|
Signal Box |
Ian Hatcher |
2012 |
audio, scheduled, dance, performance |
|
Simon Biggs |
|
|
|
|
Simplicity |
Duc Thuan |
1998 |
animated gif, e-poetry, Flash, audio, responsive |
|
Sinking |
Ingrid Ankerson |
2000 |
Flash, scheduled, audio, swimming |
|
Skindoscope |
Martha Carrer Cruz Gabriel |
2007 |
web art, identity, alterity, skin, game, kaliedoscope, Second Life, virtual world |
|
Sky |
Mitchell Kimbrough |
2002 |
Flash, audio, scheduled |
|
Sky and Wires: At Home and Homeless |
Blake Carrington |
2007 |
media art, video, cartography, movement, stillness |
|
slippingglimpse |
Stephanie Strickland, Cynthia Lawson Jaramillo, Paul Ryan |
2006 |
visual poetry, collaboration, materiality, video, writing-materiality, text movie, animation, kinetic, Flash, poetry |
|
Smooth Second Bastard |
Jason Edward Lewis |
2012 |
iOS, kinetic typography, touch |
|
Snaps |
Dirk Hine |
2000 |
generative, images, poetry |
|
Snowball |
Alireza Mahzoon |
2012 |
remix, HTML, javascript, static, scheduled |
|
Snowblind |
Braxton Soderman, Roxanne Carter |
2007 |
CAVE, audio, kinetic, scheduled |
|
software studies, a lexicon |
|
2008 |
software studies, lexicon, digital humanities, new media |
|
Söke Dinkla |
|
|
|
|
Soldatmarkedet |
Monica Aasprong |
2007 |
concrete poetry, hybrid, installation |
|
Soliloquy |
Kenneth Goldsmith |
2002 |
HTML/DHTML, conceptual, performance, transcription, memoir, appropriated texts, realism |
|
Sootfall |
Arianna Gass, Reed Gaines |
2013 |
netprov, twitter, social, performance |
|
Sooth |
David Jhave Johnston |
2005 |
animation, Flash, poetry, video, audio |
|
Sotto Voce |
Zahra Safavian |
2002 |
telecommunication, Flash, responsive, audio |
|
Sound Seeker |
David Jhave Johnston |
2008 |
audio, Flash, scheduled |
|
soundpoems |
Jörg Piringer |
2002 |
animation, conceptual, kinetic, audio, games, wordtoy, combinatorial, alphabetic, letters |
|
Space for writing: a sidelong glance at the history of immersive spatial hypertext |
Damon Loren Baker |
2010 |
hypertext, spatial hypertext, electronic writing, virtual reality, CAVE, cave writing |
|
Spam Poem for Paul Graham |
William Poundstone |
2005 |
Flash, static, scheduled, spam |
|
Spamology |
Irad Lee |
2007 |
spam, visualization, 3D, relationships, patterns, trends |
|
Speak |
Jason Edward Lewis, Bruno Nadeau |
2010 |
touch, poetry, system, iOS, identity, place, voice |
|
Speaking of Rivers |
Whitney Anne Trettien, Jonathan Peter Moore |
2009 |
static, responsive, audio |
|
Spine Sonnet |
Jody Zellen |
2012 |
generated poetry, sonnet, app, book vs. computer, materiality, poetry, language, iOS |
|
SpringGun Press |
|
|
|
|
Star Wars Tweets |
Anonymous |
2012 |
twitter, serial, bot |
|
Star Wars, One Letter at a Time |
Brian Kim Stefans |
2005 |
Flash, conceptual, audio, appropriated texts, performance |
|
Start at the End: a Hypertext Fiction |
Philipp Hofmann |
2001 |
hypertext fiction, tragedy |
|
State of the Arts |
|
2003 |
publishing, archiving, electronic literature, digital poetry, literary history, digital fiction, interfaces, accessibility, multimedia criticism, academia |
|
Stein Times Nine |
Brian Reed |
2002 |
animated gif, static, scheduled |
|
Steve Jones |
|
|
|
|
Steve Tomasula |
|
|
|
|
Steven Meretzky |
|
|
|
|
Still Standing |
Jason Edward Lewis, Bruno Nadeau |
2005 |
reading, attention, embodiment, installation, standing |
|
Stir Fry Texts |
Jim Andrews, Brian Lennon, Pauline Masurel |
1999 |
collaboration, HTML/DHTML, network forms, appropriated texts, stretchtext, combinatorial |
|
Stjernetime |
Merete Pryds Helle |
2012 |
ipad, prose poem, teenager, identity, names, childhood, child, girl, metamorphosis, family, care |
|
StoryWorlds: A Journal of Narrative Studies |
|
|
|
|
Strange Possessions |
Todd Sanders |
2002 |
elements, HTML, hypertext, image and text |
|
Strange Rain and the Poetics of Motion and Touch |
Mark Sample |
2012 |
digital storytelling, tropes, interface, interpretation, Apple iOS, haptic, motion, touch |
|
Stravinsky's Muse |
Mark C. Marino |
2002 |
narrative, Flash, hypertext, fiction, lexicon, animation |
|
Strings |
Dan Waber |
1999 |
animation, Flash, kinetic, scheduled |
|
STRUTS |
J. R. Carpenter |
2011 |
narrative, RSS, place, javascript |
|
Stuart Moulthrop |
|
|
|
|
Stud Poetry |
Marko Niemi |
2006 |
poetry, generative, games, wordtoy, combinatorial, javascript |
|
Student Research Using the ELMCIP Knowledge Base |
Jill Walker Rettberg, Eric Dean Rasmussen |
2011 |
teaching, knowledge base, lesson plan |
|
Subjective Boundaries: Shelley Jackson's Hypertexts and the Terrain of the Skin |
Cara Ogburn |
2008 |
skin, embodiment, hypertext |
|
SubStance |
|
|
|
|
Suits: A Narrative of About Twenty-Seven Hours, More or Less |
Jennifer Roudabush |
2011 |
narrative, non-linear, loss, memory |
|
Surrender Control |
Tim Etchells |
2001 |
mobile media, SMS |
|
Susana Pajares Tosca |
|
|
|
|
Svend Åge Madsen |
|
|
|
|
Svenska Dagbladet (SvD) |
|
|
|
|
svevedikt ("poetry floating in the air") |
