|
Blast Theory |
|
|
|
|
Concrete Poetry as an International Movement viewed by Augusto de Campos: An Interview |
Marina Correa |
2008 |
concrete poetry, digital concrete poetry, materiality |
|
Geniwate |
|
|
|
|
LAinundacion |
|
|
|
|
Young-Hae Chang Heavy Industries |
|
|
|
|
Edward Maloney |
|
|
|
|
From OULIPO to Transitoire Observable |
Philippe Bootz |
2012 |
Oulipo, Transitoire Observable, digital poetry, france, digital aesthetics, generated poetry, A.L.A.M.O., L.A.I.R.E. |
|
From Theo Lutz to Netzliteratur. The Development of German-Language Electronic Literature |
Beat Suter |
2012 |
community, awards, post-processing, collaborative hypertext, stuttgart school |
|
Intent is Important (a sketch for a progressive criticism) |
Adrian Miles |
2003 |
intention, intentionality, interpretation, literary criticism |
|
Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media |
Marie-Laure Ryan |
2001 |
narratology, immersion |
|
Remiksy, remediacje, redefinicje |
Mariusz Pisarski |
2013 |
|
|
What Spam Means to Network Situationism |
Justin Katko, Camille Paloque-Berges |
2007 |
spam, marketing, ideology, reading, network, situationism |
|
"a crisis in se_Mantics: gendered symbols and notion" in computer graphics imaging |
Claudia Herbst |
2002 |
Shockwave, gender, CGI, programming, critical new media, symbols |
|
"HaikuD2" |
John Burger |
2012 |
twitter, bot, generative, static |
|
"How It Is in Common Tongues": an interview with John Cayley and Daniel Howe |
Scott Rettberg, John Cayley, Daniel C. Howe |
2012 |
Google, Beckett, copyright, commons, installation, network, open-source, reading, cognition |
|
"Hypertext Poetry and Fiction": Beobachtungen zu einem Online-Seminar der New School |
Patricia Tomaszek |
2007 |
teaching, e-learning, didactics, hypertext pedagogy |
|
"No Preexistent World": On "Natural" and "Artificial" Forms of Poetry |
Peter Gendolla |
2010 |
aesthetics, avant-garde, culture, nature |
|
"The Digital Subject: Questioning Hypermnesia" - International and Transdisciplinary Conference |
|
|
digital memory, subjective memory |
|
"The Final Problem": An Interview with Mark Jeffrey and Judd Morrissey |
Scott Rettberg, Mark Jeffery, Judd Morrissey |
2012 |
|
|
"Uncle Roger", an Online Narrabase |
Judy Malloy |
1991 |
hypertext fiction, hypertext, fiction, database narrative, artist books |
|
"Where you will have been I am..." [not yet found] |
John Cayley |
2009 |
Google, search engine, performance, performance writing, singularity |
|
#gifandcircumstance |
Adam Parrish |
2012 |
twitter, memes, Python, animated gif, bot, social, generative |
|
#OutsideUrDoor |
Mez Breeze |
2010 |
twitter, live performance, alternate reality game |
|
$wurm = ($apfel>0) ? 1 : 0; experimentelle literatur und internet memoscript für reinhard döhl |
|
2004 |
|
|
&Now Festival (Event Series) |
|
|
experimental writing, festival, literary innovation, experimental literature, innovative writing, avant-garde, postmodern, surfiction, avant-pop |
|
(R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling |
Allegra Pietera |
2008 |
pedagogy, space, video, narrative, interdisciplinary, storytelling |
|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
3 Proposals for Bottle Imps |
William Poundstone |
2003 |
Flash, audio, scheduled, e-poetry |
|
34 North 118 West |
Jeff Knowlton, Naomi Spellman, Jeremy Hight |
2002 |
history, audio, locative narrative, GPS, Los Angeles |
|
4 Square |
Jody Zellen |
2012 |
iOS, juxtaposition, collage, digital art |
|
5 Haitis |
Simon Kerr |
2011 |
Flash, audio, static |
|
6-string Aria |
Bill Marsh |
2002 |
video, Flash, audio, kinetic, scheduled |
|
88 Constellations for Wittgenstein (to be Played with the Left Hand) |
David Clark |
2009 |
hypertext, kinetic, animation, documentary, philosophy, language philosophy, Wittgenstein, Flash |
|
<? echo [THE_SIGNIFIER] ?> |
Duc Thuan |
2002 |
javascript, Flash, e-poetry, HTML |
|
@bogost_ebooks |
Anonymous |
2013 |
twitter, serial, social media |
|
@crashtxt / exq=.s.te =n.c&de/s |
Jim Punk |
2012 |
unicode, HTML, javascript, twitter, social |
|
@Darius_at_GDC |
Darius Kazemi |
2013 |
twitter, bot, social, performance, scheduled |
|
@DeleuzeGuattari, Rhiz-o-Mat, PoMoBot |
Anonymous |
1996 |
javascript, generator, Gilles Deleuze, Felix Guattari |
|
@georgelazenby: How Goes the Enemy? |
William Poundstone |
2012 |
video, Flash, scheduled, twitter |
|
@Jhave2 |
David Jhave Johnston |
2010 |
twitter, networked performance |
|
@KarlMarxovChain |
Moacir P. de Sá Pereira |
2012 |
twitter, bot, social, static, responsive |
|
@MarkovChainMe |
Moacir P. de Sá Pereira |
2012 |
twitter, bot, responsive |
|
@MassageMcLuhan |
Matt Schneider |
2013 |
bot, twitter, tweepy, Python, scheduled, social |
|
@Tempspence |
Mark C. Marino, Rob Wittig |
2013 |
twitter, social, netprov, performance, generative |
|
@tonightiate |
Matt Schneider |
2013 |
twitter, bot, tweepy, Python, social, scheduled |
|
@WPoundstone |
William Poundstone |
2009 |
twitter, social |
|
A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento |
Theodoros Chiotis |
2005 |
cartography, procedural poetics, memory, literary criticism, film, hypertext, novel |
|
A Child's Game Confused |
Jill Walker Rettberg |
2001 |
hypertextual, creative criticism, personal criticism, criticism |
|
A Companion to Digital Humanities |
|
2004 |
history, publishing, textuality, digital humanities, literary studies, preservation, philosophy, scholarly editing, new media, art history, humanities computing, performing art, religion, classics, databases, text encoding, textual analysis, archive |
|
A Cross-Medial Close Reading of Swedish Digital Poetry |
Mette-Marie Zacher Sørensen |
2010 |
Swedish, Swedish digital poetry, digital poetry, concrete poetry, avant-garde, language |
|
A Dialogue Between Two Eyeballs |
Braxton Soderman |
2007 |
Shockwave, kinetic, audio, hypertext |
|
A Dream with Demons |
Edward Falco |
1995 |
hypertext, fiction, childhood, memory, adolescence, Storyspace |
|
A Fine View |
David Knoebel |
2000 |
animated text, VRML, Flash, flash poem, scheduled, aural, interactive |
|
A Four-Sided Model for Reading Hypertext Fiction |
Hans Kristian Rustad |
2009 |
hypertext theory |
|
A Life Set for Two |
Robert Kendall |
1996 |
hypertext, poetry, Visual Basic, memory, regret |
|
A novella app (Interview with Samantha Gorman) |
Samantha Gorman, David Jhave Johnston |
2012 |
writing, novella, fiction, hybrid, app |
|
A Party at Silver Beach |
Judy Malloy |
2002 |
DHTML, hypertext, love |
|
A Pen |
Jim Andrews |
2007 |
Shockwave, vispo, textual instrument, interactive animation |
|
A poetics |
Charles Bernstein |
1992 |
poetics, poetry, poststructuralism, literary theory, absorbtion, modernism, postmodernism, Charles Bernstein |
|
A Poetics of the Link |
Jeff Parker |
2001 |
electropoetics, cyberdebate, link studies |
|
A Pragmatics of Links |
Susana Pajares Tosca |
2000 |
links, rhetorics, hypertext fiction |
|
A Response to the Report on Publishing E-Lit in Europe |
