Alexandra Saemmer |
2009 |
semiotics, poetics, figures of animation, figures of manipulation |
|
Digital Literatures and Theoretial Approaches |
Laura Borràs Castanyer |
2004 |
|
|
Digital litteratur -et laboratorium for den digitale kultur |
Søren Bro Pold |
2001 |
critical, network culture, digitalization, literature and technology, Nordic, nordic e-lit |
|
Digital Media and Art: Always Already Complicit? |
Jay David Bolter |
2007 |
|
|
Digital Media Poetics Events Series |
|
|
|
|
Digital Narratology: Rethinking Narrative Competence in Mediated Spaces |
Jennifer Roudabush |
2010 |
|
|
Digital Narratology: Understanding Narrative Competence in Mediated Spaces |
Jennifer Roudabush |
2010 |
|
|
Digital Orientalism: Japan and Electronic Literature |
Alice Ferrebe |
2008 |
translation, transculturation, transliteration, orientalism, ethnicity, self-reflexivity |
|
Digital Poetics: The Making of E-Poetries |
Loss Pequeño Glazier |
2001 |
digital poetics, poetry, poetics, electronic poetry, e-poetry |
|
Digital Poetry and the Limits of Interpretation (ENGL 5559) |
|
|
electronic literature, digital poetry, interpretation, avant-garde, concrete poetry, procedural poetics, codework |
|
Digital Poetry Beyond the Metaphysics of 'Projective Saying' |
Janez Strehovec |
2010 |
digital poetics, poetry, poetics, digital poetry, media ecology, modernism, interfaces, cybertextuality, e-poetry, modern poetry |
|
Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades |
Chris Funkhouser |
2007 |
poetry, cybertext, poetics, digital poetry, procedural, electronic poetry, algorithmic text generation, kinetic poetry, literary studies, literary criticism, e-poetry, cyberpoetry, graphical poetry, reference |
|
Digital Poetry: From Cybertext to Programmed Forms |
Philippe Bootz |
2006 |
e-poetry, digital poetry, procedural model, intermedia, technotext, Transitoire Observable, form, cybertext |
|
Digital Storytelling (DTC 354) |
|
|
e-lit, digital storytelling, narrative, critique, production, curation, field trip, gallery |
|
Digital Storytelling: Something Old, Something New |
Carolyn Handler Miller |
2008 |
lectures, digital storytelling |
|
Digital Text: writing with the hand and fingers |
Jerome Fletcher |
2011 |
|
|
Digital Word in a Palm: Digital Poetry between Reading and immersive Bodily Experience |
Janez Strehovec |
2007 |
3D, poetry, atmosphere, immersion, embodiment |
|
Digitale Editionen |
Fotis Jannidis |
2008 |
|
|
Digitale Literatur |
|
2001 |
|
|
Digitale Literaturvermittlung - Praxis, Forschung, Archivierung |
|
|
|
|
Digitale Literaturvermittlung: Praxis - Forschung - Archivierung |
|
2010 |
|
|
Digitale Poesie |
Dietrich Scholler |
2008 |
|
|
Digitaler Diskurs - Internet und Literatur |
|
|
|
|
Digitales Schreiben und Archivierbarkeit von elektronischer Literatur. |
Beat Suter |
2010 |
|
|
Digitales Schreiben: Das Handbuch „Reading Moving Letters“ könnte in Sachen „Netzliteratur“ so manches bewegen |
Renate Giacomuzzi |
2010 |
|
|
Digitaliseret og multimedial litteratur i undervisningen |
Gitte Mose |
2010 |
teaching digital literature, teaching, pedagogy |
|
Digitálny literárny text v ríši nových médií: Text ako jazda |
Janez Strehovec |
2012 |
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DILIMAG: Digitale Literaturmagazine |
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Dionne Lausberg |
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Dirk Groeneveld |
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Dirk Schröder |
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Dirk Stratton |
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Discussion of processes and issues for ELMCIP anthology |
Maria Engberg |
2010 |
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Dissonance in Multi-Semiotic Landscapes in the Work Of Donna Leishman |
Donna Leishman |
2009 |
interface, navigation, pictorial literariness, semiotics |
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Dissoziierte Autoren - Netzliterarische Autorschaft zwischen Tradition und Experiment |
Florian Hartling |
2009 |
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Distant Mirrors and the LAMP |
Matthew G. Kirschenbaum |
2013 |
digital humanities, discourse networks, communication channels, scholarly publishing |
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Distraction |
Claire Kwong |
2011 |
distraction, seearch, improvisation, blogging |
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Distributed Authorship and Creative Communities |
Simon Biggs, Penny Travlou |
2012 |
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Distributed Cognition at/in Work: Strickland, Lawson Jaramillo, and Ryan's slippingglimpse |
N. Katherine Hayles |
2009 |