Ottar Ormstad |
2006 |
kinetic poetry, concrete poetry, digital concrete poetry, lettrist, Flash |
|
SWALLOWS |
Paul Zelevansky |
1985 |
animation, ASCII, text |
|
SWALLOWS 2.0 |
Paul Zelevansky |
2012 |
animation, text, ASCII |
|
synonymovie |
Eugenio Tisselli |
2004 |
generative, database, Shockwave, text movie, appropriated texts, visual poetry or narrative, juxtaposition, synonyms |
|
Søren Bro Pold |
|
|
|
|
Tafel/Blackboard |
Frank Fietzek |
1993 |
memory, installation, inscription, hardware |
|
Tailspin |
Christine Wilks |
2008 |
Flash, affect, audio, sound, visual narrative, disability |
|
Takei, George |
Mark Sample |
2011 |
text generators, remix, poetry generator |
|
Talan Memmott |
|
|
|
|
Talking Cure |
Noah Wardrip-Fruin |
2002 |
word-and-image, performance, audio, speech-to-text, speech recognition, psychoanalysis, sound environment, image to text, Freud |
|
Tao |
Alan Sondheim, Reiner Strasser |
2004 |
Flash, visual poetry, poetry, collaboration, audio, place |
|
Taras Mashtalir |
|
|
|
|
Taroko Gary |
Leonardo Flores |
2012 |
kinetic, HTML, e-poetry, scheduled, javascript |
|
Taroko Gorge |
Nick Montfort |
2009 |
text generator, poetry generator, HTML, javascript, nature |
|
Taroko Gorge Remixed: Repetition and Difference in Machine Texts |
Flourish Klink, Talan Memmott, Nick Montfort, Andrew Plotkin, Scott Rettberg, Mark Sample, Eric Snodgrass, J. R. Carpenter |
2012 |
poetry generation, remix, arrays, appropriation |
|
Tasty Gougère |
Helen J Burgess |
2012 |
remix, HTML, javascript, static, scheduled |
|
Teaching Digital Literature: Didactic and Institutional Aspects |
Roberto Simanowski |
2009 |
teaching, digital literature, electronic literature, pedagogy, literary institutions |
|
Teaching the Cybertext Taxonomy with Dice |
|
|
taxonomy, net.art, group work, cybertext |
|
Technics and Violence in Electronic Literature |
Davin Heckman |
2011 |
electronic literature, embodiment, literary studies, violence, tactile, technics, neoliberalism, desire, mnemotechnics, digital culture, political, interface |
|
Teleport |
David Jhave Johnston |
2011 |
alien, Flash, responsive, poetic narrative |
|
Teresa Pepe |
|
|
|
|
Text and Digital Media: The Visualization of Code, Codex and Context |
Lanfranco Aceti |
2009 |
images, interdisciplinarity, visual |
|
Text Rain |
Romy Achituv, Camille Utterback |
1999 |
installation, text instrument, interactive, movement, embodiment, image to text |
|
Textuality and Graphic Novels: Identity, Influence and Adaptation in V for Vendetta and Beyond |
Kristine Trever |
2008 |
graphic novel, text and image, film, simulation, semiotics, web comics |
|
The (Problematic) Issue to Evaluate Literariness: Digital Literature Between Legitimation and Canonization |
Alexandra Saemmer |
2012 |
evaluation, canonization, literariness |
|
The (Vis)poetics of Jim Andrews: 'A Pen' |
Leonardo Flores |
2008 |
lettrist, tool, participation, vispo, poetics |
|
The 4th Search |
Sebastian Elk |
2012 |
Google forms, forms, questionnaire, absurd, game |
|
The Adventures of i |
Komninos Zervos |
1995 |
animated gif, kinetic, static |
|
The Aesthetics and Practice of Computational Literature |
Daniel C. Howe, Braxton Soderman |
2008 |
aesthetics, computation, generation, authoring system, layering, materiality, authorial intent, constraints, distributed creativity |
|
The Aesthetics of Generative Literature: Lessons from a Digital Writing Workshop |
Daniel C. Howe, Braxton Soderman |
2009 |
pedagogy, generative, tools, authorship, materiality |
|
The Apostrophe Engine |
Bill Kennedy, Darren Wershler-Henry |
2006 |
generative, poetry |
|
The Artist, the Database, and the Project of the University |
John Cayley |
2012 |
database, knowledge, university, publication, participation, institutionalization, cloud |
|
The Ballad of Workstudy Seth |
Mark C. Marino |
2009 |
loss of control over social network, social networking, work study, assistant – employer relationship, twitter, HTML |
|
The Black Chamber |
Brendan Howell |
2012 |
paranoia, steganography, generative, natural language processing, markov chain |
|
The Body Politic |
Jennifer Ley |
1999 |
HTML, hypertext, poetry, cruelty, body |
|
The Bowery Poetry Club |
|
|
|
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
The Cape: The Backstory |
J. R. Carpenter |
2008 |
narrative, fiction |
|
The Challenge of Cybertext: Teaching Literature in the Digital World |
Raine Koskimaa |
2007 |
electracy, hypertext, literary pedagogy, meta-interpretation, procedural literacy, digital culture |
|
The Chronicle of Higher Education |
|
|
|
|
The Circus |
Ana María Uribe |
2001 |
Flash, kinetic, audio, e-poetry |
|
The Click Poems |
David Knoebel |
1997 |
HTML, aural, static, haiku, e-poetry |
|
The Company Therapist |
Christopher Werby, Olga Werby |
1996 |
collaboration, hyperdrama, role-play, episodic, psychiatry, talk therapy, transcripts |
|
The Compelling Charm of Numbers: Writing for and thru the Network of Data |
