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Machine Libertine |
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Anonymous |
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Christopher |
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Handplant Studio |
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judsoN |
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The American Bible Society |
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|
escha |
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JODI |
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A Cibercultura em Transformação: Poder, Liberdade e Sociabilidade (ABCiber Vol.2) |
|
2010 |
Cibercultura, cyberculture, interactive media, brazilian cyberstudies, digital culture |
|
A hypertext |
Zoltàn Szüts |
|
|
|
III Mostra 3M de Arte Digital |
|
|
digital art, brazilian new media art, giselle beiguelman |
|
International Digital Media Arts Association 2011 |
|
|
|
|
Isaías Herrero |
|
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|
Jaak Tomberg |
|
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|
Jyväskylä Art Museum |
|
|
|
|
Netzliteratur: Text, Algorithmus, Interaktion |
Johannes Auer |
2009 |
|
|
Under Construction: literatures digitals i aproximacions teòriques |
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Алексрома |
|
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"Creamus, ergo sumus": Ansätze zu einer Netzästhetik |
Christiane Heibach |
1999 |
|
|
"mar puro”: An Interview with Aya Karpinska |
Rita Raley, Aya Natalia Karpinska |
2006 |
3D, spatial discourse |
|
"Poésies contemporaines: le retour en avant" |
Jan Baetens |
2011 |
poetry, modernity, postmodernity, originality, sampling |
|
"Quo vadis elektronická kultúra?" |
|
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|
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"Trans-former" la poésie: formes émergentes de poésie numérique |
Giovanna Di Rosario |
2011 |
|
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"Verweile doch...": Über flüchtige Momente in der Netzliteratur |
Peter Gendolla |
2010 |
|
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"vielSeitig: Europäisches Literaturfestival": Alexandra Saemmer & Philippe Bootz |
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"vielSeitig: Europäisches Literaturfestival": Philippe Bootz: Le Rabot Poète |
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"Wo ist der Ort des Textes?" - Rainald Goetz' "Abfall für alle" |
Natalie Binczek |
2001 |
|
|
#Carnivast |
Andy Campbell, Mez Breeze |
2013 |
code poetry, visual poetry, mezangelle, 3D, virtual environment, mobile |
|
#Hvisjegvarhvit |
|
2013 |
twitter, collaborative |
|
&Now 2011: Tomorrowland Forever! |
|
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|
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&Now Awards 2: The Best Innovative Writing |
|
2013 |
|
|
'Click = Kill'. Textual You in Ludic Digital Fiction' |
Astrid Ensslin, Alice Bell |
2012 |
flash fiction, second person, second-person address, narratology |
|
'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction |
Alice Bell, Astrid Ensslin |
2011 |
hypertext fiction, second person, narratology, stylistics |
|
'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics |
Rita Raley |
2011 |
|
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'What Is Seen Depends Upon How Everybody Is Doing Everything': Using Hypertext to Teach Gertrude Stein's Tender Buttons |
Dene Grigar |
1998 |
hypertext, Gertrude Stein, Jeff Galin, Joan Latchaw |
|
(Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review |
Martina Pfeiler |
2010 |
teaching, close reading, scholarship |
|
*water writes always in *plural |
Linda Carroli, Josephine Wilson |
1998 |
collaboration, hypertext, network fiction |
|
...hihi... |
Evgenia Sarbeva |
2010 |
computer, conversation, self-reflexivity |
|
.ran - real audio netliterature |
|
|
radio art, net literature |
|
0,5 Cent |
Dirk Schröder |
2010 |
|
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0100101110101101.ORG Collective |
|
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|
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Mark Sample, Noah Vawter, Casey Reas, Patsy Baudoin, John Bell |
2012 |
code, randomness, BASIC, c64, commodore 64, generative |
|
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort |
2012 |
code, poetry, commodore 64, BASIC |
|
10 Print ebooks |
Mark Sample |
2012 |
twitter, bot, markov chain |
|
12 Easy Lessons to Better Time Travel |
Mark C. Marino |
1998 |
hypertext, hyperfiction, humor, chatbot, chatterbot, timetravel |
|
1998 trAce Writer's Conference: Writers & the Internet |
|
|
writing, internet, community |
|
1ER CONTACT: Le Festival de La Cite Interactive |
|
|
|
|
1r Premi Ciutat de Vinaròs de Literatura Digital, 2005 |
|
|
|
|
20% d’amour en plus |
Fançois Coulon |
1996 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image |
|
2010 International Digital Media and Arts Association Conference Proceedings |
|
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|
|
2010 UND Writers Conference "Mind the Gap: Print, New Media Art" |
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2012 UCLA Game Art Festival |
|
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|
21 días |
Isaías Herrerro Florensa |
2006 |
|
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2n Premi Ciutat de Vinaròs de Literatura Digital |
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3durch3. reihe sprachkunst |
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4r Premi Ciutat de Vinaròs de Literatura Digital, 2008 |
|
|
|
|
5000 palabras |
Isaías Herrerro Florensa |
2011 |
|
|