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DIWO: Do It With Others – No Ecology without Social Ecology |
Ruth Catlow, Marc Garrett |
2012 |
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Dmitry Bulatov |
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Dmitry Galkovsky |
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Dmitry Galkovsky: The Infinite Deadlock |
David Auerbach |
2012 |
hypertext literature, hypertext narrative, commentary |
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Do caos ao espaco ciberal |
Augusto de Campos |
2008 |
LSD, cybernetics, brazilian cyberstudies, cyberpunk |
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Do Computers Dream of Electronic Sheep? |
Benjamin Bardou |
2013 |
GTA IV, CGI, video games, video art |
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Do Peso e da Leveza |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
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Do You Think You're Part of This? Digital Texts and the Second Person Address |
Jill Walker Rettberg |
2000 |
narratology, second person, narrator, narratee, communication |
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DOC(K)S |
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Domenico Chiappe |
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Don Woods |
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Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue |
Anthony Enns |
2001 |
narrative, reading, hypertext fiction, interpretation, hermeneutics, plot, closure, ending |
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Don't Breathe |
Jennifer Roudabush |
2010 |
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Donna Haraway |
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Donna Leishman |
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Dorothy Abrena McCrae |
Judy Malloy |
2000 |
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Douglas Eyman |
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Douwe Osinga |
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Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2007 |
philosophy, chreods, code, design, practice |
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Dramaturgy and the Digital |
Barbara Bridger |
2013 |
Digital, dramaturgy, performance, digital performance, performance writing, script, generation |
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Droites et Courbes / Lines and Curves |
Patrick Henri Burgaud |
2009 |
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Drunken Boat |
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Du jeu d l'art et des e-formes: perspective combinatoire |
Monique Maza |
2011 |
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Du jeu vidéo á l'éctriture hybride du réel. World of Electors ou l'at de la re-médiation |
Marida Di Crosta |
2011 |
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Duc Thuan |
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Duke University Press |
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Dušan Barok |
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Dylan Meissner |
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Dylan Sheehan |
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Dylan Symington |
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e and eye: art and poetry between the electronic and the visual |
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e-cris |
Luc Dall'Armellina |
2001 |
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E-Formes 1 : Ecritures visuelles sur support numérique |
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2008 |
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E-Formes 2: Au risque du jeu |
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2011 |
poetry, games, interaction, borders, play |
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E-Ject: On the Ephemeral Nature, Mechanisms, and Implications of Electronic Objects |
Dene Grigar, Joseph Tabbi, Matthew G. Kirschenbaum, Anna Gibbs, Maria Angel, Davin Heckman |
2009 |
DAC, Digital Arts and Culture |
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E-Ject: On the Ephemeral Nature, Mechanisms, and Implications of Electronic Objects |
Dene Grigar, Joseph Tabbi, Matthew G. Kirschenbaum, Anna Gibbs, Maria Angel, Davin Heckman |
2009 |
Digital Arts and Culture |
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E-Learning and Literary Studies. Towards a New Culture of Teaching? |
Laura Borràs Castanyer |
2005 |
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E-Learning and Literary Studies: Towards a New Culture of Teaching? |
Laura Borràs Castanyer |
2004 |
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E-Learning und Literatur |
