|
The Print Map as a ‘literary platform’ |
J. R. Carpenter |
2013 |
map, mapping, print, publishing, publishing models, QR code, generation, performance |
|
&Now Awards 2: The Best Innovative Writing |
|
2013 |
|
|
Davis Schneiderman |
|
|
|
|
VIDEOPLACE |
Myron Krueger |
1975 |
embodiment, body, responsive environment, real-time, projection, video, movement, artificial reality, interface, gesture |
|
Bodies in Code |
Mark B. N. Hansen |
2006 |
embodiment, body, body image, body schema, technogenesis, digital art, digital technology, agency, virtual |
|
Mark B. N. Hansen |
|
|
|
|
Joshua Strebel |
|
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Reed Gaines |
|
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Arianna Gass |
|
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Moacir P. de Sá Pereira |
|
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Brandon Wood |
|
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John Burger |
|
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Matt Schneider |
|
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Jim Punk |
|
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Jacob Harris |
|
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Pedro Valle Javier |
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Elie Zananiri |
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Christian Gratton |
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Todd Seabrook |
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Agnieszka Michalska |
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judsoN |
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Sylvanus Shaw |
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Justin Talbott |
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Lacy Cunningham |
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Jonathan Peter Moore |
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Matthieu Cherubini |
|
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Joe Milazzo |
|
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|
#Carnivast |
Andy Campbell, Mez Breeze |
2013 |
code poetry, visual poetry, mezangelle, 3D, virtual environment, mobile |
|
Hans Richter |
|
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|
Pierre Alferi |
|
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|
Læsetrance - tempo og tvang hos YHCHI |
Karen Wagner |
2008 |
Young-Hae Chang Heavy Industries, scheduled, audio-visual, creative criticism |
|
natyr |
Ottar Ormstad |
2013 |
video poem, digital concrete poetry, multilingual |
|
Radiant Copenhagen |
Anders Bojen, Kristoffer Ørum |
2009 |
science fiction, urban exploration, wiki, map, virtual environment, responsive, hacktivist, Flash, tourism, mashup |
|
Amoklæsning |
Simon Gotrian |
2001 |
performance, lyric, e-lit, Nordic, collaborative, mashup, audio-visual, responsive, multimodal |
|
Simon Gotrian |
|
|
|
|
Kjærstad, hyperroman og hieroglyffer |
Karen Wagner |
2003 |
hieroglyphic language, Norwegian, danish, Nordic, essay, e-lit, love, linking |
|
Michael Simons |
|
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|
|
Paul Shoebridge |
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|
Jean-Jacques Birgé |
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Nicolas Clauss |
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Steve Minor |
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Christopher |
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Federico Chieli |
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|
Roberto de Vicq de Cumptich |
|
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|
Relocating the Literary: In Networks, Knowledge Bases, Global Systems, Material and Mental Environments |
Joseph Tabbi |
2013 |
actor-network theory, cognitive capitalism, e-literature, electronic literature, literature, world literature, database, insitutions |
|
kig forbi |
Christian Yde Frostholm, Charlotte Hansen, Karen Wagner |
1999 |
visual, Nordic, born digital, exhibition, generative hypertext, collaborative, appropriated texts, memoir |
|
Miniatureskrift og andet uendeligt småt |
Karen Wagner |
2004 |
language, symbols, religion, art, art history, book arts, calligram, cyberculture |
|
Arabisk og asemisk kalligrafi |
Karen Wagner |
2005 |
symbols, linearity, alphabet, e-lit, mysticism, form, abstract, representation, artistic tradition, language, language philosophy |
|