Roberto Simanowski |
2012 |
facebook, diaries, personal, narrative, non-fiction, representation, quantified self |
|
The Cuckoo Bird of Fiction: Pastiche, Hoax and the Evolution of Form |
Rob Wittig |
2008 |
pastiche, hoax, form, literary history, vernacular |
|
The Dark Side of the Wall |
Bob Bonsall |
2012 |
HTML, javascript, static, remix, scheduled |
|
The Dazzle as Question |
Claire Allan Dinsmore |
2000 |
Flash, poetry, hypermedia, e-poetry, lyric, brain |
|
The Distributed Author: Creativity In the Age of Computer Networks |
Christiane Heibach |
2000 |
authorship |
|
The Doll Games |
Shelley Jackson, Pamela Jackson |
2001 |
identity, parody, games, gender, dolls, non-fiction, HTML, sexuality, siblings, game |
|
The Dreamlife of Letters |
Brian Kim Stefans |
2000 |
animation, concrete poetry, ambient, Flash, visual poetry, kinetic, feminism, appropriated texts, recombination |
|
The E-ssense of Literature |
Robert Kendall |
2008 |
generative, source code, criticism, methodology |
|
The Ecological Thought |
Timothy Morton |
2010 |
the ecological thought, ecocriticism, critical ecologies, Romanticism, philosophy, critical theory, interconnectedness, aesthetics, ethics, new materialism |
|
The Ed Report |
William Gillespie, Nick Montfort, Dylan Meissner |
2000 |
hypertext fiction, serial fiction, satire, parody, political, government, report |
|
The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice |
Scott Rettberg |
2011 |
community, knowledge base, database, consortium, directory, research infrastructure |
|
The ELO and Two E-Lit Exhibits |
Nick Montfort |
2012 |
libraries, exhibiting, games |
|
The ELO and US Electronic Literature in the 2000s |
Scott Rettberg |
2010 |
literary history, ELO, Electronic Literature Organization, USA, electronic literature, literary institutions |
|
The Executor |
Nick Montfort, William Gillespie |
2005 |
Processing, scrolling, chronology, fiction, death, collaboration |
|
The Fall of the Site of Marsha |
Rob Wittig |
1999 |
HTML/DHTML, network forms, comedy, gothic, parody/satire |
|
The Famous Sound of Absolute Wreaders |
Johannes Auer, Reinhard Döhl, Beat Suter, René Bauer, Martina Kieninger, Sylvia Egger |
2003 |
radio art, net literature, performance, algorithmic text generation |
|
The Final Problem |
Judd Morrissey |
2012 |
data visualization, text mining, psychogeography, augmented reality, live performance |
|
The Flat |
Andy Campbell |
2005 |
narrative, horror, nightmare, dark, haunting, ghost, suspense, atmospheric, multimodal, childhood memories |
|
The Garden of Proserpine |
Laura McCabe |
2001 |
e-poetry, Flash, responsive, scheduled |
|
The Genealogy of a Creative Community: Why is Afternoon the "Grandaddy" of Hypertext Fiction? |
Jill Walker Rettberg |
2011 |
hypertext fiction, creative community, genealogy, literary history, reception history |
|
The Good Captain |
Jay Bushman |
2007 |
twitter, adaptation, point of view, temporal, storytelling |
|
The Great Migration |
Jason Edward Lewis |
2012 |
touch, iOS, kinetic typography, migration, heritage |
|
The Grotesque Corpus |
Terry Harpold |
1992 |
|
|
The heuristic value of electronic literature |
Serge Bouchardon |
2010 |
narratology, semiotics, aesthetics, rhetoric, anthropology, archivistics, literary studies, electronic literature, heuristics, pedagogy |
|
The Interactive Diagram Sentence |
Jim Rosenberg |
1996 |
hypertext, diagrams, juxtaposition, non-linear |
|
The Jew's Daughter |
Judd Morrissey |
2000 |
narrative, collaboration, generative text, HTML/DHTML, hypertext, interactive, intertexutality, fiction, Flash, single page, stretchtext |
|
The Joy of E-Lit (Interview with Kathi Inman Berens) |
David Jhave Johnston, Kathi Inman Berens |
2012 |
reading, interface, discovery |
|
The Kitchen |
|
|
|
|
The LA Flood Project |
LAinundacion, Mark C. Marino |
2011 |
collaboration, locative narrative, mobile phone, disaster, Google aps |
|
The Language of New Media |
Lev Manovich |
2002 |
theory, media theory, new media |
|
The Last Day of Betty Nkomo |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2005 |
experimental cinema, Flash, aural, music, time-based, death |
|
The Last Performance |
Judd Morrissey, Mark Jeffery |
2007 |
architecture, ambient sound, constraint, collaboration, hypertext, conceptual, generative, performance, database, procedural, installation |
|
The Life of the City of the Mind |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2011 |
Flash, experimental cinema, jazz, narrative |
|
The Love of the Social Writerly Game (Interview with Mark Marino and Rob Wittig) |
David Jhave Johnston, Rob Wittig, Mark C. Marino |
2012 |
comedy, collaboration, writing games |
|
The Machine in the Text, and the Text in the Machine |
Manuel Portela |
2010 |
electronic literature, materiality, digital materiality, intermediation, digital literature, digital forensics, interface |
|
The Mall as a Machine for Living |
Matt Blackburn |
2001 |
hypertext, e-poetry, HTML, responsive |
