|
Racter |
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Anonymes |
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Primal Affective Ground and Digital Poetry |
David Jhave Johnston |
2010 |
digital poetics, visual language, sound, affect, generative, combinatorial, video |
|
The Problem of Form: Transitoire Observable, a Laboratory for Emergent Programmed Art |
Philippe Bootz |
2007 |
programming, procedural model |
|
"Big Brother really is watching you!" Literatur in mobilen Datenräumen |
Beat Suter |
2011 |
|
|
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext |
Paul Hackman |
2011 |
hypertext fiction |
|
%Location |
JODI |
|
interface, network, protocol, subversion |
|
'Reading' Performance: Eugenio Tisselli's Wen |
Giovanna Di Rosario |
2012 |
|
|
'Scape the Hood |
Leslie Rule |
2005 |
|
|
(Polska) poezja cybernetyczna. Konteksty i charakterystyka |
Urszula Pawlicka |
2012 |
|
|
(Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov |
Bojan Anđelković |
2011 |
noordung, postgravity art, techno, technology, subject, subjectivity, dispositif, aparatus, body without organs, deleuze, foucault, nietzsche, ubermanch, eternal return |
|
10 Poemes en 4 Dimensions |
Xavier Malbreil |
|
visual poetry, animation, animated gif |
|
10 Sono at Swoons |
Loss Pequeño Glazier |
2006 |
|
|
10 years of Interpoesia |
Wilton Azevedo |
2011 |
|
|
1999 |
Barry Smylie |
1999 |
audio, Flash, HTML/DHTML, game, history, nostalgia, iconography, pop culture |
|
2 sides/2 lados |
Maria Lucia Cattani |
2010 |
book arts, drawing, script, site-specific |
|
2012 Conference for the Electronic Literature Organization to be Held at West Virginia University from June 20-23; Media Art Exhibition Will Feature Work by 55 Artists |
Judy Malloy |
2012 |
|
|
24 hours with someone you know... |
Phillipa J. Burne |
1996 |
hypertext, HTML, branching path |
|
243 cartes postales en couleurs véritables |
George Perec |
|
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
|
3 Proposals for Bottle Imps |
William Poundstone |
2006 |
|
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3+3 |
|
|
exhibition |
|
4079 |
Zuzana Husárová |
2011 |
conceptual, digital poem, interactive, non-linear reading, canvas |
|
9:05 |
Adam Cadre |
2000 |
interactive fiction |
|
://brasil : festival @rt outsiders 2005 |
|
|
|
|
A Box, Darkly: Obfuscation, Weird Languages, and Code Aesthetics |
Nick Montfort, Michael Mateas |
2005 |
code aesthetitcs, code poetics |
|
A bribes abattues |
Philippe Bootz |
1990 |
poetry, kinetic |
|
A Cyborg Manifesto |
Donna Haraway |
1985 |
cyborg, feminism |
|
A homecoming festival : the application of the dialogic concepts of addressivity and the awareness of participation to an aesthetic of computer-mediated textual art |
Gavin Stewart |
2006 |
|
|
A Machicolated Body |
Talan Memmott |
1999 |
|
|
A Madlib Frost Poem |
George Hartley |
|
poetry, madlib, Robert Frost |
|
A Million Penguins |
|
2007 |
collaborative narrative |
|
A Multimedia Reading by Stephanie Strickland and Judd Morrissey |
|
|
|
|
A Perfect Future Unread: John Cayley's "What We Will" |
David Ciccoricco |
2010 |
|
|
A Response to Roberto Simanowski's "The Compelling Charm of Numbers" |
Friedrich W. Block |
2012 |
|
|
A Short History of Electronic Poetry |
Loss Pequeño Glazier |
2011 |
history, epoetry, festival, epc |
|
A Study in Shades |
Robert Kendall |
2000 |
hypertext, alzheimer's, perspective, split screen |
|
Abandoning Canon: Fluid Texts and Implicit Collaboration in Electronic Narratives |
Lyle Skains |
2012 |
|
|
Abderrahim Bargaoui |
|
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|
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Abílio Cavalheiro |
|
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|
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About Some Programmed Forms in Digital Poetry |
Philippe Bootz |
2011 |
|
|
About the Other Animals |
Ariana-Sophia Kartsonis |
2003 |
|
|
About Time |
Rob Swigart |
2001 |
hypertext, future, time, temporality, ambient music, fiction |
|
ACM Hypertext 2000 |
|
|
|
|
Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry |
Dubravka Djurić |
2011 |
new media poetics, visual poetry, poetics, Yugoslav poetry, literary history, avant-garde, socialist modernism, ideology, nationalism, concrete poetry |
|
Across Media: Contemporary Literature and Media Culture |
|
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Adam Cadre |
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Addison-Wesely Professional |
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ADE Bulletin |
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Aden Evens |
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Adrian Miles |
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Adrianne Wortzel |
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Adventures in Transition: Jason Nelson’s Scary Journey from Flash to J-Code and Desk to Hand |
Jason Nelson |
2012 |
|
|
Aesthetics of surface, ephemeral and re-enchantment in digital literature: How authors and readers deal with the lability of the electronic device |
Alexandra Saemmer |
2009 |
digital aesthetics, lability of the device, surface and interface, semiotics, figures of manipulation, figures of animation |
|
After the Book: Writing Literature/Writing Technology |
|
1992 |
|
|
After the Gold Rush: Sustainable Information Culture |
Stuart Moulthrop |
2000 |
|
|
Against Digital Poetics |
Sandy Baldwin |
2009 |
digital poetics |
|
Against immersion – notes for non-virtual reality design |
Gonzalo Frasca |
2000 |
|
|
Against Information: Reading (in) the Electronic Waste Land |
Andrew Klobucar |
2012 |
|
|
Agata Chiusano |
|
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|