University of Utah |
|
|
|
|
Rulon Matley Wood |
|
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|
|
Dérives |
Caroline Delieutraz |
2012 |
interactive flash |
|
Caroline Delieutraz |
|
|
|
|
Hybrid moment |
Rafaël Rozendaal |
2012 |
Flash |
|
Rafaël Rozendaal |
|
|
|
|
The Fantastic Flying Books of Mr. Morris Lessmore |
|
2012 |
iOS, ipad |
|
Gang i Norden |
Morten Søndergaard |
2004 |
comparative literature, analysis, creative criticism, information visualization, Nordic, nordic e-lit |
|
Her har man altid med sig |
Anna Hallberg |
2005 |
creative criticism, experimental, visual, e-lit, Nordic, nordic e-lit, static, memoir |
|
Anna Hallberg |
|
|
|
|
M.M. et brevprojekt |
Mette Moestrup |
2003 |
e-mail, hypertext, letters, interpersonal, personal, Nordic |
|
Mette Moestrup |
|
|
|
|
Bogen jeg ikke skriver |
Mai Misfeldt |
2001 |
e-lit, electronic fiction, traditional literature, Nordic, static, memoir, philosophical |
|
Mai Misfeldt |
|
|
|
|
Program:Møntvask |
|
2003 |
hypertext, visual, hyperlink, contemporary art, e-lit print, Nordic |
|
Family of silence |
Linda Suthiry Suk |
2012 |
Flash, video, audio, poetry, war, Cambodia |
|
Grande enquête |
Delphine Riss, Cécile Bucher |
2007 |
|
|
Ream |
Nick Montfort |
2007 |
|
|
Odyssée 3 min 50 |
Linda Suthiry Suk |
2007 |
flash poem |
|
Linda Suthiry Suk |
|
|
|
|
Springpoem |
Jim Andrews |
2007 |
vispo, Shockwave |
|
Machine Subjectivity, Politics and Digital Arts |
Jichen Zhu |
2010 |
artificial intelligence, interactive narrative, computational art, digital art, systems |
|
Process-Intensive Fiction |
Noah Wardrip-Fruin, Michael Mateas, Nick Montfort, Emily Short, Aaron A. Reed, D. Fox Harrell, Pat Redding |
2010 |
digital poetry, digital fiction, computational process, hypertext fiction, interactive fiction, video games, variability, process intensity |
|
Pat Redding |
|
|
|
|
Cave Writing: Reshaping Writing at Brown |
Robert Coover, John Cayley, Noah Wardrip-Fruin, Samantha Gorman, Rita Raley |
2010 |
electronic literature, e-lit, Robert Coover, typography, cave writing |
|
The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s Vas |
John M. Vincler |
2010 |
digital technology, body, late age of print, hypertext, materiality, novel |
|
Game-Based Digitally Mediated Narrative Construction |
Frances Lucretia Van Scoy |
2010 |
short story, novel, Sydney Sheldin, game, text based, artificial intelligence, narrative, game-generated narrative, player character, authoring system |
|
Frances Lucretia Van Scoy |
|
|
|
|
The New-Media Novel: The Intersection of Film, E-Lit & Story |
Steve Tomasula |
2010 |
electronic literature, e-lit, new media, new media novel, multimedia novel |
|
On Condenstaion: how "Computer Aided Poetry" works |
Eugenio Tisselli |
2010 |
cloud computing, digital poetry, condensation, world wide web, transformation, computer aided poetry |
|
Missed Collections: Away From the Canon, Toward the Archive |
Dana Solomon |
2010 |
new media, yhchi, Young-Hae Chang Heavy Industries, electronic literature, non-linear, multi-directional, adaptive, textual preservation, archive, preservation, storage |
|
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World |
Jennifer Smith |
2010 |
narrative, interaction, communal narratives, collective narrative, social media |
|
Jennifer Smith |
|
|
|
|
Closer again! |
Alexandra Saemmer |
2010 |
digital literature, electronic literature, semiotic model, digital discourse, semiotics, figure of animation, temporal semiotic unit |
|
Yolanda de Gregorio Robledo |
|
|
|
|
Allen Riley |
|
|
|
|
Developing a Network-Based Creative Community: Electronic Literature as Model of Creativity and Innovation in Practice (ELMCIP) |
Scott Rettberg |
2010 |
ELO, ELMCIP, electronic literature, scott rettberg |
|
Blue Lacuna: Lessons Learned Writing the World's Longest Interactive Fiction |
Aaron A. Reed |
2010 |
interactive fiction, natural language, natural language source code, inform 7, story game, game, character, narrrative, technique |
|
The State of the Archive: Authors, Scholars, and Curators on Archiving Electronic Literature |
Jessica Pressman, Will Hansen, Matthew G. Kirschenbaum, Deena Larsen, Marjorie C. Luesebrink, Stephanie Strickland |
2010 |
archiving, archive, electronic literature, scholarly study, digital humanities, digital culture, artists |
|
Will Hansen |
|
|
|
|
Intersecting Approaches to Electronic Literature: Close-Reading Code, Content, and Cartographies in “William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]” |