Mark C. Marino |
2011 |
electronic literature, publishing, discussion |
|
A Short History of Electronic Literature and Communities in the Nordic Countries |
Hans Kristian Rustad |
2012 |
history, community, Scandinavia |
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
|
A Slow Year: Game Poems |
Ian Bogost |
2010 |
haiki, video games, digital poetry, literary games |
|
A Subjective Chronology of Cybertext, Hypertext, and Electronic Writing |
Stuart Moulthrop |
2006 |
hypertext, cybertext, history, electronic literature, literary history, e-lit, timeline, subjective |
|
A Town as a Novel: An Interactive and Generative Literary Installation in Urban Space |
Jean-Pierre Balpe |
2010 |
city, generative fiction, participatory, urban |
|
A Vida Secreta dos Objetos: Materialidades, Medialidades, Temporalidades |
|
|
materiality, multimediality, brazilian cyberstudies |
|
A [S]creed for Digital Fiction |
Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Kristian Rustad, Jess Laccetti, Jessica Pressman |
2010 |
narrative, digital fiction, literary criticism, screed, keywords, methodology, critical terms |
|
A. J. Patrick Liszkiewicz |
|
|
|
|
Aaron A. Reed |
|
|
|
|
abcdefghijklmnopqrstuvwxyz (iPhone app) |
Jörg Piringer |
2010 |
iphone, sound toy, app, letters, kinetic, lettrist, physics, audio, performance, responsive |
|
abcdefghijklmnopqrstuvwxyz (Performance Work) |
Jörg Piringer |
2007 |
interactive, lettrist, animation, sound poetry |
|
about machine poetry. a manifesto for the destruction of poets |
Eugenio Tisselli |
2006 |
machine poetry, subversion, liberation |
|
about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek |
Patricia Tomaszek |
2007 |
poetry, audio, cut-up, context-free grammar, randomness, chance, voices, remix, Robert Creeley, RiTa, Processing |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
Acid-Free Bits: Recommendations for Long-Lasting Electronic Literature |
Nick Montfort, Noah Wardrip-Fruin |
2004 |
preservation, best practices |
|
Activision |
|
|
|
|
Adriana Amaral |
|
|
|
|
Adrianna De Barros |
|
|
|
|
Afeeld |
A. J. Patrick Liszkiewicz |
2010 |
textual instrument, concrete art, digital poetry, games |
|
Afghan War Diary |
Matthieu Cherubini |
2010 |
google earth, wikileaks, computer game, static, kinetic, responsive |
|
After 391: Picabia's early multimedia experiments |
Chris Joseph |
2002 |
dada, art history, avant-garde, surrealism, Francis Picabia, Instantanéisme, cinema, multimedia |
|
After Parthenope |
Scott Rettberg |
2011 |
fiction, generative, Processing, procedural, italy, naples |
|
After Persephone |
Ingrid Ankerson |
2001 |
Flash, children, audio, responsive |
|
afternoon, a story |
Michael Joyce |
1990 |
hypertext, fiction, Storyspace, tragedy, associative indexing, narrative, Eastgate, trauma |
|
Against Expression: An Anthology of Conceptual Writing |
|
2011 |
avant-garde, dada, Oulipo, flarf, conceptualism, conceptual writing, poetics, aesthetics, dada, Oulip, L=A=N=G=U=A=G=E |
|
Agence Topo |
|
|
|
|
Ah (a shower song) |
K. Michel, Dirk Vis |
2008 |
digital poetry, poëzie op het scherm, animation, line, stream of consciousness, Flash, collaboration, text movie |
|
Alan Liu |
|
|
|
|
Aleph Null |
Jim Andrews |
2011 |
cinematic, instrument, network forms, digital art, tool |
|
Alexander Mouton |
|
|
|
|
Alexandra Saemmer |
|
|
|
|
Algorithmic Poems |
Chris Funkhouser |
2011 |
static, generative |
|
Alice Bell |
|
|
|
|
Alire: A Relentless Literary Investigation |
Philippe Bootz |
1999 |
journal history, e-lit publishing |
|
Alison Colman |
|
|
|
|
All Fall Down |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash, jazz, monochrome, scheduled |
|
All the News that's Fit to Print |
Jody Zellen |
2006 |
news, HTML, javascript |
|
All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation |
Scott Rettberg |
2005 |
narrative, collaboration, fiction, collective, participation, systems |
|
Alma Pérez |
|
|
|
|
Alone Engaged |
Maria Engberg |
2011 |
generated poetry, HTML, javascript, scheduled, static |
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
Alphabet of Stars |
Whitney Anne Trettien |
2010 |
HTML, javascript, responsive, kinetic |
|
Amanda Stories: Ten Children's Adventures by Amanda Goodenough |
Amanda Goodenough |
1991 |
cats, children, point-and-click, hypercard, CD-ROM |
|
Ambulance: An Electronic Novel |
Jaime Levy, Monica Moran |
1993 |
music, narrative |
|
American Book Review |
|
|
|
|
American Ghosts |
Alan Bigelow |
2006 |
Flash, history, satire |
|
Amor de Clarice |
Rui Torres |
2005 |
Flash, textual instrument, appropriated texts, visual poetry, intertextuality, sound, video, intermediality |
|
Amy J Elias |
|
|
|
|
An Account of Randomness in Literary Computing |
Mark Sample |
2013 |
randomness, computing history, generation, cold war |
|
An American Life In Writing |
Patrick Sanchez |
2011 |
collaboration, live writing, print, anthology, javascript, poetry |
|
An Archival Approach to Curating Born-Digital and Electronic Literary Materials |
Michael Forstrom, Catherine Stollar Peters, Melissa Waterworth, Gabriela Redwine |
2008 |
archive, curation, preservation |
|
An Evening In Front Of The Box |
Gerald Smith |
2011 |
|
|
An Interview with Jason Nelson |
Jason Nelson, David Thomas Prater |
2011 |
interview, interfaces, digital poetry, authoring software, creative writing |
|
An Interview with Talan Memmott |
David Thomas Prater, Talan Memmott |
2011 |
hypertext, online journals, editing |
|
Analiza i wartościowanie dzieła literatury cyfrowej |
Mariusz Pisarski |
2011 |
|
|
Analysis of Fitting the Pattern |
Yolanda de Gregorio Robledo |
2010 |
narratology, reader reception, complexity, tools, multimodality |
|
Anders Sundnes Løvlie |
|
|
|
|
AndOrDada |
René Bauer, Beat Suter |
2008 |
locative, adaptive, digital poetry, dada, wifi, data capture |
|
Andreas Müller-Pohle |
|
|
|
|
Andreas Maria Jacobs |
|
|
|
|
Andrew Michael Roberts |
|
|
|
|
Andromeda |
Caitlin Fisher |
2008 |
visual poetry, collaboration, augmented reality, children's literature, 3D, audio |
|
Andy Campbell |
|
|
|
|
Angels, Avatars, and Virtual Ashes |
Renée Turner |
2007 |
death, mourning, social networks, sincerity, audio, public life |
|
Anipoems |
Ana María Uribe |
1997 |
animation, kinetic typography, animated gifs |
|
Anita Cheng |
|
|
|
|
Ann Coulter : Human Document |
William Poundstone |
2009 |
blog, static, e-poetry |
|
Anna Gibbs |
|
|
|
|
Anna Katharina Schaffner |
|
|
|
|
Anne Mangen |
|
|
|
|
Anne-Lyse Renon |
|
|
|
|
Another Kind of Language |
María Mencía |
2001 |
multilingual, installation, cross-cultural communication |
|
Any Vision |
Zuzana Husárová |
2011 |
static, video, scheduled, audio |
|
Anywhere |
Ingrid Ankerson, Steve Matanle |
2000 |
Flash, static, scheduled, audio |
|
Archetypal Africa |
Alan Bigelow |
2010 |
nature, metaphor, poetic language, history, archetypes, Flash, audio, kinetic, poetry |
|
Archives Zaroum |
Cia Rinne |
2008 |
