|
flâneur, a walkthrough: Locative Literature as Participation and Play |
Anders Sundnes Løvlie |
2012 |
|
|
From Concrete to Digital Poetry: Driving Down the Road of Continuity? A Personal Report from Norway |
Ottar Ormstad |
2012 |
|
|
Topdown Digital Literature: The Effects of Institutional Collaborations and Communities |
Yra van Dijk |
2012 |
|
|
Growing up Digital: The Emergence of E-Lit Communities in Spain. The Case of Catalonia “And the Rest is Literature” |
Laura Borràs Castanyer |
2012 |
|
|
Communities/Commons: A Snap Line of Digital Practice |
Loss Pequeño Glazier |
2012 |
|
|
Four Guillemets |
Loss Pequeño Glazier |
2013 |
|
|
Writing To Be Found In Common Tongues |
John Cayley, Common Tongues |
2013 |
|
|
speculat1on.net |
N. Katherine Hayles, Patrick LeMieux, Patrick Jagoda |
2012 |
alternate reality game, recession, capitalism, transmedia |
|
Patrick Jagoda |
|
|
|
|
ON/OFF |
|
|
|
|
konkretpoesi.se |
|
|
|
|
HASTAC 2013: The Storm of Progress: New Horizons, New Narratives, New Codes |
|
|
|
|
York University |
|
|
|
|
Rytm jako kategoria opisu e-literatury |
Emilia Branny-Jankowska |
2011 |
|
|
Poetry@science? – slippingglimpse Stephanie Strickland, Cynthii Lawson Jaramillo i Paula Ryana |
Monika Górska Olesińska |
2011 |
|
|
Eugeniusz Wilk |
|
|
|
|
nextgame |
Friedrich W. Block |
2010 |
chess, combinatory, short story, constraint |
|
Sphiros |
James B. Pollack |
2009 |
Flash, animation, layers, zooming interface, sound, image, headtracking |
|
James B. Pollack |
|
|
|
|
Christian Faur |
|
|
|
|
Attempting Ziggurats 4 |
Ed Osborn |
2010 |
audio, installation, John Barth, spoken word, babble, recitation |
|
Ed Osborn |
|
|
|
|
One or More Disfigurements in the Home |
Benny Lichtner |
2009 |
hypertext, fragmentary, disfigurement |
|
Benny Lichtner |
|
|
|
|
Nine Gestures for J.D. Salinger |
Mikhail Mansion |
2010 |
interactive, constraint, response, writing, machine response |
|
Mikhail Mansion |
|
|
|
|
2 sides/2 lados |
Maria Lucia Cattani |
2010 |
book arts, drawing, script, site-specific |
|
Maria Lucia Cattani |
|
|
|
|
Why Some Dolls Are Bad: a generative graphic novel for the iPhone |
Kate Armstrong |
2007 |
generative, novel, graphic novel, identity, dolls, facebook, Flickr, tags, image and text |
|
Evidence |
Lorenza Samuels |
|
hypertext, sound and image, crime, interactive, detective |
|
Hypertexte |
Gerald Berche-Ngô |
2010 |
hypertext, interactive, story, non-linear |
|
Tamara Lai |
|
|
|
|
243 cartes postales en couleurs véritables |
George Perec |
|
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
|
Un conte à votre façon |
Raymond Queneau |
1999 |
hypertext, interactive, non-linear, abstract, algorithm, combinatorial techniques |
|
Edouard Lussan |
|
|
|
|
Frank Dufour |
|
|
|
|
Frontières Vomies (Borders vometing) |
Jean-Marie Pelloquin |
1995 |
interactive, hypertext, Poetic, non-linear, interactive story |
|
Jean-Marie Pelloquin |
|
|
|
|
What Is at Work in a Work of Digital Literature? |
Marjorie C. Luesebrink |
2010 |
Stephanie Strickland, archiving, electronic poetry, e-poetry, electronic literature, John Zuern, Mark Marino |
|
La machine à écrire (The typewriter) |
Jean Baudot |
1961 |
generated poetry, pioneering |
|
Jean Baudot |
|
|
|
|
Reconsidering the Electronic Literary Artifact: E-Books, Twitterature, and Digitalized Richard Brautigan |
Dene Grigar |
2010 |
literary artifact, e-books, twitter |
|
The Archive as Historical Practice |
Loss Pequeño Glazier |
2010 |
archive, Robert Coover |
|
Algoritmo, (Algorithm) |
Pablo Brito Altamira |
2005 |
hypertext, novell, interactive, crime novel |
|
Pablo Brito Altamira |
|
|
|
|
Edith Checa |
|
|
|
|
Pentagonal |
Carlos Labbé |
2001 |
hypertext, non-linear, simulation, email, digital poem |
|
Desde Aquí (From here) |
Mónica Montes |
|
hypertext |
|
Quintadicopertina |
|
|
|
|
Chi ha ucciso David Crane? (Who killed David Crane?) |
Fabrizio Verrandi |
2010 |
hypertext, crime |
|
Machina Amniotica |
|
|
|
|
Grafoman |
|
1997 |
hypertext, non-linear, fiction |
|
Narrative choice-making, literary trajectories and interactive environments: on the structure and writing of the Unknown Territories |