6 Weird Questions asked in a Wired Way |
David Jhave Johnston |
2011 |
audio, responsive, HTML, scheduled |
|
6th International Comparative Literature Colloquium "The Author: Who or What Is Writing Literature?" |
|
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|
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7 Poems |
Vadim Litvak |
|
Vadim Litvak, Vadim, Litvak, e-poetry, poetry, 7poems, 7 poems, 7 poem, hypertext |
|
7 Thesen zur Netzliteratur |
Johannes Auer |
2000 |
|
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8 Brincadeiras para Salette Tavares |
Rui Torres |
2010 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, intertextuality, poetry generator |
|
<Content=No Cache> |
Giselle Beiguelman |
2001 |
net.art, Brazil, Brazilian net.art, giselle beiguelman, error messages, digital memory, erasure, ephemerality |
|
<POEM> between pixel and program </> |
Andre Vallias |
2008 |
epoetry, Brazilian electronic poetry, code aesthetitcs |
|
<POEMA> entre pixel e programa </> |
Andre Vallias |
2008 |
epoetry, Brazilian electronic poetry, code aesthetitcs |
|
>>oh<< |
Reiner Strasser, Dan Waber, Jennifer Hill-Kaucher |
2005 |
cyberpoem, interactive, literary games, poem, audio |
|
A Anarco Cultura |
Ricardo Barreto, Paula Perissonotto |
2010 |
FILE, autopoiesis, sampling, mass culture |
|
a as in dog |
Dan Waber, Marko Niemi |
2007 |
concrete poetry, animated gif, javascript |
|
A Aura do Digital |
Michael Betancourt |
2010 |
aura, benjamin, materiality, Brazilian elit, FILE |
|
A autoria do nome próprio |
Cícero Inacio da Silva |
|
|
|
A Bibliographic Overview of Electronic Literature |
Amanda Starling Gould |
2012 |
bibliography, literary criticism, media upheavals |
|
A Cibercultura e seu Espelho: Campo de Conhecimento Emergente e Nova Vivência Humana (ABCiber Vol.1) |
|
2009 |
|
|
A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival |
Katie L. Price |
2011 |
epoetry festival |
|
A Companion to Digital Literary Studies |
|
2008 |
hypertext, textuality, literary studies, writing machines, digital literary studies, ePhilology, cybertextuality, algorithmic criticism |
|
A Creative History of the Russian Internet |
Evgeny Gorny |
2006 |
|
|
A Crise da Poesia no Brasil, na França, na Europa e em outras latitudes |
|
|
epoetry, Brazilian elit, digital poetics |
|
A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx |
Christine Wilks |
2012 |
remix, Flash, collaborative art, digital art, e-poetry |
|
A DAC Dialogue |
Susana Pajares Tosca |
2000 |
|
|
A Hiper-cinematividade |
Ricardo Barreto |
2010 |
FILE, new media aesthetics |
|
A is for Apple |
David Clark |
2002 |
religion, pop culture, language, interactive, essay, audio-visual, audiovisual, knowledge, non-linear |
|
A Little Talk About Reproduction |
J. R. Carpenter |
1998 |
photocopy, artist books, hypertext, HTML, art, art theory, web art |
|
A Luta Continua |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
A Máquina Viral Universal - Bits, Parasitas e Ecologia de Mídia na Cultura de Redes |
Jussi Parikka |
2010 |
media ecology, FILE, posthuman, autopoiesis, cybernetics |
|
A New Total Work of Art |
Christy Dena |
2007 |
lectures, cross-media, transmedia, storytelling |
|
A Perenidade da Inconstância: o Desafio de Preservar o Imaterial |
Paula Perissonotto |
2010 |
|
|
A Performance of Reality. Handwriting and Paper in Digital Literature |
Yra van Dijk |
2012 |
|
|
A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation |
Sandy Baldwin |
2003 |
materiality, textuality, literary innovation, digital poetics |
|
A poesia (im)possível do século XXI |
Lucio Agra |
2009 |
digital poetry, epoetry, digital literature, Brazilian elit |
|
A Poetic Homage -- of the 3-Letter, 3-Word Variety |
Matthew Mirapaul |
1998 |
|
|
A Posthuman Cosmopolitanism and New Media Writing |
Hazel Smith |
2012 |
|
|
A Quick Buzz around the Universe of Electronic Poetry |
Deena Larsen |
2001 |
poetry, digital poetry, electronic poetry, e-poetry |
|
A Response to Nick Montfort's "Programming for Fun, Together" |
Scott Rettberg |
2012 |
response, constraints, collaboration, social, programming, hacking |
|
A Response to Twelve Blue by Michael Joyce |
Gregory L. Ulmer |
1997 |
poetics, fiction, word-and-image, hypertext fiction, literacy, electracy, image |
|
A Servant. A Hanging. A Paper House. |
Lucy Anderton, Nick Robinson |
2008 |
|
|
A Sky of Cinders |
Tim Lockridge |
2007 |
hypertext, second person, sensations, prose, poem, dystopia, environmental disaster |
|
À Temporal |
Luis Andrade |
2007 |
sound installation, Brazilian elit, palindromme, oi futuro, poiesis, Brazilian concrete poetry, installed text |
|
A Tower of Sound |
Sissel Lillebostad |
2012 |
curating, public space |
|
A Tree with Managers and Jittery Boats |
Jason Nelson |
2010 |
Flash, video, e-poetry |
|
A-historicidade de um simpósio |
Artur Matuk |
2009 |
new media studies, new media |
|
A-Produtividade de um simpósio |
Artur Matuk, Jorge Luis Antonio |
2009 |
|
|
A. Bill Miller |
|
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Aarhus University Press |
|
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Aaron Angello |
|
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Aaron Kashton |
|
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|
ABC LA: Portrait d'une ville en 26 lettres |
Béatrice Mousli, Guy Bennett |
2009 |
multimodal, narrative |
|
ABCiber - Associação Brasileira de Pesquisadores em Cibercultura |
|
|
|
|
Abracadabra |
Eduardo Kac |
1984 |
hologram, holopoetry, Eduardo Kac, early Brazilian electronic poetry |
|
Abraham Geil |
|
|
|
|
Absurd in Public |
Aya Natalia Karpinska |
2012 |
QR code, signing, pictogram, community agreement |
|
Academia del Hispanismo |
|
|
|
|
Accident |
Eduardo Kac |
