|
string-code |
María Mencía |
2011 |
code poetics, Processing, voice activated |
|
Vlado Martek |
|
|
|
|
Franci Zagoričnik |
|
|
|
|
Ray Kurzweil’s Cybernetic Poet |
Ray Kurtzweil |
2000 |
poetry generator |
|
Hospital Tent |
Tony Barnstone, Jonathan Minori, Fabrizio Aiello |
2006 |
hospital, world war 2, nurse, war, Flash, pain, agony |
|
Tony Barnstone |
|
|
|
|
Siofra McSherry |
|
|
|
|
Anna Pitt |
|
|
|
|
Ian Ferrier |
|
|
|
|
John Cage |
|
|
|
|
Roy Ascott |
|
|
|
|
Dennis Ashbaugh |
|
|
|
|
William Gibson |
|
|
|
|
Jonathan Kemp |
|
|
|
|
Sabrina Small |
|
|
|
|
Samsung |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Electronic Literature: What is it? |
N. Katherine Hayles |
2007 |
Electronic Literature Organization, electronic literature |
|
My Boyfriend Came Back From the War |
Olia Lialina |
1996 |
frames, hypertext, visual narrative, remix, war |
|
Olia Lialina |
|
|
|
|
George Mason University, Department of English |
|
|
|
|
Deadline |
Marc Blank |
1982 |
interactive fiction, detective, mystery |
|
Postliterary America: From Bagel Shop Jazz to Micropoetries |
Maria Damon |
2011 |
cyberpoetics, poetry, poetics, postliteray culture, media ecology, e-poetry, cyberpoetry, liteary history, literary criticism, American studies, communities, creative community |
|
University of Iowa Press |
|
|
|
|
Literature Nation |
mIEKAL aND, Maria Damon |
2003 |
poetry, hypertext, hypertext poetry |
|
Michael J. Maguire |
|
|
|
|
New Media Poetry and Poetics |
|
2006 |
new media poetry, digital poetry, poetics, digital poetics, e-poetry, electronic poetry, cybertext, writing in programmable media |
|
Ľubomír Panák |
|
|
|
|
Cybertext Killed the Hypertext Star |
Nick Montfort |
2000 |
cybertext, hypertext, debate, ergodic, ergodic literature, interactive fiction |
|
From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation |
Laura Borràs Castanyer |
2011 |
materiality of language, materiality, sound, birdsongs |
|
On Reading 300 Works of Electronic Literature: Preliminary Reflections |
Joseph Tabbi |
2009 |
electronic literature, e-lit, literary studies, literary networks, networks, tagging, reading, digital humanities, academia, semantic web, web 2.0, knowledge work, electronic book review, ELD, methodology |
|
Beyond Play and Narration: Video Games as Simulations of Self Action |
Jochen Venus |
2010 |
|
|
Jochen Venus |
|
|
|
|
Intellect Ltd. |
|
|
|
|
(Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov |
Bojan Anđelković |
2011 |
noordung, postgravity art, techno, technology, subject, subjectivity, dispositif, aparatus, body without organs, deleuze, foucault, nietzsche, ubermanch, eternal return |
|
Poetry Confronting Digital Media |
Giovanna Di Rosario |
2011 |
poetry, poetics, digital poetics |
|
The Extensions of the Body in New Media Art |
Maja Murnik |
2011 |
body, new media art, embodiment |
|
The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics |
Markku Eskelinen |
2011 |
electronic literature, textual instruments, wetware, cybertext poetics, poetics, digital poetics |
|
dollspace |
Francesa da Rimini |
1997 |
|
|
Francesa da Rimini |
|
|
|
|
Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace |
Maya Zalbidea Paniagua |
2011 |
feminism, cyberfeminism, hyperfiction, digital art |
|
Is There a Message in the Medium? The Materiality of Language |
John Cayley |
2011 |
materiality, light, sound, writing-materiality, materiality of language, literary theory, reading, book |
|
New Media Textuality and Semiotics |
Teo Spiller |
2011 |
digital textuality, semiotics |
|
Srečo Dragan |
|
|
|
|
Literary Aspects of the New Media Art Works by Jaka Železnikar and Srečo Dragan |
Narvika Bovkon |
2011 |
new media art, digital literary art |
|
Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller |
Aleš Vaupotič |
2011 |
new media art, digital art, e-literature, electronic literature |
|
Why digital games and networks can help us to change reality and generate concrete changes in social environments |
Patrícia Gouveia |
2011 |
games, social networks, social relations, technology -- social aspects |
|
Patrícia Gouveia |
|
|
|
|
Big Brother really is watching you: Literature in mobile dataspace |
Beat Suter |
2011 |
surveillance, electronic literature, locative media, locative |
|
New Media ArtPoetry: A Textu(r)al Surface |
María Mencía |
2011 |
digital literary art, new media artpoetry, textuality, poetics, materiality, textural, digital materiality |
|
E-literature and the New Social Paradigms |
Janez Strehovec |
2011 |
e-lit, electronic literature |
|
Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry |
Dubravka Djurić |
2011 |
new media poetics, visual poetry, poetics, Yugoslav poetry, literary history, avant-garde, socialist modernism, ideology, nationalism, concrete poetry |
|
Programmed digital poetry: a poetry of the apparatus; media art? |
Philippe Bootz |
2011 |
digital poetry, programmability |
|
Reversed Remediation. A Critical Display of the Workings of Media in Art |
Saskia Korsten |
2011 |
remediation, art, trompe-l'oleil, media critique |
|
Saskia Korsten |
|
|
|
|
Maja Murnik |
|
|
|
|
Maya Zalbidea Paniagua |
|
|
|
|
Teo Spiller |
|
|
|
|
Narvika Bovkon |
|
|
|
|
Code, Interpretation, Avant-garde |
Roberto Simanowski |
2011 |
code, interpretation, avant-garde |
|
Reflections on the iconicity of digital texts |
Alexandra Saemmer |
2011 |
digital textuality, iconicity, iconic irradiation, semiotics, gesture |
|
Hypertext 3.0: Critical Theory and New Media in an Era of Globalization |
George P. Landow |
2006 |
hypertext criticism, critical theory |
|
Textmaschinen- Kinetische Poesie- Interaktive Installation: Studien zu einer Hermeneutik digitaler Kunst |
Roberto Simanowski |
2011 |
hermeneutics, digital hermeneutics, kinetic poetry, installation, interaction, interactivity |