|
The Mandrake Vehicles |
Oni Buchanan |
2006 |
animation, visual poetry, kinetic, typography, kinetic poetry, stretchtext, combinatorial, Shockwave |
|
The Meddlesome Passenger |
Scott Rettberg |
2002 |
hypertext, fiction, intertextuality, textuality, poststructuralism, death of the author, travel |
|
The Medium Is the Metaphor |
Melinda White |
2008 |
medium, metaphor, hypertext, critical new media, Flash |
|
The Minotaur Project |
Kim White |
2001 |
Flash, poetry, interface, myth |
|
The Misanthrope of Karlskrona |
Scott Rettberg |
2011 |
generator, comedy, cross-cultural communication, performance |
|
The murmur of i n t e r s t i c e s |
Zahra Safavian |
2000 |
Shockwave, audio, responsive, kinetic |
|
The Network as a Space and Medium for Collaborative Interdisciplinary Practice |
|
|
collaboration, mediality, creativity, network, electronic literature, poesis, digital poetics, network culture |
|
The New Media Reader |
|
2003 |
history, theory, foundations, new media |
|
The New River (Fall 2008) |
|
2008 |
|
|
The New River 4 |
|
1998 |
|
|
The New River 5 |
|
1999 |
|
|
The New River 6 |
|
1999 |
|
|
The New River: A Journal of Digital Writing and Art |
|
|
|
|
The Nothings |
Alistair Gentry |
2002 |
fiction, hypertext, novel, modular novel |
|
The O2 Tales |
Anna Pitt |
2010 |
xhtml, javascript, hypertext, audio, responsive |
|
The Paratexts of Inanimate Alice: Thresholds, Genre Expectations and Status |
Gavin Stewart |
2010 |
paratext, technotext, Genette, close reading |
|
The Pines at Walden Pond |
Deena Larsen |
2000 |
hypertext, HTML, responsive |
|
The Pleasure Principle: Immersion, Engagement, Flow |
J. Yellowlees Douglas, Andrew Hargadon |
2000 |
hypertext fiction, interactive narratives, navigation |
|
The Precession |
Mark Jeffery, Judd Morrissey |
2009 |
performance, distributed narrative, twitter, collective narrative |
|
The Programming Era: Building Literary Networks Through Peer-to-Peer Review |
Eric Dean Rasmussen |
2009 |
community, publishing, electronic literature, literary studies, network forms, literary criticism, peer review, p2p review, literary institutions |
|
The Quick Brown Fox (a Panagram) |
Alan Bigelow |
2011 |
pangram, expansion, domesticity, Flash, responsive, audio, kinetic, alphabet, marriage problems, unfaithfulness |
|
The Reading Glove |
Karen Tanenbaum, Joshua Tanenbaum |
2012 |
haptic, interface, touch, physical, narrative, spy novel, audio narrator, interactive narrative, embodied |
|
The River Dart |
J. R. Carpenter |
2009 |
serial, twitter, social, performance |
|
The Roar of Destiny |
Judy Malloy |
1996 |
hypertext, hypertext fiction, hypertext poetry, network fiction |
|
The Secret Life of Numbers |
Golan Levin |
2002 |
visualization, non-linguistic |
|
The Set of U / La Série des U |
Philippe Bootz, Marcel Frémiot |
2004 |
animation, collaboration, generative, audio, music, Shockwave, combinatorial, multilingual |
|
The Strategy of Digital Modernism: Young-Hae Chang Heavy Industries's Dakota |
Jessica Pressman |
2008 |
narrative, reading, intertextuality, interpretation, hermeneutics, close reading, digital modernism, modernism, Beat literature, jazz, remediation, retro, plot, Ezra Pound, high modernism |
|
The Sweet Old Etcetera |
Alison Clifford |
2006 |
animation, Flash, visual poetry, audio, e.e. cummings, calligram, tree, poetry, responsive |
|
The Torrent |
Joe Milutis |
2009 |
collaboration, expanded fiction, print on demand, installation, blog, oblivion, video art, performance, remix, translation, intellectual property, authorship, virtual literature |
|
The trAce Experience |
Sue Thomas, Marjorie C. Luesebrink, Christy Sheffield Stanford, Janet Holmes |
1999 |
collaboration, writing, online. communitiy |
|
The Trivial Program "yes" |
Nick Montfort |
2012 |
systems, critical code studies, ecology, code |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
The Use |
Chris Mann |
2012 |
audio, spoken word, voice, poetry, iOS, sound poetry |
|
The Vinaròs Prize for Electronic Literature |
Laura Borràs Castanyer |
2011 |
electronic literature, literary history, e-lit, prizes, cultural programs, cultural capital |
|
The Web is Paratextual: An Exploration of the Web's Architecture from a Paratextual Perspective |
Patricia Tomaszek |
2012 |
web architecture, HTML, source paratext, code, paratext |
|
The Winter House |
Naomi Alderman |
2010 |
multimedia, murder-mystery, linear, hypertect, Flash, audio, responsive |
|
The Word Made Digital (CMS 609J, Fall 2009) |
|
|
digital art, digital literature, video games, digital culture |
|
the WORD project |
Christopher |
2002 |
Flash, audio, responsive |
|
The World As Yours |
Loss Pequeño Glazier |
2012 |
audio, video, dance, performance |
|
The World in Hyper(de)Scription: On the Film-Poems of Katarzyna Giełżyńska |
|
2012 |
film-poems, media-specific, animated text |
|
The World's First Collaborative Sentence |
Douglas Davis |
1994 |
collaborative art |
|