Jessica Pressman, Jeremy Douglass, Mark C. Marino |
2010 |
electronic literature, methodology, digital literature, Flash, animation, literary hermeneutics, literary aesthetics, critical code studies, programming, information visualization, visualization |
|
Lorenza Samuels |
|
|
|
|
Gerald Berche-Ngô |
|
|
|
|
Voyage avec l’ange |
Tamara Lai |
1999 |
hypertext, sound and image, voice, interactive, story, humour, mythical |
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
Afterwards |
Judy Malloy |
2003 |
|
|
Landscape Projects |
Judy Malloy |
1978 |
|
|
Dorothy Abrena McCrae |
Judy Malloy |
2000 |
|
|
Electronic Literature & Its Emerging Forms |
|
|
Library of Congress |
|
Susan Garfinkel |
|
|
|
|
georgelazenby |
Anonymous |
2009 |
|
|
Kim Kierkegaardashian |
Anonymous |
2012 |
|
|
Kantye West |
Anonymous |
2012 |
|
|
Justin Buber |
Anonymous |
2011 |
|
|
Histoire de la Femme aux Grosses Mains |
Véronique Hubert |
2002 |
fiction, story, poetry, absurd |
|
Véronique Hubert |
|
|
|
|
Phares gamma |
Jacques Donguy |
2002 |
sound and image, hypertext, interactive |
|
Jacques Donguy |
|
|
|
|
George Perec |
|
|
|
|
Opération Teddy Bear |
Edouard Lussan |
1996 |
comic, interactive, story, world war 2, linear |
|
Sale Temps |
Frank Dufour |
1997 |
interactive, fiction, pictures, photomontage, crime, novell, Faust |
|
20% d’amour en plus |
Fançois Coulon |
1996 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image |
|
Fançois Coulon |
|
|
|
|
Cia Rinnes Zaroum |
Anders Lundberg |
|
visual, poetry, essay, creative criticism, Nordic |
|
Anders Lundberg |
|
|
|
|
E-lit context as Records Continuum: the “lost” Michael Joyce’s Afternoon Italian edition and the archival perspective |
Paola Pizzichini, Mauro Carassai |
2010 |
computer forensics, digital archaeology, digital artifact, archive, network-oriented, e-lit, electronic literature |
|
Paola Pizzichini |
|
|
|
|
We have never had a mind of our own: A Poetics of the Integrated Circuit |
Adalaide Morris |
2010 |
poetry, e-poetry, documentary poetics, digital poetics, cyborg poetic |
|
Brandon Tearse |
|
|
|
|
Ben Samuel |
|
|
|
|
Mike Treanor |
|
|
|
|
Josh McCoy |
|
|
|
|
The Broken Mirror: Paradigms of Subjectivity in Digital Writing and Informatic Culture |
Andrew Klobucar |
2010 |
participator media, social networks, network relations, social media, critical/political/philosophical, web 2.0, subjectivity |
|
Electronic Literature Directory 2.0 |
Davin Heckman |
2010 |
Ewan Branda, Maria Engberg, Davin Heckman, Joseph Tabbi, John Vincler, Electronic Literature Directory, ELO, ELO 2010, tagging, archiving |
|
UbuWeb, the archive and the gallery |
Lawrence Giffin |
2010 |
UbuWeb, experimental, archive, artwork, aesthetics |
|
Lawrence Giffin |
|
|
|
|
Mining the Arteroids Development Folder |
Leonardo Flores |
2010 |
poetic game, programming, linguistic, video games, poetry, computer programming, visual poetry, interactivity, programmable media, development process |
|
Bitwise: The Logic of the Digital |
Aden Evens |
2010 |
digital culture, digital technology, digital aesthetics, binary, ontology |
|
det sublime |
Frank Altschul Jensen |
2007 |
hypertext, sports, Flash, textual, animation, Nordic, kinetic, constraint, scheduled |
|
Frank Altschul Jensen |
|
|
|
|
Hvis Adam i stedet havde spist en løg |
Christian Yde Frostholm |
2008 |
|
|
A is for Apple |
David Clark |
2002 |
religion, pop culture, language, interactive, essay, audio-visual, audiovisual, knowledge, non-linear |
|
Et snitmønsterdigt |
Christian Yde Frostholm |
2008 |
|
|
Como el cielo los ojos (Like the sky the eyes) |
Edith Checa |
1998 |
hypertext novel, multi plot, timeline, interactive |
|
Carlos Labbé |
|
|
|
|
Mónica Montes |
|
|
|
|
Locusta Temporis (The Age of Locust) |
Enrico Colombini |
2010 |
hypertext, crime, adventure game |
|
Enrico Colombini |
|
|
|
|
Wanderkammer: A Walk Through Texts |
J. R. Carpenter |
2011 |
hypertext, HTML, walking |
|
Fishes and Flying Things |
J. R. Carpenter |
1995 |
HTML, hypertext |
|
A Little Talk About Reproduction |
J. R. Carpenter |
1998 |
photocopy, artist books, hypertext, HTML, art, art theory, web art |
|
Xilo |
Rodrigo Motta |
2011 |
narrative game, Brazil, FILE |
|
Rodrigo Motta |
|
|
|
|
File Games Rio 2013 |
|
|
|
|
everyword |
Adam Parrish |
|
twitter, bot, Python, tweepy, serial |
|
Adam Parrish |
|
|
|
|