|
Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives |
Daniel Punday |
2004 |
game narratives, melancholy, emotion, affect, immersion, reader response |
|
Daniel Punday |
|
|
|
|
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace |
|
2012 |
mediality, digitality, subjectivity, media ecology, digital literacy, digital aesthetics, education, cinema, intermediation, film, remediation, media studies |
|
ISEA2009 |
|
|
|
|
ISEA2012 Albuquerque: Machine Wilderness |
|
|
conference, technoculture, ecological thought, technology, nature, art, New Mexico |
|
ISEA2011 Istanbul |
|
|
electronic art, digital art, Turkey |
|
Tumulte, 227 histoires brèves |
François Bon |
2008 |
|
|
Beyond the Book: François Bon and the Digital Transition |
Allison James |
2011 |
François Bon, daily writing, online writing, digital literature, digital textuality |
|
Allison James |
|
|
|
|
E-lit From a Librarian's Perspective |
Thomas Brevik |
2011 |
accessibility, electronic literature, archiving, reading, library |
|
Thomas Brevik |
|
|
|
|
US Library E-Lit Archive Projects |
John M. Vincler |
2011 |
preservation, archive, library, digital library |
|
Portuguese E-Lit Archive |
Rui Torres |
2011 |
poesia experimental, archive, experimental literature |
|
Is e-literature just one big anti-climax? |
Andrew Gallix |
2008 |
e-literature, digital literature, new media writing, hype, digital literacy, transliteracy |
|
The Guardian |
|
|
|
|
Andrew Gallix |
|
|
|
|
The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext |
John Cayley |
2011 |
hypertext, book, history of the book, writing, authorship |
|
Le Noeud |
Jean-François Verreault |
1998 |
hyperfiction |
|
Hypertexte: groupe de recherche sur les écritures hypertextuelles |
|
|
|
|
Hubert de Phalèse |
|
|
|
|
Fabula |
|
|
|
|
Jean-François Verreault |
|
|
|
|
Alain Salvatore |
|
|
|
|
Catherine Ramus |
|
|
|
|
Hypertext: The Electronic Labyrinth |
Ilana Snyder |
1996 |
hypertext, education, digital literacy |
|
Carole Lipsyc |
|
|
|
|
Philippe de Jonckheere |
|
|
|
|
Tim Catinat |
|
|
|
|
Anne-Cécile Brandenbourger |
|
|
|
|
Boris du Boulay |
|
|
|
|
François Bon |
|
|
|
|
DAC Literary Arts Extravaganza Gallery |
|
|
gallery, exhibition |
|
Jay Bushman |
|
|
|
|
Vandenhoeck & Ruprecht |
|
|
|
|
Kristin Veel |
|
|
|
|
Remembering Bogle Chandler |
Rebecca Young |
2008 |
murder, mystery |
|
Interactive Narratives |
|
|
|
|
Rebecca Young |
|
|
|
|
I Have Said Nothing |
J. Yellowlees Douglas |
1994 |
hypertext, fiction, car crash, Storyspace |
|
Composition No. 1 |
Marc Saporta |
1961 |
nonlinear fiction, cybertext, artist book |
|
Les éditions du Seuil |
|
|
|
|
Marc Saporta |
|
|
|
|
Gaps, Maps and Perception: What Hypertext Readers (Don't) Do |
J. Yellowlees Douglas |
1992 |
|
|
J. Yellowlees Douglas |
|
|
|
|
Hypertext: Permeable skin |
Martha Petry |
1992 |
|
|
Martha Petry |
|
|
|
|
Wasting Time |
Judy Malloy |
1992 |
database narrative |
|
Dreamtime |
Stuart Moulthrop |
1992 |
|
|
After the Book: Writing Literature/Writing Technology |
|
1992 |
|
|
Perforations |
|
|
|
|
Puppet Motel |
Laurie Anderson |
1995 |
music, performance art |
|
Cinema Volta: Weird Science and Childhood Memory |
James Petrillo |
1994 |
cinema, memoir, image and text, memory |
|
James Petrillo |
|
|
|
|
Jaime Hernandez |
|
|
|
|
Monica Moran |
|
|
|
|
Rob Swigart |
|
|
|
|
King of Space |
Sarah Smith |
1991 |
science fiction, hypertext narrative |
|
Third Hand Plays: An Introduction to Electronic Literature |
Brian Kim Stefans |
2011 |
|
|
Computational Linguistics |
|
|
|
|
Curveship: An Interactive Fiction System for Interactive Narrating |
Nick Montfort |
2009 |
interactive fiction, authoring system, development system, narrative variation |
|
Laura Goldstein |
|
|
|
|
Dali Clocks: Time Dimensions of Hypermedia |
Stephanie Strickland |
2001 |
time, temporality, netart, perception, web art |
|
Zeros and Ones: Digital Women and the New Cyberculture |
Sadie Plant |
1997 |
cyberculture, cyberfeminism, feminism, history, technology -- social aspects, technoculture |
|
Doubleday |
|
|
|
|
Sadie Plant |
|
|
|
|
Camera Obscura |
|
|
|
|
Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental |
Laura Shackelford |
2006 |
monstrosity, media studies, feminism, posthuman, systems theory |
|
Beyond the Screen (review) |
Florian Hartling |
2010 |
|
|
Click |
John Barth |
1997 |
short story, postmodern fiction, hypertext |
|
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext |
Laura Shackelford |
2005 |
narrative, remediation, hypertext, postmodern fiction, hypertext theory, subjectivity, gender |
|
John Barth |
|
|
|
|
The Postmodern Condition: A Report on Knowledge |
Jean-François Lyotard |
1984 |
postmodernism, epistemology, postmodernity, modernity, performativity, technology, legitimation, language games, paralogy, narrative, metanarrative |
|
Jean-François Lyotard |
|
|
|
|
Genesis |
Eduardo Kac |
1999 |
transgenic poetry |
|
Ars Electronica 99 (LifeScience) |
|
|
|
|
Rafael Lozano-Hemmer |
|
|
|
|
Playable Media and Textual Instruments |
Noah Wardrip-Fruin |
2005 |
game, interactive, hypertext, play, textual instrument |
|
Leuven University Press |
|
|
|
|
Jan van Looy |
|
|
|
|
ÉLA: Études de Linguistique Appliquee |
|
|
|
|
Neohelicon |
|
|
|
|
W. J. T. Mitchell |
|
|
|
|
Etudes de linguistique appliquée |
|
|
|
|
Aesthetics of surface, ephemeral and re-enchantment in digital literature: How authors and readers deal with the lability of the electronic device |
Alexandra Saemmer |
2009 |
digital aesthetics, lability of the device, surface and interface, semiotics, figures of manipulation, figures of animation |
|
I am |
Pär Thörn |
2011 |
|
|
Katy Meyers |
|
|
|
|
Verteiltes literarisches Handeln: Vorüberlegungen zu einer Theorie der Literatur in computerbasierten Medien |
