|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
88 Constellations for Wittgenstein (to be Played with the Left Hand) |
David Clark |
2009 |
hypertext, kinetic, animation, documentary, philosophy, language philosophy, Wittgenstein, Flash |
|
@KarlMarxovChain |
Moacir P. de Sá Pereira |
2012 |
twitter, bot, social, static, responsive |
|
A Dialogue Between Two Eyeballs |
Braxton Soderman |
2007 |
Shockwave, kinetic, audio, hypertext |
|
A Machicolated Body |
Talan Memmott |
1999 |
|
|
A Servant. A Hanging. A Paper House. |
Lucy Anderton, Nick Robinson |
2008 |
|
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
|
A Sky of Cinders |
Tim Lockridge |
2007 |
hypertext, second person, sensations, prose, poem, dystopia, environmental disaster |
|
A Study in Shades |
Robert Kendall |
2000 |
hypertext, alzheimer's, perspective, split screen |
|
about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek |
Patricia Tomaszek |
2007 |
poetry, audio, cut-up, context-free grammar, randomness, chance, voices, remix, Robert Creeley, RiTa, Processing |
|
About the Other Animals |
Ariana-Sophia Kartsonis |
2003 |
|
|
About Time |
Rob Swigart |
2001 |
hypertext, future, time, temporality, ambient music, fiction |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
Ah (a shower song) |
K. Michel, Dirk Vis |
2008 |
digital poetry, poëzie op het scherm, animation, line, stream of consciousness, Flash, collaboration, text movie |
|
Algorithmic Poems |
Chris Funkhouser |
2011 |
static, generative |
|
Algoritmo, (Algorithm) |
Pablo Brito Altamira |
2005 |
hypertext, novell, interactive, crime novel |
|
All Roads |
Jon Ingold |
2001 |
interactive fiction, fiction, games, Inform |
|
All The Numbers From Numbers |
Kenneth Goldsmith |
2008 |
|
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
Alphabet of Stars |
Whitney Anne Trettien |
2010 |
HTML, javascript, responsive, kinetic |
|
Amoklæsning |
Simon Gotrian |
2001 |
performance, lyric, e-lit, Nordic, collaborative, mashup, audio-visual, responsive, multimodal |
|
Amor de Clarice |
Rui Torres |
2005 |
Flash, textual instrument, appropriated texts, visual poetry, intertextuality, sound, video, intermediality |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Andromeda |
Caitlin Fisher |
2008 |
visual poetry, collaboration, augmented reality, children's literature, 3D, audio |
|
Animals are Placebos |
Jennifer Roudabush, Caren Beilin |
2008 |
|
|
Any Vision |
Zuzana Husárová |
2011 |
static, video, scheduled, audio |
|
Archetypal Africa |
Alan Bigelow |
2010 |
nature, metaphor, poetic language, history, archetypes, Flash, audio, kinetic, poetry |
|
Archives Zaroum |
Cia Rinne |
2008 |
typography, kinetic poetry |
|
Arteroids |
Jim Andrews |
2003 |
literature, game, programming |
|
BA-Tale |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, intermedial, narrative, Slovak, Bratislava, storytelling |
|
Bad Machine |
Dan Shiovitz |
1999 |
interactive fiction, fiction, games, codework, TADS |
|
Basho's Frogger and JABBER |
Neil Hennessy |
2000 |
poetry, parody, games, haiku, Java, conceptual |
|
Birdfall |
Mez Breeze |
2000 |
static, kinetic, scheduled, HTML, audio, Flash, Shockwave |
|
Birds Singing Other Birds' Songs |
María Mencía |
2001 |
noise, sound poetry, music, sound, animality, transcription, kinetic typography, audio, representation, responsive |
|
Blind Side of a Secret |
Thomas Swiss, Nils Mühlenbruch, Yoshi Sodeoka, Motomichi Nakamura |
2007 |
audio, collaboration, Flash, remix |
|
Blinding Lights |
Adrianna De Barros |
2001 |
text, sound, poem, Flash, scheduled, audio |
|
Blueberries |
Susan Gibb |
2009 |
hypertext, tinderbox |
|
Bogen jeg ikke skriver |