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E-lit context as Records Continuum: the “lost” Michael Joyce’s Afternoon Italian edition and the archival perspective |
Paola Pizzichini, Mauro Carassai |
2010 |
computer forensics, digital archaeology, digital artifact, archive, network-oriented, e-lit, electronic literature |
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E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity |
Mauro Carassai |
2011 |
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E-lit Writing Exercise: Locative Corpse |
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narrative, collaboration, locative, writing exercise, exquisite corpse |
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e-Media Studies |
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e-poetry |
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E-Poetry 2001 |
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E-Poetry 2003: An International Festival of Digital Poetry (Trip Report) |
Chris Funkhouser |
2003 |
trip report |
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E-Poetry 2009 i Barcelona |
Mette-Marie Zacher Sørensen |
2009 |
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E-Poetry 2011 |
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E-poetry 2013 |
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E-Poetry Bibliography |
Chris Joseph |
2008 |
e-poetry, digital poetry, bibliography, lectures |
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E-Poetry Festivals |
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E-poetry: the Palpable Side of Signs |
Giovanna Di Rosario |
2008 |
visual poetry, materiality, epoetry, interpretation, writing, grammatology, calligram, meaning, typography, syntax, entax, rhopalic |
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e-Scholarship: University of California |
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E-teaching and Literary Studies. Towards a New Culture of Teaching |
Laura Borràs Castanyer |
2007 |
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Eastgate Reading Room |
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Eastgate Systems, Inc. |
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Eccentric Gameplay: Simulating the Digital Any-Space-Whatever |
Stephanie Boluk, Patrick LeMieux |
2010 |
aesthetic gaming, videogames, eccentric games, experimental videogame |
|
Echtreim |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
rhyming, dictionary |
|
Eclipse Louisiana |
Marjorie C. Luesebrink |
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Ecran Total |
Alain Salvatore |
1997 |
hypertext, hypertextfiction |
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Edde Addad |
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Edições UFP |
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Edinburgh College of Art |
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Edition Cyberfiction |
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Éditions du Centre Georges Pompidou |
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Editions Hyx |
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Editor's Introduction: Reconfiguring Place and Space in New Media Writing |
Scott Rettberg |
2006 |
narrative, place, body, space, locative narrative, navigation |
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Editor's Introduction: Writing.3D |
Rita Raley |
2006 |
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Editora 34 |
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Editorial [on Regards Croisés: Perspectives on Digital Literature] |
Philippe Bootz |
2010 |
poetics, editing, electronic literature, digital literature, e-lit |
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EDIUOC |
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Edizioni B.A. Graphis |
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Eduardo Kac |
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Eduardo Navas |
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EDUCAUSE Review |
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Een latente meertaligheid (A potential polyphony) |
Henk van der Waal |
2010 |
digital poetry, poëzie op het scherm, creative work |
|
Efeitos de Escala |
Lev Manovich |
2010 |
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Eidola Kosmos |
Isaías Herrerro Florensa |
2008 |
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Eight Digits of Digital Poetics |
Friedrich W. Block |
2001 |
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Ein neues Literaturmilieu [zwischen Transfugalität und "Event-ualität"] |
Beat Suter |
2000 |
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EJournal |
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Elaine Froehlich |