typography, kinetic poetry |
|
Archivierung von performativer Netzliteratur. Eine ernste Polemik |
Johannes Auer |
2010 |
|
|
Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives |
Florian Hartling, Beat Suter |
2010 |
electronic literature, e-poetry, interactive, archive, net literature, archiving, transience, conceptual art |
|
Argot, Ogre, OK! |
Andrew Plotkin |
2011 |
remix, code aesthetitcs, poetry, stanzas, structure |
|
Ars Electronica |
|
|
|
|
Art at the biological frontier |
Eduardo Kac |
1998 |
art, biology, telematics, telepresence, robotics, interactivity, dialogism, noen-litteratur |
|
Art at the Interstice |
Carolyn Guertin |
2008 |
cultural production, uncommodified culture, user-generated, social, ambivalence |
|
Arteroids |
Jim Andrews |
2003 |
literature, game, programming |
|
Arthur Kroker |
|
|
|
|
Artists, Personas, Mediums, Instruments: Envisioning the Visionary |
Mark Amerika |
2012 |
creativity, persona, hybrid art practice, artist-medium, cybernated art |
|
Artur Matuk |
|
|
|
|
Astres / Stars |
Susan Coolen, Childe Rolan |
2007 |
video, animation, voice, stars |
|
Asunción López-Varela Azcárate |
|
|
|
|
Atelos |
|
|
|
|
Attacking the Borg of Corporate Knowledge Work: The Achievement of Alan Liu's The Laws of Cool |
N. Katherine Hayles |
2005 |
review, knowledge work, culture of information, information, information society, digital culture, cool, diversity, humanities education, digital literary studies, corporate culutre, business culture, ethics |
|
Aufschreibesysteme Green ghost echo |
Brian Lennon |
2003 |
static, e-poetry, HTML |
|
Augmented Reality Storyworlds: Building Spatial Hyperfictions in the York Future Cinema Lab |
Caitlin Fisher |
2008 |
augmented reality, spatial hypermedia |
|
Authorial Scholarship 2.0: Tracing the creative process in online communities |
Leonardo Flores |
2012 |
media ecology, affordances, online communities, creative process |
|
Authors, Readers, and Progression in Hypertext Narrative |
Edward Maloney, James Phelan |
1999 |
narrative progression, hypertext, non-linear reading, linear reading |
|
Autofiction on Screen: Self-representation of an Egyptian ‘Spinster’ in a Literary Blog |
Teresa Pepe |
2012 |
blog, literary blog, fiction, autobiography, self-representation, autofiction, gender, Egypt |
|
Avatars Sharing Agency: Metaphor in Interactive Narrative Environments |
Jeff Rush |
2008 |
avatar, agency, negotiation, game, interactive narrative |
|
Aya Karpinska and Daniel C. Howe |
Chris Funkhouser |
2012 |
3D, spatiality, poetry, installation, geometric, sound, verbal permutation, interactive, multi-sensory |
|
BA-Tale |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, intermedial, narrative, Slovak, Bratislava, storytelling |
|
Bad Machine |
Dan Shiovitz |
1999 |
interactive fiction, fiction, games, codework, TADS |
|
Badosa |
|
|
|
|
Basho's Frogger and JABBER |
Neil Hennessy |
2000 |
poetry, parody, games, haiku, Java, conceptual |
|
Bathroom Sketches |
David Jhave Johnston |
2008 |
water, audio, scheduled, Flash |
|
Bean Project |
Carolyn Black |
2002 |
linear, hypertext, HTML, javascript, dreamweaver |
|
Beat Suter |
|
|
|
|
Beatriz Resende |
|
|
|
|
Beautopia |
Laura Sullivan |
2002 |
hypertext, Java, critical new media, political, gender, beauty, subjectivity |
|
Because It's Not There: Ekphrasis and the Threat of Graphics in Interactive Fiction |
Aaron Kashton |
2011 |
interactive fiction, ekphrasis, graphics, image and text, word and image, rhetoric |
|
Because You Asked |
Alan Bigelow |
2006 |
audio, e-poetry, Flash, hypermedia, self-portrait |
|
Belinda Haikes |
|
|
|
|
Bembo's Zoo |
Roberto de Vicq de Cumptich |
2000 |
typography, Flash, audio, kinetic, scheduled |
|
Bernard Stiegler |
|
|
|
|
Beth Coleman |
|
|
|
|
Betty Leirner |
|
|
|
|
Between Page and Screen |
Amaranth Borsuk, Brad Bouse |
2012 |
artist's book, markers, fiducials, 3D, webcam, book screen hybrid, puns, paragrams, pop-up book, augmented reality |
|
Between Treacherous Objects |
Jason Nelson |
2006 |
3D, Flash, poetry, hypermedia |
|
Beyond Myth and Metaphor: Narrative in Digital Media |
Marie-Laure Ryan |
2002 |
narrative, hypertext, digital narrative, digital media, metaphor, narrative interface, interactivity |
|
Biggz |
Loss Pequeño Glazier, Simon Biggs |
2006 |
javascript, HTML, scheduled, e-poetry |
|
Bindings |
David Jhave Johnston |
2012 |
video, dance, performance |
|
Birdfall |
Mez Breeze |
2000 |
static, kinetic, scheduled, HTML, audio, Flash, Shockwave |
|
Birds Singing Other Birds' Songs |
María Mencía |
2001 |
noise, sound poetry, music, sound, animality, transcription, kinetic typography, audio, representation, responsive |
|
Blake Carrington |
|
|
|
|
Blinding Lights |
Adrianna De Barros |
2001 |
text, sound, poem, Flash, scheduled, audio |
|
Blue Company |
Rob Wittig |
2002 |
web, comedy, e-mail, fiction, e-mail novel, network forms |
|
Blurring of Public and Private Space in New Media Art |
Belinda Haikes |
2008 |
public space, private space, interactivity, social systems |
|
Bodybuilding |
Frank Fietzek |
1998 |
interface, interaction design, installation, interactive installation |
|
Bokstaver i bevegelse |
Scott Rettberg |
2011 |
kinetic poetry, kinetic typography, Electronic Literature Collection |
|
Bokstavlek |
Morten Skogly |
|
Flash, digital toys, instrumental text, toy, birds, non-morphemic, kinetic |
|
BOMB |
|
|
|
|
Book and Volume |
Nick Montfort |
2006 |
constraint, interactive fiction, city, space, work |
|
Born-Again Bits: A Framework for Migrating Electronic Literature |
Alan Liu, David Durand, Nick Montfort, Merilee Profit, Liam R. E. Quin, Jean-Hugues Réty, Noah Wardrip-Fruin |
2005 |
preservation, archiving, emulation |
|
Boston Cyberarts |
|
|
|
|
Boston Cyberarts Festival |
|
|
cyberculture, new media art, digital aesthetics, festival, Boston |
|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
Brandeis University, Comparative Literature Program |
|
|
|
|
Brautigan Bibliography and Archive: Digitizing a Literary Life |
John F. Barber |
2008 |
archive, bibliography, database |
|
Breathing/Secret of Roe |
Jonathan Carr |
2002 |
depression, fighting, sadness, anger, Flash, audio, bipolar |
|
Brian Greenspan |
|
|
|
|
Brian Kim Stefans |
|
|
|
|
Broken |
Alan Sondheim, Barry Smylie |
2000 |
power, body, sex, sleep, imagination, Flash, audio, responsive |
|
Bronwen Thomas |
|
|
|
|
Bryan Alexander |
|
|
|
|
Building the Infrastructural Layer: Reading Data Visualization in the Digital Humanities |
Dana Solomon |
2013 |
data visualization, network analysis, digital humanities, cultural analytics |
|
Bus |
David Hadbawnik |
2001 |
Flash, audio, static, scheduled |
|
Califia |
M. D. Coverley |
2000 |
fiction, novel, multimedia, California, character, history, hypertext, multimodal, narrative, Toolbook |
|
Camel Tail |
Sonny Rae Tempest |
2012 |
remix, HTML, javascript, static, scheduled |
|
Campbell's Soup Town |
Young-Hae Chang Heavy Industries |
2011 |
Flash, scheduled, audio |