Mai Misfeldt |
2001 |
e-lit, electronic fiction, traditional literature, Nordic, static, memoir, philosophical |
|
Bokstavlek |
Morten Skogly |
|
Flash, digital toys, instrumental text, toy, birds, non-morphemic, kinetic |
|
Book and Volume |
Nick Montfort |
2006 |
constraint, interactive fiction, city, space, work |
|
book review: not a b (pdp remix) |
Chris Funkhouser |
2008 |
animation, electronic poetry, audio, anagrammatic poem, multimedia animation |
|
Book Unbound |
John Cayley |
1995 |
hypertext, hypercard, generative, 1990s, Mac, download |
|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
Bread.Crumbs |
Talan Memmott |
1998 |
textual, narrative, linear, mythology, hypertext, hyperlink |
|
Breathing/Secret of Roe |
Jonathan Carr |
2002 |
depression, fighting, sadness, anger, Flash, audio, bipolar |
|
Candles for a Street Corner |
Robert Kendall, Michele D'Auria |
2004 |
Flash, collaboration, epoetry, electronic poetry, audio, city, melancholy, double entendre, sex |
|
Cannibal Dreams |
Lacy Cunningham, Justin Talbott |
2010 |
HTML, CSS, javascript, hypertext, static, responsive |
|
Car Wash |
Megan Sapnar |
2000 |
Flash, father, image and text, audio, music, death, loss, mourning |
|
Carving in Possibilities |
Deena Larsen |
2001 |
Flash, collaboration, kinetic, animation, audio, time-based, sculpture, art, poetry |
|
Chemical Landscapes Digital Tales |
Edward Falco, Mary Pinto, Will Stauffer-Norris |
2006 |
Flash, hypertext, fiction, visual narrative, time-based, photogram, collaboration, HTML/DHTML |
|
Chi ha ucciso David Crane? (Who killed David Crane?) |
Fabrizio Verrandi |
2010 |
hypertext, crime |
|
Chroma |
Erik Loyer |
2001 |
narrative, poetry, audio, Shockwave, games, race |
|
City of Angles and Anguish |
David Herrstrom |
1999 |
hypertext, poetry |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
Clone-ing God & Ange-Lz |
Mez Breeze |
2000 |
HTML, scheduled, kinetic, audio, Flash, Shockwave |
|
Code Movie 1 |
Giselle Beiguelman |
2004 |
animation, code, movie, inscription |
|
Código de barras |
Alma Pérez |
2006 |
sound, voice, distance |
|
Como el cielo los ojos (Like the sky the eyes) |
Edith Checa |
1998 |
hypertext novel, multi plot, timeline, interactive |
|
Critical Sections |
Erik Loyer, Greg J. Smith |
|
|
|
Crowds and Power |
Jody Zellen |
2002 |
animated text, pop-ups, HTML |
|
Cruising |
Ingrid Ankerson, Megan Sapnar |
2001 |
Flash, visual poetry, poetry, collaboration, audio, place, adolescence, cinematic, driving, romance |
|
Custom Orthotics Changed My Life |
Richard Holeton |
2010 |
powerpoint, slideshow, bullet points, narrative, video |
|
Cyberpoetry Underground |
Komninos Zervos |
2001 |
Flash, interactive, sound poetry, interface, recombination, multimedia, machine voice |
|
Czarne Jagody |
Susan Gibb |
2012 |
hypertext |
|
Dandelion Chance |
Travis Alber |
2008 |
Flash, animation, image and text, music |
|
Dans la gueule du loup |
Nicolas Clauss, Jean-Jacques Birgé |
2003 |
Shockwave, responsive, kinetic, audio |
|
Dawn |
Alan Sondheim, Reiner Strasser |
2005 |
Flash, visual poetry, collaboration, electronic poetry, audio, death, photography, life – death, day – night, nature, family |
|
De anderen hebben het gedaan (The others did it) |
Jan Baeke, Alfred Marseille |
2011 |
|
|
Dear e.e. |
Ingrid Ankerson, Lori Janis |
2001 |
Flash, e.e. cummings, place, dream, distractions, time-based, responsive, audio |
|
Deep Surface |
Stuart Moulthrop |
2007 |
narrative, Flash, reading, interpretation, hermeneutics, audio, textual instrument, hyptertext, immersion |
|
Definitions |
Jon Fried |
2008 |
hypertext, grammer |
|
Delimited Meshings: a White Paper |