Roderick Coover |
2010 |
narrative, choice making, literary history, exploration |
|
Tape mark |
Nanni Balestrini |
1961 |
generated poetry |
|
Damascene |
Milorad Pavić |
1998 |
hypertext, non-linear, fiction |
|
Commedia |
Krešimir Pintaric |
2006 |
web, HTML, computer-assisted poetry |
|
gsm.art |
Igor Štromajer |
1999 |
gsm, interactive animation, web, mobile phone, intimate, mobile, communication, art |
|
Nacija-kultura |
Vuk Ćosić |
2000 |
|
|
operabil Vienna |
Marko Košnik |
2005 |
video art, word and image, sound, generative art, generated poetry |
|
Marko Košnik |
|
|
|
|
Eurorun |
Ziga Turk, Matevž Kmet, Barbara Zeleznik, Igor Bizjak, Samo Fosnaric |
1985 |
hypertext, adventure game |
|
Kontrabant 2 (Smuggler 2) |
Ziga Turk, Matevž Kmet, Saso Jankovic, Jani Kovacic |
1984 |
hypertext, adventure game, pioneering |
|
Kontrabant (Smuggler) |
Ziga Turk, Matevž Kmet |
1984 |
hypertext, adventure game, pioneering |
|
Xenon |
|
|
|
|
Ziga Turk |
|
|
|
|
4079 |
Zuzana Husárová |
2011 |
conceptual, digital poem, interactive, non-linear reading, canvas |
|
Mummypoem (Sympathies Of War - A Postscript) |
Tom Konyves |
1978 |
video, digital poem, pioneering |
|
Tom Konyves |
|
|
|
|
Księga Słów Wszystkich - The Book of All Words |
Józef Żuk Piwkowski |
1975 |
word, generator, collection, static, collaboration, algorithm |
|
Mieczysław Gryglik |
|
|
|
|
Józef Żuk Piwkowski |
|
|
|
|
Paweł Kozioł |
|
|
|
|
Art and Electronic Media Online |
|
|
|
|
Internet Present and Future |
|
|
|
|
spätwinterhitze |
Frank Klötgen |
2004 |
hypertext, sound environment, non-linear, fiction, crime, CD-ROM, interactive |
|
Frank Klötgen |
|
|
|
|
tExtra.Tour (tExtra.Touren) |
Oliver Gassner |
2003 |
hypertext, sound, online performance space, art, email art, lectures |
|
Lexikonroman – einer sentimentalen Reise zum Exporteutreffen in Druden |
Andreas Okopenko |
1970 |
hypertext book, non-linear reading, pioneering |
|
Andreas Okopenko |
|
|
|
|
Edition Cyberfiction |
|
|
|
|
Jelena Glazova |
|
|
|
|
The Basho's Expansion |
Paul-Eerik Rummo |
2000 |
|
|
Prepare |
Jaak Tomberg, Lemmit Kaplinski |
1999 |
hypertext |
|
The Weather Station Never Lies |
Tambett Tamm |
1999 |
|
|
Mejan Labs |
|
|
|
|
Database of Virtual Art |
|
|
|
|
Oliver Grau |
|
|
|
|
Ars Electronica Archive |
|
|
|
|
Rhizome Artbase |
|
|
|
|
Az augmentált valóság média– és kommunikációelméleti hatásai |
Zoltàn Szüts |
2011 |
3D, augmented reality |
|
Rheinisch-Westfaelische Technische Hochschule Aachen |
|
|
|
|
Русская вирутальная библиотека |
|
|
|
|
k0cHack0g0s |
Judy Malloy |
2003 |
hypertext |
|
Hypertextual Consciousness 1.0 |
Mark Amerika |
1995 |
critifiction, hypertext, criticism, conceptual art |
|
Hermeneia Directory of On-line Digital Literature |
|
|
|
|
(Polska) poezja cybernetyczna. Konteksty i charakterystyka |
Urszula Pawlicka |
2012 |
|
|
trAce Archive |
|
|
|
|
ELMCIP Remediating the Social: Documentary (5 minute version) |
Richard Ashrowan |
2012 |
|
|
Richard Ashrowan |
|
|
|
|
CARNIVAL |
Steve McCaffery |
1967 |
typewriter, concrete poetry, sound poetry |
|
Steve McCaffery |
|
|
|
|
D. Kimm |
|
|
|
|
Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2013) |
|
|
digital art, electronic literature, computer games, genre |
|
Carl Steadman |
|
|
|
|
ISEA2000 |
|
|
|
|
Et virkeligt parallelunivers |
Christian Yde Frostholm |
2009 |
tourism, hoax, collaborative fiction |
|
Weekendavisen |
|
|
|
|
Radiant Copenhagen |
Anders Bojen, Kristoffer Ørum |
2009 |
map, collaborative, future, science fiction, speculative, narrative, spatial, geography |
|
Kristoffer Ørum |
|
|
|
|
Viva Vaia |
Augusto de Campos |
1979 |
|
|
Não |
Augusto de Campos |
2003 |
|
|
Perspectiva |
|
|
|
|
L’esprit humain |
Jean-Pierre Balpe |
1994 |
poetry generator |
|
Dressage #7 |
Tibor Papp, Claude Maillard |
1990 |
appropriation, visual poetry |
|
Claude Maillard |
|
|
|
|
The IBM Poem |
Emmett Williams |
1966 |
computer poetry, alphabet, constraints, permutation |
|
Music |
Emmett Williams |
1965 |
computer poetry, Dante, word frequency |
|
Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry |
Chris Funkhouser |
2007 |
cannibalism, antropophagy, digital poetry |
|
Open Space Archive |
|
|
|
|
Camille Paloque-Berges |
|
|
|
|
Anick Bergerson |
|
|
|
|
Tibor Papp performance |
Tibor Papp |
2007 |
sound poetry, voices, machine voice, reading |
|
ME |
Jim Rosenberg |
2007 |
hypertext, diagrams |
|
Chyphertext Performance |
Bjørn Magnhildøen |
2007 |
code poetics, network protocols, performance |
|
UbuWeb |
|
|
|
|
From (Command) Line to (Iconic) Constellation |
Kenneth Goldsmith |
2001 |
archive, concrete poetry, web |
|
Hommage a E.A. Vigo |
Ladislao Pablo Györi |
2007 |
3D |
|
Ladislao Pablo Györi |
|
|
|
|
Enquête Infolipo |
Delphine Riss, Cécile Bucher |
2007 |
survey, process, performance |
|
Infolipo |
|
|
|
|
Poubelle |
Guiliano Tosin, Fabio Oliveira Nunes |
2007 |
politics, audio, Flash, George W. Bush, Hugo Chavez, kinetic typography |
|
Guiliano Tosin |
|
|
|
|
Poèmes cumulatifs, en coups d'oeil, avec autoportrait |
Alexandre Gherban |
2007 |
generation, deconstruction, accretion, accumulation, manipulation, audio, user input, poetry, self-portrait, Shockwave |
|
Alexandre Gherban |
|
|
|
|
Merz-i |
Marc Veyrat |
2007 |
Flash, animation, interactive, visual art, iconography |
|
Childe Rolan |
|
|
|
|
Recuil |
Patrick Henri Burgaud |
2007 |
poetry, HTML |
|
tegendraads |
Guido van der Wolk |
2007 |
kinetic typography, marquée, poetry |
|
regen |
Guido van der Wolk |
2007 |
kinetic typography, marquée, poetry |
|
Guido van der Wolk |
|
|
|
|
The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
|
Heather Raikes |
|
|
|
|
Pedro Vitorino Olivera |
|
|
|
|
Instant Memory |
Patricia Rydzok, Pedro Vitorino Olivera |
2007 |
flash fiction, interactive fiction, war, pollution, cloning |
|
Petits Poems a Lecture Inconfortable |
Philippe Bootz |
2007 |
|
|
Chicago Humanities Festival |
|
|
|
|
University of Illinois at Chicago, Dept. of Communications |
|
|
|
|
Newspoetry |
William Gillespie |
1999 |
poetry, news, collaboration, network, writing community |
|
Ursula Andkjær Olsen |
|
|
|
|
Anne Marie Ploug |
|
|
|
|
Merete Pryds Helle |
|
|
|
|
Anna Jacobina Jensen |
|
|
|
|
Интернет и киберкультура в России |
|
|
|
|
Кибература |
|
|
|
|
Арт-Тенета - Книга Отзывов на конкурс |
|
|
|
|
Skriv rätt |
Karl-Erik Tallmo |
1992 |
dictionary, hypercard |
|
Frankenstein |
Dave Morris |
2012 |
adaptation, interactive storytelling, iOS, gothic |
|
Profile Books |
|
|
|
|
inkle |
|
|
|
|
The melancholic hypertext : the fate of the writer in the tangential narrative |
Andreas Kitzmann |
1995 |
hypertext, hypertext fiction |
|
McGill University |
|
|
|
|
Van Leavenworth |
|
|
|
|
Umeå University |
|
|
|
|
Between Code and Motion: Generative and Kinetic Poetry in French, Portuguese, and Spanish |
Manuel Portela |
2011 |
code, motion, generative, kinetic poetry, romance language |
|
Romance Notes |
|
|
|
|
Hypertext in the Attic: The Past, Present, and Future of Digital Writing |
Andreas Kitzmann |
2011 |
hypertext fiction, history, Storyspace |
|
Slice |
Toby Litt |
|
blog, narrative, twitter |
|
Toby Litt |
|
|
|
|
A Million Penguins |
|
2007 |
collaborative narrative |
|
In the Garden of Recounting |
Robert Kendall |
2004 |
|
|
From Text to Txting: New Media in the Classroom |
|
2011 |
|
|
Clint Burnham |
|
|
|
|
Paul Budra |
|
|
|
|
Andreas Kitzmann |
|
|
|
|
Douglas Davis |
|
|
|
|
Close Reading Electronic Literature: A Case Study of William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]“ |
Jessica Pressman, Mark C. Marino, Jeremy Douglass |
2013 |
|
|
A homecoming festival : the application of the dialogic concepts of addressivity and the awareness of participation to an aesthetic of computer-mediated textual art |
Gavin Stewart |
2006 |
|
|
University of Bedfordshire |
|
|
|
|
Incubation3: The 3rd trAce International Symposium on Writing and the Internet |
|
|
|
|
trAce Conferences |
|
|
|
|
The Electronic Chronicles |
Adrianne Wortzel |
1994 |
hypertext, compendium, archives, civilization, fiction |
|
Adrianne Wortzel |
|
|
|
|
Janet Holmes |
|
|
|
|
Inside Blackwell Mansion |