|
Cannibal Dreams |
Lacy Cunningham, Justin Talbott |
2010 |
HTML, CSS, javascript, hypertext, static, responsive |
|
Cantoos |
Dan Waber |
2010 |
generative, javascript, responsive |
|
Capped |
Andy Campbell |
2006 |
video games, dark, memories, childhood, mouse-responsive, john christopher, the tripods, white mountains, alien invasion, atmospheric, false memories, moody |
|
Cappelen akademisk forlag |
|
|
|
|
Car Wash |
Megan Sapnar |
2000 |
Flash, father, image and text, audio, music, death, loss, mourning |
|
Carolyn Guertin |
|
|
|
|
Carving in Possibilities |
Deena Larsen |
2001 |
Flash, collaboration, kinetic, animation, audio, time-based, sculpture, art, poetry |
|
Catharsis |
Pedro Valle Javier |
2013 |
hypertext, HTML, static, responsive |
|
cave.cubes |
Daniel C. Howe |
2005 |
CAVE, 3D |
|
Cavewriting: Spatial Hypertext Authoring System |
Damon Loren Baker |
2008 |
CAVE, cave writing, teaching, hypertext fiction |
|
Center for Digital Storytelling |
|
|
|
|
Changed |
Andy Campbell |
2011 |
HTML5, javascript, digital fiction, violence, experience, dreams, nightmare, dark, haunting, memories, atmospheric, moody, attack, transient, escape, teenager, girl, mobile phone |
|
changeEverything |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda |
2011 |
audio, javascript, HTML, responsive |
|
CHAOSity |
NIki Nolin, Wade Roberts, Karen Osborne, Maureen Seaton |
2000 |
collaboration, prose poems, audio, animation, Flash, sound |
|
Chemical Landscapes Digital Tales |
Edward Falco, Mary Pinto, Will Stauffer-Norris |
2006 |
Flash, hypertext, fiction, visual narrative, time-based, photogram, collaboration, HTML/DHTML |
|
Choose Your Own Adventure Assignment |
|
|
choose your own adventure, assignment |
|
Chris Ault |
|
|
|
|
Chris Funkhouser |
|
|
|
|
Chris Joseph |
|
|
|
|
Christine Wilks |
|
|
|
|
Chroma |
Erik Loyer |
2001 |
narrative, poetry, audio, Shockwave, games, race |
|
Chronicle of Deaths Forgotten |
Duc Thuan |
2002 |
Flash, audio, responsive, death |
|
Chuva de letras: de presenças, ausências de literatura digital |
Luciana Gattass |
2010 |
|
|
Circle |
Caitlin Fisher |
2011 |
augmented reality, narrative |
|
City of Angles and Anguish |
David Herrstrom |
1999 |
hypertext, poetry |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
Claudia Kozak |
|
|
|
|
Clearance |
Andy Campbell, Judi Alston |
2008 |
video, video poetry, video art, glimpsing, dark, mouse-responsive, atmospheric, apocalyptic, apocalypse, carving, stone, abandoned |
|
Clippings |
Jason Nelson, Pedro Valdeolmillos |
2006 |
love, Flash, responsive |
|
Clone-ing God & Ange-Lz |
Mez Breeze |
2000 |
HTML, scheduled, kinetic, audio, Flash, Shockwave |
|
Close Reading in the Realm of Static and Dynamic Texts |
Patricia Tomaszek |
2007 |
criticism, literary criticism, digital poetics, close reading |
|
Code Movie 1 |
Giselle Beiguelman |
2004 |
animation, code, movie, inscription |
|
Code: Redact <Redact> |
Sandy Baldwin, Alan Sondheim |
2008 |
codework, language, performance, embodiment, 3D, choreography, psychoanalysis |
|
Collaborations in E-lit |
Stephanie Strickland, Nick Montfort |
2011 |
collaboration, electronic literature, e-lit, the ecological thought, recombinant poetics, code, remix, appropriation, interactive fiction, platform |
|
Common Tongues |
John Cayley, Daniel C. Howe |
2012 |
networked audiovisual installation, multimedia, custom software, writing to be found, writing through search, conceptual literature, conceptual writing |
|
Composition No. 1 |
Marc Saporta |
2011 |
app, artist book, cybertext, nonlinear fiction, narrative |
|
Computer-Mediated Collaborative Writing |
Judy Malloy |
|
computer-mediated narratives, collaboration |
|
Concrete Poetry in Digital Media: Its Predecessors, its Presence and its Future |
Roberto Simanowski |
2004 |
|
|
Concrete Poetry: An International Debate |
|
2008 |
concrete poetry, digital concrete poetry |
|
CONT3XT.NET is Everything |
J. R. Carpenter |
2011 |
internet art, artist's book, collective |
|
Contemporary Literature |
|
|
|
|
Continuous Paper: Print Interfaces and Early Computer Writing |
Nick Montfort |
2004 |
materiality, human-computer interaction, interfaces, print interfaces, interface ecology, computer creativity, adventure games |
|
Contributing to the ELMCIP Knowledge Base |
Eric Dean Rasmussen |
2011 |
workshop, pedagogy, teaching, ELMCIP, electronic literature, database, knowledge base |
|
Conversation |
Jason Nelson |
2003 |
audio, e-poetry, Flash, responsive, kinetic |
|
Corporate Text Cannibal |
Patricia Tomaszek |
2008 |
video, performance, poetry, creative cannibalism, digital cannibalism, remix |
|
Corporeal Poetry: Experiments with 3D Poetry in the MOVE Lab |
Dene Grigar |
2008 |
3D, lab, media art |
|
Cory Arcangel |
|
|
|
|
Cristobal Mendoza |
|
|
|
|
Critical Inquiry |
|
|
|
|
Cross-Referenced E-Lit and Scholarship: The ELMCIP Knowledge Base |
Patricia Tomaszek |
2011 |
communities, database scholarship |
|
Cruising |
Ingrid Ankerson, Megan Sapnar |
2001 |
Flash, visual poetry, poetry, collaboration, audio, place, adolescence, cinematic, driving, romance |
|
Cthalloween |
Jay Bushman |
2009 |
twitter, netprov |
|
CTheory |
|
|
|
|
Cunnilingus in North Korea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash, satire, sexuality, dialectical materialism, dialectic, irony |
|
Curating the MLA 2012 'Electronic Literature' Exhibit |
Dene Grigar, Lori Emerson, Kathi Inman Berens |
2012 |
curation, reading, performance, geolocative works, exhibition, desktop works, mobile work, locative literature |
|
Custom Orthotics Changed My Life |
Richard Holeton |
2010 |
powerpoint, slideshow, bullet points, narrative, video |
|
Cut to the Flesh |
Deena Larsen, Jody Zellen |
2004 |
Flash, audio, responsive, scheduled |
|
Cyberpoetry Underground |
Komninos Zervos |
2001 |
Flash, interactive, sound poetry, interface, recombination, multimedia, machine voice |
|
Cybertext Poetics: The Critical Landscape of New Media Literary Theory, A Review |
Jan Baetens |
2012 |
criticism, cybertext, poetics, theory, ludology |
|
Cybertext Yearbook Database |
|
|
|
|
Cybertext: Perspectives on Ergodic Literature |
Espen Aarseth |
1997 |
ergodic literature, cybertext, hypertext, literary history |
|
Cyborg: Engineering the Body Electric |
Diane Greco Josefowicz |
1995 |
cyborg, hypertext, non-fiction |
|
DAC 2000: A Choose-Your-Own-Trip-Report! |
Nick Montfort |
2000 |
interactive fiction, hypertext |
|
Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature |
Scott Rettberg |
2008 |
dada, avant-garde, digital literary studies |
|
Dakota |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
narrative, Flash, digital modernism, digital fiction, road narrative |
|
Damon Loren Baker |
|
|
|
|
Daniel C. Howe |
|
|
|
|
Dare-Dare |
|
|
|
|
Database Research and Publishing: Using the ELMCIP Electronic Literature Knowledge Base |
Eric Dean Rasmussen |
2011 |
electronic literature, publishing, database, Drupal |
|