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Electric Bookshop |
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Electric Poem |
Albertus Marques |
1960 |
antecedents, Brazil, epoetry, early Brazilian electronic poetry |
|
Electroboutique |
Aristarkh Chernyshev |
|
creative electronics, media art gallery, modern design, real-time data processing, up-to-date market-friendly art, consumer electronic art, commercial protest, device art, media art 2.0, interactive, audio-visual, crititainment, no-brain, real-time, plug-and-play, Windows-free. |
|
Electronic Authorship, Collaboration, Community, and Practice |
Scott Rettberg |
2011 |
authorship, collaboration, community, creative community |
|
Electronic Fiction in the 21st Century |
Judy Malloy |
1992 |
|
|
Electronic Literature & Its Emerging Forms |
|
|
Library of Congress |
|
Electronic Literature (DIKULT 203, Fall 2012) |
|
|
syllabus, electronic literature |
|
Electronic Literature as an Information System |
Laura Borràs Castanyer |
2009 |
|
|
Electronic Literature Collection, Volume Two |
|
2011 |
Electronic Literature Organization, electronic literature, anthology, e-lit, digital literature |
|
Electronic Literature Directory 2.0 |
Davin Heckman |
2010 |
Ewan Branda, Maria Engberg, Davin Heckman, Joseph Tabbi, John Vincler, Electronic Literature Directory, ELO, ELO 2010, tagging, archiving |
|
Electronic Literature Explained |
|
|
video, electronic literature, multimedia, short, introduction |
|
Electronic Literature in the University |
Eric Dean Rasmussen |
2003 |
archiving, electronic literature, digital literature, literary history, academia, digital literary arts, higher education |
|
Electronic Literature Lab |
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Electronic literature or digital art? And where are all the challenging hypertextual novels? |
Gitte Mose |
2009 |
digital art, hypertext fiction, literariness |
|
Electronic Literature Organization's Archive-It Collection |
|
|
archive, collection |
|
Electronic Literature Publishing in Europe: Sample Cases from Finland |
Raine Koskimaa |
2010 |
publishing |
|
Electronic Literature Publishing in Europe: Sample Cases from Italy |
Giovanna Di Rosario |
2010 |
|
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Electronic Literature Seen from a Distance: The Beginnings of a Field |
Jill Walker Rettberg |
2012 |
history, Storyspace, hypertext fiction |
|
Electronic Literature Without a Map |
Markku Eskelinen |
2008 |
computer games, ergodic literature, cybertext, electronic literature, narrative games, hypertext fiction, hermeneutics, literary studies, literary history, ergodic poetry, stretch text |
|
Electronic Literature: Its Types and Some Examples |
Dene Grigar |
2003 |
Katia Valeria Maciel Toledo |
|
Electronic Literature: Linking Database Projects |
Maria Angel, Laura Borràs Castanyer, Anna Gibbs, Dene Grigar, Davin Heckman, Eric Dean Rasmussen, Joseph Tabbi |
2012 |
database, digital humanities, interoperability, electronic literature, collaboration, international collaboration |
|
Electronic Literature: New Horizons for the Literary: Website Accompaniment |
|
2008 |
pedagogy, essays, syllabus, teaching resources, critical writing, biographies |
|
Electronic Poetics |
Bruce Andrews |
2003 |
|
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Electronic Poetry Center (EPC) |
|
|
|
|
Electronic Records at the National Archives |
Kenneth Thibodeau |
2007 |
archives, digitization, preservation |
|
Elektronická lite(h)ratúra s Alicou |
Zuzana Husárová |
2012 |
|
|
Elektronisk litteratur i Norden |
Hans Kristian Rustad |
2008 |
electronic literature, Scandinavia, overview |
|
Elena Cooper |
|
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Elena Knox |
|
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Elena Razlogova |
|
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Elie Zananiri |
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Elina Saloranta |
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Elisabeth Bauer |
|
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|
eLiterature questa (s)conosciuta. Storia e stato dell’arte, definizione e sistemi affini, generazioni e classificazione dei generi |
Fabio De Vivo |
2011 |
e-literature, electronic literature, digital literature, new media writing |
|
eLiterature Research Project |
|
|
|
|
eLiterature: la letteratura nell’era digitale. Definizione, concetto e statuto. |
Fabio De Vivo |
2011 |
e-literature, definizione, concetto, statuto |
|
ELIZA |
Joseph Weizenbaum |
1966 |
chatterbot, pyschotherapy, natural language processing |
|
ELIZA — A Computer Program For the Study of Natural Language Communication... |
Joseph Weizenbaum |
1966 |