Jörgen Schäfer |
2010 |
|
|
Anderes als Kunst: Ästhetik und Techniken der Kommunikation |
|
2010 |
|
|
Literatur in Netzen/Netzliteratur Research Group |
|
|
|
|
Heather Latimer |
|
|
|
|
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext |
Paul Hackman |
2011 |
hypertext fiction |
|
Paul Hackman |
|
|
|
|
The Electronic Literature Directory |
Joseph Tabbi, Davin Heckman |
2011 |
database, archive, ELO, ELD, digital humanities |
|
Stephen Dougherty |
|
|
|
|
Hervé Zénouda |
|
|
|
|
Renée Bourassa |
|
|
|
|
Eric Snodgrass |
|
|
|
|
Connecting Memories: Contextualizing Creative Research Practice |
María Mencía |
2011 |
practice-led research, research, narrative, interactive, refugee |
|
Digital Literature and the Digital |
Serge Bouchardon |
2011 |
Digital, manipulation, digital writing, digital literature |
|
From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research |
|
2011 |
e-lit, digital poetry, interactive narratives, reader, authorship, materiality, digital aesthetics, codework, academia, publishing |
|
Journal of Writing in Creative Practice |
|
|
|
|
From Revisi(tati)on to Retro-Intentionalization |
Astrid Ensslin |
2010 |
cybersomatic, physio-cybertext, body-machine, gothic, murder-mystery |
|
The Breathing Wall |
Kate Pullinger, Stefan Schemat, Chris Joseph |
2004 |
cybersomatic, physio-cybertext, body-machine, gothic, murder-mystery |
|
Feral Disciplines & Hybrid Codes |
Renée Turner |
2011 |
|
|
Seeing Story and Mapping Narrative |
Carolyn Guertin |
2011 |
|
|
Cityscapes: Thinking Through Practice |
María Mencía |
2011 |
practice-based research, process, audiovisual, interactive, performance, collage, web, inter-phonetic, multicultural, muli-linguisitc, multi-ethnicities, urban calligram, urban screens |
|
In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature |
Jörgen Schäfer |
2011 |
sustainability, teaching, pedagogy, electronic literature, digital literature |
|
Electronic Literature as Interface Criticism |
Søren Bro Pold |
2011 |
|
|
Inanimate Alice: a Pedagogical Community |
Kate Pullinger |
|
|
|
Digital Culture and the End of the University |
Jay David Bolter |
2011 |
|
|
Erling Björgvinsson |
|
|
|
|
Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2006 |
digital poetics, poetry |
|
Barrett Watten |
|
|
|
|
Time Code Language: New Media Poetics and Programmed Signification |
John Cayley |
2006 |
poetics, programmable media |
|
3 Proposals for Bottle Imps |
William Poundstone |
2006 |
|
|
10 Sono at Swoons |
Loss Pequeño Glazier |
2006 |
|
|
Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry |
Alan Filreis |
2006 |
poetics, digital poetry, electronic poetry, kinetic poetry, e-poetry |
|
Screening the Page/Paging the Screen: Digital Poetics and the Differential Text |
Marjorie Perloff |
2006 |
digital poetics, poetry, poetics, digital poetry, interpretation, hermeneutics, literary criticism, e-poetry |
|
Electric Line: The Poetics of Digital Audio Editing |
Martin Spinelli |
2006 |
digital poetics, poetics, editing, audio, digital-audio editing |
|
Digital Arts and Culture 2007 Conference |
|
|
|
|
Digital Arts and Culture 2001 Conference |
|
|
|
|
Digital Arts and Culture 2003 Conference |
|
|
|
|
Riding the Meridian |
Jennifer Ley |
2006 |
|
|
Darren Wershler-Henry |
|
|
|
|
Toward a Poetics for Circulars |
Brian Kim Stefans |
2006 |
|
|
The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis |
Kenneth Goldsmith |
2009 |
|
|
Komninos Zervos |
|
|
|
|
Alternumerics |
Paul Chan |
2000 |
typography, fonts, signification, politics |
|
The Tulse Luper Journey |
Peter Greenaway |
2006 |
cross media narrative, online game |
|
The Tulse Luper Suitcases |
Peter Greenaway |
2000 |
remix, archive, cross media narrative |
|
Juan B. Gutiérrez |
|
|
|
|
TEXT |
JODI |
|
interface, typography, subversion, text, hacking |
|
%Location |
JODI |
|
interface, network, protocol, subversion |
|
Neil Hennessy |
|
|
|
|
lens |
John Cayley |
2006 |
CAVE, 3D, kinetic typography, letters, spatial relationships |
|
The Book After the Book |
Giselle Beiguelman |
2001 |
animation, hypertext, essay, text as image |
|
recycled |
Giselle Beiguelman |
2001 |
kinetic typography |
|
Epistemology of Disruptions: Thoughts on the Operative Logic of Media Semantics |
Ludwig Jäger |
2010 |
epistemology, cultural semantics, disruptions |
|
Ludwig Jäger |
|
|
|
|
RFID: Human Agency and Meaning in Information-Intensive Environments |
N. Katherine Hayles |
2010 |
distributed cognition, RFID, sensors, Philip K. Dick |
|
The Body in Electronic Literature |
Jonathan Jones |
2008 |
|
|
The Present of the Word: Poetry's Coming Digital Presence (on the occasion of the 20th anniversary of the Poetics Program) |
Charles Bernstein |
2011 |
digital poetry, audio, PennSound |
|
Charles Bernstein |
|
|
|
|
Experimental Poetry and Technology in Argentina: History, Critique, Politics |
Claudia Kozak |
2011 |
history, Argentina |
|
Italian E-poetry: Breaking the Traditions? |
Giovanna Di Rosario |
2011 |
|
|
The Poetics of Translating E-Literature |
Yves Abrioux |
2011 |
translation |
|
Prosthesis |
Ian Hatcher |
2011 |
performance, embodiment, cognition |
|
Revolution and Literal Poetics: Writing to be Found and the Natural Language Liberation Fron |
John Cayley |
2011 |
|
|
Penumbra |
Samantha Gorman, Danny Cannizzaro |
2011 |
tablet, ipad, fiction, point of view |
|
The End of Time: On Kawara and Kawara Machines |
Stephanie Boluk |
2011 |
|
|
Codeswitch: the Transborder Immigrant Tool |
Amy Sara Caroll |
2011 |
|
|
Google Earth: A Poem for Voice and Internet |
Manuel Portela |
2011 |
Google, connection, performance |
|
Language, Voice, Sound, Computer |
Jörg Piringer |
2011 |
|
|
10 years of Interpoesia |
Wilton Azevedo |
2011 |
|
|
On Display: Body-Machine-Poem |
Sandy Baldwin |
2011 |
|
|