Datorn som poetiskt bollplank |
Jesper Olsson |
2012 |
|
|
Dave Pape |
|
|
|
|
David Ciccoricco |
|
|
|
|
David Clark |
|
|
|
|
David Keane |
|
|
|
|
David M. Berry |
|
|
|
|
David Still |
|
|
|
|
David Thomas Prater |
|
|
|
|
David Still :) |
David Still |
2001 |
hoax, email, identity, second-person address |
|
Davin Heckman |
|
|
|
|
Dawn |
Alan Sondheim, Reiner Strasser |
2005 |
Flash, visual poetry, collaboration, electronic poetry, audio, death, photography, life – death, day – night, nature, family |
|
Dear e.e. |
Ingrid Ankerson, Lori Janis |
2001 |
Flash, e.e. cummings, place, dream, distractions, time-based, responsive, audio |
|
Death Valley |
June Hayes |
2000 |
Flash, scheduled, audio, responsive |
|
Debasheesh Parveen and Ariadna Alfil |
Eugenio Tisselli |
2009 |
facebook, bot, generative, scheduled |
|
Deep Surface |
Stuart Moulthrop |
2007 |
narrative, Flash, reading, interpretation, hermeneutics, audio, textual instrument, hyptertext, immersion |
|
Deep Walls |
Scott Snibbe |
2003 |
digital art, non-linguistic, shadows, loops, interactive, installation |
|
Deeper into the Machine: The Future of Electronic Literature |
N. Katherine Hayles |
2002 |
interface, embodiment, multimedia, codework, second-generation electronic literature, media specific analysis, posthuman |
|
Default Lives |
M. D. Coverley |
2001 |
hypertext, pachinko, game, choice, destiny, branching path |
|
Delimited Meshings: a White Paper |
Talan Memmott |
2001 |
Flash, hypermedia, theory, javascript, kinetic, DHTML |
|
Den digitale litterære kultur og bibliotekerne : Stram forretningsmodel eller litterær udfordring? |
Søren Bro Pold |
2012 |
e-book, digitalization, library |
|
Dene Grigar |
|
|
|
|
Descants |
Shawn Greenlee |
2010 |
sound installation, spoken word, recordings, remix, archive, ambient, audio, Robert Coover |
|
Designer Gulch |
Brendan Howell |
2012 |
remix, HTML, javascript, static, scheduled, responsive |
|
Destination Unknown: Experiments in the Network Novel |
Scott Rettberg |
2003 |
hypertext, fiction, novel, electronic literature, network, remediation, network novel |
|
Det siste utbruddet / The Last Volcano |
Roderick Coover, Scott Rettberg |
2010 |
history, video, translation, panorama, memory, disaster, recursion, Norway |
|
Developing an Identity for the Field of Electronic Literature: Reflections on the Electronic Literature Organization Archives |
Scott Rettberg |
2012 |
history, community, ELO, institution, identity |
|
Developing: the Idea of Home |
Nancy Buchanan |
1999 |
documentary, associative, home, neighborhood, economics, environment, land use, California, video, audio |
|
DHCommons |
|
|
|
|
Diagrams Series 3 |
Jim Rosenberg |
1979 |
text and image, diagrams, poetry, print |
|
Diagrams Series 6: 6.4 and 6.10 |
Jim Rosenberg |
2005 |
constraint, digital poetics, poetry, hypertext, conceptual, procedural, Squeak, literary systems, multiplicity |
|
Diana Domingues |
|
|
|
|
Diane Greco Josefowicz |
|
|
|
|
Dibagan |
Brian Kim Stefans, Geniwate |
2006 |
audio, Flash, responsive, kinetic |
|
Dichtung Digital |
|
|
|
|
Dichtung Digital 28 |
|
2003 |
|
|
Dichtung Digital 29 |
|
2003 |
protocol, code, dynamics, infome |
|
Dichtung Digital 33 |
|
2004 |
|
|
Dichtung Digital 40 |
|
2010 |
teaching, digital poetics, materiality, electronic literature, digital hermeneutics, close reading, electronic poetics, mashup |
|
Dichtung Digital 42 |
|
2012 |
|
|
Dieter Daniels |
|
|
|
|
Dig |
Steve Duffy |
2010 |
animation, movement, javascript, argument |
|
Digging For The Roots Of Interactive Storytelling |
Carolyn Handler Miller |
2008 |
interactive narrative, history, myth, ritual, game |
|
Digital Arts and Culture 1998 Conference |
|
|
digital arts, digital culture, conference series |
|
Digital Arts and Culture 2000 Conference |
|
|
|
|
Digital Fiction iPad Project: the Good and Bad Stuff |
Andy Campbell |
2010 |
ipad, development |
|
Digital Humanities in Practice (DIKULT 207, Fall 2012) |
|
|
database scholarship, digital humanities, digital methods, language-driven digital art, big data, quantitative analysis, statistical computation, database, data-driven literature, data-collection engine, text mining, found text, mapping, tagging, data visualization |
|
Digital Literature and Arts II |
|
|
blended learning, close reading, collaborative teaching, non-linguistic, installation, textual instrument, instrumental text |
|
Digital Literature in France (conference presentation) |
Serge Bouchardon |
2010 |
france, history, genre |
|
Digital Literature: From Text to Hypertext and Beyond |
Raine Koskimaa |
2000 |
hypertext, narrative, cybertext, ontolepses, metalepsis, spatial, hermeneutics, poetics, reading conventions |
|
Digital Literature: Theoretical and Aesthetic Reflections |
Luciana Gattass |
2011 |
digital literature, ergodic literature, hypertext, production of presence, interactivity, intermediality, remediation, flickering signifier, materiality, embodiment, Medienumbrüche |
|
Digital Magic: Preservation for a New Era |
Matthew G. Kirschenbaum |
2012 |
digital forensics, preservation, emulation, media archaeology |
|
Digital Media Poetics presents Patricia Tomaszek |
Patricia Tomaszek |
2009 |
reading, generative literature, hypertext |
|
Digital Methods Winter School 2013 and Mini-Conference |
|
|
workshop, exploratory, digital methods |
|
Digital Oracles |
Martha Carrer Cruz Gabriel |
2008 |
search, privacy, trust, filtering, critical new media, artist talk |
|
Digital Poetics or On the Evolution of Experimental Media Poetry |
Friedrich W. Block |
2007 |
digital poetics, interactivity, concrete poetry, materiality, interface, interaction design, technology |
|
Digital Poetry Beyond Avant-Garde Readings: Proposing a Digital Lyric |
Holly Dupej |
2008 |
lyric, textual analysis, posthuman, gesture, musical language, avant-garde |
|
Digital poetry: Comparative textual performances in trans-medial spaces |
Mirona Magearu |
2011 |
poetry, Italian Futurism, spatiality, digital poetics, transmedial |
|
Digital Prohibition Piracy and Authorship in New Media Art |
Carolyn Guertin |
2012 |
creativity, remix, piracy, marxism, multitude, authorship, new media art, appropriation, digital anthropophagy, creative cannibalism, mashup, archiving, Google, tactical media, activism, sampling, adaptation |
|
Digital Scholarly Communication |
|
|
digital humanities, scholarly communication, education, teaching |
|
Digitale Kunst in der Bibliothek - Digital Art in the Library |
|
|
exhibition, text machine, kinetic poetry |
|
Digitale Literatur und Kunst: Blended Learning zu ästhetischen Prozessen in und mit Informatiksystemen |
Jörgen Schäfer, Sigrid Schubert |
2007 |
|
|
Dim O'Gauble |
Andy Campbell |
2007 |
narrative, Flash, digital fiction, dreams, vision, future, nightmare, paranormal, video art, glimpsing |
|
dimocopo - digital moving concrete poetry |
Komninos Zervos |
1995 |
animated gif, kinetic, e-poetry, relationship |
|
Disappearing Rain |
Deena Larsen |
2000 |