1994 |
text animation, early Brazilian electronic poetry, Eduardo Kac |
|
Accidental Meaning |
María Mencía |
2008 |
interactive, meaning, signification, non-semantic |
|
ACITEOP. Disfunciones poéticas del lenguaje. |
Pelayo Méndez |
2011 |
visual poetry, algorithmic text generation, mashup, Google, web art, photography, web 2.0 |
|
ACM Creativity & Cognition 2011, Atlanta, Georgia |
|
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ACM Hypertext 1987 |
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ACM Hypertext 1998 |
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ACM Hypertext 1999 |
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ACM Hypertext 2001 |
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ACM Hypertext 2004 |
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ACM Hypertext 2005 |
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ACM Hypertext Conferences |
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ACM interactions |
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ACM SIGGRAPH |
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Acta Media III – Simpósio Internacional de Artemídia e Cultura Digital |
|
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Activist Media and Biopolitics: Critical Media Interventions in the Age of Biopower |
|
|
|
|
Ad Verbum |
Nick Montfort |
2000 |
interactive fiction, wordplay, puns, literary games, Oulipo |
|
Adalaide Morris |
|
|
|
|
Adam Chapman |
|
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|
|
Adam Parrish |
|
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|
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Adam Sylvain |
|
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|
Adérito Marcos |
|
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Adolfo Montejo Navas |
|
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Adriana Calcanhotto |
|
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|
|
Adriana de Souza e Silva |
|
|
|
|
Adventures in Mot-Town |
Robert Coover |
2002 |
literary history, image and text, word |
|
Aesthetic and Pedagogy of Electronic Literature |
Amanda Starling Gould |
2012 |
|
|
Aesthetic Animism: Digital Poetry as Ontological Probe |
David Jhave Johnston |
2011 |
software studies, machine language, digital poetry, animism, ekphrasis, terminology, interface |
|
Aesthetic Animism: Digital Poetry as Ontological Probe |
David Jhave Johnston |
2011 |
digital animism, poetry, tavit |
|
Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry |
Andrew Michael Roberts |
2008 |
interactivity, aesthetics, autonomy, sensuous, appearing, avant-garde, anti-aesthetic |
|
Aesthetics of Visual Noise in Digital Literary Arts |
Maria Engberg |
2010 |
fiction, visuality, word-and-image, noise |
|
after emmett: a dispersion of ninetiles |
mIEKAL aND |
1998 |
concrete poetry, kinetic typography, homage |
|
After the Book? |
Carolyn Guyer |
1992 |
|
|
Afterimage |
|
|
|
|
Afterwards |
Judy Malloy |
2003 |
|
|
Against Time |
|
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|
|
Agnieszka Michalska |
|
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|
|
Aina Villanger |
|
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Aisthesis Verlag |
|
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|
|
Alain Vuillemin |
|
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|
|
Alan Filreis |
|
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|
|
Alan Levine |
|
|
|
|
Albeit |
Eduardo Kac |
1989 |
holopoem, holopoetry, Eduardo Kac, early Brazilian electronic poetry |
|
Albert Ginestà |
|
|
|
|
Alberto Saraiva |
|
|
|
|
Alchemy |
Simon Biggs |
1990 |
installation, laser disc, animation, image and text |
|
Alckmar Luiz dos Santos |
|
|
|
|
Aleksandra Małecka |
|
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|
|
Ales Jaklic |
|
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Ales B. Ivanko |
|
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|
Alex Goody |
|
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Alexander Alberrro |
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Alexander Böhnke |
|
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|
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Alexander Gornon |
|
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|
|
Alexander Roesler |
|
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Alexander Szekely |
|
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Alexanderson, Diddle |
|
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|
|
Alexandra Glavanakova-Yaneva |
|
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|
|
Alexey Krakovsky |
|
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|
|
Alfred Marseille |
|
|
|
|
Algorithmic Search for Love |
Julian Palacz |
2010 |
video, movie, spoken word, collage, algorithmic art, search, phrase |
|
Alice Ferrebe |
|
|
|
|
Alice for the iPad |
|
2010 |
application, ipad |
|
Alireza Mahzoon |
|
|
|
|
Alis Yung |
|
|
|
|
Alison Clifford |
|
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|
|
Alison Walker |
|
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|
|
All The Numbers From Numbers |
Kenneth Goldsmith |
2008 |
|
|
All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber |
Carolyn Guertin |
2008 |
|
|
All Tomorrow's Parties |
Scott Rettberg |
2010 |
history, ELO, community, parody, literary institutions, Robert Coover |
|
All wrongs reversed ©1982 |
JODI |
2004 |
BASIC, sinclair zx, performative rendering, poiesis |
|
Alla ricerca di tracce: Letteratura nella rete, letteratura creata per la rete e la loro storia |
Peter Gendolla, Jörgen Schäfer |
2004 |
|
|
Allegra Pietera |
|
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|
|