Assembling the Morrow |
Sandra Huber |
2011 |
|
|
Endgames: The Poetics of Silence |
Steven J. LeMieux |
2011 |
|
|
Jeff T. Johnson |
|
|
|
|
Claire Donato |
|
|
|
|
Close-Reading: Digital Poetry |
Leonardo Flores |
2011 |
poetry, close reading |
|
Electronic Publishing |
Erin Costello |
2011 |
|
|
The Surface Materiality: Performing Generative Writing |
María Mencía |
2011 |
|
|
Bearing the Fruits of E-Poetry: A Personal Decennial View |
Chris Funkhouser |
2011 |
digital poetry, e-poetry, electronic poetry |
|
PO.EX '70-80: The Electronic Multimodal Repository |
Rui Torres, Manuel Portela |
2011 |
experimental literature poesia experimental digital archives, emulation, video poetry, sound poetry, concrete poetry, visual poetry, electronic literature |
|
Wilton Azevedo |
|
|
|
|
Computer Power and Human Reason |
Joseph Weizenbaum |
1976 |
computation, reason, artificial intelligence, chatbot |
|
The Code is not the Text (unless it is the Text) |
John Cayley |
2002 |
code, codework |
|
An Interview with David Knoebel on "Heart Pole" |
David Knoebel, Rita Raley |
2006 |
3D, spatialization, spatial discourse |
|
Electronic Literature (English 146) |
|
|
UCSB, Literature and Culture of Information, Department of English, Santa Barbara, syllabus |
|
five by five |
Dan Waber, Jason Pimble |
2006 |
3D, collaboration, Java, static, responsive |
|
David Knoebel |
|
|
|
|
Joël Gilles |
|
|
|
|
Marc Veyrat |
|
|
|
|
Étienne Armand Amato |
|
|
|
|
Sébastien Genevo |
|
|
|
|
Erin Costello |
|
|
|
|
Jeff Knowlton |
|
|
|
|
Hundekopf |
Brian House, Sue Huang |
2005 |
urban, interactive, locative narrative, mobile, train, resistance, environment |
|
Juan José Diez |
|
|
|
|
frAme: Journal of Culture and Technology |
|
|
|
|
Approaches to Digital Literature: Temporal Dynamics and Cyborg Authors |
Raine Koskimaa |
2010 |
|
|
Teaching Digital Literature through Multi-Layered Analysis |
Raine Koskimaa |
2010 |
teaching, electronic literature, digital literature |
|
In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia |
Janez Strehovec |
2010 |
teaching, electronic literature, digital literature, Slovenia |
|
Anastasia Natsina |
|
|
|
|
Nokturno.org |
Marko Niemi |
2011 |
|
|
Netzliteratur.net and Edition Cyberfiction |
Beat Suter |
2011 |
publishing, electronic literature, literary history, Germany, Switzerland |
|
The Tradition of E-Lit Publishing in France |
Philippe Bootz |
2011 |
france, electronic literature, literary history, e-lit |
|
ALAMO |
|
|
|
|
Estudis literaris i tecnologies digitals |
|
|
digital literature, e-learning material |
|
Electronic Literature Organization 2007 Symposium: The Future of Electronic Literature |
|
|
|
|
Diari d'una absència |
Laura Borràs Castanyer |
2006 |
ergodic literature, hypertext narrative, Director |
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Digital Assembly, University of Florida |
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alire |
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Marcel Frémiot |
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Poesia |
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Morten Skogly |
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Tehtaan kuolema |
Anni Kämäräinen |
1999 |
documentary, non-fiction, hypertextual, multimodal, report, factories, sound art |
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Anni Kämäräinen |
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Sari Taimela |
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K & K: kultur og klasse: kritik og kulturanalyse |
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Når litteratur går fra papir til skjerm |
Hans Kristian Rustad |
2010 |
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Nordic electronic literature. Tradition, Archiving, and Cultural Valuation |
Hans Kristian Rustad |
2010 |
archiving, nordic e-lit |
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Neseblod |
Morten Skogly |
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Flash, kinetic, visual, audio, images |
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Et null nynner |
Morten Skogly |
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poetry, generative, cut-up, generative poetry |
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Digital Arts and Culture 2005 Conference |
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Digital Arts and Culture 2009 Conference |
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digital arts, culture |
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Digital Cultures Research Centre, University of the West of England, Bristol |
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The Barrier Frames / Diffractions Through |
Jim Rosenberg |
1998 |
layers, clustering, hypertext poetry, language poetry |
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We Descend : Archives Pertaining to Edgerus Scriptor, Volume 1 |
Bill Bly |
1997 |
history, hypertext fiction, interpretation, myth |
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Bill Bly |
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Charmin' Cleary |
Edward Falco |
1999 |
hypertext, fiction, short story, sex, violence, college |
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On the Birthday of a Stranger |
Michael Joyce |
1999 |
hypertext fiction, John Hawkes |
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Ferris Wheels |
Deena Larsen |
1999 |
hypertext, short fiction |
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Literary Hypertext: The Passing of the Golden Age |
Robert Coover |
1999 |
poetry, hypertext, fiction, golden age, transition, line |
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Rudy Lemcke |
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The Glass Snail: a Pre-Christmas Tale |