|
Alain Salvatore |
|
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ALAMO |
|
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Aleph Null as Tool, Thought Process, and Poetics |
Leonardo Flores |
2012 |
|
|
Alessandro Zinna |
|
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Alex Epstein |
|
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|
|
Alex Itin |
|
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|
|
Alexandre Gherban |
|
|
|
|
Algoritmo, (Algorithm) |
Pablo Brito Altamira |
2005 |
hypertext, novell, interactive, crime novel |
|
Alice Van der Klei |
|
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|
alire |
|
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|
|
Alisa Persen |
|
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Alison Knowles |
|
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Alistair Gentry |
|
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Alletsator |
Pedro Barbosa , Luís Carlos Petry |
2008 |
3D, collaboration, interactive, generative, hypermedia, combinatorial, game, random, quantum opera, cybertheater |
|
Allison James |
|
|
|
|
Almas II |
Sérgio Monteiro de Almeida |
|
|
|
Alternumerics |
Paul Chan |
2000 |
typography, fonts, signification, politics |
|
Álvaro Seiça |
|
|
|
|
Amanda Visconti |
|
|
|
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Ambroise Barras |
|
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|
American Comparative Literature Association 2012 |
|
|
|
|
American Psycho, 2010 |
Mimi Cabell, Jason Huff |
2010 |
Google, metadata, search, consumerism, détournement, machine reading |
|
Amour |
Philippe Bootz |
1989 |
|
|
Amy Guy |
|
|
|
|
Amy Hufnagel |
|
|
|
|
An Evening with Electronic Literature Organization |
|
|
ELC2, reading, performance, collaboration, database, video, kinetic image work, interactive performance |
|
An Interview with David Knoebel on "Heart Pole" |
David Knoebel, Rita Raley |
2006 |
3D, spatialization, spatial discourse |
|
Analysing Digital Poetry: A Case Study |
Philippe Bootz |
2011 |
|
|
Anastasia Natsina |
|
|
|
|
Anderes als Kunst: Ästhetik und Techniken der Kommunikation |
|
2010 |
|
|
Andreas Kitzmann |
|
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Andreas Kratky |
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Andreas Okopenko |
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Andres Colubri |
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Andrew Gallix |
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Andrew Hutchison |
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|
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Andrew Klobucar |
|
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|
|
Andrews' Open Canvas: A Critical Code Studies Reading of Aleph Null |
Mark C. Marino |
2012 |
|
|
Anick Bergerson |
|
|
|
|
Animalamina |
Chris Joseph |
2003 |
animation, kinetic typography, children's poetry, collaboration, electronic music, Flash, games, generative, graphics, interactive, music, poetry, visual poetry |
|
Anmarie Tremble |
|
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|
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Anna Pitt |
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Anna Jacobina Jensen |
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Anne Bang-Steinsvik |
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Anne Marie Ploug |
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Anne-Cécile Brandenbourger |
|
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|
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Annelie Axén |
|
|
|
|
Anni Kämäräinen |
|
|
|
|
anomalie_digital arts n°5 "://brasil" / Anomalie |
|
2005 |
Eduardo Kac, brazilian new media art, antecedents, holopoetry |
|
Another Emotion |
Jason Nelson |
2006 |
music, poetry, Flash, patterns |
|
aoa_renci |
Bill Seaman |
2010 |
|
|
Aomori Amori |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Apprendre la littérature en ligne: transformer les techniques communicatives du discours savant |
Laura Borràs Castanyer |
2007 |
|
|
Approaches to Digital Literature: Temporal Dynamics and Cyborg Authors |
Raine Koskimaa |
2010 |
|
|
Architectures of Possibility: After Innovative Writing |
Lance Olsen |
2012 |
|
|
Archiving Workshop |
Bill Bly, Deena Larsen, Marjorie C. Luesebrink |
2012 |
|
|
Arlene Stamp |
|
|
|
|
Ars Electronica 99 (LifeScience) |
|
|
|
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Ars Electronica Archive |
|
|
|
|
Art and Electronic Media Online |
|
|
|
|
Art, Activism and Web. Notes and Hypothesis for a Historical Overview |
Stefano Taccone |
2011 |
|
|
As We May Think |
Vannevar Bush |
1945 |
hypertext, history, archive, science, memex, associative indexing, research |
|
Aspects of Experiencing Poetry in Digital Media |
Mohsen Emadi |
2011 |
poetry, natural language, machine language |
|
Assembling the Morrow |
Sandra Huber |
2011 |
|
|
Attempting Ziggurats 4 |
Ed Osborn |
2010 |
audio, installation, John Barth, spoken word, babble, recitation |
|
Audun Lindholm |
|
|
|
|
Australian Electronic Literature Directory |
|
|
|
|
Australian Network for Art and Technology (ANAT) |
|
|
|
|
Aut or Not |
Urszula Pawlicka |
2012 |
|
|
Autostart: A Festival of Digital Literature |
|
|
reading, performance, discussion |
|
Avenues of Access: An Exhibit & Online Archive of New 'Born Digital' Literature at the MLA 2013 Convention |
|
|
|
|
Az augmentált valóság média– és kommunikációelméleti hatásai |
Zoltàn Szüts |
2011 |
3D, augmented reality |
|
Barrett Watten |
|
|
|
|
Barry Smylie |
|
|
|
|
Beall Center for Art and Technology |
|
|
|
|
Bearing the Fruits of E-Poetry: A Personal Decennial View |
Chris Funkhouser |