Claudia Yi Leon |
1999 |
3D, spatial narrative, Quicktime VR, haunted house, voice, narrative |
|
Claudia Yi Leon |
|
|
|
|
The Help File |
Nick Montfort |
1999 |
help, conceptual art, parody, hypertext |
|
Opuscula |
Elin Sjursen |
1999 |
poetry, hypertext, animation, random, interactive, paratext |
|
Present, tense, ordinary, fiction comma dot calm |
Michael Joyce |
1999 |
fiction |
|
noth'rs |
John Cayley |
1999 |
transliteral morphing, appropriation, collaboration, poetry |
|
XpoMOO: Ambient Thresholds, Random Art |
Cynthia Haynes, Jan Rune Holmevik |
1999 |
moo, randomness |
|
Waxweb |
David Blair |
1993 |
film, interactive video, hypertext, bees, tragedy, narrative, time |
|
David Blair |
|
|
|
|
Piers Hugill |
|
|
|
|
Instrumental |
John Cayley |
2001 |
|
|
Villadom |
Nick Montfort |
2001 |
|
|
Cloudberries |
Stephanie Strickland |
2001 |
|
|
William Warner |
|
|
|
|
Semiotic Poetry |
Alexandre Gherban |
2002 |
semiotics, poetry |
|
Paratexts: Thresholds of Interpretation |
Gérard Genette |
|
|
|
Gérard Genette |
|
|
|
|
Dorothee Birke |
|
|
|
|
Vika Zafrin |
|
|
|
|
Meghan Newell |
|
|
|
|
Matthew Jockers |
|
|
|
|
Blaz Valdez |
|
|
|
|
Stephen Granade |
|
|
|
|
Poetry, Patterns, and Provocation: The nora Project |
Matthew G. Kirschenbaum |
2011 |
|
|
Glassbead Books |
|
|
|
|
John Holbo |
|
|
|
|
Jonathan Goodwin |
|
|
|
|
Mika Igarashi |
|
|
|
|
Claudia Herbst |
|
|
|
|
Wade Roberts |
|
|
|
|
The Gutenberg Elegies |
Sven Birkerts |
1995 |
|
|
Faber & Faber |
|
|
|
|
Sven Birkerts |
|
|
|
|
LETTERS FROM THE ARCHIVERSE |
Jeff T. Johnson |
2012 |
|
|
Nathaniel Stern |
|
|
|
|
Helen Whitehead |
|
|
|
|
Laura Sullivan |
|
|
|
|
Joeyllyn Rock |
|
|
|
|
Alistair Gentry |
|
|
|
|
Blue Moon Review |
|
|
|
|
Gerard Dalmon |
|
|
|
|
Cilly Castiglia |
|
|
|
|
Claire Carre |
|
|
|
|
Jeremy Bushnell |
|
|
|
|
Rod Moore |
|
|
|
|
Lisa Bloomfield |
|
|
|
|
Pierre Albert-Birot |
|
|
|
|
F.J. Bergmann |
|
|
|
|
Joe Amato |
|
|
|
|
Una Selva Oscura |
Victoria Welby |
2008 |
vispo, participatory, illustration, animation, audio, page, voice, adaptation |
|
Victoria Welby |
|
|
|
|
Ethan Miller |
|
|
|
|
Time Qullts (a loop study) |
Will Luers |
2008 |
video, remix, media art, moie history, nested loops |
|
Poesia Visual 2: Totem de Andre Vallias |
|
|
|
|
ACM Hypertext 2000 |
|
|
|
|
Electronic Literature in the 21st Century |
Neil Fraistat, N. Katherine Hayles, Thomas Swiss, Joseph Tabbi, Kenneth Thibodeau, Emily Warn, Josh Weiner |
2007 |
electronic literature, future, trends |
|
Josh Weiner |
|
|
|
|
Emily Warn |
|
|
|
|
Neil Fraistat |
|
|
|
|
Is the Future of Electronic Literature the Future of the Literary? |
N. Katherine Hayles |
2007 |
literary, literariness, institution, institutionalization |
|
International Electronic LIterature |
Sandy Baldwin, Laura Borràs Castanyer, Bertrand Gervais, Juan B. Gutiérrez, Mark C. Marino, Jill Walker Rettberg |
2007 |
international, collaboration, translation, diversity, language diversity |
|
helen DeVinneny |
|
|
|
|
Process-Intensive Literature |
Susan Schreibman, Robert Kendall, Talan Memmott, Nick Montfort, Stephanie Strickland, Noah Wardrip-Fruin |
2007 |
process-intensive, process, writing process, collaboration, expressive processing |
|
Contemplating Flight |
Donna Leishman |
2008 |
Flash, performance, folktales, interaction, image, symbols |
|
Nazura Rahime |
|
|
|
|
Voice Mosaic |
Martha Carrer Cruz Gabriel |
2004 |
media art, voice, speech, participatory, interface |
|
uConnect |
Mark Cooley |
2004 |
media art, installation, commodification, materiality, labor, ready-made |
|
Joel Weishaus |
|
|
|
|
Something That Happened Only Once |
Roderick Coover |
2007 |
panorama, film, installation, searching, consciousness, mobius strip |
|
Electronic Literature Organization 2008 Media Arts Show: Visionary Landscapes |
|
|
|
|
Cara Ogburn |
|
|
|
|
Julie Lapalme |
|
|
|
|
René Lapierre |
|
|
|
|
Alice Van der Klei |
|
|
|
|
Cynthia Deike-Sims |
|
|
|
|
Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom |
Theodor Holm Nelson |
1981 |
|
|
Diana Pimental |
|
|
|
|
Melinda White |
|
|
|
|