Verrà H.P. e avrà i tuoi occhi (H.P. will come and will have your eyes) |
Antonio Koch |
2010 |
hypertext, crime |
|
Antonio Koch |
|
|
|
|
Fabrizio Verrandi |
|
|
|
|
Ipertesto Poetico Quadridimensionale |
Machina Amniotica |
1995 |
hyperpoetry, non-linear, generated |
|
#Hvisjegvarhvit |
|
2013 |
twitter, collaborative |
|
Eclipse Louisiana |
Marjorie Coverley Luesebrink |
|
|
|
Marjorie Coverley Luesebrink |
|
|
|
|
Reclaiming the 'Golden Age': The Second Person in Digital Fiction |
Astrid Ensslin, Alice Bell |
2010 |
literary hypertext, electronic literature, flash fiction, fiction, second person, narration |
|
Chen Jing |
|
|
|
|
MIT Media Laboratory |
|
|
|
|
Henry Lieberman |
|
|
|
|
Cynthia Breazeal |
|
|
|
|
Pei-yu Chi |
|
|
|
|
Angela Chang |
|
|
|
|
Cyborg Tactics and Perilous Hermeneutics in Lexia to Perplexia Shifts in materiality across space. |
Daniel Carter |
2010 |
cyborg, hermeneutics, electronic literature, experimental poetics, interactive |
|
Daniel Carter |
|
|
|
|
The 20 Friends I wish I had |
Belinda Haikes |
|
|
|
Nanni Balestrini |
|
|
|
|
...hihi... |
Evgenia Sarbeva |
2010 |
computer, conversation, self-reflexivity |
|
Evgenia Sarbeva |
|
|
|
|
Algorithmic Search for Love |
Julian Palacz |
2010 |
video, movie, spoken word, collage, algorithmic art, search, phrase |
|
Julian Palacz |
|
|
|
|
Closed Reality – Embryo |
Andreja Kuluncic |
1999 |
interactive, experimental games, collaboration |
|
Andreja Kuluncic |
|
|
|
|
Mreža snova (The Dream Net) |
Kata Mijatovic |
2001 |
hypertext, Poetic, text picture, dream |
|
Kata Mijatovic |
|
|
|
|
Krešimir Pintaric |
|
|
|
|
wap.sonnet |
Igor Štromajer |
2000 |
gsm, mobile, intimate, sonnet, art, deleted by author |
|
Igor Štromajer |
|
|
|
|
SP_/\_M s.o.n.n.e.t |
Teo Spiller |
2008 |
spam, email art, sonnet, sound |
|
the missing engine of laputa |
Marko Košnik |
2006 |
video art, word and image, sound, generative art, generative poetry |
|
Literature as Echo: Mark Z. Danielewski's House of Leaves |
Álvaro Seiça |
2010 |
contemporary american literature, echo, hyperfiction, gothic novel, Danielewski, House of Leaves, digital textuality, multilayered authorship |
|
Bypass Editions |
|
|
|
|
Twitter fiction |
Frode Grytten |
2011 |
twitter, fiction, daily writing |
|
Frode Grytten |
|
|
|
|
Into the Deep End: An Approach to Generation of Formal Poetry |
Andrew Brogdon |
2010 |
depth-first searches, dfs, search tree, formal poetry, makov chain, electronic poetry, phonetic data |
|
Andrew Brogdon |
|
|
|
|
Giving form to choice: tree-structures and the question of notational systems in multimedia. |
Carol-Ann Braun |
2010 |
tree-structures, notational systems, multimedia, Raymond Queneau, Oulipo |
|
Carol-Ann Braun |
|
|
|
|
Brzinski spomeniki |
Marko Košnik |
1994 |
audio, figures of manipulation, voices, expressive processing |
|
The magnificent 7 |
Laura Borràs Castanyer |
2010 |
non-english, ELO, e-literature, digital literature, romance language, close reading |
|
Golpe de gracia and the Latin American Electronic Literature |
Perla Sassón-Henry |
2010 |
Golpe de Gracia, electronic literature, narrative, cross-platform narrative |
|
Bajke |
Ziga Turk, Barbara Zeleznik, Igor Bizjak |
1986 |
hypertext, adventure game |
|
Perla Sassón-Henry |
|
|
|
|
Smrkci (Smurfs) |
Ales Jaklic, Matej Gasperic, Ales B. Ivanko |
1985 |
hypertext, adventure game |
|
Ales B. Ivanko |
|
|
|
|
Matej Gasperic |
|
|
|
|
Ales Jaklic |
|
|
|
|
Eccentric Gameplay: Simulating the Digital Any-Space-Whatever |
Stephanie Boluk, Patrick LeMieux |
2010 |
aesthetic gaming, videogames, eccentric games, experimental videogame |
|
Osvaldo Cleger |
|
|
|
|
Samo Fosnaric |
|
|
|
|
Igor Bizjak |
|
|
|
|
Barbara Zeleznik |
|
|
|
|
Allison Alexy |
|
|
|
|
University of Virginia |
|
|
|
|
Jani Kovacic |
|
|
|
|
Saso Jankovic |
|
|
|
|
Matevž Kmet |
|
|
|
|
The City |
Marketa Bankova |
1997 |
fiction, diary, non-linear reading, surreal, absurd, multimedia, hypertext novel, interactive |
|
New York City Map |
Marketa Bankova |
2000 |
interactive, virtual world, map, google maps, language – sound - picture relationship, abstract realities |
|
Marketa Bankova |
|
|
|
|
Sympathies of War |
Tom Konyves |
1978 |
video, digital poem, pioneering |
|
Meditation no 4 |
Tomasz Wilmański |
2004 |
animation, alphabet, algorithmic poem, letterism, aural, moody |
|
Tomasz Wilmański |
|
|
|
|
Bluzgator generator |
Paweł Kozioł |
|