2011 |
digital poetry, e-poetry, electronic poetry |
|
Being Dissolved: Erasure and Destruction in the Digital Text |
Yra van Dijk |
2008 |
|
|
BEK: Bergen senter for elektronisk kunst |
|
|
|
|
Belin |
|
|
|
|
Benchmark Fiction: A Framework for Comparative New Media Studes |
Christy Dena, Jeremy Douglass, Mark C. Marino |
|
|
|
Benny Lichtner |
|
|
|
|
Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills |
John David Zuern |
2012 |
electronic literature, digital fiction, pedagogy, teaching, ethics, close reading, digital textuality, reading-ethics of |
|
Between Code and Motion: Generative and Kinetic Poetry in French, Portuguese, and Spanish |
Manuel Portela |
2011 |
code, motion, generative, kinetic poetry, romance language |
|
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace |
|
2012 |
mediality, digitality, subjectivity, media ecology, digital literacy, digital aesthetics, education, cinema, intermediation, film, remediation, media studies |
|
Between Play and Politics: Dysfunctionality in Digital Art |
Marie-Laure Ryan |
2010 |
|
|
Beyond Literary? |
N. Katherine Hayles, Nick Montfort, Jerome McGann, Matthew G. Kirschenbaum, Michael Joyce |
2010 |
literary studies, digital studies, digital literature |
|
Beyond Play and Narration: Video Games as Simulations of Self Action |
Jochen Venus |
2010 |
|
|
Beyond the Book: François Bon and the Digital Transition |
Allison James |
2011 |
François Bon, daily writing, online writing, digital literature, digital textuality |
|
Beyond the Screen (review) |
Florian Hartling |
2010 |
|
|
Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres |
|
2010 |
embodiment, locative narrative, genre, archiving, hermeneutics, interface, actor-network theory, ANT, performance, performativity, materiality |
|
Big Brother really is watching you: Literature in mobile dataspace |
Beat Suter |
2011 |
surveillance, electronic literature, locative media, locative |
|
Bill Bly |
|
|
|
|
Bill Chamberlain |
|
|
|
|
Bill Kennedy |
|
|
|
|
Biopoetry |
Eduardo Kac |
2011 |
digital poetics, poetics, biopoetry, holopoetry |
|
Bjørn Magnhildøen |
|
|
|
|
Blaz Valdez |
|
|
|
|
Blending the Crossword with the Narrative: An Examination of the Storygame |
Jimmy Maher |
2008 |
interactive fiction, story game, immersion, interactivity |
|
bleuOrange |
|
|
|
|
Blue Moon Review |
|
|
|
|
Blueberries |
Susan Gibb |
2009 |
hypertext, tinderbox |
|
Bodies of Water |
David Clark, Nick Rudnicki |
2011 |
|
|
Bookishness on Screen |
Jessica Pressman |
2012 |
nostalgia |
|
Boris du Boulay |
|
|
|
|
Born Digital |
Stephanie Strickland |
2009 |
|
|
Brad Bouse |
|
|
|
|
Braxton Soderman |
|
|
|
|
Breath by Breath: An Interview with Kate Pullinger about ‘The Breathing Wall' |
Dene Grigar |
2004 |
|
|
Breathing at the Galaxy’s Edges |
Deena Larsen |
1999 |
haiku, hypertext poem |
|
Brendan Howell |
|
|
|
|
Brian Evans |
|
|
|
|
Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective |
Asunción López-Varela Azcárate |
2008 |
intertextuality, textuality, digital literacy, literary studies, intermediality, multimodality |
|
Bringing the Art of Design to the National Park Service: The Fort Vancouver Mobile Project |
Dene Grigar |
2012 |
|
|
Broméliacées: Translating Bromeliads as Transliterature |
Loss Pequeño Glazier |
2012 |
|
|
Brown E-Fest 2006: A Celebration of New Literary Hypermedia |
|
|
festival, performance, reading |
|
Brown University |
|
|
|
|
Bruce Andrews |
|
|
|
|
C()n Du It |
Katarzyna Giełżyńska |
2012 |
audio, video, web criticism, animation, irony |
|
Cabinet |
|
|
|
|
Caitlin Fisher |
|
|
|
|
Cambridge University Press |
|
|
|
|
Camera Obscura |
|
|
|
|
Camille Paloque-Berges |
|
|
|
|
Camille Utterback |
|
|
|
|
Canadian Congress of the Humanities and Social Sciences |
|
|
|
|
Candles for a Street Corner |
Robert Kendall, Michele D'Auria |
2004 |
Flash, collaboration, epoetry, electronic poetry, audio, city, melancholy, double entendre, sex |
|
Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices |
Chris Funkhouser |
2009 |
creative cannibalism, remix, flarf |
|
Canticle |
Samantha Gorman, Danny Cannizzaro |
|
|
|
Caosflor |
Pedro Valdeolmillos |
2011 |
kinetic poetry, depth |
|
Cara Ogburn |
|
|
|
|
Careless Observations |
Robert Hudecek |
2011 |
image and text, photography, participatory, ipad |
|
Carl Steadman |
|
|
|
|
Carnegie Mellon University |
|
|
|
|
CARNIVAL |
Steve McCaffery |
1967 |
typewriter, concrete poetry, sound poetry |
|
Carole Lipsyc |
|
|
|
|
Carole Spearin McCauley |
|
|
|
|
Caterina Davinio |
|
|
|
|
Catherine Ramus |
|
|
|
|
Catherine Stollar Peters |
|
|
|
|
Cauldron & Net |
|
|
|
|
Cauldron & Net, Volume 3 |
|
2001 |
|
|
Cent mille milliards de poèmes |
Raymond Queneau |
1961 |
combinatory poetics, writing under constraint, Oulipo, antecedents |
|
Centro Interdisciplinar de Pesquisas em Comunicação e Cibercultura - PUC-SP (CENCIB) |
|
|
|
|
Charles Bernstein |
|
|
|
|
Charmin' Cleary |
Edward Falco |
1999 |
hypertext, fiction, short story, sex, violence, college |
|
Chi ha ucciso David Crane? (Who killed David Crane?) |
Fabrizio Verrandi |
2010 |
hypertext, crime |
|
Chicago Humanities Festival |
|
|
|
|
Childe Rolan |
|
|
|
|
Childhood in Richmond |
Komninos Zervos |
2001 |
audio, Flash, interactive, images, spoken word |
|
Chris Mann |
|
|
|
|
Christian Bök |
|
|
|
|
Christian Faur |
|
|
|
|
Christian Swineheart |
|
|
|
|
Christophe Bruchansky |
|
|
|
|
Christophe Collard |
|
|
|
|
Christopher Werby |
|
|
|
|
Christy Sheffield Stanford |
|
|
|
|
Chyphertext Performance |
Bjørn Magnhildøen |
2007 |
code poetics, network protocols, performance |
|
Cia Rinne |
|
|
|
|
Ciberteatro. Posibilidades dramatúrgicas en la era digital |
Laura Borràs Castanyer |
2009 |
|
|