Kristine Trever |
|
|
|
|
Friending The Humanities Knowledge Base: Exploring Bibliography as Social Network in Rose |
Alan Liu, Rita Raley, Dana Solomon |
2012 |
network analysis, digital humanities, data visualization, social relations |
|
Dana Solomon |
|
|
|
|
Course Technology PTR |
|
|
|
|
Digital Panoramas and Cinemascapes |
Roderick Coover |
2008 |
panorama, cinemascape, scrolling, media differences |
|
Practical Play: Research and Invention |
Talan Memmott |
2008 |
play, lab, practice-based research |
|
Croatian Tales of Long Ago |
Helena Bulaja |
2002 |
mythology, folk tales, animation, interactive animation, Flash, game, narrative, children's literature |
|
Helena Bulaja |
|
|
|
|
Thirteen Ways of Looking at a Blackbird |
Edward Picot |
2007 |
poetry, remediation, interpretation, image and text, audio |
|
A Madlib Frost Poem |
George Hartley |
|
poetry, madlib, Robert Frost |
|
Joan Elies Adell |
|
|
|
|
Tale-Spin |
James Richard Meehan |
1976 |
story generator, generation, narrative, expressive processing |
|
Crossed Lines |
Sarah Atkinson |
2007 |
multilinear, interactive film, multi plot, installation |
|
Holly Dupej |
|
|
|
|
University of Calgary |
|
|
|
|
The Madeleine Effect |
Melissa Berman |
2008 |
visual narrative |
|
Melissa Berman |
|
|
|
|
The Aesthetic of Dissonance within 6amhoover.com |
Donna Leishman |
2008 |
disorder, dissonance |
|
Melissa Waterworth |
|
|
|
|
Catherine Stollar Peters |
|
|
|
|
Michael Forstrom |
|
|
|
|
Dawn Dietrich |
|
|
|
|
Musical Time with Kinetic Type |
Brian Evans |
2008 |
music, kinetic typography |
|
Digital Modernism |
Jessica Pressman |
2008 |
modernism, digital modernism |
|
Digital Modernism: Making it New in New Media |
Jessica Pressman |
2007 |
modernism, digital modernism, aesthetics |
|
University of California, Los Angeles |
|
|
|
|
On Moving and Being Moved |
Maria Angel, Anna Gibbs |
2008 |
embodiment, intimacy, synaesthesia |
|
Blending the Crossword with the Narrative: An Examination of the Storygame |
Jimmy Maher |
2008 |
interactive fiction, story game, immersion, interactivity |
|
Jimmy Maher |
|
|
|
|
Meta Discourse: An Investigation into Possibilities of Meta-Fictions in the 21st Century |
Jennifer Roudabush |
2008 |
|
|
David Benin |
|
|
|
|
eye in the making |
John Sparrow |
2006 |
hypertext, audio, video, poetry |
|
John Sparrow |
|
|
|
|
The Rainbow Factory |
Peter Howard |
2000 |
Flash, rainbow, labor, comedy, fiction, hypertext |
|
Transliteracy and Interdisciplinarity in Digital Media Research |
Sue Thomas |
2008 |
transliteracy, interdisciplinarity |
|
Poetic Machines: an investigation into the impact of the characteristics of the digital apparatus on poetic expression |
Jeneen Naji |
2012 |
poetry, epoetry, electronic poetry, digital poetry, new media, translation, technosocialism, literary theory, digital media, cybernetic, meaning making |
|
Dublin City University |
|
|
|
|
Losing the Lottery |
Eric LeMay |
2012 |
lottery, game, essay, satire |
|
Evan Bissell |
|
|
|
|
Avenues of Access: An Exhibit & Online Archive of New 'Born Digital' Literature at the MLA 2013 Convention |
|
|
|
|
University of California, Riverside |
|
|
|
|
Martina E. Linnemann |
|
|
|
|
University of Canterbury |
|
|
|
|
Andrew Hutchison |
|
|
|
|
Curtin University |
|
|
|
|
University of Pennsylvania Press |
|
|
|
|
Silvio Gaggi |
|
|
|
|
Texas Women's University |
|
|
|
|
Print Pathways and Electronic Labyrinths: How Hypertext Narratives Affect the Act of Reading |
J. Yellowlees Douglas |
1991 |
hypertext, reading |
|
Interactive fiction, virtual realities, and the reading-writing relationship |
Sarah Jane Sloane |
1991 |
interactive fiction |
|
Sarah Jane Sloane |
|
|
|
|
University of California, Santa Barbara |
|
|
|
|
University of Pennsylvania |
|
|
|
|
Carnegie Mellon University |
|
|
|
|
Yale University |
|
|
|
|
Expressive Processing: On Process-Intensive Literature and Digital Media |
Noah Wardrip-Fruin |
2006 |
digital media, electronic literature, process intensity, story generation, artificial intelligence, expressive AI, computer games, cybertext, ergodic literature, expressive processing |