Talan Memmott |
2001 |
Flash, hypermedia, theory, javascript, kinetic, DHTML |
|
Desde Aquí (From here) |
Mónica Montes |
|
hypertext |
|
det sublime |
Frank Altschul Jensen |
2007 |
hypertext, sports, Flash, textual, animation, Nordic, kinetic, constraint, scheduled |
|
Deviant: The Possession of Christian Shaw |
Donna Leishman |
2004 |
narrative, Flash, visual narrative, story, place, animation, audio |
|
Diagrams Series 6: 6.4 and 6.10 |
Jim Rosenberg |
2005 |
constraint, digital poetics, poetry, hypertext, conceptual, procedural, Squeak, literary systems, multiplicity |
|
Diari d'una absència |
Laura Borràs Castanyer |
2006 |
ergodic literature, hypertext narrative, Director |
|
Dim O'Gauble |
Andy Campbell |
2007 |
narrative, Flash, digital fiction, dreams, vision, future, nightmare, paranormal, video art, glimpsing |
|
Disclaimer |
David Jhave Johnston |
2010 |
censorship, commentary, parody, generative, combinatorial, Flash |
|
Diver |
Sarah Townsend, Laura McCabe |
2001 |
kinetic, e-poetry, Flash, scheduled |
|
Dreamaphage |
Jason Nelson |
2003 |
3D, Flash, fiction, interface, audio, memoir, constraints, viral |
|
E:Electron |
Deena Larsen, Geoffry Gatza |
2001 |
hypertext, Flash, periodic table, poetry, love, association, relationships |
|
Endemic Battle Collage |
Geof Huth |
1986 |
animation, visual poetry, poetry, retro, text movie |
|
endings eventually end |
Jason Nelson, Davin Heckman |
2008 |
fiction, satire, prophecy, time |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Et null nynner |
Morten Skogly |
|
poetry, generative, cut-up, generative poetry |
|
Excerpts from the Chronicles of Pookie & JR |
J. R. Carpenter |
2009 |
generative fiction, generative narrative, narrative, generator, Python, javascript, dialogue, remix, translation |
|
eye in the making |
John Sparrow |
2006 |
hypertext, audio, video, poetry |
|
E_cepahalopedia // novellex |
Talan Memmott |
2001 |
|
|
F2F |
Joe Milutis |
2005 |
digital humanities, conceptual essay, situationist, Gilles Deleuze, hypertext, online video, Flash, film theory, creative non-fiction |
|
Façade |
Michael Mateas, Andrew Stern |
2005 |
3D, collaboration, generative, database, interactive drama, games, artificial intelligence, chatterbot/conversational character, ergodic/interactivity/participation |
|
Faith |
Robert Kendall |
2002 |
animation, Flash, epoetry, electronic poetry, kinetic poetry, audio, music, religion, faith, doubt, logic |
|
Fallow |
Monica Ong, Rebecca Givens |
2007 |
flash poem, memories |
|
Family Tree |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, visual poetry, collaboration, wordtoy, multilingual |
|
Fields of Dreams |
Nick Montfort, Rachel Stevens |
2003 |
literary game, responsive, perl, HTML |
|
Figure 5 Media Series |
Megan Sapnar |
2001 |
Flash, QuickTime, audio, responsive |
|
Firefly |
Deena Larsen |
2002 |
stanzas, narrative, hypertext |
|
First Screening: Computer Poems |
bp Nichol |
1984 |
visual poetry, digital poetry, archive, BASIC, emulation, wit, multimodal, poetry |
|
Fishes and Flying Things |
J. R. Carpenter |
1995 |
HTML, hypertext |
|
five by five |
Dan Waber, Jason Pimble |
2006 |
3D, collaboration, Java, static, responsive |
|
Fleshis.tics |
Mez Breeze |
2000 |
|
|
fleshtresholdnarrative |
Eugene Thacker |
1996 |
hypertext, remix, appropriation |
|
Flight Paths: A Networked Novel |
Kate Pullinger, Chris Joseph |
2008 |
collaboration, narrative, Flash, networked novel, network forms, adolescence, contributory |
|
For My Next Illusion I Will Use Wings |
Alex Epstein |
2012 |
facebook, flash fiction |
|
Fragments of Distances |
Jaka Železnikar |
2010 |
web-based, narrative, google maps, remembering |