Cicatrix: Pain, Sex, and Dying in E-Literature |
Sandy Baldwin, Maria Damon, Alan Sondheim |
2012 |
sexuality, pain, virtual world, digital performance, interactive performance |
|
Cilly Castiglia |
|
|
|
|
Cinema Volta: Weird Science and Childhood Memory |
James Petrillo |
1994 |
cinema, memoir, image and text, memory |
|
Cityscapes: Thinking Through Practice |
María Mencía |
2011 |
practice-based research, process, audiovisual, interactive, performance, collage, web, inter-phonetic, multicultural, muli-linguisitc, multi-ethnicities, urban calligram, urban screens |
|
Claire Carre |
|
|
|
|
Claire Donato |
|
|
|
|
Claire Kwong |
|
|
|
|
Clara Fernández-Vara |
|
|
|
|
Claude Maillard |
|
|
|
|
Claudia Herbst |
|
|
|
|
Claudia Yi Leon |
|
|
|
|
Click |
John Barth |
1997 |
short story, postmodern fiction, hypertext |
|
Clint Burnham |
|
|
|
|
Clive Fencott |
|
|
|
|
Close Reading Electronic Literature: A Case Study of William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]“ |
Jessica Pressman, Mark C. Marino, Jeremy Douglass |
2013 |
|
|
Close-Reading: Digital Poetry |
Leonardo Flores |
2011 |
poetry, close reading |
|
Cloudberries |
Stephanie Strickland |
2001 |
|
|
Code Poetry and New-Media Literature |
Steve Tomasula |
2012 |
|
|
Code, Interpretation, Avant-garde |
Roberto Simanowski |
2011 |
code, interpretation, avant-garde |
|
Codeswitch: the Transborder Immigrant Tool |
Amy Sara Caroll |
2011 |
|
|
codework parenthetical insertions |
Edde Addad |
2011 |
|
|
Coincidentally the Screen has Turned to Ink: Electronic Literature for Library Spaces |
Søren Bro Pold |
2012 |
|
|
Collaborative Art Experiments on Facebook |
Raffaele Pinto, Letizia Caiazzo |
2011 |
facebook, collaborative art |
|
Collective Memory and the Development of a Field: Building the ELMCIP Electronic Literature Knowledge Base |
Scott Rettberg |
2012 |
|
|
Colossal Cave Adventure |
Will Crowther, Don Woods |
1976 |
interactive fiction, text adventure, 1970s |
|
Commedia |
Krešimir Pintaric |
2006 |
web, HTML, computer-assisted poetry |
|
Commenting Creative Code |
Nick Montfort, Stephanie Strickland |
2012 |
BASIC, 1970s, 1980s, code comments |
|
Communities/Commons: A Snap Line of Digital Practice |
Loss Pequeño Glazier |
2012 |
|
|
Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace |
Maya Zalbidea Paniagua |
2011 |
feminism, cyberfeminism, hyperfiction, digital art |
|
Completely Automated |
Samantha Gorman, Danny Cannizzaro |
2010 |
|
|
Composition No. 1 |
Marc Saporta |
1961 |
nonlinear fiction, cybertext, artist book |
|
Computational Linguistics |
|
|
|
|
Computer Game Studies, Year One |
Espen Aarseth |
2001 |
|
|
Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report |
Theodor Holm Nelson |
1974 |
hypertext, hypermedia, multimedia, computers |
|
Computer Poems |
R.W. Bailey |
1973 |
digital poetry, concrete poetry, computer-assisted poetry |
|
Computer Power and Human Reason |
Joseph Weizenbaum |
1976 |
computation, reason, artificial intelligence, chatbot |
|
Computerpoesie: Studien zur Modifikation poetischer Texte durch den Computer |
Saskia Reither |
2003 |
|
|
Computers and Creativity |
Carole Spearin McCauley |
1974 |
|
|
Computers as Theatre |
Brenda Laurel |
1993 |
|
|
Computers, Cut-ups and Combinatory Volvelles: An Archaeology of Text-generating Mechanisms |
Whitney Anne Trettien |
2009 |
|
|
Conclusions |
Terry Harpold |
1994 |
|
|
Concordia University |
|
|
|
|
Concrete Poetry in Portugal Experimentalism and Intermediality |
Rui Torres |
2010 |
concrete poetry |
|
Condors' polyphony and jawed water-lines catapulted out: Gnoetry and Its Place in Text Processing's History |
Chris Funkhouser, Andrew Klobucar |
2012 |
experiment, software program, Gnoetry, text processor, 1980s, artificial poetry, digital poem |
|
Conferência Sophia no País das Maravilhas |
|
|
|
|
Confucius Say |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
Flash, experimental cinema |
|
Connecting Memories: Contextualizing Creative Research Practice |
María Mencía |
2011 |
practice-led research, research, narrative, interactive, refugee |
|
Consortium for Computers in the Humanities |
|
|
|
|
Consortium on Electronic Literature (CELL) |
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Contemplating Flight |
Donna Leishman |
2008 |
Flash, performance, folktales, interaction, image, symbols |
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Convergence: The International Journal of Research into New Media Technologies |
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Coppélie Coqc |
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Copy, Rip, Burn: The Politics of Copyleft and Open Source |
David M. Berry |
2008 |
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Correspondences |
Joseph Butch Rovan |
2010 |
video, music, translation, dream logic, gesture, poetry, time, memory |
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Cory Carlson O'Brien |
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Could I Hear That on YouCode? |
Nick Montfort |
2012 |
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Course Technology PTR |
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Craig Dietrich |
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Craig Hill |
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Craig Douglas Dworkin |
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Cris Cheek |
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Critical Code Studies |
Mark C. Marino |
2006 |
critical code studies, code, paratext |
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Critical Sections |
Erik Loyer, Greg J. Smith |
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Croatian Tales of Long Ago |
Helena Bulaja |