algorithmic text generation, data-collection, randomness, interactive, application |
|
Upgrade Soul |
Erik Loyer |
2012 |
ipad, iphone |
|
The Waste Land |
Thomas Stearns Eliot |
2011 |
ipad, application |
|
Thomas Stearns Eliot |
|
|
|
|
Alice for the iPad |
|
2010 |
application, ipad |
|
Darius Kazemi |
|
|
|
|
Bruno Latourbot |
Anonymous |
2013 |
twitter, bot, social media |
|
Trent Redmond |
|
|
|
|
Mathew Vickery |
|
|
|
|
Greg Turnbull |
|
|
|
|
Emily Devereux |
|
|
|
|
Allyson Cikor |
|
|
|
|
Kollin Branicki |
|
|
|
|
Zac Urness |
|
|
|
|
Spenser Wain |
|
|
|
|
Fleshis.tics |
Mez Breeze |
2000 |
|
|
The Banff Centre |
|
|
|
|
Dramaturgy and the Digital |
Barbara Bridger |
2013 |
Digital, dramaturgy, performance, digital performance, performance writing, script, generation |
|
Exeunt |
|
|
|
|
Barbara Bridger |
|
|
|
|
Evening: 42 to 71 |
David Hadbawnik |
2001 |
|
|
David Hadbawnik |
|
|
|
|
Neil Jenkins |
|
|
|
|
Max Dunlop |
|
|
|
|
Simon Biggs |
|
|
|
|
Digital litteratur -et laboratorium for den digitale kultur |
Søren Bro Pold |
2001 |
critical, network culture, digitalization, literature and technology, Nordic, nordic e-lit |
|
Et P set forfra, bagfra og fra siden |
Christian Yde Frostholm, Karen Wagner |
2009 |
contemporary literature, tagging, archiving, exhibition, collaborative, diversity, aesthetics, blog, Nordic, nordic e-lit |
|
Anonymous |
|
|
|
|
Otte forsøk på at forstå hvad en bog er |
Morten Søndergaard |
2001 |
essay, born digital, multilingual or non-english, hypertext, traditional literature, nordic e-lit, philosophical, memoir |
|
parlør |
|
2002 |
contemporary technological culture, multilingual or non-english, hypertextual, collaboration, Flash, QuickTime, Nordic, stretch text, kinetic |
|
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Mark Sample, Noah Vawter, Casey Reas, Patsy Baudoin, John Bell |
2012 |
code, randomness, BASIC, c64, commodore 64, generative |
|
John Bell |
|
|
|
|
Patsy Baudoin |
|
|
|
|
Casey Reas |
|
|
|
|
Noah Vawter |
|
|
|
|
Art and Electronic Media |
Edward A Shanken |
2009 |
electronic art, digital art, new media art, survey, art history |
|
Ranjit Bhatnagar |
|
|
|
|
Kuffertene |
Morten Søndergaard |
2003 |
hypertext literature, prose, linear |
|
Voland & Quist |
|
|
|
|
Oliver Gassner |
|
|
|
|
Edition Cyberfiction |
|
|
|
|
Meaning |
Jelena Glazova |
2009 |
poetry, ambient video, light, sound environment, expressionism |
|
Re-start |
Jelena Glazova |
2009 |
poetry, ambient video, light, sound environment, expressionism |
|
Paul-Eerik Rummo |
|
|
|
|
Lemmit Kaplinski |
|
|
|
|
Jaak Tomberg |
|
|
|
|
Tambett Tamm |
|
|
|
|
From Literary Digital Creative Writing to Digital Literature Teaching in France: A Preliminary Survey |
Philippe Bootz |
2011 |
digital literature, pedagogy, teaching digital literature in France, teaching |
|
Le lit des amants (The Lover's Bed / Rakastavaisten vuode) |
Elina Saloranta |
2004 |
experimental, multimodal, video art, combinatory poetics, interactive |
|
Skye Giordano |
|
|
|
|
Jogchem Niemandsverdriet |
|
|
|
|
The Longest Poem in the World |
Andrei Gheorghe |
2009 |
twitter, javascript, generative |
|
Andrei Gheorghe |
|
|
|
|
Deseo - Desejo - Desire: 3 Erotic Anipoems |
Ana María Uribe |
2003 |
Flash, static, audio, e-poetry, desire |
|
The Defacement of Desire |
Braxton Soderman, Roxanne Carter |
2006 |
CAVE, responsive, audio |
|
Jey Biddulph |
|
|
|
|
Larvatus Prodeo |
Braxton Soderman, Roxanne Carter |
2006 |
HTML, scheduled, static |
|
Roxanne Carter |
|
|
|
|
Cloud #1 |
Braxton Soderman |
2007 |
scheduled, static |
|
Simon Kerr |
|
|
|
|
Adam Sylvain |
|
|
|
|
Alireza Mahzoon |
|
|
|
|
Sonny Rae Tempest |
|
|
|
|
Tacoma Grunge |
Chuck Rybak |
2012 |
remix, HTML, javascript, static, scheduled |
|
Chuck Rybak |
|
|
|
|
Elina Saloranta |
|
|
|
|
Skakbræt |
Sonja Thomsen |
2002 |
non-linear, conceptual writing, collaborative, multimodal texts, combinatory poetics, grid, hypertext |
|
Danube University Krems |
|
|
|
|
A hypertext |
Zoltàn Szüts |
|
|
|
Zoltàn Szüts |
|
|
|
|
Hipertext olvasás |
Tóth Barna |
2004 |
hypertext |
|
Tóth Barna |
|
|
|
|
Zone |
Andy Campbell, David Jhave Johnston |
2013 |
3D, dark, dreaming methods, experimental computer game, experimental fiction |
|
Postmeaning |
David Knoebel |
2011 |
facebook, twitter, performance, poetry |
|
Google Poetics |
Sampsa Nuotio, Raisa Omaheimo |
2012 |
found poetry, poetry, Google |
|
Raisa Omaheimo |
|
|
|
|
Sampsa Nuotio |
|
|