artificial intelligence, chatterbot/conversational character, chatbot |
|
Ellen Voigt |
|
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|
Ellipsis |
|
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|
|
ELMCIP Research Project Goals, Results, and Impact -- Presentation for the Remediating the Social Conference |
Scott Rettberg |
2012 |
elmcip conference outputs hera project |
|
ELS ESTUDIS LITERARIS EN EL MARC EUROPEU: LOOKING AHEAD |
|
|
|
|
Embodied Algorithms: On Space and Mobility as Structural Metaphors |
Romy Achituv |
2012 |
embodied, algorithm, models, strucutral metaphors, installations, data visualization |
|
Emily Devereux |
|
|
|
|
En guise de conclusion: Lieux d'opcité, le sort en jeu dans l'art |
Monique Maza |
2011 |
|
|
Encapsulating E-Poetry 2009: Some Views on Contemporary Digital Poetry |
Chris Funkhouser |
2009 |
digital poetics, performance, festival, close reading, interfaces, code, terminology, e-poetry, review, transmediality, transtextuality, textual instruments |
|
End Credits - Eftertexter |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash, end credits |
|
endings eventually end |
Jason Nelson, Davin Heckman |
2008 |
fiction, satire, prophecy, time |
|
Enfonçons la Porte! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, narrative |
|
Enlightening Interactive Fiction: Andrew Plotkin’s Shade |
Jeremy Douglass |
2008 |
|
|
Enrico Colombini |
|
|
|
|
Enseñar literatura en la red. Nuevos recursos digitales |
Laura Borràs Castanyer |
2002 |
|
|
Enter the Plains |
Johannes Heldén |
2006 |
|
|
Entre |
Angela Dentanico, Rafael Lain |
2001 |
interface, typography, audio, fonts, image and text |
|
Entre Ville: This City Between Us |
J. R. Carpenter |
2009 |
digital poetry, new media, web art, city, Montreal literature |
|
Entre Ville: this city between us redux |
J. R. Carpenter |
2011 |
hypermedia, hypermedia journal, Montreal, digital literature, literature, video, walking |
|
Entropy Edition |
Johannes Heldén |
2010 |
science fiction, dystopic, Swedish, bilingual, Scandinavian |
|
Entwurf einer Hyperpoetik |
Heiko Idensen, Matthias Krohn |
1991 |
|
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Environmental Utterance |
|
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Epitaph Gertrude Stein |
Reinhard Döhl, Johannes Auer |
1996 |
|
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Erasmus Intensive Program "European Digital Literatures" |
|
|
|
|
Ergodic Characters |
Gonzalo Frasca |
1999 |
character, ergodic, game, narrative, secondary character, user control |
|
Erhard Schütz |
|
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Eric Rodenbeck |
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Eric Steinhart |
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Eric A. Meyer |
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Erick Felinto |
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Erik Natzke |
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Erik Stolterman |
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Erik K Rzepka |
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Erin Elizabeth |
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Erthos Albino de Souza |
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Erthos Albino de Souza. Poesia: do dáctilo ao dígito |
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Ester Xargay |
|
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ESTRanHO ERTHOS – POESIGNOS |
Augusto de Campos |
2010 |
|
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Estrella Rojas |
|
|
|
|
Estudos de Software |
Noah Wardrip-Fruin |
2009 |
expressive processing, software studies, FILE |
|
Et P set forfra, bagfra og fra siden |
Christian Yde Frostholm, Karen Wagner |
2009 |
contemporary literature, tagging, archiving, exhibition, collaborative, diversity, aesthetics, blog, Nordic, nordic e-lit |
|
Et snitmønsterdigt |
Christian Yde Frostholm |
2008 |
|
|
Etang |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Etang |
Alexandra Saemmer |
2008 |
autobiography, animated text, memory, death |
|
Études anglaises: revue du monde anglophone |
|
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|
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Eugen Gomringer |
|
|
|
|
Eugene Thacker |
|
|
|
|
Evaluating digital literature: social networks, selection processes and criteria |
Alexandra Saemmer |
2012 |
selection, canonization, editorial process, evaluation criteria |
|
Evan Raskob |
|
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|
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Evan Young |
|
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|
|
Evelien Lohbeck |
|
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Evelyne Broudoux |
|