2002 |
mythology, folk tales, animation, interactive animation, Flash, game, narrative, children's literature |
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Crossed Lines |
Sarah Atkinson |
2007 |
multilinear, interactive film, multi plot, installation |
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Cultural Narrative in Augmented Reality |
Jay David Bolter |
2000 |
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Curtin University |
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Curveship: An Interactive Fiction System for Interactive Narrating |
Nick Montfort |
2009 |
interactive fiction, authoring system, development system, narrative variation |
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Cybermountain Colloquium |
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hypertext, colloquium |
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Cybertekst: Metodologia i interpretacja |
Emilia Branny-Jankowska |
2011 |
cybertext, dissertation |
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Cybertext Killed the Hypertext Star |
Nick Montfort |
2000 |
cybertext, hypertext, debate, ergodic, ergodic literature, interactive fiction |
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Cybertext Theory: What an English Professor Should Know Before Trying |
Markku Eskelinen |
2001 |
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Cynthia Deike-Sims |
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Cyposium: Cyber Performance Symposium |
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performance, cyberfomance, remote performance, internet theatre, screen stage, computer-mediated performance, virtual world |
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D. Kimm |
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DAC Literary Arts Extravaganza Gallery |
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gallery, exhibition |
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Dali Clocks: Time Dimensions of Hypermedia |
Stephanie Strickland |
2001 |
time, temporality, netart, perception, web art |
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Dalkey Archive Press |
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Damascene |
Milorad Pavić |
1998 |
hypertext, non-linear, fiction |
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Dana Solomon |
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Dandelion Chance |
Travis Alber |
2008 |
Flash, animation, image and text, music |
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Daniel Apollon |
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Daniel Benmergui |
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Daniel Punday |
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Daniel Merlin Goodbrey |
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Daniela Calisi |
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Darren Wershler-Henry |
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Das Epos der Maschine |
Urs Schreiber |
1998 |
cybertext, e-poetry, epic, machine control, multimodal, narrative, sound |
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Das Epos der Maschine. Avantgardestrategier i Cyberspace? |
Gitte Mose |
2005 |
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Database of Virtual Art |
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Davey Dreamnation and the Performance of Self |
David Thomas Prater |
2012 |
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David Knoebel |
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David Benin |
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David Blair |
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David Familian |
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Dawn Dietrich |
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dbCinema |
Jim Andrews |
2010 |
langu(im)age, image-processor, cinema, painting |
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Deadline |
Marc Blank |
1982 |
interactive fiction, detective, mystery |
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Dear Navigator |
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degenerativa |
Eugenio Tisselli |
2005 |
philosophical, erasure, degenerative, interactive, poetics |
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Dennis Ashbaugh |
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Derrick de Kerckhove |
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Desde Aquí (From here) |
Mónica Montes |
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hypertext |
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DHQ Digital Humanities Quarterly |
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Diana Pimental |
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Diana Reed Slattery |
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Diari d'una absència |
Laura Borràs Castanyer |
2006 |
ergodic literature, hypertext narrative, Director |
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Dichtung Digital 34 |
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2005 |
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Dichtung Digital 39 |
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2009 |
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Dichtung Digital 41 |
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2012 |
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Dictionary of the Khazars: A Lexicon Novel |
Milorad Pavić |
1988 |
history, novel, ethnicity, mythology, religion, lexicon, multilinear |
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Die Aaleskorte der Ölig |
Dirk Günther, Frank Klötgen |
1998 |
hypertext, novel, crime, fiction, HTML |