|
Frame Work: A Hypertext Poem |
Robert Kendall |
1999 |
hypertext, poem |
|
Free Haiku! |
The Dada Sprockets, Ingrid Ankerson |
2002 |
seasons, stick figure, Flash, animation, kinetic typography, haiku, dada, visual poetry |
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
Game, game, game, and again game |
Jason Nelson |
2007 |
animation, Flash, audio, retro, games, parody/satire |
|
Generative Poetry |
Geniwate, Brian Kim Stefans |
2005 |
animation, poetry, collaboration, generative, audio, Shockwave, violence, combinatorial, place, time-based |
|
Genesis |
Eduardo Kac |
1999 |
transgenic poetry |
|
Genius |
Thomas Swiss |
2001 |
Flash, scheduled, audio |
|
Girls' Day Out |
Kerry Lawrynovicz |
2004 |
Flash, poetry, generative, appropriated texts, combinatorial, fiction |
|
Goggi |
Jón Örn Loðmfjörð |
2008 |
|
|
Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Grafik Dynamo |
Kate Armstrong, Michael Tippett |
2005 |
image and text, comic, net art, generative, word and image, juxtaposition |
|
GRAMMATRON |
Mark Amerika |
1997 |
hypertext, avant-pop, hyptertext fiction, animation, HTML/DHTML, audio, golem, myth, metafiction |
|
Grand Thieves Audio Modologues |
Mark C. Marino |
2004 |
game mod, audio, parody |
|
Halbeath |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
Flash |
|
Heart Pole |
David Knoebel |
2005 |
3D, interactive writing, memory |
|
Hegirascope |
Stuart Moulthrop |
1995 |
hypertext, push, refresh, parody, pastiche, cyberculture, HTML |
|
Hey Now |
Thomas Swiss, Motomichi Nakamura |
2001 |
Flash, collaboration, language, wrapping, audio, voice, animation |
|
him |
Dane Watkins |
2001 |
identity, gender, stereotypes |
|
Hospital Tent |
Tony Barnstone, Jonathan Minori, Fabrizio Aiello |
2006 |
hospital, world war 2, nurse, war, Flash, pain, agony |
|
Hot Air |
Chris Ault |
2008 |
feeds, noise, language pollution, tags |
|
How Am I Not Myself |
Jason Huff |
2011 |
identity, play, wikipedia, mechanical turk, remix |
|
I Cried Of Course |
Steve Minor |
2002 |
multimedia, audio, scheduled, Flash |
|
I know that somewhere this is a homage some where |
Adrian Miles |
1999 |
cinepoem, video, flashback |
|
I, You, We |
Dan Waber, Jason Pimble |
2005 |
collaboration, Java, literary art, 3D |
|
Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring. |
Linnea Eriksson |
2011 |
|
|
ii — in the white darkness: about [the fragility of] memory |
Reiner Strasser, M. D. Coverley |
2004 |
memory, loss, image and text, audio, alzheimer's, kinetic |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
In praise of an elevator |
Heather Lee Schroeder, Handplant Studio |
2008 |
|
|
In the Garden of Recounting |
Robert Kendall |
2004 |
|
|
Inanimate Alice, Episode 4: Hometown |
Kate Pullinger, Chris Joseph |
2008 |
narrative, audio, games, visual narrative, collaboration |
|
Incarnation: Heart of the Maze |
Carolyn Guertin |
2000 |
HTML, QuickTime, audio, responsive, hypertext |
|
INJECTIES (INJECTIONS) |
Paul Bogaert |
2010 |
video |
|
Insects |
Pedro Valdeolmillos, Lluis Calvo |
2010 |
isometric, zoom, scrabble, insects, Flash |
|
Internet Text, 1994- [Through Feb 2, 2006] |
Alan Sondheim |
1994 |
performance, performative, digital textuality, archive, network forms, codework, critical |
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
JABBER: The Jabberwocky Engine |
Neil Hennessy |
2000 |
nonsense, Flash, animation, responsive, lexicon, sound poetry |
|
Jacques Brel op 8 april 1929 bij zijn geboorte Avenue du Diamant 138, Schaerbeek |
Frans Budé |
2009 |
video |
|
Je liegt en je filtert ... (You're lying and you filter ...) |
Paul Bogaert |
2006 |
video, audio, scheduled |