There Are Many Detours Between Information And Instruction |
Joe Milazzo |
2012 |
Flash, static |
|
There he was, gone. |
J. R. Carpenter |
2012 |
generative, narrative, dialogue, performance, maps, place |
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
Think different: Estilos de vida digitais e a cibercultura como expressão cultural |
Erick Felinto |
2010 |
iphone, cyberculture, brazilian cyberstudies, digital culture |
|
Thinking in Networks: Western/non-Western Interaction |
Yvonne Spielmann |
2012 |
installations, media art, Japan, intervention |
|
Third Hand Plays: “automatype” by Daniel C. Howe |
Brian Kim Stefans |
2011 |
|
|
Third Hand Plays: “Struts” by J. R. Carpenter |
Brian Kim Stefans |
2011 |
community, geosocial, locative, compendium piece, collaboration |
|
This is how you will die |
Jason Nelson |
2005 |
Flash, generative, textual instrument, games, combinatorial, death, gambling, demise, avant-garde, dada, audio |
|
Thoems |
David Jhave Johnston |
2007 |
video, audio, Flash |
|
Thomas Wohlfahrt |
|
|
|
|
Thomas Bronwen |
|
|
|
|
Thoughts Go |
David Knoebel |
2001 |
Flash, aural, scheduled, e-poetry, thought processes, association |
|
Thoughts on a Literary Lab |
Matthew Jockers |
2013 |
lab, digital humanities, data visualization, distant reading |
|
Three-Dimensional Dementia: Hypertext Fiction and the Aesthetics of Forgetting |
Carolyn Guertin |
1999 |
dementia, hypertext, fiction, space, forgetting, memory, association, plot |
|
Tideland |
M. D. Coverley |
2000 |
memory, life, experiences, memory flow, transience, HTML, javascript, hypertext, audio |
|
TILT |
Angela Ferraiolo |
2010 |
video text, database, experimental cinema, spatial narrative |
|
Tim McLaughlin |
|
|
|
|
Time and the Machine: Steve Tomasula and Stephen Farrell’s TOC |
Scott Rettberg |
2010 |
gesamtkunstwerk, multimedia, collaboration, parable |
|
Time Train |
Dorothee Lang |
2007 |
time, train, motion, Flash, poetry |
|
Times Haiku |
Jacob Harris |
2013 |
haiku, generative, static |
|
Timothy Morton |
|
|
|
|
Tina Escaja |
|
|
|
|
TINAC |
|
|
|
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
Today is Lemonade |
Ingrid Ankerson |
2000 |
summer, childhood memories, Flash, scheduled |
|
Tokyo Garage |
Scott Rettberg |
2009 |
generative, narrative, poetry, city, javascript, remix, urbanity, metropolis, tokyo, homage, détournement |
|
Tomorrow's News Today |
Jody Zellen |
2005 |
multimedia, audio, news, Flash, javascript |
|
Tonnus Oosterhoff |
|
|
|
|
Torbjørn Skårild |
|
|
|
|
Toucher |
Serge Bouchardon, Kevin Carpentier, Stéphanie Spenlé |
2009 |
Flash, visual poetry, collaboration, materiality, interactivity, audio, tactile, wordtoy, haptic sensation, human – computer interaction, senses, touch |
|
Touching Words |
Talan Memmott, David Thomas Prater |
2012 |
tactile, touch, impermanence, digital writing, intention |
|
Tournedo Gorge |
Kathi Inman Berens |
2012 |
remix, HTML, javascript, static, scheduled |
|
Toward a Circulation of the Page |
Braxton Soderman |
2003 |
collage, kinetic, Shockwave, audio |
|
Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2007) |
Joseph Tabbi |
2007 |
ELO, Electronic Literature Directory, literary tagging, folksonomy, community, directory, semantic web, database |
|
Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2010) |
Joseph Tabbi |
2010 |
ELO, Electronic Literature Directory, literary tagging, folksonomy, community, directory, semantic web, database |
|
Towards an Art of Rhetoric in Electronic Literary Works: The Figures of Manipulation |
Serge Bouchardon |
2008 |
rhetoric, rhetorical figure, figures of manipulation, human-computer interaction |
|
Towards the delight of poetic insight |
Friedrich W. Block |
2010 |
Erkenntnis, poetry, poetics, Oulipo, forms, innovation |
|
Toy Garbage |
Talan Memmott |
2011 |
generative, remix, HTML, javascript |
|
trAce |
|
|
|
|
Traces of the trAce Online Writing Centre 1995-2005 |
J. R. Carpenter |
2012 |
writing community, forum, writing competition, conference series, archive, Trace, community |
|
TRANS.MISSION [A.DIALOGUE] |
J. R. Carpenter |
2011 |
generator, generative narrative, narrative, dialogue, performance, script, javascript, network archaeology, media archaeology |
|
Transcript |
|
|
|
|
Translation |
John Cayley |
2004 |
constraint, ambient, collaboration, generative, translation, procedural, transliteration, audio, music, textual instrument, appropriation, appropriated texts, time-based, QuickTime |
|
Transliteracy Research Group |
|
|
|
|
TransmoGrify |
Leonardo Flores |
2012 |
HTML, javascript, scheduled |
|
Tributaries & Text-Fed Streams: A Feed-Reading of the Capilano Review |
J. R. Carpenter |
2008 |
|
|
Trickle |
Jörg Piringer |
2012 |
kinetic, dance, performance, audio, scheduled |
|
Tripp trapp tresko i cyberspace |
Jill Walker Rettberg |
1999 |
poetry, review, hypertextual, creative criticism, personal criticism |
|
Trope |
Sarah Waterson, Elena Knox, Christyn Davies |
2008 |