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Die imaginäre Bibliothek |
Heiko Idensen, Matthias Krohn |
1989 |
database, library, hypertext theory |
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Digital and Analog Texts |
John Lavagnino |
2007 |
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Digital Arts and Culture 2001 Conference |
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Digital Arts and Culture 2003 Conference |
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Digital Arts and Culture 2005 Conference |
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Digital Arts and Culture 2007 Conference |
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Digital Arts and Culture 2009 Conference |
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digital arts, culture |
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Digital Arts and Literature – Is it Just a Game? |
Alexandra Saemmer |
2011 |
games, play, literariness |
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Digital Assembly, University of Florida |
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Digital Culture and the End of the University |
Jay David Bolter |
2011 |
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Digital Cultures Research Centre, University of the West of England, Bristol |
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Digital Currents: Art in the Electronic Age |
Margot Lovejoy |
2004 |
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Digital Fiction: Networked Narratives |
David Ciccoricco |
2012 |
|
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Digital Genres: Digital Art, Electronic Literature, and Computer Games (DIKULT 103, Spring 2013) |
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digital art, electronic literature, computer games, genre |
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Digital Literary Text as a Play and a Ride |
Janez Strehovec |
2011 |
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Digital Literature and the Digital |
Serge Bouchardon |
2011 |
Digital, manipulation, digital writing, digital literature |
|
Digital Media |
Scott Rettberg, Jill Walker Rettberg |
2010 |
teaching, interactive fiction, narrative, hypertext, pedagogy, electronic literature |
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Digital Media Poetics Events Fall 2009 |
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Digital Media Poetics presents Patricia Tomaszek |
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Digital Modernism |
Jessica Pressman |
2008 |
modernism, digital modernism |
|
Digital Modernism: Making it New in New Media |
Jessica Pressman |
2007 |
modernism, digital modernism, aesthetics |
|
Digital og Sosial |
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social technologies, electronic literature, knowledge sharing |
|
Digital Panoramas and Cinemascapes |
Roderick Coover |
2008 |
panorama, cinemascape, scrolling, media differences |
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Digital Publishing (PUBL 6318) |
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digital publishing, electronic literature |
|
Digital readings. Reading through images and sound |
Giovanna Di Rosario |
2011 |
|
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Digitale Medien in der Erlebnisgesellschaft. Kunst, Kultur, Utopien |
Roberto Simanowski |
2008 |
digital arts, digital media, digital culture, electronic literature, computer game |
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Digitale ord af kalvelever og smuldret asfalt |
Mette-Marie Zacher Sørensen |
2010 |
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Digitality and the Memory of Cinema (Special Issue of _Wide Angle_) |
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1999 |
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Digitally Modified Organism |
Lello Masucci |
2010 |
video, recombinant, dmo |
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Dimitri Brill |
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Dirk Günther |
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Dirk Hine |
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Dirk Vis |
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Disembodied Voices |
Jody Zellen |
2004 |
audio, responsive, image and text, public space, city, installation |
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Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller |
Aleš Vaupotič |
2011 |
new media art, digital art, e-literature, electronic literature |
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Documenting Your Work: A Workshop on Using the ELMCIP Knowledge Base for Authors, Critics, and Teachers of Electronic Literature |
Scott Rettberg, Eric Dean Rasmussen |
2012 |
database, electronic literature, Consortium for Electronic Literature, CELL, digital humanities |
|
dollspace |
Francesa da Rimini |
1997 |
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Dorothee Birke |
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Dorothee Lang |
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Dorothy's Mirror |
Carolyn Guertin, Katherine Rong Jin |
2012 |
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Doubleday |
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Douglas Davis |
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Dreamtime |
Stuart Moulthrop |
1992 |
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Dressage #7 |
Tibor Papp, Claude Maillard |
1990 |
appropriation, visual poetry |
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Drew Browning |
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Dublin City University |