Milorad Pavić |
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narrative, fiction, multilinear, christmas |
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Dictionary of the Khazars: A Lexicon Novel |
Milorad Pavić |
1988 |
history, novel, ethnicity, mythology, religion, lexicon, multilinear |
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Milorad Pavić |
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Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report |
Theodor Holm Nelson |
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hypertext, hypermedia, multimedia, computers |
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As We May Think |
Vannevar Bush |
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hypertext, history, archive, science, memex, associative indexing, research |
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Vannevar Bush |
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A Cyborg Manifesto |
Donna Haraway |
1985 |
cyborg, feminism |
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Frankenstein; or, The Modern Prometheus |
Mary Shelley |
1831 |
intertextuality, literature, gothic, monster, knowledge, Prometheus, education |
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Robert Ford |
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Breathing at the Galaxy’s Edges |
Deena Larsen |
1999 |
haiku, hypertext poem |
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Frame Work: A Hypertext Poem |
Robert Kendall |
1999 |
hypertext, poem |
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The Hugo Ball |
Talan Memmott |
2006 |
Flash, sound poetry, dada, Hugo Ball, nonsense |
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Reading by Talan Memmott (Electronic Literature Research Group, UiB) |
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OEI |
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Reach, a Fiction |
Michael Joyce |
2001 |
narrative, hypertext fiction |
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10 Poemes en 4 Dimensions |
Xavier Malbreil |
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visual poetry, animation, animated gif |
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Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
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degenerativa |
Eugenio Tisselli |
2005 |
philosophical, erasure, degenerative, interactive, poetics |
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Langweekend |
Beathe C. Rønning |
2006 |
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How We Read: Close, Hyper, Machine |
N. Katherine Hayles |
2010 |
reading, hyperreading, close reading, machine reading, pedagogy, teaching, distant reading, interpretation, literary studies, digital humanities |
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Noon Quilt |
Sue Thomas, Teri Hoskins |
1998 |
collaboration, collaborative narrative, description, quilt |
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Teri Hoskins |
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Friday's Big Meeting |
Rob Wittig |
2000 |
web, comedy, time-based, chatroom, corporate |
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Kristóf Fenyvesi |
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Theodoros Chiotis |
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Daniela Calisi |
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Dear Navigator |
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FILMTEXT 2.0 |
Mark Amerika |
2002 |
narrative, performance, literature, remix, film, remediate |
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Across Media: Contemporary Literature and Media Culture |
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Ambroise Barras |
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Jean-Pierre Balpe |
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False Pretenses, Parasites, and Monsters |
Tom LeClair |
2000 |
hypertext, materiality, fiction, collaboration, novel, aesthetics, hypertext fiction, literary criticism, gender, monstrosity, feminism, parasitism, encyclopedic novel |
|
Brendan Howell |
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Postmodern Culture |
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James Richard Meehan |
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Jean Clément |
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Workplace is Mediaspace is Cityscape: Nick Montfort on Book and Volume |
Jeremy Douglass |
2006 |
city, interactive fiction, games, constraint, space |
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Scripting Writing and Reading in Jim Andrews's Digital Poems |
Manuel Portela |
2010 |
visuality, semiotics, animation, intertextuality, digital toys |
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Principles of Spatialization in Text and Hypertext |
Karin Wenz |
1997 |
hypertext, spatialization, space, narrative space, discursive space |
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E-Poetry 2003 |
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E-Poetry 2005 |
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Entity, Identity: Towards a Tool for Indexing Documents Concerning Digital Poetry |
Philippe Bootz, Samuel Szoniecky, Abderrahim Bargaoui |
2009 |
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MIDIPoet |
Eugenio Tisselli |
2002 |
visual poetry, software, performance, performative |
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Against Digital Poetics |
Sandy Baldwin |
2009 |
digital poetics |
|
E-Poetry Triangulated |
Markku Eskelinen |
2009 |
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The Inframergence |
Jim Rosenberg |
2009 |
animated text, screen stage, live performance |