Allegra Fi Wakest |
|
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|
|
Allen Riley |
|
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Allison Alexy |
|
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|
|
Allison Gray |
|
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|
|
Allyson Cikor |
|
|
|
|
Almost Goodbye |
Aaron A. Reed |
2012 |
choice, UnDum, procedural generation, science fiction |
|
Alok B. Nandi |
|
|
|
|
Alphabet on the Move: Digital Poetry and the Realm of Language |
Janez Strehovec |
2010 |
|
|
Alt-X |
|
|
|
|
altavista words |
Nelli Rothvee |
1997 |
|
|
Alternative Avenues in Digital Poetics and Post-Literary Studies |
Talan Memmott, Maria Damon, Claire Donato, Chris Funkhouser, Carolyn Guertin, Jeff T. Johnson, Eric Snodgrass, Alan Sondheim |
2012 |
digital poetics, storytelling, education, technologial studies |
|
Am I All Alone Here? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Amanda Goodenough |
|
|
|
|
Amanda Starling Gould |
|
|
|
|
Ambient Fish |
Caroline Bergvall |
2008 |
|
|
Amelia Sanz |
|
|
|
|
Amoklæsning |
Simon Gotrian |
2001 |
performance, lyric, e-lit, Nordic, collaborative, mashup, audio-visual, responsive, multimodal |
|
Amor de Clarice (v. 2). Versão Combinatória |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Amor de Clarice [Resenha] |
Pedro Reis |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Amor-mundo, ou a vida, esse sonho triste (cn) |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Amy Sara Caroll |
|
|
|
|
An Annotated Bibliography Of Interactive Fiction Scholarship |
|
|
interactive fiction |
|
An Essay on the Golden Lion: Indra's Net IV |
John Cayley |
1995 |
generative hypertext, hypercard, acrostic, algorithmic poem |
|
An ethnography of a networked community as emergent creativity |
Penny Travlou |
2010 |
|
|
An Interview with Dan Waber on "five by five" |
Rita Raley, Dan Waber |
2006 |
|
|
An Interview with John Cayley on "Torus" |
Rita Raley, John Cayley |
2006 |
3D, spatialization, spatial discourse, cave writing |
|
An interview with Maria Engberg |
David Thomas Prater, Maria Engberg |
2011 |
pedagogy, electronic literature, sweden |
|
An Ornithology of Net Art |
Mark Tribe |
2006 |
|
|
Ana Carvalho |
|
|
|
|
Ana Toscano |
|
|
|
|
Analog/Digital – Opposition oder Kontinuum? Zur Theorie und Geschichte einer Unterscheidung |
|
2004 |
|
|
Anders Bojen |
|
|
|
|
Anders Lundberg |
|
|
|
|
André Cutair |
|
|
|
|
André Lemos |
|
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|
|
Andre Parente |
|
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|
|
Andre Vallias |
|
|
|
|
Andreas Meier |
|
|
|
|
Andrei Gheorghe |
|
|
|
|
Andreja Kuluncic |
|
|
|
|
Andrew Hargadon |
|
|
|
|
Andrew Badr |
|
|
|
|
Andrew Brogdon |
|
|
|
|
Andrew Culver |
|
|
|
|
Andrew McClain |
|
|
|
|
Andrew Plotkin |
|
|
|
|
Andrew Stern |
|
|
|
|
Andrzej Pajak |
|
|
|
|
Anfipoemas |
Wlademir Dias-Pino |
2008 |
Brazilian concrete poetry, antecedents |
|
Angela Chang |
|
|
|
|
Angela Dentanico |
|
|
|
|
Angela Ferraiolo |
|
|
|
|
Angela A. Thomas |
|
|
|
|
Animals are Placebos |
Jennifer Roudabush, Caren Beilin |
2008 |
|
|
Animate Projects |
|
|
|
|
Anja Pratschke |
|
|
|
|
Anja Rau |
|
|
|
|
Anna Gunder |
|
|
|
|
Anna Hallberg |
|
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|
|
Anna Gunder |
|
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|
|
Anna Tolkacheva |
|
|
|
|
Anne Burdick |
|
|
|
|
Anne Frances Wysocki |
|
|
|
|
Annette Barbier |
|
|
|
|
Annie Abrahams |
|
|
|
|
Annie Johanna Abrahams |
|
|
|
|
Annika Richterich |
|
|
|
|
anomalie digital_arts |
|
|
|
|
Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst |
Reinhard Döhl |
1996 |
|
|
Anthological and Archaeological Approaches to Digital Media: A Review of Electronic Literature and Prehistoric Digital Poetry |
Stephanie Boluk |
2009 |
review, literary history, electronic literature, digital poetry, ergodic, anthological, archaeological |
|
Anthology of Concrete Poetry |
|
1967 |
|
|
Anthony Enns |
|
|
|
|
Anthropos |
|
|
|
|
Anti-Spam: Reinventing Data |
Álvaro Seiça |
2012 |
datascape, data mining, visualization, digital art, impedance, projection mapping |
|
Antipodes Association |
|
|
|
|
Anton Ferret Baig |
|
|
|
|
Antonio Koch |
|
|
|
|
Apenas estas palavras mutantes |
Pedro Barbosa |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature, sound |
|
Apología de la brevedad: Intermínims de navegació poètica o la tentación del silencio |
Laura Borràs Castanyer |
2005 |
|
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
Apple in Space - Search the World |
Beat Suter, René Bauer |
2004 |
radio art, net literature, net art |
|
Apresentação de Amor de Clarice |
Sérgio Bairon |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature |
|
AR Cantú |
|
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Arabisk og asemisk kalligrafi |
Karen Wagner |
2005 |
symbols, linearity, alphabet, e-lit, mysticism, form, abstract, representation, artistic tradition, language, language philosophy |
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Archive, Database, Interface (English 5380, History 5348, Spring 2009) |
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Ariana-Sophia Kartsonis |
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Arianna Gass |
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Aristarkh Chernyshev |
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Arlindo Machado |
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Arnaldo Antunes |
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Arnaud Regnauld |
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Arnoud van Adrichem |
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Arquitetura para Memória |