|
|
VDM Publishing |
|
|
|
|
Roman Zenner |
|
|
|
|
Caroline Jessen |
|
|
|
|
Ulrikke Neergaard |
|
|
|
|
Julie Frölich |
|
|
|
|
Bob Bonsall |
|
|
|
|
Gittan Sarah |
|
|
|
|
Oliver Langberg |
|
|
|
|
Kira Moss |
|
|
|
|
10 Print ebooks |
Mark Sample |
2012 |
twitter, bot, markov chain |
|
Matt Blackburn |
|
|
|
|
Sean Donohue |
|
|
|
|
Brian Reed |
|
|
|
|
Lewis LaCook |
|
|
|
|
Random Paths |
Jody Zellen |
2001 |
hypertext, e-poetry, HTML, javascript |
|
Introduction to net.art |
Natalie Bookchin |
1994 |
|
|
Журнальный зал |
|
|
|
|
Maxim Gorky Literary Institute |
|
|
|
|
University of London, Goldsmith College |
|
|
|
|
Super Mario Clouds |
Cory Arcangel |
2002 |
nes, nintendo entertainment system, ROM, hack, video game, appropriation, 8-bit, game modification |
|
A Creative History of the Russian Internet |
Evgeny Gorny |
2006 |
|
|
Świadomość Hipertekstualna 1.0 |
Mark Amerika |
2003 |
conceptual art, criticism, critifiction, hypertext |
|
The Future of Russian: Language Culture in the Era of New Technology |
|
2013 |
Russian literary Internet, Russian on the Internet |
|
Anti-Spam: Reinventing Data |
Álvaro Seiça |
2012 |
datascape, data mining, visualization, digital art, impedance, projection mapping |
|
Henrike Schmidt |
|
|
|
|
Daz Herz Der Machine, или машина из слов бесконечно транслирующая желание |
Natalia Fedorova |
2012 |
poetry generator, Manchester Mark 1 |
|
Kerry Ring |
|
|
|
|
Bricoleur (Interview with David Clark) |
David Jhave Johnston, David Clark |
2012 |
|
|
Interview with Steve McCaffery |
Steve McCaffery, David Jhave Johnston |
2012 |
|
|
Todd Sanders |
|
|
|
|
Carolyn Black |
|
|
|
|
Chu Ta |
Thomas Bell |
2003 |
animated gif, static, scheduled |
|
Thomas Bell |
|
|
|
|
Joanna Sakellion |
|
|
|
|
Mitchell Kimbrough |
|
|
|
|
André Cutair |
|
|
|
|
Nathaniel Lew |
|
|
|
|
Michael Madsen |
|
|
|
|
Steve Matanle |
|
|
|
|
Zahra Safavian |
|
|
|
|
June Hayes |
|
|
|
|
Natalie Zeriff |
|
|
|
|
Laura McCabe |
|
|
|
|
Sarah Townsend |
|
|
|
|
Erik Natzke |
|
|
|
|
Chris Green |
|
|
|
|
Alis Yung |
|
|
|
|
W.B. Yeats |
|
|
|
|
Moment |
Joe Keenan |
2001 |
DHTML, javascript, responsive, generative |
|
Joe Keenan |
|
|
|
|
Birds Still Warm from Flying |
Jason Nelson |
2010 |
cube, Flash, audio, responsive |
|
a as in dog |
Dan Waber, Marko Niemi |
2007 |
concrete poetry, animated gif, javascript |
|
Superstitious Appliances |
Jason Nelson |
2001 |
audio, body, Flash, responsive |
|
A Tree with Managers and Jittery Boats |
Jason Nelson |
2010 |
Flash, video, e-poetry |
|
The Battery Life of Meaning: Speech to Text Poetry |
Jason Nelson |
2005 |
e-poetry, HTML, speech |
|
Spam Heart |
David Jhave Johnston |
2010 |
spam, scheduled, generative |
|
6 Weird Questions asked in a Wired Way |
David Jhave Johnston |
2011 |
audio, responsive, HTML, scheduled |
|
Still Life |
Eric LeMay |
2011 |
Flash, responsive, scheduled |
|
Buzz Aldrin Doesn't Know Any Better |
Jason Edward Lewis |
2012 |
iOS touch, responsive |
|
Gretchen Henderson |
|
|
|
|
Unbound: Speculations on the Future of the Book |
|
|
electronc literature, digital publishing |
|
PROTOMIR |
Taras Mashtalir |
2009 |
|
|
Dmitry Galkovsky |
|
|
|
|
Dmitry Galkovsky: The Infinite Deadlock |
David Auerbach |
2012 |
hypertext literature, hypertext narrative, commentary |
|
David Auerbach |
|
|
|
|
Waggish |
|
|
|
|
Бледное пламя |
Vladimir Nabokov |
1999 |
hypertext, paratext, poetry, commentary |
|
Brian Boyd |
|
|
|
|
Pale Fire A Poem in four Cantos by John Shade |
Vladimir Nabokov |
2011 |
poetry, hypertext, commentary, paratext |
|
Pale Fire |
Vladimir Nabokov |
1962 |
hypertext, paratext, dictionary, hypertext novel, link, commentary |
|
Vladimir Nabokov |
|
|
|
|
Partially Buried University |
Karen O'Rourke |
2010 |
3D, art game, roof garden, earthwork, collapse |
|
Walking and Mapping: Artists as Cartographers |
Karen O'Rourke |
2013 |
walking, mapping, art, datascape, mobility |
|
Karen O'Rourke |
|
|
|
|
Université Paris 1 |
|
|
|
|
Jig-Sound |
Jim Andrews |
2007 |
Shockwave, audio, responsive |
|
Days of JavaMoon |
Duc Thuan |
2000 |
javascript, audio, responsive, gender |
|
Duc Thuan |
|
|
|
|
Anders Bojen |
|
|
|
|
Найдено в Петербурге |
|
|
contemporary art, St-Petersburg artists, remediation |
|
Культпроект |
|
|
|
|
Петр Белый |
|
|
|
|
Невидимая граница |
|
|
contemporary art, St-Petersburg artists |
|
Untitled |
Ivan Khimin |
2009 |
asciiart, painting, remediation, St-Petersburg artists |