poetry, collaboration, performance, Second Life, tropes, video, wordtoy, virtual environment |
|
Trope Report |
|
2012 |
|
|
Tsehaye Geralyn Hebert |
|
|
|
|
Ture Schwebs |
|
|
|
|
Turkmenbashi, mon amour |
Martine Neddam |
2011 |
animation, Flash |
|
Turning Away |
Curtis Harrell |
1997 |
poetry, generative, haiku, poem |
|
Tweet Haikus |
Brandon Wood |
2013 |
twitter, Python, social, responsive, generative, HTML, javascript, bot |
|
Twitterwurking |
Mez Breeze |
2008 |
twitter, mezangelle |
|
Two Solitudes |
Carl Steadman |
1994 |
email narrative, email, lovers, romance |
|
UbuWeb |
|
|
concrete poetry, visual poetry, conceptual, sound poetry, avant-garde, ubu, experimental |
|
Um estudio em vermelho |
Marcelo Spalding |
2009 |
hypertext, branching path, hypertext fiction, detective |
|
Uncle Buddy's Phantom Funhouse |
John McDaid |
1992 |
hyperfiction, hypertext fiction, hypercard |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
Uncontrollable Semantics |
Jason Nelson |
2012 |
Flash, HTML5, hypertext, responsive |
|
Uncreative Writing: Managing Language in the Digital Age |
Kenneth Goldsmith |
2011 |
uncreative writing, appropriation, appropriated texts, robo-poetics, remix, literary theory, literary history |
|
UnderAcademy College |
|
|
|
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
Understanding Knowledge Work |
Alan Liu |
2005 |
humanities, digital humanities, literary studies, epistemology, higher education, information, information society, academia, knowledge work, corporate culture, New Criticism, literary criticism |
|
University of Bergen, Department of Humanistic Informatics |
|
|
|
|
University of Bergen, Program in Digital Culture |
|
|
|
|
University of California, Santa Barbara (UCSB), Department of English |
|
|
|
|
University of California, Santa Cruz (UCSC) |
|
|
|
|
University of Cincinnati |
|
|
|
|
University of Illinois at Chicago (UIC) Department of English |
|
|
|
|
University of Michigan - Institute for the Humanities |
|
|
|
|
University of Nebraska Press |
|
|
|
|
University of Warwick |
|
|
|
|
Universo Molécula |
Isaías Herrerro Florensa |
2007 |
poetry, interactive, javascript |
|
Unravel |
Agnieszka Michalska |
2010 |
Flash, static, scheduled, kinetic |
|
Unravelled |
Spenser Wain, Zac Urness, Kollin Branicki |
2011 |
hypertext, audio, xhtml, responsive |
|
untitled(to reconstruct) |
Jason Nelson, Jody Zellen |
2006 |
e-poetry, audio, responsive, tree-structures |
|
Up Against the Screen Mother Fuckers |
Justin Katko |
2008 |
CAVE, poetry, video, audio, hacktivist, critical/political/philosophical |
|
Urbanalities |
Chris Joseph, escha |
2005 |
animation, audio, collaboration, Flash, generative, music, visual poetry or narrative |
|
Urbanalities: Modernism, Postmodernism and Digital Literature |
Andrew Michael Roberts |
2010 |
short story, poem, comic strip, modernism, postmodernism, electronic literature, dada |
|
Urs Richle |
|
|
|
|
v i r a l p o e t i c s |
Mary Flanagan |
1999 |
virus, poetics. collage, repurposing content, audio, video, database |
|
V sieti strednej Európy: nielen o elektronickej literatúre: /In Central European Network: not only about electronic literature:/ |
|
2012 |
hypermedia, electronic literature, digital literature, multisensory reading, theory, Slovak, Czech, game studies, experimental literature, cybertext, digital media, literary servers, media analysis, new media, materiality, reading experience |
|
V: Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2002 |
visual poetry, poetry, collaboration, embodiment, Shockwave, textual instrument |
|
Väljarna/Elect |
Johannes Heldén |
2008 |
science fiction, nature, bilingual, Swedish, Scandinavian |
|
Velo City |
Tina Escaja |
2000 |
Flash, kinetic poetry |
|
Verso |
|
|
|
|
Video Blog::Vog |
Adrian Miles |
2002 |
video, e-poetry, QuickTime, audio, interactive |
|
Videograph Fictions or Graphoems |
Jason Nelson |
2010 |
audio, Flash, 1980s, childhood memories |
|
Vilém Flusser |
|
|
|
|
Virtual Muse: Experiments in Computer Poetry |
Charles O. Hartman |
1996 |
memoir, digital poetry |
|
Virtual Narrations: From the crisis of storytelling to new narration as mental potentiality |
Söke Dinkla |
2004 |
|
|
Virtual Reality Exhibit at the Singapore Museum |
David Herrstrom |
1997 |
hypertext, poetry, virtual reality |
|
Visible Language |
|
|
|
|
Visionary Landscapes: Literature on the Edge of Time and Space |
Dene Grigar |
2009 |
ELO |
|
Visions of Reading |
Scott Rettberg |
2011 |
vision, reading, cognitive psychology |
|
Visual Editions |
|
|
|
|
Visual Sonnet #1 |
Braxton Soderman |
2004 |
Shockwave, responsive, generative, sonnet |
|
VLAK |
|
|
|
|
Vocaleyes |
María Mencía |
2001 |
phonetic, text-sound, image and text, synesthesia |
|
Voice Inside My Head |
Joseph Farbrook |
2008 |
poem, internal monologue, installation, digital literary art |
|
Voyage Into the Unknown |
Roderick Coover |
2008 |
hypertext, history, maps, appropriation, documentary, ecocriticism, appropriated texts, interactive documentary, cinemascapes, American studies, critical ecologies, Flash |