Anja Pratschke |
2009 |
media architecture, virtual environments, brazilian cyberstudies |
|
Art and Electronic Media |
Edward A Shanken |
2009 |
electronic art, digital art, new media art, survey, art history |
|
Art Com Electronic Network |
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Art Focus for Technologies: Charm and Challenge |
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robotics, electronics, telecommunication, bio technologies, contemporary technological culture, media art, interactivity, performativity |
|
Art on Air - Radiokunst im Wandel |
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Art, Creativity, Intellectual Property and the Commons |
David M. Berry, Giles Moss |
2005 |
art, Creative Commons, free software, copyleft, creativity |
|
ArtByte: The Magazine of Digital Arts |
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Arte Cibernética - Coleção Itaú Cultural |
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interactive installation, Brazilian elit, digital art |
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Arte e Tecnologia: uma História Porvir |
Paula Perissonotto |
2010 |
|
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Artech 2005: Nas fronteiras do imaginário |
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Artemídia e Cultura Digital |
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2009 |
electronic art, electronic literature, new media criticism, new media aesthetics, Brazilian elit, ludology, computer-mediated narratives |
|
Arthur Protásio |
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Arthur Redding |
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Artifice of Absorption |
Charles Bernstein |
1992 |
|
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Artist's Statement No. 45,730,944: The Perfect Artistic Website |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Artist's Statement No. 45,730,944: The Perfect Artistic Website (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
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Artists' Books in the Digital Age |
Margot Lovejoy |
1997 |
artist books |
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Arts and Humanities in Higher Education |
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As belas formas da melancolia |
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ASAP 2: Configuring the Present Across Arts and Media |
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Ask Me for the Moon: Working Nights in Waikiki |
John David Zuern |
2004 |
poetry, tourism, labor, night, images |
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Associação C.C.G. |
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Association for Computing Machinery |
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Association for Computing Machinery (ACM) |
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Astrid Lampe |
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Asunto Hola |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
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experimental cinema, Flash |
|
Atlantic Monthly |
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Auf Spurensuche: Literatur im Netz, Netzliteratur und ihre Vorgeschichte(n) |
Peter Gendolla, Jörgen Schäfer |
2001 |
|
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Augmented Reality Fiction |
Stefan Schemat |
2000 |
|
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Augusto de Campos |
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Authoring 2.0: Writing Digital Culture (ENGL 5380-001) |
|
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authors, authorship, publishing, remix, markup, tactical media, creativity, copyright |
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Authoring Software |
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interactive fiction, software, electronic literature, hyperfiction, epoetry, algorithmic text generation, authoring system |
|
Authorship and agency in networked environments |
Simon Biggs |
2010 |
authorship, agency, environments |
|
Auto/onto-poiesis |
Simon Biggs |
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generative, generative poetry, simon biggs, identity, poiesis, Brazilian Electronic Literature Collection |
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Auto/onto-poiesis |
Simon Biggs |
2008 |
generative poetry, Brazilian Electronic Literature Collection, simon biggs |
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AutoSummarize |
Jason Huff |
2010 |
summarize, relevance, reduction, literature, Microsoft Word |
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Ava Publishing |
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Avant-Gaming: An Interview with Jane McGonigal |
Scott Rettberg, Jane McGonigal |
2006 |
locative narrative, alternate reality game, deep play |
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Avant-Garde & Modernism Collection |
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AXIOM Center for New and Experimental Media |
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Azita Ghahreman |
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B A C K L I T |
Cris Cheek |
2012 |
performance, mailing list, facebook, twitter, translocal, conversation |
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Baby Work |
Shu Lea Cheang |
2012 |
installation, performance, cloning, child labor, play, haptic, audio, dissemble |
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Back in the R.O.K. |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Backbeat |
AR Cantú |
2008 |
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Bad Dog Productions |