fiction, hypertext, narrative, hypertext fiction, links, haiku, poetry, generations, disappearance |
|
Disasters Natural and Digital: The Secret Technologies of Jason Nelson |
Scott Rettberg |
2010 |
catastrophe, dark humor, games, Flash, absurdity |
|
Discipline |
Ana María Uribe |
2002 |
Flash, kinetic, e-poetry, audio |
|
Diskotech Software |
|
|
|
|
Disposable Language |
Talan Memmott |
2011 |
performance, dance, audio |
|
Dissolution |
Zahra Safavian |
2001 |
Flash, static, audio, responsive |
|
Distributed Authorship and Creative Communities (conference paper) |
Simon Biggs, Penny Travlou |
2010 |
|
|
Distributed Matters: Production of Presence and the Augmented Textuality of VR |
Luciana Gattass |
2012 |
presence, presence effects, interpretation, CAVE |
|
Distributed Narrative: Telling Stories Across Networks |
Jill Walker Rettberg |
2005 |
network, distributed, narratives |
|
Diver |
Sarah Townsend, Laura McCabe |
2001 |
kinetic, e-poetry, Flash, scheduled |
|
DIY: reinvent the world by reinventing the language (Interview with Florian Cramer) |
Florian Cramer, David Jhave Johnston |
2012 |
combinatory poetics, literary, DIY, publishing |
|
Do Not Forget It |
Pierre Alferi |
2012 |
video, performance |
|
Douglas Adams |
|
|
|
|
Dreamaphage |
Jason Nelson |
2003 |
3D, Flash, fiction, interface, audio, memoir, constraints, viral |
|
E-Borges: Stuart Moulthrop’s Victory Garden |
Álvaro Seiça |
2012 |
war, intertextuality, Borges, labyrinth |
|
E-Learning and Literary Studies - Towards a New Culture of Teaching? |
Laura Borràs Castanyer |
2007 |
VLE, virtual environment, e-learning, hypertext, practical research |
|
E-Learning und Literatur: Informatiksysteme im Literaturunterricht |
|
2007 |
e-learning, e-lit pedagogy, blended learning |
|
E-Literacies: Politexts, Hypertexts, and Other Cultural Formations in the Late Age of Print |
Nancy Kaplan |
1995 |
|
|
E-LITERATURE E NEW MEDIA ART _ LJUBLJANA |
Patrícia Gouveia |
2011 |
review, trip report |
|
E-Poetry 2007 Paris Cellfone Documentary Extravaganza (Grand Text Auto) |
Scott Rettberg |
2007 |
video, phone video, trip report |
|
E-Poetry Summer Intensive |
|
|
|
|
Early Authors of E-Literature, Platforms of the Past |
Dene Grigar |
2012 |
electronic literature, e-lit, literary history, interfaces, command-line interface, Apple IIe, digital poetics |
|
ebr Electronic Book Review |
|
|
|
|
Eclipse Louisiana |
M. D. Coverley |
2003 |
audio, hypertext, responsive |
|
Editing the Electronic Literature Collection, Volume Two |
Laura Borràs Castanyer |
2011 |
collaboration, Electronic Literature Organization, editing, electronic literature, literary history, anthology, scholarly editing |
|
Editorial Process and the Idea of Genre in Electronic Literature in the Electronic Literature Collection, Volume 1 |
Scott Rettberg |
2010 |
genre, ELO, Electronic Literature Organization, editing, archiving |
|
Eduardo Scala |
|
|
|
|
Edward Falco |
|
|
|
|
Edward Picot |
|
|
|
|
Egypt: The Book of Going Forth by Day |
M. D. Coverley |
2006 |
history, novel, mythology, image and text, Egypt |
|
ELD & ELMCIP (Interview with Scott Rettberg & Joseph Tabbi) |
David Jhave Johnston, Scott Rettberg, Joseph Tabbi |
2012 |
archiving, documentation, literary ecology, interoperability |
|
Electronic Hollywood |
|
|
|
|
Electronic Literature (DIKULT 203, Fall 2011) |
|
|
electronic literature, e-lit, digital literature, digital literary studies, hypertext fiction, digital poetry, interactive fiction, teaching digital literature |
|
Electronic Literature and the Mashup of Analog and Digital Code |
Eduardo Navas |
2010 |
electronic literature, intertextuality, mashup, remix, networked culture |
|
Electronic Literature as World Literature; or, The Universality of Writing under Constraint |
Joseph Tabbi |
2010 |
|
|
Electronic Literature Collection, Volume 2 Launch |
|
|
performance, editing, reading, Electronic Literature Collection, editorial, library, roundtable, electronic literature, launch |
|
Electronic Literature Collection, Volume One |
|
2006 |
Electronic Literature Organization, electronic literature, anthology, e-lit |
|
Electronic Literature Communities, Part II |
Scott Rettberg, Patricia Tomaszek |
2012 |
|
|
Electronic Literature in Europe 2008 |
|
|
|
|
Electronic Literature Organization 2002: State of the Arts Symposium |
|
|
electronic literature, digital literature, e-lit |
|
Electronic Literature Publishing and Distribution in Europe |
Markku Eskelinen, Giovanna Di Rosario |
2011 |
publishing, electronic literature, literary history, e-lit, white paper, distribution |
|
electropoetics |
|
1997 |
electronic book review, poetics, digital poetics, digital aesthetics, new media writing, poetry, electronic poetry, digital literary art |
|
ELINOR: Electronic Literature in the Nordic Region |
|
|
|
|
Elisabet Takehana |
|
|
|
|
ELIZA Revisited |
Noah Wardrip-Fruin |
2008 |
chatterbot/conversational character, textual interaction, breakdown, procedural, processes, design |
|
ELMCIP Electronic Literature Publishing Seminar |
|
|
publishing, seminar, electronic literature, digital literature, literary networks |
|
ELMCIP Remediating the Social: Documentary (12 minute version) |
Richard Ashrowan |
2012 |
|
|
ELMCIP Seminar on Electronic Literature Communities |
|
|
communities, national communities, ELO, authoring software, community, ELMCIP, sociology of literature, actor-network theory |
|
ELMCIP: Electronic Literature as a Model of Creativity and Innovation in Practice |
|
|
|
|
Empty Thoughts for Real Life |
Jody Zellen |
2007 |
language, Flash, responsive |
|
Endemic Battle Collage |
Geof Huth |
1986 |
animation, visual poetry, poetry, retro, text movie |
|
Endless Text: New Media Technologies in The Raw Shark Texts |
Kiene Brillenburg Wurth |
2008 |
novel, experimental fiction, print fiction, serial fiction, intermedial |
|
Enigma n |
Jim Andrews |
1998 |
kinetic typography, animation, visual poetry |
|
Enigma n2 |
Jim Andrews |
2002 |
Shockwave, scheduled, audio |
|
Enter:in' Wodies |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, installation, Kinect, body, poem |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Eric Dean Rasmussen |
|
|
|
|
Erica T. Carter: The Collected Works |
Jim Carpenter |
2004 |
installation, generated poetry |
|
Erik Loyer |
|
|
|
|
Erneute Überlegungen zur Relevanz von Mailinglisten für die Kanonisierung von Netzliteratur |
Florian Hartling |
2003 |
mailing-list, listserv, canonization |
|
Errand Upon Which We Came |
Stephanie Strickland, M. D. Coverley |
2002 |
animation, collaboration, interactive, kinetic, Shockwave, textual instrument, visual poetry |
|
Escaping the Prison House of Language: New Media Essays in the Electronic Literature Collection, Volume 2 |
Scott Rettberg |
2010 |
publishing, Electronic Literature Collection, documentaries, essays |
|
Espen Aarseth |
|
|
|
|
Essay |
judsoN |
2010 |
HTML, generative, static |
|
Ether: The Nothing That Connects Everything |
Joe Milutis |