|
Typing the Dancing Signifier: Jim Andrews' (Vis)Poetics |
Leonardo Flores |
2010 |
digital poetry, visual, code studies |
|
Twisty Little Passages: An Approach to Interactive Fiction |
Nick Montfort |
2003 |
interactive fiction, riddles |
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Cybertekst: Metodologia i interpretacja |
Emilia Branny-Jankowska |
2011 |
cybertext, dissertation |
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The Oulipo: Constraints and Collaboration |
William Gillespie |
2000 |
collaboration, Oulipo, constraints, writing games |
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Computers, Cut-ups and Combinatory Volvelles: An Archaeology of Text-generating Mechanisms |
Whitney Anne Trettien |
2009 |
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Hypertext and the Female Imaginary |
Jaishree K. Odin |
2010 |
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My Name is Captain, Captain |
Judd Morrissey, Lori Talley |
2002 |
poetry, hypertext, audio, sound, word and image, navigation, flight |
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Between Play and Politics: Dysfunctionality in Digital Art |
Marie-Laure Ryan |
2010 |
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M. D. Coverley |
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Digitally Modified Organism |
Lello Masucci |
2010 |
video, recombinant, dmo |
|
Stéphanie Spenlé |
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University of Notre Dame Press |
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Linda Carroli |
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Illya Szilak |
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Braxton Soderman |
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Michael Mateas |
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Bjørn Magnhildøen |
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Caitlin Fisher |
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William Gillespie |
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DHQ Digital Humanities Quarterly |
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Colossal Cave Adventure |
Will Crowther, Don Woods |
1976 |
interactive fiction, text adventure, 1970s |
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Nachtkrabbel |
Tonnus Oosterhoff |
2011 |
Flash, digital poetry, handwriting, materiality of letters, rewriting |
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The Raw Shark Texts |
Steven Hall |
2007 |
narrative, fiction, memory, experimental fiction, print fiction, amnesia, innovative fiction |
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Mark Amerika |
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Gabriela Redwine |
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Nippon |
Young-Hae Chang, Marc Voge, Young-Hae Chang Heavy Industries |
2003 |
experimental cinema, Flash, translation, sex, smoking |
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Leaved Life |
Anne Frances Wysocki |
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Poems That Go |
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Candles for a Street Corner |
Robert Kendall, Michele D'Auria |
2004 |
Flash, collaboration, epoetry, electronic poetry, audio, city, melancholy, double entendre, sex |
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Word Circuits |
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Cauldron & Net |
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Incident of the Last Century 1999, Sampling Sarajevo |
Grégory Chatonsky |
1998 |
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Grégory Chatonsky |
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Vingt ans après |
Sophie Calle |
2001 |
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Sophie Calle |
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Mark H. Hansen |
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Zeit für die Bombe |
Susanne Berkenheger |
1997 |
hyperfiction |
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Susanne Berkenheger |
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Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres |
Jan Baetens |
2010 |
electronic literature, interface, literary theory |
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Juliet Ann Martin |
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Anne Bang-Steinsvik |
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Je t'aimerai |
Jean-Marie Dutey |
1995 |
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Le mange-textes |
Jean-Marie Dutey |
1989 |
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Jean-Marie Dutey |
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Amour |
Philippe Bootz |
1989 |
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Ré veille d’artiste |
Philippe Bootz |
2007 |
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Metamorphose |
Philippe Bootz |
1988 |
|
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Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
Richard Holeton |
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Emilia Branny-Jankowska |
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Samuel Szoniecky |
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The Possible Worlds of Hypertext Fiction |
Alice Bell |
2010 |
hypertext fiction, hypertext criticism, hypertext theory |
|
Palgrave Macmillan |
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Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb |
Katja Kwastek |
2009 |
geopoetics, locative media |
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Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics |
John Cayley |
2009 |
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Reading the Discursive Spaces of Text Rain, Transmodally |