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Bajke |
Ziga Turk, Barbara Zeleznik, Igor Bizjak |
1986 |
hypertext, adventure game |
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Barbara Bridger |
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Barbara Campbell |
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Barbara Zeleznik |
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Barcelona INK |
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Bas Böttcher |
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Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games |
Keith Stuart, Jason Nelson |
2011 |
interview, blog, game, Flash, electronic literature, net art, digital poetry, digital aesthetics, professionalism |
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Beard of Bees |
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Beathe C. Rønning |
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Béatrice Mousli |
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BeeHive [Hypertext Hypermedia Journal] |
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Behind Façade: An Interview with Andrew Stern and Michael Mateas |
Brenda Bakker Harger, Andrew Stern, Michael Mateas |
2006 |
interactive drama, character, chatterbot/conversational character, natural language processing |
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Being Human |
Annie Abrahams |
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Belinda Barnet |
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Ben Agger |
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Ben Roberston |
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Ben Rubin |
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Ben Samuel |
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Benjamín Escalonilla Godayol |
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Benjamin Bardou |
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Benjamin Hammerich |
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Benjamin Shine |
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Benjamin R. Moreno Ortiz |
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Beobachtung des “ICH”: Zum Zusammenhang von Subjektivität und Medien am Beispiel experimenteller Poesie |
Friedrich W. Block |
1999 |
|
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Bergen Academy of Art and Design |
|
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Berlioz |
Ted Warnell |
2000 |
tone poem |
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Bernhard Ellesfen |
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Between Place and Interface: Designing Situated Sound for the iPhone |
Anders Fagerjord |
2009 |
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Between the Visceral and the Virtual: Navigating the Embedded Surfaces of Shelley Jackson’s Patchwork Girl |
Arnaud Regnauld |
2012 |
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Beyond Space Invaders |
Jennie Rothenberg Gritz |
2006 |
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Beyond the Complex Surface |
Noah Wardrip-Fruin |
2010 |
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Beyond the Screen (review) |
Jan Baetens |
2010 |
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Beyond The Threshold: The Dynamic Interface as Permeable Technology |
Carolyn Guertin |
2008 |
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Beyond Truth and Reason |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Biennale.py |
0100101110101101.ORG Collective |
2001 |
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Bill Benzon |
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Bill Dorris |
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Bill Marsh |
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Billy Collins |
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Birds Still Warm from Flying |
Jason Nelson |
2010 |
cube, Flash, audio, responsive |
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Bitwise: The Logic of the Digital |
Aden Evens |
2010 |
digital culture, digital technology, digital aesthetics, binary, ontology |
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Blackbird: An Online Journal of Literature and the Arts |
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Blackwell Publishing |
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Blair MacIntyre |
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Blake Stimson |
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Blekinge Institute of Technology |
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BLOGS REMEDIATION TRANSMEDIALITY FROM DIGITAL TO PAPER TO EBOOK |
Stefano Calzati |
2011 |
blogging, remediation, transmediality, printed book, ebook, Saramago, Duchesne |
|
Bloomsbury Academic |
|
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|
Blue Lacuna |
Aaron A. Reed |
2009 |
interactive fiction, novel, reactive characters |
|
Blue Lacuna: Lessons Learned Writing the World's Longest Interactive Fiction |
Aaron A. Reed |
2010 |
interactive fiction, natural language, natural language source code, inform 7, story game, game, character, narrrative, technique |
|
Blue Light |
Kirsten Petersen, Nicole Anderson, Page Schumacher, Kevin Diep, Allison Gray, Tyler Lundfelt, Dylan Symington |
2011 |
mobile, locative, narrative, security |
|
Blue Metropolis Festival 2009 |
|
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|
Bluzgator generator |
Paweł Kozioł |
|
algorithmic text generation, data-collection, randomness, interactive, application |
|
BMG |
|
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|
|
Bo Kampmann Walther |
|
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Bob Bonsall |