|
Brown University |
|
|
|
|
Diana Reed Slattery |
|
|
|
|
University of Zurich |
|
|
|
|
University of Helsinki |
|
|
|
|
University of Bergen |
|
|
|
|
Ohio State University |
|
|
|
|
Università Di Macerata |
|
|
|
|
New York University |
|
|
|
|
Glasgow School of Art |
|
|
|
|
Concordia University |
|
|
|
|
Malmö University |
|
|
|
|
Jyväskylän yliopisto |
|
|
|
|
Craig Hill |
|
|
|
|
Nico Vassilakis |
|
|
|
|
Notes on Gnoetry Daily, Volume 1 |
Chris Funkhouser |
2012 |
poetry generation |
|
Rachel Burman |
|
|
|
|
Jon Trowbridge |
|
|
|
|
Eric Elshtain |
|
|
|
|
Electronic Literature Communities, Part I |
Scott Rettberg, Patricia Tomaszek |
2012 |
communities, ELMCIP |
|
David Familian |
|
|
|
|
Paul Vanouse |
|
|
|
|
Steffi Domike |
|
|
|
|
Beall Center for Art and Technology |
|
|
|
|
Krannert Art Museum |
|
|
|
|
Tele_bits 2.0: Metacinema, Redes Abertas e RA |
Giselle Beiguelman |
2011 |
Brazilian net.art, net.art, telecommunications, QR code, teleintervention, giselle beiguelman |
|
Almas II |
Sérgio Monteiro de Almeida |
|
|
|
Every Duck Has an Adventure |
Daniel Merlin Goodbrey |
2012 |
|
|
Daniel Merlin Goodbrey |
|
|
|
|
Stevan Zivadinovic |
|
|
|
|
Hurst |
Kristi Barnett |
2012 |
|
|
Kristi Barnett |
|
|
|
|
New Media Writing Prize 2012 |
|
|
new media writing, prize, awards, shortlist |
|
Oratorio |
Andre Vallias |
|
flash poem, rio de janeiro, andre vallias, Brazilian elit |
|
Quando Assim Termina o Nunca 1 – Visuais |
Wilton Azevedo |
2004 |
video poetry, Brazilian electronic poetry |
|
Errática |
|
|
|
|
The World Must Be Described: Katarzyna Giełżyńska interviewed by Piotr Marecki |
Katarzyna Giełżyńska, Piotr Marecki |
2012 |
|
|
From The Dictionary of Digital Literature Genres |
Urszula Pawlicka, Mariusz Pisarski |
2012 |
|
|
Supplement |
Monika Górska Olesińska |
2012 |
|
|
Say it With a Film-Poem. On Katarzyna Giełżyńska’s C()n Du It |
Mariusz Pisarski |
2012 |
|
|
Aut or Not |
Urszula Pawlicka |
2012 |
|
|
Piotr Marecki |
|
|
|
|
Collective Memory and the Development of a Field: Building the ELMCIP Electronic Literature Knowledge Base |
Scott Rettberg |
2012 |
|
|
Em territorio escuro |
Florian Cramer |
2008 |
|
|
anomalie_digital arts n°5 "://brasil" / Anomalie |
|
2005 |
Eduardo Kac, brazilian new media art, antecedents, holopoetry |
|
://brasil : festival @rt outsiders 2005 |
|
|
|
|
Monika Górska Olesińska |
|
|
|
|
Enciclopédia Itaú Cultural: Arte e Tecnologia no Brasil |
|
|
|
|
Hyperrhiz.09 |
|
2012 |
|
|
Freedom in the Cloud: Software Freedom, Privacy, and Security for Web 2.0 and Cloud Computing |
Eben Molgen |
2010 |
|
|
Eben Molgen |
|
|
|
|
Invisible Participation: Writing on/over/against the Cloud |
Daniel C. Howe, John Cayley, Jason Huff, Mimi Cabell |
2012 |
|
|
Locating the Creativity in the Interactive Fiction Community |
Yra van Dijk |
2012 |
|
|
A Response to Roberto Simanowski's "The Compelling Charm of Numbers" |
Friedrich W. Block |
2012 |
|
|
Palimpsest |
Amy Guy |
2012 |
locative literature, locative, mapping, literary walk, mobile, Edinburgh |
|
Amy Guy |
|
|
|
|
The Digital Manual |
Smita Kheria |
2012 |
collaboration, case studies, digital manual, knowledge sharing |
|
Upstage |
Helen Varley Jamieson |
2012 |
collaboration, performance, networked community |
|
Sauti ya wakulima: "The Voice of the Farmers": The creation of a community memory through appropriated media |
Eugenio Tisselli |
2012 |
agriculture, activism, collaboration, climate change, collective narrative, environment, knowledge sharing, Tanzania |
|
Open Source Cure |
Salvatore Iaconesi |
2012 |
|
|
Skogen |
Aina Villanger |
2012 |
forest, poetry, time-based, kinetic, animation |
|
Hapax Phenomenon |
John Cayley, Clement Valla |
2011 |
Google, Google whack, image and text, singularity, download |
|
American Psycho, 2010 |
Mimi Cabell, Jason Huff |
2010 |
Google, metadata, search, consumerism, détournement, machine reading |
|
Kliniken |
Annelie Axén |
2011 |
dentist, bueracracy, surveillance, animation, time-based |
|
Annelie Axén |
|
|
|
|
Norangsdalen |
Erlend O. Nødtvedt |
2010 |
time-based, animation, geometric |