|
k0cHack0g0s |
Judy Malloy |
2003 |
hypertext |
|
kig forbi |
Christian Yde Frostholm, Charlotte Hansen, Karen Wagner |
1999 |
visual, Nordic, born digital, exhibition, generative hypertext, collaborative, appropriated texts, memoir |
|
Kind of Blue |
Scott Rettberg |
2002 |
collaboration, novel, epistolary, remix, e-mail fiction, email, narrative, intertextuality, multivalent, conspiracy, madness |
|
Kliniken |
Annelie Axén |
2011 |
dentist, bueracracy, surveillance, animation, time-based |
|
l0ve0ne |
Judy Malloy |
1994 |
hypertext, fiction, poetry, hacker culture, love, road trip |
|
La Casa Sota el Temps |
Isaías Herrerro Florensa |
2007 |
Flash, interactivity, locative, maps, ergodic |
|
La Resocialista Internacional |
Andreas Maria Jacobs |
2008 |
poetry, translation, appropriation, politics, socialism, transmedial |
|
Landscapes |
Bill Marsh |
2002 |
animation, Flash, visual poetry, poetry, kinetic, audio, place |
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
Le Rabot poète |
Philippe Bootz |
2005 |
unconfortable reading, ergodic poetry |
|
Letter to Linus |
William Gillespie |
2001 |
visual poetry, hypertext, commons, conceptual, hypercube, economics and literature, neoliberalism, political |
|
LETTERS FROM THE ARCHIVERSE |
Jeff T. Johnson |
2012 |
|
|
Lexia to Perplexia |
Talan Memmott |
2000 |
animation, interface, textuality, textual instrument, appropriated texts, javascript, cyborg, hci, consciousness, network phenomenology, philosophical, DHTML, Gilles Deleuze, neologism |
|
Light-Water: a Mosaic of Meditations |
Christy Sheffield Stanford |
1999 |
hypermedia, poetry, image and text |
|
Like Stars in a Clear Night Sky |
Sharif Ezzat |
2006 |
audio, Flash, multilingual |
|
Little Book of Prompts |
Sylvanus Shaw |
2010 |
Flash, static, kinetic, responsive |
|
Locusta Temporis (The Age of Locust) |
Enrico Colombini |
2010 |
hypertext, crime, adventure game |
|
Lollipop Noose |
Todd Seabrook |
2009 |
Flash, static, kinetic, audio |
|
London Eye |
Diane Greco Josefowicz |
2000 |
Flash, narrative, responsive, image and text, intertextuality |
|
Look, here she lies (Kijk, hier ligt ze) |
Hans Kloos |
2009 |
Flash |
|
Lord's Prayer, The |
Alan Bigelow |
2007 |
recombination, bible, Flash, poetry |
|
Los Wikiless Timespedia |
Mark C. Marino, Scott Rettberg |
2008 |
satire, parody, wiki, newspaper, funny |
|
Loss of Grasp |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
M.M. et brevprojekt |
Mette Moestrup |
2003 |
e-mail, hypertext, letters, interpersonal, personal, Nordic |
|
Making Art Online |
Judy Malloy |
1991 |
collaboration, information art, narrative, artist statement |
|
Map of a Future War |
Angela Ferraiolo |
2008 |
maps, spatial, capitalism, collapse |
|
mar puro |
Aya Natalia Karpinska |
2006 |
3D, spatial |
|
Marginalia in the Library of Babel |
Mark C. Marino |
2007 |
javascript, marginalia, Jorges Luis Borges, metafiction |
|
Matko Zawrotna |
Łukasz Podgórni |
2007 |
cyberpoem, dynamic, rotary, transcient, web-based |
|
Mayakovsky for Sale |
|
2010 |
Google whack |
|
mémoire involuntaire no. 1 |
Braxton Soderman |
2009 |
ambient, animation, Processing, text movie, Java |
|
Mermaid |
W.B. Yeats, Alis Yung |
2001 |
Flash, static, responsive, love |
|
Moment |
Joe Keenan |
2001 |
DHTML, javascript, responsive, generative |
|
Mountain Rumbles |
Deena Larsen |
1999 |
hypertext, fiction, microhypertext |
|
my body — a Wunderkammer |
Shelley Jackson |
1997 |
collaboration, HTML/DHTML, hypertext, embodiment, audio, memoir, autobiography, body, image and text, identity, illustration |
|
My Nervous Breakdown |
Alan Bigelow |
2010 |
Flash, psychology, therapy, suicide, video, sound, subjectivity |