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Bob Tedeschi |
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Bob Brown's Reading Machine and the Comic Experience of Electrified Reading |
Eric Rettberg |
2012 |
|
|
Bodies in Code |
Mark B. N. Hansen |
2006 |
embodiment, body, body image, body schema, technogenesis, digital art, digital technology, agency, virtual |
|
Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl |
Alexandra Glavanakova-Yaneva |
2003 |
|
|
Bodyless Art |
Роман Минаев |
2001 |
net art |
|
Bogen jeg ikke skriver |
Mai Misfeldt |
2001 |
e-lit, electronic fiction, traditional literature, Nordic, static, memoir, philosophical |
|
Bogumiła Suwara |
|
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Bokstavene |
Sigurd Tenningen, Kristian Pedersen |
2010 |
animation, visual, letters, alphabet, microfilm |
|
Bonnierlyrik |
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Bonniers Konsthall |
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|
Boogie-Woogie Wonderland |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
Flash |
|
Book of Shadows |
Simon Biggs |
1994 |
documentation, interactive, animation, CD-ROM |
|
book review: not a b (pdp remix) |
Chris Funkhouser |
2008 |
animation, electronic poetry, audio, anagrammatic poem, multimedia animation |
|
Book Unbound |
John Cayley |
1995 |
hypertext, hypercard, generative, 1990s, Mac, download |
|
Borderline |
Donna Leishman |
2012 |
performance, audiovisual, participatory, VJ |
|
Born Digital: Writing Poetry in the Age of New Media |
Maria Engberg |
2007 |
materiality, ekphrasis, textuality, graphesis, cinematographic poetry |
|
Born Magazine |
|
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|
|
Boulder Pavement |
|
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|
|
Bournemouth University |
|
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|
|
bp Nichol |
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Branch Magazine |
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Brandeis University |
|
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|
|
Brandon Tearse |
|
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Brandon Wood |
|
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|
|
Bread.Crumbs |
Talan Memmott |
1998 |
textual, narrative, linear, mythology, hypertext, hyperlink |
|
Brenda Laurel |
|
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|
|
Brenda Bakker Harger |
|
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Brian Boyd |
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Brian Croxall |
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Brian Evenson |
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Brian House |
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Brian Lennon |
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Brian McHale |
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Brian Reed |
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Bricoleur (Interview with David Clark) |
David Jhave Johnston, David Clark |
2012 |
|
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Bridge Work |
Chris Funkhouser |
2003 |
science, poetry, typography, sonnet, hybrid, review |
|
Brincando e Jogando: Reflexões e Classificações |
Bo Kampmann Walther |
2010 |
game studies, ludology, autopoiesis, Brazilian elit |
|
Brion Moss |
|
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|
Broadening the e-learning technologies on literature: the effect of it over medieval Romance Literature |
Laura Borràs Castanyer |
2007 |
|
|
Brown House Kitchen |
Judy Malloy |
1993 |
interactive fiction, moo, generative |
|
Brown University Scholarly Technology Group |
|
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|
|
Brown University, Department of English |
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|
Brown University, Department of Literary Arts |
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Bruce Clarke |
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Bruno Nadeau |
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Bruno Scoccimarro |
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Bruno Latourbot |
Anonymous |
2013 |
twitter, bot, social media |
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Brzinski spomeniki |
Marko Košnik |
1994 |
audio, figures of manipulation, voices, expressive processing |
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Bunk Magazine |
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Bust Down the Door! |
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2009 |
article, gallery |
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Buzz Aldrin Doesn't Know Any Better |
Jason Edward Lewis |
2012 |
iOS touch, responsive |
|
Bypass Editions |
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BYTE |
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Caja Negra Editora |
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|
Calaboca |
Lenora de Barros |
2006 |
video poetry, Brazilian electronic poetry, video art, video performance, oi futuro, poiesis |
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Call-for-Papers Texto Digital: "Digital Literature in English: A Trancultural/Transliterary Approach" |
|
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|
|
Calling America |
Mark Cooley |
2007 |
oral history, participatory journalism, documentary, activism |
|
Cambridge Scholars Publishing |
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Caminant |
J.M. Calleja |
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Canonizing Hypertext: Explorations and Constructions |
Astrid Ensslin |
2007 |
teaching, hypertext, pedagogy, electronic literature, hypertext fiction, hypertext literature, canonicity, literary competence |