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Dwelt |
Mimi Cabell, Nalini Abhiraman |
2012 |
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E-Art: Fragmentation and Assembling |
Alessandro Zinna |
2011 |
artistic tradition |
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E-lit From a Librarian's Perspective |
Thomas Brevik |
2011 |
accessibility, electronic literature, archiving, reading, library |
|
E-literature and the New Social Paradigms |
Janez Strehovec |
2011 |
e-lit, electronic literature |
|
E-Literature and the Social |
Janez Strehovec |
2012 |
new media art, information society, attention economy |
|
E-literature and the Un-coded Model of Meaning: Towards an Ordinary Digital Philosophy |
Mauro Carassai |
2012 |
digital works, visual, illusion, New Criticism |
|
E-Literature vs. E-poetry |
Caterina Davinio |
2011 |
|
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E-Poetry 2003 |
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E-Poetry 2005 |
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E-Poetry 2009 |
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E-Poetry Triangulated |
Markku Eskelinen |
2009 |
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Early Authors of Electronic Literature: The Eastgate School, Voyager Artists, and Independent Productions |
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Earthbound: Surfing the Apocalypse |
Per Martinsen |
2010 |
transmedial, science fiction, blog, installation, sticker, music, novel |
|
Eben Molgen |
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Ed Osborn |
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Edith Checa |
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Edition Cyberfiction |
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Edouard Lussan |
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El Dorado: Scenes from the Road |
Rob Wittig |
1998 |
road trip, narrative, horizontal scroll, cross-cultural communication, episodic, maps |
|
ÉLA: Études de Linguistique Appliquee |
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Electric Line: The Poetics of Digital Audio Editing |
Martin Spinelli |
2006 |
digital poetics, poetics, editing, audio, digital-audio editing |
|
Electric Literature |
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Electrifying Detail: Writing and Reading Triggers in Textual Zoom |
Florentina Armaselu |
2012 |
textual zoom, writing, reading, detail |
|
Electronic Literature (English 146) |
|
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UCSB, Literature and Culture of Information, Department of English, Santa Barbara, syllabus |
|
Electronic Literature as Interface Criticism |
Søren Bro Pold |
2011 |
|
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Electronic Literature Communities, Part I |
Scott Rettberg, Patricia Tomaszek |
2012 |
communities, ELMCIP |
|
Electronic Literature for All: Performance in Exhibits and Public Readings |
Clara Fernández-Vara |
2012 |
accessibility, audience engagement |
|
Electronic Literature in the 21st Century |
Neil Fraistat, N. Katherine Hayles, Thomas Swiss, Joseph Tabbi, Kenneth Thibodeau, Emily Warn, Josh Weiner |
2007 |
electronic literature, future, trends |
|
Electronic Literature Organization 2007 Symposium: The Future of Electronic Literature |
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Electronic Literature Organization 2008 Media Arts Show: Visionary Landscapes |
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Electronic Literature Organization 2010: Archive & Innovate |
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Electronic Literature: What is it? |
N. Katherine Hayles |
2007 |
Electronic Literature Organization, electronic literature |
|
Electronic Poetry Center |
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|
Electronic Poetry: Understanding Poetry in the Digital Environment |
Giovanna Di Rosario |
2011 |
digital poetry, poetic language, aesthetics, ICT, web, surrealism, fluxus, generative, dada, futurism, sound poetry, e-poetry, semiotics |
|
Electronic Publishing |
Erin Costello |
2011 |
|
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Elin Sjursen |
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Elisabeth Joyce |
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Elisabeth Nesheim |
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ELiterature Formalization and Pedagogical Implications |
Fabio De Vivo |
2011 |
e-literature, pedagogy, Didactic, Formalization |
|
eLiterature, analisi critica, strumenti interpretativi, potenzialità e possibilità applicative |
Fabio De Vivo |
2011 |
e-literature, e-learning, pedagogy |
|
eLiterature: Literature in the Digital Era. Definition, Concept and Status |
Fabio De Vivo |
2011 |
|
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Elli Mylonas |
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|
ELMCIP Anthology of European Electronic Literature |
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2012 |
anthology, electronic literature, digital literature, European |
|
ELMCIP Remediating the Social: Documentary (5 minute version) |
Richard Ashrowan |
2012 |
|
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Em territorio escuro |
Florian Cramer |
2008 |
|
|
Embodied Interaction and the Aesthetics of Behavior |
Simon Penny |
2000 |
|
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Emilia Branny-Jankowska |
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Emily Short |
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Emily Warn |
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Emmett Williams |
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En million historier |
Peter Adolphsen |
2007 |