|
Erlend O. Nødtvedt |
|
|
|
|
Viva Zombatista |
Simen Hagerup |
2010 |
animation, zombies, animated text, time-based |
|
Simen Hagerup |
|
|
|
|
Webartery |
|
|
|
|
Presenting plans for ELO2015 |
Roderick Coover |
2012 |
|
|
Po-Ex archive and Exhibition Possibilities |
Rui Torres |
2012 |
|
|
On Gasspedal Animert |
Kristian Pedersen |
2012 |
|
|
Gasspedal Animert |
|
|
|
|
Sigurd Tenningen |
|
|
|
|
Peter-Clement Woetmann |
|
|
|
|
Coincidentally the Screen has Turned to Ink: Electronic Literature for Library Spaces |
Søren Bro Pold |
2012 |
|
|
The Cambridge Companion to American Fiction After 1945 |
|
2012 |
|
|
Cambridge University Press |
|
|
|
|
Para compreender o híbrido, o imaterial e o móvel sob o prisma da liberdade e da solidariedade |
Eugênio Trivinho |
2010 |
|
|
Centro Interdisciplinar de Pesquisas em Comunicação e Cibercultura - PUC-SP (CENCIB) |
|
|
|
|
James Tenney |
|
|
|
|
Alison Knowles |
|
|
|
|
Dimitri Brill |
|
|
|
|
Literatura digital: una nueva relación entre teoría y práctica experimental |
|
2012 |
|
|
Inflexions |
|
|
|
|
[JJ.BS]GENERATIVE RE:EDIT/ATOR |
Talan Memmott |
2011 |
combinatory, Samuel Beckett, James Joyce |
|
Michael Joyce papers (Ransom Center) |
|
|
|
|
Hyperpoems and Hyperpossibilities |
Deena Larsen |
1992 |
MA thesis, hypertext |
|
IChing.Poetry.Engine |
Jared Tarbell, Lola Brine |
2001 |
generative, poetry, iching, engine |
|
Lola Brine |
|
|
|
|
Jared Tarbell |
|
|
|
|
El Dorado: Scenes from the Road |
Rob Wittig |
1998 |
road trip, narrative, horizontal scroll, cross-cultural communication, episodic, maps |
|
Dandelion Chance |
Travis Alber |
2008 |
Flash, animation, image and text, music |
|
Grand Thieves Audio Modologues |
Mark C. Marino |
2004 |
game mod, audio, parody |
|
Disembodied Voices |
Jody Zellen |
2004 |
audio, responsive, image and text, public space, city, installation |
|
Only Revolutions |
Mark Z. Danielewski |
2006 |
|
|
A Study in Shades |
Robert Kendall |
2000 |
hypertext, alzheimer's, perspective, split screen |
|
The Cortland Review |
|
|
|
|
9:05 |
Adam Cadre |
2000 |
interactive fiction |
|
Adam Cadre |
|
|
|
|
We Drank |
Christine Wilks |
2005 |
drinking, alcohol, social relations, Flash, kinetic typography, audio, time-based |
|
Social Dis-ease |
Christine Wilks |
2004 |
discomfort, social relations, Flash, poetry, time-based, kinetic typography |
|
Die Aaleskorte der Ölig |
Dirk Günther, Frank Klötgen |
1998 |
hypertext, novel, crime, fiction, HTML |
|
Frank Klötgen |
|
|
|
|
Dirk Günther |
|
|
|
|
Andres Colubri |
|
|
|
|
FILE Festival Internacional de linguagem Eletrônica |
|
|
|
|
Lair of the Marrow Monkey |
Erik Loyer |
1998 |
Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
|
London Eye |
Diane Greco Josefowicz |
2000 |
Flash, narrative, responsive, image and text, intertextuality |
|
Riding the Meridian |
|
|
|
|
Lori Janis |
|
|
|
|
Yoshi Sodeoka |
|
|
|
|
Nils Mühlenbruch |
|
|
|
|
Motomichi Nakamura |
|
|
|
|
Heights |
Christine Wilks |
2006 |
Flash, poetry, kinetic, falling, vertigo, architecture, image and text |
|
The Gaming Stituation |
Markku Eskelinen |
2010 |
|
|
Interpoetry: a game of words, images and sounds as a poetic sign in digital media |
Wilton Azevedo, Philadelpho Menezes, Jorge Luis Antonio |
2001 |
epoetry, interpoetry, Brazilian elit, electronc literature |
|
Poetics and Visuality: A Trajectory of Contemporary Brazilian Poetry |
Philadelpho Menezes |
1994 |
visual poetry, antecedents, Brazilian elit |
|
Presses Universitaires de Perpignan |
|
|
|
|
Estudos de Software |
Lev Manovich |
2009 |
software studies, search engine, FILE |
|
Luiz Roberto Mendes Gonçalves |
|
|
|
|
Steve Duffy |
|
|
|
|
Amanda Visconti |
|
|
|
|
Maryland Institute for Technology in the Humanities |
|
|
|
|
Dorothee Lang |
|
|
|
|
War Games |
Jennifer Ley |
2001 |
activism, war, land mines |
|
Rachel Stevens |
|
|
|
|
Hermeticon: Pop Spell Maker |
Jason Nelson |
2005 |
spells, pop culture, commercials, 1980s, Flash, keyboard, audio |
|
The Poetry Cube |
Jason Nelson |
2007 |
poetry, cube, system, participation, 3D, Flash |
|
Another Emotion |