2006 |
digital animism, cosmology, science and technology studies, vitalism, avant-garde, transmission art, electromagnetism, absolute art, futurism |
|
Etymon / Encarnación |
Loss Pequeño Glazier |
2012 |
video, audio, dance, performance |
|
Euclid |
David Knoebel |
2000 |
VRML, kinetic, responsive, interactive, static, aural |
|
Eugenio Tisselli |
|
|
|
|
Eugênio Trivinho |
|
|
|
|
Eva Mattes |
|
|
|
|
Event-Sequences, Plots and Narration in Computer Games |
Fotis Jannidis |
2006 |
computer games, player, narrative, ludology, narratology |
|
Every Word I Saved |
Cristobal Mendoza |
2006 |
software-generated text, web harvested work, database, text stream, conceptual writing |
|
Every Word I Saved (Book) |
Cristobal Mendoza |
2007 |
software-generated text, web harvested work, database, e-lit print |
|
Evidence of Everything Exploding |
Jason Nelson |
2010 |
art game, conspiracy theory, semi-historical documentary |
|
Eviscerating the Antiseptic (Interview with Jason Nelson) |
Jason Nelson, David Jhave Johnston |
2012 |
freedom, surrealism, games, authorship |
|
Ex-foliations: Reading Machines and the Upgrade Path |
Terry Harpold |
2008 |
hypertext, Storyspace, interface, reading, hypertext fiction, hypertext theory, obsolescence, Xanadu, ex-foliation, grammatext |
|
Excerpts from the Chronicles of Pookie & JR |
J. R. Carpenter |
2009 |
generative fiction, generative narrative, narrative, generator, Python, javascript, dialogue, remix, translation |
|
Exchange on Curriculars (2003) |
Brian Kim Stefans, Darren Wershler-Henry |
2006 |
|
|
Expansive Mayhem |
Loss Pequeño Glazier |
2011 |
performance, video, audio, scheduled |
|
Exploring Paratexts in Digital Contexts |
|
|
paratext, web architecture, HTML, information architecture, information science |
|
Expressive Processing: Digital Fictions, Computer Games, and Software Studies |
Noah Wardrip-Fruin |
2009 |
narrative, game studies, story generation, software studies, platform, authoring system, digital fiction, computer games, algorithmic criticism |
|
Exquisite Corpse Poems |
Komninos Zervos |
1996 |
generative, exquisite corpse |
|
exquisite_code |
Brendan Howell |
2009 |
collaboration, constraints, algorithm, codework, algorithmic, performance |
|
Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. |
David Jhave Johnston |
2011 |
video, generative, extinction, elegy, mutation, environment, meaning, nonsense, ecological thought |
|
Fabio De Vivo |
|
|
|
|
Fabio Oliveira Nunes |
|
|
|
|
Façade |
Michael Mateas, Andrew Stern |
2005 |
3D, collaboration, generative, database, interactive drama, games, artificial intelligence, chatterbot/conversational character, ergodic/interactivity/participation |
|
Face Codes |
Andreas Müller-Pohle |
1998 |
video-still, photograph, ASCII, transmedial processing, alphanumeric code |
|
Face the Facts |
Dan Waber |
2013 |
responsive, static, constraint |
|
Faen. Nå har de senket takhøyden igjen. Må huske å kjøpe nye knebeskyttere. |
Tor Åge Bringsværd |
1996 |
dictionary, HTML, science fiction, dystopic, satiric, over-population |
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Faith |
Robert Kendall |
2002 |
animation, Flash, epoetry, electronic poetry, kinetic poetry, audio, music, religion, faith, doubt, logic |
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Falling |
Steve Duffy |
2000 |
code, HTML, DHTML, javascript, responsive |
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Fallow Field |
Dene Grigar |
2004 |
Flash, HTML, hypertext, audio, responsive |
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Family Tree |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, visual poetry, collaboration, wordtoy, multilingual |
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Fantagraphics Books |
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Fashionable Noise: On Digital Poetics |
Brian Kim Stefans |
2003 |
digital poetics, cyberpoetry, hypertext, visual poetry |
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Fátima Régis |
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Feral C |
Mez Breeze |
2010 |
twitter, blog, hypertext, performance, scheduled, serial |
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Fernanda Bruno |
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Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World |
Jill Walker Rettberg |
2003 |
fiction, interaction, second-person address, net.art, hypertext |
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Field Notes From The Secret War Between Value and Meaning in Digital Culture |
Francisco J. Ricardo |
1998 |
digital culture, value, meaning, work, community, instittuion |
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Fields of Dreams |
Nick Montfort, Rachel Stevens |
2003 |
literary game, responsive, perl, HTML |
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Figures in the Interface: Comparative Methods in the Study of Digital Literature |
John David Zuern |
2009 |
figuration-digital, figuration, tropes, digital literature, literary studies, comparative literature |
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Finding a Third Space for Electronic Literature: Creative Community, Authorship, Publishing, and Institutional Environments |
Scott Rettberg |
2011 |
community, authorship, publishing, academia, electronic literature, creativity |
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First Screening: Computer Poems |
bp Nichol |
1984 |
visual poetry, digital poetry, archive, BASIC, emulation, wit, multimodal, poetry |
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Fitting the Pattern |
Christine Wilks |
2008 |
animation, Flash, textual instrument, memoir, visual narrative |
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Fixing the Computer World |
Theodor Holm Nelson |
2004 |
hypertext, web, software, Project Xanadu, transclusion |
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Flash Poems |
Komninos Zervos |
2008 |
Flash, kinetic, static, audio, opposites |
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Florian Cramer |
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Florian Hartling |
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Florian Kutzli |
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Flukten fra språkfengselet |
Scott Rettberg |
2010 |
publishing, Electronic Literature Collection, documentaries, essays |
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Following Paths of Electronic Literature |
Zuzana Husárová |
2011 |
digital aesthetics, performativity, materiality, electronic literature, interaction |
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Footnotes in Fiction: A Rhetorical Approach |
Edward Maloney |
2005 |
footnote, paratext, narrative progression, character development, narratology |
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For the Moon |
Erin Elizabeth, Scott Benish |
2000 |
moon cycles, time, Quicktime VR, responsive, static |