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|
|
Evening: 42 to 71 |
David Hadbawnik |
2001 |
|
|
Event and Meaning: Reading Interactive Installations in the Light of Art History |
Roberto Simanowski |
2010 |
art history, avant-garde, transmediality |
|
Event-Space on the Move (On the Computer Games Philosophy) |
Janez Strehovec |
2010 |
games, event-space |
|
Everglade |
Rod Willmot |
1989 |
hypertext, poem |
|
Evergreen Review |
|
|
|
|
Every Rendition on A Broken Machine |
Ross Sutherland |
2010 |
|
|
Everybody Dies |
Jim Munroe |
2008 |
interactive fiction, visual narrative, ergodic, Java |
|
Everything Akimbo |
|
|
Electronic Literature Organization, ELO |
|
Evgenia Sarbeva |
|
|
|
|
Evgeny Gorny |
|
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|
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Evolúcia softvérového nástroja na hypermediálny artefakt – na príklade PowerPointovej prezentácie |
Bogumiła Suwara |
2012 |
|
|
Ewa Hendryk |
|
|
|
|
Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts |
Florian Cramer |
2011 |
|
|
Exeunt |
|
|
|
|
Exhibiting Electronic Literature |
Dene Grigar |
2012 |
curating, exhibiting |
|
Exhibiting Electronic Literature in Libraries |
Søren Bro Pold |
2012 |
exhibiting, libraries, installation |
|
Exoskeleton |
Stelarc |
2003 |
|
|
Experimental Writing (21W.750) |
|
|
experimental writing, conceptual writing, surrealism, digital experimental writing |
|
EXPOSICIÓN LÚMEN_EX 2011 |
|
|
|
|
Expressions |
Patrick Henri Burgaud |
|
|
|
Extended Narratives in Egypt: The Book of Going Forth by Day |
Marjorie C. Luesebrink |
2008 |
landscape, register, map, navigation, point of view, artist talk |
|
Eyal Amiran |
|
|
|
|
F2F |
Joe Milutis |
2005 |
digital humanities, conceptual essay, situationist, Gilles Deleuze, hypertext, online video, Flash, film theory, creative non-fiction |
|
Fabian Winkler |
|
|
|
|
Fabiano Alves Onça |
|
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|
|
Fabio Doctorovitch |
|
|
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|
Fabrikverkauf |
Johannes Auer |
1999 |
|
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Fabrikverkauf. Die Familienbande |
Johannes Auer |
|
|
|
Fabrizio Verrandi |
|
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|
|
Fabrizio Aiello |
|
|
|
|
Factory School |
|
|
|
|
Fallow |
Monica Ong, Rebecca Givens |
2007 |
flash poem, memories |
|
Family of silence |
Linda Suthiry Suk |
2012 |
Flash, video, audio, poetry, war, Cambodia |
|
Fançois Coulon |
|
|
|
|
Fanny Georges |
|
|
|
|
Federico Chieli |
|
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|
|
Feliz L. Molina |
|
|
|
|
Fernwärme |
Ursula Hentschläger, Zelko Wiener |
1999 |
|
|
Feuille vivant |
|
|
|
|
Fibonacci's Daughter |
M. D. Coverley |
1997 |
fiction, chance, short fiction, California, fibonacci, fate, determinism, mall |
|
Fiction - Simulation - Imitation. Rethinking the (Literary) Net and the Conditions of the (Cultural) Web |
|
|
|
|
Fictions d’Issy |
Jean-Pierre Balpe |
|
generative, generative novel |
|
FILE Electronic Language International Festival |
|
|
|
|
FILE Games Rio 2011 |
|
|
|
|
File Games Rio 2013 |
|
|
|
|
FILE POA 2011 |
|
|
FILE, electronic art, immersive installations, Brazilian elit |
|
FILE Rio 2012 |
|
|
electronic art, installation, FILE, Brazilian elit, tablet |
|
FILE São Paulo 1a Edição |
|
|
|
|
FILE São Paulo 2a Edição |
|
|
|
|
FILE SP 2012 |
|
|
FILE, electronic art, electronic literature, Brazilian elit |
|
FILE TABLET Rio |
|
|
FILE, tablet, ipad, Brazilian elit |
|
FILE TABLET SP 2012 |
|
|
ipad, mobile reading, tablet, Brazilian elit |
|
Filipe Valpereiro |
|
|
|
|
Film and Video Umbrella |
|
|
|
|
First Person: New Media as Story, Performance and Game |
|
2006 |
|
|
First Workshop Ever |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2008 |
Flash |
|
Fishes and Flying Things |
J. R. Carpenter |
1995 |
HTML, hypertext |
|
Flash points: Reading electronic literature as a metaphor for creativity |
David Thomas Prater, Maria Engberg |
2012 |
pedagogy, electronic literature |
|
Flashpoints: Reading Electronic Literature as a Metaphor for Creativity |
David Thomas Prater |
2011 |
|
|
Flemming Rafn Thomsen |
|
|
|
|
Fleshis.tics |
Mez Breeze |
2000 |
|
|
fleshtresholdnarrative |
Eugene Thacker |
1996 |
hypertext, remix, appropriation |
|
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis |
N. Katherine Hayles |
2000 |
hypertext, hypertext fiction, media-specific analysis, gender, subjectivity, feminism |
|
Flight Paths: A Networked Novel |
Kate Pullinger, Chris Joseph |
2008 |
collaboration, narrative, Flash, networked novel, network forms, adolescence, contributory |
|
Florentina Armaselu |
|
|
|
|
Florian Ledermann |
|
|
|
|
Florida Atlantic University, Department of English |
|
|
|