|
Грибница |
Ivan Khimin |
2013 |
|
|
Петербургская «Невидимая граница» в Москве |
Павел Герасименко |
2013 |
St-Petersburg artists, contemporary art, asciiart, media archeology |
|
Павел Герасименко |
|
|
|
|
Digital Word in a Palm: Digital Poetry between Reading and immersive Bodily Experience |
Janez Strehovec |
2007 |
3D, poetry, atmosphere, immersion, embodiment |
|
Writing the World: Toward a Systems Approach to E-Writing |
Jim Carpenter |
2007 |
code, writing, programming, platform, source code, archiving, best practices, systems |
|
Netochka Nezvanova |
|
|
|
|
Netochka Nezvanova |
Netochka Nezvanova |
|
virtual character |
|
Интернет как гетто |
Роман Минаев |
2008 |
net art |
|
Dictionary |
Роман Минаев |
2004 |
net-art |
|
The Virtualization of Poetry and Self |
Komninos Zervos |
2007 |
virutalization, poetry, cyberpoetry, Australia, animation |
|
Bodyless Art |
Роман Минаев |
2001 |
net art |
|
Роман Минаев |
|
|
|
|
Московская Школа фотографии и мультимедиа имени Родченко |
|
|
|
|
E-Poetry 2003: An International Festival of Digital Poetry (Trip Report) |
Chris Funkhouser |
2003 |
trip report |
|
Cécile Bucher |
|
|
|
|
Delphine Riss |
|
|
|
|
Susan Coolen |
|
|
|
|
Vanessa Place and Ivan Khimin, Multi-Media Performance |
|
|
multi-media performance, data performance, generative art, asciiart, conceptualist poetry |
|
Cyberfest |
|
|
cybernated art, cyberculture, computer-mediated performance, e-lit |
|
Antipodes Association |
|
|
|
|
АБЦ (Центр Андрея Белого) |
|
|
|
|
'Click = Kill'. Textual You in Ludic Digital Fiction' |
Astrid Ensslin, Alice Bell |
2012 |
flash fiction, second person, second-person address, narratology |
|
'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction |
Alice Bell, Astrid Ensslin |
2011 |
hypertext fiction, second person, narratology, stylistics |
|
Russian E-Lit 1.0 - 3.0 |
Natalia Fedorova |
2013 |
digital archives, hypertext, poetry generator, media poetry, net art, IF, video poetry, visual poetry, kinetic poetry |
|
Patricia Rydzok |
|
|
|
|
Cavewriting |
Scott Rettberg, Jill Walker Rettberg, Noah Wardrip-Fruin, Robert Coover, Josh Carroll |
2004 |
CAVE, 3D, collaboration |
|
Свобода |
Anna Tolkacheva |
2011 |
|
|
Качели |
Anna Tolkacheva |
2010 |
|
|
Interactions: Reading & Response |
|
|
|
|
Evgeny Gorny |
|
|
|
|
Георгий Жердяев |
|
|
|
|
Алексрома |
|
|
|
|
Сетевая словесность |
|
|
|
|
История и практика сетевой литературы |
Alexey Krakovsky |
|
|
|
Леонид Делицин |
|
|
|
|
Alexey Krakovsky |
|
|
|
|
Тенёта |
|
|
|
|
Italo Calvino |
|
|
|
|
Невидимые города |
Italo Calvino |
2002 |
hyperfiction |
|
Mikhail Viesel |
|
|
|
|
Электронная литература: неизвестное неизвестное. |
Mikhail Viesel |
2011 |
|
|
Cyland |
|
|
|
|
Кибер-Пушкин 1.0 бета |
Сергей Тетерин |
2002 |
e-poetry generator, cyberculture, digital performance |
|
Сергей Тетерин |
|
|
|
|
Dmitry Bulatov |
|
|
|
|
ROMAN |
Роман Лейбов |
|
|
|
Роман Лейбов |
|
|
|
|
Сергей Кузнецов |
|
|
|
|
Сонетник |
Дмитрий Манин |
|
collective writing, ergodic/interactivity/participation, literary games |
|
Литературная игра в Internet. Буриме как мечта авангардиста |
Сергей Кузнецов |
|
|
|
Буриме |
Дмитрий Манин |
1996 |
ergodic/interactivity/participation, literary game, collective writing |
|
Сад расходящихся хокку |
Дмитрий Манин, Роман Лейбов |
1997 |
|
|
Дмитрий Манин |
|
|
|
|
Сети для художника |
Olia Lialina |
1996 |
net art |
|
КоммерсантЪ-Дейли |
|
|
|
|
Dave Morris |
|
|
|
|
Snow Queen |
Machine Libertine |
2010 |
|
|
Быть ё моё |
Alexander Gornon |
1991 |
letterism, phonopoetics, video poetry, kinetic poetry |
|
Alexander Gornon |
|
|
|
|
Electroboutique |
Aristarkh Chernyshev |
|
creative electronics, media art gallery, modern design, real-time data processing, up-to-date market-friendly art, consumer electronic art, commercial protest, device art, media art 2.0, interactive, audio-visual, crititainment, no-brain, real-time, plug-and-play, Windows-free. |
|
Aristarkh Chernyshev |
|
|
|
|
Art Focus for Technologies: Charm and Challenge |
|
|
robotics, electronics, telecommunication, bio technologies, contemporary technological culture, media art, interactivity, performativity |
|
Ksenia Fedorova |
|
|
|
|
Государственный Центр современного искусства Екатеринбургский филиал |
|
|
|
|
Уральский государственный университет им. Горького, факультет искусствоведения и культурологии |
|
|
|
|
Теории и практики медиаискусства - 3 |
|
|