|
Cappelen Damm Høyskoleforlaget |
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Caren Beilin |
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Carl J. Meyer |
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Carles Hac Mor |
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Carlos León |
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Carlos Labbé |
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Carlos Morgado |
|
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|
Carol-Ann Braun |
|
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Caroline Bergvall |
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Caroline Delieutraz |
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Caroline Jessen |
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Carolyn Black |
|
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Carolyn Guyer |
|
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|
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Carolyn Handler Miller |
|
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|
|
Carrie J. Noland |
|
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|
|
carrier (becoming symborg) |
Damien Everett, Melinda Rackham |
1999 |
collaboration, audio, memoir, documentary, javascript, VRML, viral, games, Shockwave |
|
Cartografi |
Daniela Calisi |
2011 |
|
|
Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism |
Annika Richterich |
2011 |
|
|
Case Studies in American Creative Communities |
Rob Wittig |
2010 |
American communities, environmental factors, situation, interpersonal factors, Invisible Seattle |
|
Casey Reas |
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Catalan Ergodic Literature |
Laura Borràs Castanyer |
2007 |
|
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Catalonian Electronic Literature Communities |
Laura Borràs Castanyer |
2010 |
history, Catalonia, communities, vinaros, Barcelona |
|
Cátedra UNESCO de Leitura PUC-RIO |
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Catharsis and Flow: Two Modes in Our Media Culture |
Jay David Bolter |
2011 |
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Cathy Marshall |
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Cauldron & Net, Volume I |
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|
Cave Writing: Reshaping Writing at Brown |
Robert Coover, John Cayley, Noah Wardrip-Fruin, Samantha Gorman, Rita Raley |
2010 |
electronic literature, e-lit, Robert Coover, typography, cave writing |
|
Cavewriting |
Scott Rettberg, Jill Walker Rettberg, Noah Wardrip-Fruin, Robert Coover, Josh Carroll |
2004 |
CAVE, 3D, collaboration |
|
Ce qui nous reste |
Luc Dall'Armellina |
2011 |
|
|
Ceci n'est pas un Nike |
Giselle Beiguelman |
2002 |
image and text, self-reflexivity, interaction, representation, digital art |
|
Cécile Bucher |
|
|
|
|
Cécile Chevalier |
|
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|
|
Cenários Cíbridos: Átimos calmos em comunicação ubíqua e móvel por conexões transparentes |
Diana Domingues |
2010 |
Cybrid, mixed reality, augmented reality, instantization, affordances, software art, locative interfaces, mobility |
|
Center for Literary Computing, West Virginia University |
|
|
|
|
Centre Pompidou |
|
|
|
|
Centro Cultural de Belém |
|
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|
|
Centro de Tecnologia e Sociedade - CTS |
|
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Ceux l'[image] encore/ une image langue: Beginning with How it is when translating certain processes of electronic literature |
John Cayley |
2012 |
|
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changerTout |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda |
2011 |
|
|
Chaos |
Eduardo Kac |
1986 |
holopoem, Eduardo Kac, Brazilian electronic poetry, spatial |
|
Charles Cumming |
|
|
|
|
Charles Fisher |
|
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|
|
Charles O. Hartman |
|
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Charlotte Hansen |
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charNG: case study of authoring a poetry generator |
Edde Addad |
2011 |
|
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Charting the Shifting Seas of Electronic Literature’s Past and Present |
Jessica Pressman |
2009 |
electronic literature |
|
Chasing Ghosts: Experiencing the Visual Tactility of Michael Joyce’s Electronic Hyperfictions, afternoon, a story (1987) and Twelve Blue (1996) |
Arnaud Regnauld |
2012 |
|
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chatpoetry |
Nelli Rothvee |
1997 |
|
|
Chatten und Clicken |
Uwe Wirth |
2000 |
|
|
Chen Jing |
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Cheri Crenshaw |
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Chernovik |
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Cheryl E. Ball |
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Chiasmatic Encounters |
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Chicago Review |
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Chico Marinho |
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Choice vs. Interaction: the Case of Online Caroline |
William Cole |
2001 |
|
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Choice: Current Reviews for Academic Libraries |
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Chris Green |
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Christian Gratton |
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|
Christian Leifelt |
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|
Christian Vandendorpe |
|
|
|
|
Christian Yde Frostholm |
|
|
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.