|
Voyager |
|
|
|
|
Walkdont |
David Knoebel |
2000 |
animated text, VRML, Java, static, kinetic, scheduled, aural, interactive |
|
Walking Together What Remains |
Chris Green, Erik Natzke |
2001 |
constraints, Flash, scheduled, static |
|
Walt FML Whitman |
Mark Sample |
2013 |
twitter, javascript, bot |
|
Walt Whitman |
Anonymous |
|
twitter, serial, static, scheduled |
|
Warfare and Conventionality: How avant-garde computer-generated text can be |
Roberto Simanowski |
2011 |
avant-garde, digital poetics, generative, text generators, technical avant-garde, aesthetic avant-garde, formalism |
|
Wasser |
Stefan Schemat |
2004 |
augmented reality, space, locative narrative, mission-based, geopolitical |
|
We Feel Fine: An Almanac of Human Emotion |
Sep Kamvar, Jonathan Harris |
2009 |
networked, language-driven digital art, big data, statistical computation, web harvested literature, found text, infographics, data visualization |
|
Weapons Of The Deconstructive Masses: Whatever the Electronic in Electronic Literature may or may not mean |
John Cayley |
2008 |
terminology, definitions |
|
Weave |
Thomas Bell |
2002 |
e-poetry, hypertext, HTML, animated gif, scheduled, responsive |
|
Web 2.0 Storytelling: Emergence of a New Genre |
Bryan Alexander, Alan Levine |
2008 |
web 2.0, Flickr, facebook, YouTube, twitter, narrative, genre, overview |
|
Web Warp & Weft |
Helen Whitehead |
2001 |
hypertext, e-poetry, HTML, javascript, audio, scheduled |
|
Web/Fiction/Design: A brief beta-test of this year’s winner of the ELO Awards, Caitlin Fisher’s These Waves of Girls |
Anja Rau |
2001 |
design, usability, narrative, review, awards, authorship, collaboration, Flash, Electronic Literature Organization, ELO |
|
Welcome to Pine Point |
Michael Simons, Paul Shoebridge |
2011 |
multimedia, video, audio, Flash, kinetic, static |
|
Wendy Chun |
|
|
|
|
What hypertext is |
Noah Wardrip-Fruin |
2004 |
hypertext, definition, history, design, hyperfilm, hypergra, hypermedia, stretchtext |
|
What I Believe |
William Poundstone |
2004 |
Flash, generative, responsive, audio |
|
What the Nightwoman Texted |
Mark C. Marino |
2010 |
responsive, static |
|
What They Speak When They Speak to Me |
Jason Edward Lewis |
2007 |
iOS touch, e-poetry, responsive |
|
when |
Ottar Ormstad |
2011 |
video poetry, digital concrete poetry, multilingual or non-english, photographs, modern music, nature/culture, environmental, life/death |
|
When I Was President |
Alan Bigelow |
2007 |
multimodal, narrative, Flash, politics |
|
When you reach Kyoto |
Geniwate, Brian Kim Stefans |
2005 |
Shockwave, audio, letters, scheduled, responsive |
|
Where Are We Now?: Orienteering in the Electronic Literature Collection, Volume 2 |
John David Zuern |
2011 |
electronic literature, anthology, translation, transnational, Electronic Literature Collection, diversity |
|
Where To? |
Stuart Moulthrop |
1997 |
|
|
WhereAbouts |
Orit Kruglanski |
2003 |
animation, poetry, urban, Shockwave, ergodic |
|
While Chopping Red Peppers |
Megan Sapnar, Ingrid Ankerson |
2000 |
Flash, audio, kinetic, scheduled, father |
|
Whisper Wire |
J. R. Carpenter |
2010 |
generative, poetry generator, haunted media, media archaeology |
|
Whispering |
Sean Donohue |
2001 |
video, e-poetry, Flash, audio, scheduled |
|
White Poem |
William Poundstone |
2002 |
Flash, generative, scheduled |
|
White Room |
David Knoebel |
2002 |
scheduled, Flash, responsive |
|
White-Faced Bromeliads on 20 Hectares |
Loss Pequeño Glazier |
1999 |
visual poetry, HTML/DHTML, generative, digital poetry, translation, javascript, place, e-poetry, dynamic, multilingual, transcultural |
|
Whitney Artport |
|
|
|
|
Who Grabbed My Gorge |
Nick Montfort |
2011 |
remix, generative, appropriation |
|
Who's in Charge Here? A Response to Shelley Jackson's Patchwork Girl |
Jeanne Larson |
1997 |
|
|
Why Digital Literature Has Always Been “Beyond the Screen” |
Andrew Michael Roberts |
2010 |
interactivity, embodiment, affect, body, movement, enactment, depth, impersonality |
|
Why Fi? Fidelidade 4k na Cidade Escalonável |
Sheldon Brown |
2010 |
Scalable City, digital image, 4K cinema, FILE, Brazilian elit |
|
wide and widely branded |
Jason Nelson |
2010 |
compass, digital poem, video, sound, mouse-over text, Flash |
|
Wiki Notes on International Electronic Literature from the 2007 ELO Symposium Panel on International Electronic LIterature |
Mark C. Marino, Bertrand Gervais, Sandy Baldwin, Juan B. Gutiérrez, Laura Borràs Castanyer, Juan B. Gutiérrez |
2007 |
international, electronic literature, links, works |
|
Will Luers |
|
|
|
|
William Poundstone and the Aesthetics of Digital Literature |
Brian Kim Stefans |
2010 |
William Poundstone, web art, visual writing, ludic writing, digital art, visual art |
|
Willy Shakes |
Joshua Strebel |
2009 |
twitter, static, scheduled |
|
Window |
Katharine Norman |
2012 |