generative fiction, danish, Scandinavian, digital narrative |
|
Enciclopédia Itaú Cultural: Arte e Tecnologia no Brasil |
|
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|
Endgames: The Poetics of Silence |
Steven J. LeMieux |
2011 |
|
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Enquête Infolipo |
Delphine Riss, Cécile Bucher |
2007 |
survey, process, performance |
|
Entity, Identity: Towards a Tool for Indexing Documents Concerning Digital Poetry |
Philippe Bootz, Samuel Szoniecky, Abderrahim Bargaoui |
2009 |
|
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Entropic Empire |
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Epimone |
|
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|
Epistemology of Disruptions: Thoughts on the Operative Logic of Media Semantics |
Ludwig Jäger |
2010 |
epistemology, cultural semantics, disruptions |
|
Eric Snodgrass |
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Eric Elshtain |
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|
Eric LeMay |
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|
|
Eric Rettberg |
|
|
|
|
Erica T. Carter Project |
Jim Carpenter |
2003 |
poetry generator, text generators, authoring software, software, generative |
|
Erin Costello |
|
|
|
|
Erin Mouré |
|
|
|
|
Erlend O. Nødtvedt |
|
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|
|
Erling Björgvinsson |
|
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|
|
Errática |
|
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|
|
Estudis literaris i tecnologies digitals |
|
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digital literature, e-learning material |
|
Estudos de Software |
Lev Manovich |
2009 |
software studies, search engine, FILE |
|
Et null nynner |
Morten Skogly |
|
poetry, generative, cut-up, generative poetry |
|
Et virkeligt parallelunivers |
Christian Yde Frostholm |
2009 |
tourism, hoax, collaborative fiction |
|
Ethan Miller |
|
|
|
|
Ethnographic Study of an Online Creative Community |
Penny Travlou |
2010 |
|
|
Étienne Armand Amato |
|
|
|
|
Etudes de linguistique appliquée |
|
|
|
|
Eugeniusz Wilk |
|
|
|
|
Eurorun |
Ziga Turk, Matevž Kmet, Barbara Zeleznik, Igor Bizjak, Samo Fosnaric |
1985 |
hypertext, adventure game |
|
Evan Bissell |
|
|
|
|
Every Duck Has an Adventure |
Daniel Merlin Goodbrey |
2012 |
|
|
Evidence |
Lorenza Samuels |
|
hypertext, sound and image, crime, interactive, detective |
|
Ewan Branda |
|
|
|
|
Exchanges and Cross-Fertilizations Mapping the Field: Four Perspectives on Aleph Null |
Jim Andrews, Leonardo Flores, Giovanna Di Rosario, Mark C. Marino |
2012 |
team-reading, surface, code, biography |
|
Experimental Poetry and Technology in Argentina: History, Critique, Politics |
Claudia Kozak |
2011 |
history, Argentina |
|
Expressive Processing: On Process-Intensive Literature and Digital Media |
Noah Wardrip-Fruin |
2006 |
digital media, electronic literature, process intensity, story generation, artificial intelligence, expressive AI, computer games, cybertext, ergodic literature, expressive processing |
|
eye in the making |
John Sparrow |
2006 |
hypertext, audio, video, poetry |
|
E_cepahalopedia // novellex |
Talan Memmott |
2001 |
|
|
F.J. Bergmann |
|
|
|
|
Faber & Faber |
|
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|
|
Fabula |
|
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|
|
Fairytale Trans-migrations: The Case of Little Red Riding Hood |
Susana Pajares Tosca |
2012 |
|
|
False Pretenses, Parasites, and Monsters |
Tom LeClair |
2000 |
hypertext, materiality, fiction, collaboration, novel, aesthetics, hypertext fiction, literary criticism, gender, monstrosity, feminism, parasitism, encyclopedic novel |
|
Federation Square |
|
|
|
|
Feed |
Renée Turner |
2008 |
iconicity, slogans, juxtaposition, image and text |
|
Feral Disciplines & Hybrid Codes |
Renée Turner |
2011 |
|
|
Ferris Wheels |
Deena Larsen |
1999 |
hypertext, short fiction |
|
Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
FILE Festival Internacional de linguagem Eletrônica |
|
|
|
|
Filiations and History of Digital Literature in France |
Serge Bouchardon |
2011 |
france, history, characteristics, groups |
|
Film of Sound |
Will Luers, Roger Dean, Hazel Smith |
2012 |
|
|
FILMTEXT 2.0 |
Mark Amerika |
2002 |
narrative, performance, literature, remix, film, remediate |
|
Firefall |
John Jesurun |
2006 |
|
|
five by five |
Dan Waber, Jason Pimble |
2006 |
3D, collaboration, Java, static, responsive |
|
Five Elements of Digital Literature |
Noah Wardrip-Fruin |
|
|
|
flâneur, a walkthrough: Locative Literature as Participation and Play |
Anders Sundnes Løvlie |
2012 |
|
|
Focalization and Digital Fiction |
David Ciccoricco |
2012 |
focalization, narratology, narrative, digital fiction, cybernetic narration |
|
Forlaget Spring |
|
|
|
|
Fotomo Blues |
Paul Trevor |
1998 |
hypertext, e-poetry, digital poetry, hyperpoetry, satire |
|
Four Guillemets |
Loss Pequeño Glazier |
2013 |
|
|
Frame Work: A Hypertext Poem |
Robert Kendall |
1999 |
hypertext, poem |
|
frAme: Journal of Culture and Technology |
|
|
|
|
Francesa da Rimini |
|
|
|
|
Franci Zagoričnik |
|
|
|
|
François Bon |
|
|
|
|
Frank Dufour |
|
|
|
|
Frank Furtwängler |
|
|
|
|
Frank Klötgen |
|
|
|
|
Frank Klötgen |
|
|
|
|
Frank Shipman |
|
|
|
|
Frankenstein |
Dave Morris |
2012 |
adaptation, interactive storytelling, iOS, gothic |
|
Frankenstein; or, The Modern Prometheus |
Mary Shelley |
1831 |
intertextuality, literature, gothic, monster, knowledge, Prometheus, education |
|
Frankophone Hyperfiction |
Elisabeth Bauer |
2011 |
french digital literature, hyperfiction, paratext |
|
Frans Budé |
|
|
|
This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.