media art, media archaeology |
|
Do Computers Dream of Electronic Sheep? |
Benjamin Bardou |
2013 |
GTA IV, CGI, video games, video art |
|
Benjamin Bardou |
|
|
|
|
Фестиваль поэзии на острове | эпизод: Новая Голландия |
|
|
Russian contemporary poetry, Trans-lit, video poetry, e-lit, doorway |
|
Bread.Crumbs |
Talan Memmott |
1998 |
textual, narrative, linear, mythology, hypertext, hyperlink |
|
Definitions |
Jon Fried |
2008 |
hypertext, grammer |
|
Новая Голландия |
|
|
|
|
Jon Fried |
|
|
|
|
Елена Богатырева |
|
|
|
|
Самарский государственный аэрокосмический университет имени академика С.П.Королева |
|
|
|
|
САМАРА: ЛИТерАРТ’ 2012 |
|
|
|
|
Техника чтения 2.0: литературные практики после интернет-революции |
Pavel Arseniev |
2013 |
reading technique, freedom of information, linguistic expression, materiality of communication |
|
Constructing an Aesthetic of Web Art from a Review of Artists' Use of the World Wide Web |
Alison Colman |
2005 |
|
|
Comedies of Separation: Toward a Theory of the Ludic Book |
Brian Kim Stefans |
2011 |
critical terms, rhetoric |
|
7 Poems |
Vadim Litvak |
|
Vadim Litvak, Vadim, Litvak, e-poetry, poetry, 7poems, 7 poems, 7 poem, hypertext |
|
Vadim Litvak |
|
|
|
|
Mayakovsky for Sale |
|
2010 |
Google whack |
|
Chernovik |
|
|
|
|
Interview with Nick Montfort |
Natalia Fedorova |
2011 |
|
|
ilvyrgif |
Giselle Beiguelman |
2013 |
ipad, Brazil, remix, mobile, animated gif |
|
Roman Osminkin |
|
|
|
|
Pavel Arseniev |
|
|
|
|
Institute of Contemporary Art |
|
|
|
|
Joshua Neves |
|
|
|
|
MC23: Digital Media |
|
|
hypertext, cyberspace, networks |
|
Anna Tolkacheva |
|
|
|
|
Мифология on-line |
|
|
media art, digital writing |
|
Екатерина Троепольская |
|
|
|
|
Видеопоэзия |
|
|
|
|
TARP |
|
|
|
|
Experimental Writing (21W.750) |
|
|
experimental writing, conceptual writing, surrealism, digital experimental writing |
|
Incubation2 : The 2nd trAce International Conference on Writing and the Internet |
|
|
writing, internet, process, learning, culture |
|
1998 trAce Writer's Conference: Writers & the Internet |
|
|
writing, internet, community |
|
Ergodic Characters |
Gonzalo Frasca |
1999 |
character, ergodic, game, narrative, secondary character, user control |
|
Visualizing Cultures in the Age of Digital Media |
Roderick Coover |
1999 |
representation, film, anthropology, documentary, montage, hypermedia |
|
To Be Here As Stone Is |
Stephanie Strickland, M. D. Coverley |
1999 |
|
|
Versus Vega: Precessing |
Stephanie Strickland, Jason Nelson |
2005 |
|
|
Counterpath Press |
|
|
|
|
Literary Programming (In the Age of Digital Transliteration) |
John Cayley |
1999 |
practice, programming, inscription, performance, poetry, hypertext, generation, kinetic text, transliteration |
|
Ivan Khimin |
|
|
|
|
Svetlana Ostrova |
|
|
|
|
Инфоэстетика |
|
|
Lev Manovich, info aethsetics, media art, critical code studies |
|
PRO ARTE |
|
|
|
|
Trope Tank |
|
|
|
|
Restless |
Miranda F. Mellis |
2002 |
HTML |
|
Joseph Nechvatal |
|
|
|
|
Machine Libertine |
Natalia Fedorova, Taras Mashtalir |
2010 |
|
|
Miranda F. Mellis |
|
|
|
|
Visual Poetics of Literary Form |
|
|
e-lit, visual poetry, videopoetry, kinetic poetry, samizdat, Russian futurist book |
|
Sonya Rapoport |
|
|
|
|
light |
Machine Libertine |
2012 |
|
|
memory |
Machine Libertine |
|
video poetry, posthuman |
|
Text in Art |
|
|
|
|
Smolny Institute |
|
|
|
|
Machine Libertine |
|
|
|
|
Creative Material Computing in a Laboratory Context |
Nick Montfort, Natalia Fedorova |
2012 |
creative material computing, platform studies, hardware, preservation |
|
Hypertextual Forms and Functioning of Their Units in Russian Literature of the 10s of XXth century – 10s of the XXIst century |
Natalia Fedorova |
2008 |
hypertext, conceptualism, visual poetry, kinetic poetry |
|
Herzen State Pedagogical University |
|
|
|
|
James Stevens |
|
|
|
|
Karen Osborne |
|
|
|
|
Maureen Seaton |
|
|
|
|
Organism for Poetic Research |
|
|
|
|
Digital Narratology: Understanding Narrative Competence in Mediated Spaces |
Jennifer Roudabush |
2010 |
|
|
2010 International Digital Media and Arts Association Conference Proceedings |
|
|
|
|
Oral Traditions and Electronic Ambitions: The Trajectory of Flight Paths in a Plugged-In World |
Jennifer Roudabush |
2010 |
|
|
Digital Narratology: Rethinking Narrative Competence in Mediated Spaces |
Jennifer Roudabush |
2010 |
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.