Jason Nelson |
2006 |
music, poetry, Flash, patterns |
|
[the perpetual bed] |
Mary Flanagan |
1998 |
VRML, chat, world, video, narrative, surrealist |
|
update verlag |
|
|
|
|
Die imaginäre Bibliothek |
Heiko Idensen, Matthias Krohn |
1989 |
database, library, hypertext theory |
|
One Book, Many Readings: Nostalgia and Finite State Machines |
|
2011 |
CYOA, choose your own adventure, data visualization, multilinear, fiction, print hypertext |
|
Christian Swineheart |
|
|
|
|
Cyposium: Cyber Performance Symposium |
|
|
performance, cyberfomance, remote performance, internet theatre, screen stage, computer-mediated performance, virtual world |
|
Against immersion – notes for non-virtual reality design |
Gonzalo Frasca |
2000 |
|
|
Embodied Interaction and the Aesthetics of Behavior |
Simon Penny |
2000 |
|
|
Writing with the Code - a Cybertextual Poetics |
Søren Bro Pold |
2000 |
poetics, source code, cybertext |
|
Rasmus Blok |
|
|
|
|
SurREAL: Dramatis Personae on the Digital Stage |
Lisbeth Klastrup, Susana Pajares Tosca, Elin Sjursen, Jill Walker Rettberg |
2000 |
games, characters, readers, virtual world |
|
Elin Sjursen |
|
|
|
|
Lisbeth Klastrup |
|
|
|
|
Time For No One, Hypermedia Duration |
Stuart Moulthrop, Nancy Kaplan, Adrian Miles, Markku Eskelinen, Raine Koskimaa |
2000 |
|
|
After the Gold Rush: Sustainable Information Culture |
Stuart Moulthrop |
2000 |
|
|
Reading-View(s)ing the Über-box: a critical view on a popular prediction |
Anders Fagerjord |
2000 |
|
|
Using HCI Techniques To Make Digital Art More Ergodic |
Julianne Chatelain |
2000 |
|
|
Cultural Narrative in Augmented Reality |
Jay David Bolter |
2000 |
|
|
Play On: Plot and Pause Points in Hypermedia Narrative |
Marjorie C. Luesebrink |
2000 |
|
|
New Media, New Historicisms |
Matthew G. Kirschenbaum |
2000 |
|
|
The Interactive Fiction Archive |
|
|
|
|
Kenny K. N. Chow |
|
|
|
|
Dirk Hine |
|
|
|
|
Hadean Lands |
Andrew Plotkin |
2012 |
interactive fiction, iphone |
|
Gravity Clock |
Jörg Piringer |
2010 |
digital art, time, clock, iphone |
|
Careless Observations |
Robert Hudecek |
2011 |
image and text, photography, participatory, ipad |
|
Touchwords |
Peter Kay |
2011 |
gesture, poetry, generative, ipad, iOS |
|
Peter Kay |
|
|
|
|
Touch: The Art of the Mobile App, featuring works by Jason Edward Lewis |
Dene Grigar |
2012 |
|
|
3+3 |
|
|
exhibition |
|
C()n Du It |
Katarzyna Giełżyńska |
2012 |
audio, video, web criticism, animation, irony |
|
Jorge Luis Antonio |
|
|
|
|
Digital og Sosial |
|
|
social technologies, electronic literature, knowledge sharing |
|
Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices |
Chris Funkhouser |
2009 |
creative cannibalism, remix, flarf |
|
Op. cit.: Revista de estudos anglo-americanos/a Journal of Anglo-American Studies |
|
|
|
|
Álvaro Seiça |
|
|
|
|
Focalization and Digital Fiction |
David Ciccoricco |
2012 |
focalization, narratology, narrative, digital fiction, cybernetic narration |
|
Monoskop/log |
|
|
|
|
Monoskop |
|
|
|
|
University of Maryland |
|
|
|
|
Hitchhiker's Guide to the Galaxy |
Douglas Adams, Steven Meretzky |
1984 |
interactive fiction, space travel, science fiction, comedy |
|
Outrances |
Thomas H. Crofts, Scott Itchikawa, James Dvorak |
2009 |
posters, photography, images, word-image, visual, street art, music, zoom |
|
James Dvorak |
|
|
|
|
Thomas H. Crofts |
|
|
|
|
Scott Itchikawa |
|
|
|
|
The Save Button Ruined Everything |
Jason Scott |
2012 |
archiving, computer history, memory, culture, publishing, nostalgia |
|
Video Games and Configurative Performances |
Ragnhild Tronstad, Markku Eskelinen |
2003 |
|
|
Ragnhild Tronstad |
|
|
|
|
Computer Game Studies, Year One |
Espen Aarseth |
2001 |
|
|
Frank Furtwängler |
|
|
|
|
Io Sono At Swoons |
Loss Pequeño Glazier |
2002 |
|
|
The Problem of Form: Transitoire Observable, a Laboratory for Emergent Programmed Art |
Philippe Bootz |
2007 |
programming, procedural model |
|
Stringing Disturbances in Poetic Array Spaces: Reading by Close Reading |
Loss Pequeño Glazier |
2012 |
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.