Francisco J. Ricardo |
2009 |
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Camille Utterback |
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Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work |
N. Katherine Hayles |
2009 |
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Alletsator |
Pedro Barbosa , Luís Carlos Petry |
2008 |
3D, collaboration, interactive, generative, hypermedia, combinatorial, game, random, quantum opera, cybertheater |
|
Monique Maza |
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Matières textuelles sur support numérique |
Alexandra Saemmer |
2007 |
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Karin Wenz |
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Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective |
Asunción López-Varela Azcárate |
2008 |
intertextuality, textuality, digital literacy, literary studies, intermediality, multimodality |
|
Pat Harrigan |
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A bribes abattues |
Philippe Bootz |
1990 |
poetry, kinetic |
|
Pluto Press |
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Daniel Apollon |
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Michelle Teran |
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Emily Short |
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Sunshine '69 |
Robert Arellano |
1996 |
hypertext, fiction, novel, 1960s, acid, travel, historical |
|
Rob Bevan |
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Tim Wright |
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New York Times Book Review |
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Hypertext Hotel |
Robert Coover |
1992 |
collaboration, moo, play, parody, spatial |
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Writing at the Edge |
George P. Landow |
1995 |
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Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1997 |
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Hamlet on the Holodeck: The Future of Narrative in Cyberspace |
Janet Murray |
1998 |
interactive narrative |
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The Free Press |
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True North |
Stephanie Strickland |
1997 |
poetry, hypertext, history, time, geography, mathematics |
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Samplers: Nine Vicious Little Hypertexts |
Deena Larsen |
1998 |
hypertext, Storyspace, hypertext fiction |
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Patterns of Hypertext |
Mark Bernstein |
1998 |
hypertext, patterns, structure |
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Kaj Groenback |
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Elli Mylonas |
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Frank Shipman |
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Mark Bernstein |
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Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates |
Roberto Simanowski |
2007 |
Eduardo Kac, biopoetry, holopoetry, close reading, taxonomy, digital literature |
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bleuOrange |
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Stagno |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
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Orality Writing Vision |
Luigi Frezza |
2011 |
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Luigi Frezza |
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From Mimetic to Cybernetic |
Mario Franco |
2011 |
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Mario Franco |
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Digital Media |
Scott Rettberg, Jill Walker Rettberg |
2010 |
teaching, interactive fiction, narrative, hypertext, pedagogy, electronic literature |
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Twilight, A Symphony |
Michael Joyce |
1996 |
hypertext, fiction, Storyspace |
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Hypertext Fiction in the Twilight Zone |
Raine Koskimaa |
1998 |
hypertext fiction, space, time |
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Text as Virtual Reality (Techno-Aesthetics and Web-Literatures) |
Janez Strehovec |
1998 |
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The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media |
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2007 |
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Biopoetry |
Eduardo Kac |
2011 |
digital poetics, poetics, biopoetry, holopoetry |
|
Aspects of Experiencing Poetry in Digital Media |
Mohsen Emadi |
2011 |
poetry, natural language, machine language |
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Mohsen Emadi |
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E-Literature vs. E-poetry |
Caterina Davinio |
2011 |
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Caterina Davinio |
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Variability and Intermediality as Challenges to Preservation Issues: Reflections about the Design and Implementation of Digital Archives |
Rui Torres |
2011 |
archive, preservation, intermediality |
|
Filiations and History of Digital Literature in France |
Serge Bouchardon |
2011 |
france, history, characteristics, groups |
|
About Some Programmed Forms in Digital Poetry |
Philippe Bootz |
2011 |
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The Textual Whole and its Vicissitudes in Digital and Ergodic Literature |
Markku Eskelinen |
2011 |
textuality |
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E-Art: Fragmentation and Assembling |
Alessandro Zinna |
2011 |
artistic tradition |
|
Alessandro Zinna |