combinatory, poetry, audiovisual, sound, place, listening, John Cage, seasons, time, observation, HTML5, javascript |
|
windsound |
John Cayley |
1998 |
ambient, poetry, generative, algorithmic text generation, appropriated texts, soundscape, synthetic voices, transliteral morphing, text movie |
|
Winter City Sleeps |
Adrianna De Barros |
2001 |
Flash, audio, scheduled, kinetic, video, weather |
|
Wired |
James W. Johnson |
2000 |
cyborg, posthuman, body, QuickTime, kinetic, scheduled, audio |
|
With Code in Hand: An Inventory & Prospectus for E-Poetics |
Loss Pequeño Glazier |
1998 |
e-poetry, poetics, practice, inventory, tropes, materiality |
|
Without a Trace |
Jody Zellen |
2008 |
image, Trace, comic, appropriation |
|
Wittenoom: speculative shell and the cancerous breeze |
Jason Nelson |
2009 |
Flash, kinetic, audio, scheduled, responsive |
|
WOE |
Michael Joyce |
1991 |
fiction, hypertext |
|
Words and pictures ex machina? Hypertext and ekphrasis |
Diana Pimental |
2008 |
text and image, hypertext, deus ex machina, ekphrasis, remediation, poetry, photography |
|
Words to light up a dark room: Electronic Literature |
Scott Rettberg |
2009 |
electronic literature, introduction, modalities |
|
Wordscapes and Letterscapes |
Peter Cho |
2002 |
animation, ambient, visual poetry, word-and-image, typography, typographic landscape, conceptual, Java, Processing |
|
Working Memory |
Ian Hatcher |
2011 |
HTML, javascript, scheduled, static |
|
Works and Days |
|
|
|
|
Workshop on Curating and Exhibiting Electronic Literature |
|
|
curating, exhibiting |
|
Workshop on Curating and Exhibiting Electronic Literature |
Jill Walker Rettberg |
2012 |
exhibiting, curating |
|
wotclock |
John Cayley |
2002 |
ambient, poetry, collaboration, digital poetry, electronic poetry, textual instrument, time-based, QuickTime, e-poetry, photography, panoramic |
|
Writing Digital Media |
Josh McCoy, Mike Treanor, Ben Samuel, Brandon Tearse, Michael Mateas, Noah Wardrip-Fruin |
2010 |
games, fiction, promacolypse, social interaction games, artificial intelligence, story, authoring system |
|
Writing for the New Millennium: The Birth of Electronic Literature |
Robert Kendall |
1995 |
historical |
|
Writing Machines |
N. Katherine Hayles |
2002 |
materiality, electronic literature, grammatology, literary history, media-specific analysis, word and image, writing machines, technotext |
|
Writing Organism: CAPTCHA as a paradigm of *literary* digital textuality |
Sandy Baldwin |
2010 |
CAPTCHA, distributed work, visual text, subjectivity, repetition |
|
Writing Space: The Computer, Hypertext, and the History of Writing |
Jay David Bolter |
1991 |
electronic writing, hypertext, writing-history of, new media, writing, technology, electronic publishing |
|
Writing the Ephemeral […] and Re-Enchanting the Remnants: The Lability of the Digital Device in Literary Practice |
Alexandra Saemmer |
2011 |
animation, figure, technological sublime, re-enchantment, ephemeral, instability, digital poetry, digital aesthetics |
|
Writing to be Found and Writing Readers |
John Cayley |
2011 |
Google, writing, composition, processual, digital poetics, collaboration |
|
Written on the Body: An Interview with Shelley Jackson |
Scott Rettberg, Shelley Jackson |
2006 |
distributed narrative, body, space, conceptual art |
|
Yale University English Department |
|
|
|
|
Yes, really |
Katharine Norman |
2008 |
email fiction, epistolary, short story, php, mySQL, javascript, asciiart |
|
Yoko Engorged |
Eric Snodgrass |
2011 |
generative, remix, HTML, javascript, scheduled, static |
|
You Secure in Your Job? |
William Poundstone |
2007 |
QuickTime, scheduled, audio |
|
Yushodo Press |
|
|
|
|
Zoe Beloff |
|
|
|
|
Zombies, Run! |
Naomi Alderman |
2011 |
locative narrative, narrative, iphone, app, game, zombies |
|
Zork 1: The Great Underground Empire |
Marc Blank, David Lebling |
1981 |
interactive fiction |
|
Zuzana Husárová |
|
|
|
|
[Murmur] |
Robin Elliott |
2003 |
documentary, geolocative, oral history, archive, locative, mobile media |
|
[raveling] |
Mary Flanagan |
1999 |
poetry, perfromance, memory, communication, synthetic voices, machine translation, animation, kinetic typography |
|
[theHouse] |
Mary Flanagan |
2006 |
3D, interactivity, digital poetry, Processing, aleatory, spatiality, relationship, communication |
|
[Untitled Twitter Fiction @samplereality] |
Mark Sample |
2010 |
twitter, fiction, netprov |
|
_:terror(aw)ed patches:_ |
Mez Breeze, Shane Hinton |
2010 |
collaboration, Google Wave, transformation, live editing |
|
_cross.ova.ing 4rm.blog.2.log 07/08 XXtracts_ |
Mez Breeze |
2010 |
performative, network forms, hacktivist, codework |
|
_the data][h!][bleeding texts_ |
Mez Breeze |
2001 |
gender, data, codework, cyborg, human – machine interaction, language |
|
…ha perdut la veu: Some reflections on the composition of e-literature as a minor literature |
Jerome Fletcher |
2011 |
electronic literature, erasure, minor literature, minorization, performativity, pragmatics |