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forking paths |
Stuart Moulthrop |
1987 |
hypertext, intertextuality, pastiche, adaptation |
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Forward Anywhere |
Judy Malloy, Cathy Marshall |
1995 |
collaboration, narrative, epistolary, email, hypertext fiction, family, childhood, memoir |
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Four Letter Words |
David Knoebel |
2000 |
e-poetry, Java, audio, scheduled |
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Four Poems |
William Poundstone |
2000 |
kinetic, Shockwave, scheduled, audio |
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Fragments of Distances |
Jaka Železnikar |
2010 |
web-based, narrative, google maps, remembering |
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Francisco Rüdiger |
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Franco Mattes |
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Franco Moretti |
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Fred & George |
Flourish Klink |
2011 |
text generators, remix, poetry generator, HTML, javascript, scheduled, static |
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Free Haiku! |
The Dada Sprockets, Ingrid Ankerson |
2002 |
seasons, stick figure, Flash, animation, kinetic typography, haiku, dada, visual poetry |
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Frequency |
Scott Rettberg |
2008 |
constraint, poetry, poetry generator, installation, Ruby, javascript, HTML, minimalism, formal poetry |
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Friedrich W. Block |
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Friending the Past: The Sense of History and Social Computing |
Alan Liu |
2011 |
historicism, social networks, social computing, history, literary history, oral culture, media studies, writing systems, authorship, web 2.0, temporality, sociality, social media |
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From Audio Black to Artful Noises: Looking at Sound in Electronic Literature |
Kenneth Sherwood |
2008 |
sound and image, sound, multimedia |
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From capacity to truncation: What can happens in 30 seconds of digital poetry |
Chris Funkhouser |
2010 |
Robert Coover, the elevator, digital poetry, Janez Strehovec, poetics, meta-textual, linguistic, textual, non-linguistic |
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From Ireland with Letters |
Judy Malloy |
2012 |
hypertext fiction, hypertext poetry, polyphonic literature, narrative, slavery, migration, Irish culture, 17th century |
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From Papyrus to Hypertext: Toward the Universal Digital Library |
Christian Vandendorpe |
2009 |
hypertext, interactivity, novel, reading, blog, textuality, digital humanities, writing-history of, writing-materiality, literacy, writing, meaning, orality, tabularity, effect, intensive reading, extensive reading |
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Further, Reading |
Scott Rettberg |
2011 |
criticism, literary history, electronic literature |
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Gabriel Tremblay-Gaudette |
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Gabriela Golder |
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Gail White Scott |
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Game, game, game, and again game |
Jason Nelson |
2007 |
animation, Flash, audio, retro, games, parody/satire |
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Gammel vin in nye skinnsekker |
Scott Rettberg |
2010 |
remediation, adaptation |
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Gavin Inglis |
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Gavin Stewart |
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gCreating: Adventure in Style and The Marble Index in Curveship |
Nick Montfort |
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interactive fiction, narration, narrative, literary art, interactive fiction system, artificial intelligence, e-lit, electronic literature |
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Generating Books: Paradoxical Print Snapshots of Digital Literary Processes |
J. R. Carpenter |
2011 |
generative fiction, generative, remediation, print |
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GENERATION(S) |
J. R. Carpenter |
2010 |
code, remix, generative poetry, print, generative narrative, narrative, book, third-person narrative |
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Generative Poetry |
Geniwate, Brian Kim Stefans |
2005 |
animation, poetry, collaboration, generative, audio, Shockwave, violence, combinatorial, place, time-based |
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Generative Visual Renku: Poetic Multimedia Semantics with the GRIOT System |
D. Fox Harrell, Kenny K. N. Chow |
2009 |
generative, criticism, concrete poetry, calligraphy |
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Genius |
Thomas Swiss |
2001 |
Flash, scheduled, audio |
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George Legrady |
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Gerald Smith |
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German Net Literature: In the Exile of Invisibility |
Patricia Tomaszek |
2011 |
communities, Germany, literary systems, scholarship, post-processing, empirical study of literature, esl, awards |
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Getting Started in the Digital Humanities Panel Discussion (ELMCIP) |
Eric Dean Rasmussen |
2012 |
digital humanities, research infrastructure, ELMCIP |
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Getting Started in the Digital Humanities with DHCommons |
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digital humanities, collaboration, database, research infrastructure |
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GIF-Poems |
Komninos Zervos |
2000 |
HTML, animated gif, Java, scheduled, static |
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Giovanna Di Rosario |
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Girls' Day Out |
Kerry Lawrynovicz |
2004 |
Flash, poetry, generative, appropriated texts, combinatorial, fiction |
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Gisela G. S. Castro |
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Gitte Mose |
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Glimmer |
Andy Campbell |
2009 |
memory, mystery, water, glimpsing, dark, childhood, moody, glimmer, drowning, oceans, parcel, swimming |
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Going through the Signs |
Deena Larsen, Jody Zellen |
2006 |
HTML, javascript, hypertext, responsive |
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Golan Levin |
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Gonzalo Frasca |
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