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The Virtual and The Virtuous |
Luigi Caramiello, Salvatore Monaco |
2011 |
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Luigi Caramiello |
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eLiterature: Literature in the Digital Era. Definition, Concept and Status |
Fabio De Vivo |
2011 |
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From Textual Random Synthesis to Hypermedia - The Genesis of a Multimedia Electronic Work: ALLETSATOR/ROTASTELLA |
Pedro Barbosa |
2011 |
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A Short History of Electronic Poetry |
Loss Pequeño Glazier |
2011 |
history, epoetry, festival, epc |
|
Art, Activism and Web. Notes and Hypothesis for a Historical Overview |
Stefano Taccone |
2011 |
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Stefano Taccone |
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New Media ArtPoetry: A Reflection on Practice |
María Mencía |
2011 |
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Video Ergo Sum: Video as Symbolic Form |
Paolo Granata |
2011 |
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Agata Chiusano |
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Digital Literary Text as a Play and a Ride |
Janez Strehovec |
2011 |
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Digital Arts and Literature – Is it Just a Game? |
Alexandra Saemmer |
2011 |
games, play, literariness |
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WIKIARTPEDIA |
Tommaso Tozzi |
2011 |
wiki |
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Multimodal Metaphor and Intersubjective Experiences: The Importance of Eye-Contact in Davidson’s Graphic Novel The Spiral Cage and in Annie Abrahams Net-Project On Collaboration |
Asunción López-Varela Azcárate |
2011 |
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Derrick de Kerckhove |
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Tommaso Tozzi |
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What is "The Asian Tower"? |
Lorenza Colicigno |
2011 |
Second Life |
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Lorenza Colicigno |
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Collaborative Art Experiments on Facebook |
Raffaele Pinto, Letizia Caiazzo |
2011 |
facebook, collaborative art |
|
Letizia Caiazzo |
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Raffaele Pinto |
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Officina di Letteratura Elettronica (OLE) |
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Jim Rosenberg |
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Olga Werby |
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Christopher Werby |
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Sarah Waterson |
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Vers de nouvelles formes en poésie numérique programmée? |
Philippe Bootz |
2006 |
genre, form, semiotics |
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BEK: Bergen senter for elektronisk kunst |
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Cia Rinne |
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Monica Aasprong |
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Tale Næss |
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Marte Huke |
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Hamnen |
Karl-Erik Tallmo |
1988 |
Swedish, hypertext, hypercard |
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Karl-Erik Tallmo |
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Hva sier trærne? |
Marte Aas, Marte Huke |
2005 |
digital art, conceptual, trees, generative |
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Marte Aas |
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Audun Lindholm |
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Electronic Literature Organization 2010: Archive & Innovate |
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Stream |
Simon Biggs |
2003 |
installation, interactive, 3D, movement, streams, mapping, remote presence |
|
E-Poetry 2009 |
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Scott Hermanson |
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This is Not a Hypertext |
Simon Biggs |
2003 |
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Mozaic |
Simon Biggs |
1999 |
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Postcard |
Simon Biggs |
1998 |
generative |
|
The MIT Press |
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NON-roman |
Lucie de Boutiny |
1997 |
hypertext |
|
Thomas Swiss |
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James Leach |
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Ingen elge på vejen den dag |
Sonja Thomsen |
2001 |
drama, generative fiction |
|
Johns Hopkins University Press |
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'Scape the Hood |
Leslie Rule |
2005 |
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Ethnographic Study of an Online Creative Community |
Penny Travlou |
2010 |
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Copy, Rip, Burn: The Politics of Copyleft and Open Source |
David M. Berry |
2008 |
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Cybermountain Colloquium |
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hypertext, colloquium |
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Tor Åge Bringsværd |
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Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres |
|
2010 |
embodiment, locative narrative, genre, archiving, hermeneutics, interface, actor-network theory, ANT, performance, performativity, materiality |
|
Writing on Complex Surfaces |
John Cayley |
2005 |
writing surface, CAVE, 3D |
|
Jeremy Welsh |
|
|
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.