|
MythWatch.org |
Alan Bigelow |
2010 |
|
|
Negro en ovejas |
Tina Escaja |
2008 |
Flash, photographs, voice, poem |
|
Neseblod |
Morten Skogly |
|
Flash, kinetic, visual, audio, images |
|
New Digital Emblems |
William Poundstone |
2001 |
animation, visual, Shockwave, image, essay/creative non-fiction, critical, emblem, rhetoric |
|
New Word Order |
Sandy Baldwin |
2003 |
3D, collaboration, game, modding |
|
New Word Order: Basra |
Sandy Baldwin |
2006 |
3D, interpretation, textual instrument, games, violence, hacktivist, game mod |
|
Nightmare Wanders Father's Song |
Curtis Harrell |
1998 |
hypertext, poetry, hidden links, lyric |
|
Nio |
Jim Andrews |
2001 |
animation, audio, music, Shockwave, textual instrument, combinatorial, QuickTime, documentary |
|
Nomen Sacrum Trial |
Sylvanus Shaw |
2010 |
Flash, static, kinetic, responsive |
|
NON-roman |
Lucie de Boutiny |
1997 |
hypertext |
|
Noon Quilt |
Sue Thomas, Teri Hoskins |
1998 |
collaboration, collaborative narrative, description, quilt |
|
Norangsdalen |
Erlend O. Nødtvedt |
2010 |
time-based, animation, geometric |
|
On Lionel Kearns |
Jim Andrews |
2004 |
audio, documentary, memoir, emulation, archiving, Shockwave, kinetic, animation, visual poetry, sound poetry |
|
On the Birthday of a Stranger |
Michael Joyce |
1999 |
hypertext fiction, John Hawkes |
|
Ondertussen in Taylor, Nebraska |
Frans Budé |
2008 |
|
|
open.ended |
Daniel C. Howe, Aya Natalia Karpinska |
2004 |
3D, poetry, collaboration, audio |
|
Orbital |
Max Dunlop |
2003 |
perl, Flash, HTML, responsive, audio, space travel |
|
Otte forsøk på at forstå hvad en bog er |
Morten Søndergaard |
2001 |
essay, born digital, multilingual or non-english, hypertext, traditional literature, nordic e-lit, philosophical, memoir |
|
Out of Touch |
Christine Wilks |
2011 |
Flash, e-poetry, randomness |
|
Outrances |
Thomas H. Crofts, Scott Itchikawa, James Dvorak |
2009 |
posters, photography, images, word-image, visual, street art, music, zoom |
|
Paddle |
Neil Hennessy |
1998 |
kinetic typography |
|
Palavrador |
Chico Marinho |
2006 |
narrative, 3D, collaboration, generative, critical/political/philosophical, virtual environment |
|
parlør |
|
2002 |
contemporary technological culture, multilingual or non-english, hypertextual, collaboration, Flash, QuickTime, Nordic, stretch text, kinetic |
|
Pentagonal |
Carlos Labbé |
2001 |
hypertext, non-linear, simulation, email, digital poem |
|
Pieces of Herself |
Juliet Davis |
2005 |
Flash, identity, visual, embodiment, audio, gender, social inscription, subjectivity |
|
Pinzas de metal |
Tina Escaja |
2003 |
|
|
Plaintext Performance |
Bjørn Magnhildøen |
2006 |
performance, text movie, appropriated texts, javascript, codework |
|
Planting Trees Out of the Grief: In Memoriam Robert Creeley |
Patricia Tomaszek |
2007 |
hypertext, lyrical essay |
|
Poemas no meio do caminho |
Rui Torres |
2008 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound, 3D, combinatorial |
|
ppg256 (Perl Poetry Generator in 256 Characters) |
Nick Montfort |
2008 |
poetry generation, text generation, writing under constraint, generative, codework |
|
Pressing the Reveal Code Key: Indra's Net VIII |
John Cayley |
1996 |
hypertext, hypercard, generative poetry |
|
Program:Møntvask |
|
2003 |
hypertext, visual, hyperlink, contemporary art, e-lit print, Nordic |
|
Project for Tachistoscope [Bottomless Pit] |
William Poundstone |
2005 |
audio, time-based, image, essay/creative non-fiction, subliminal, iconography |
|
Promise |
Michael J. Maguire |
2008 |
place, Ireland, myth, personal narrative |
|
Public Secrets |
Sharon Daniel, Erik Loyer |
2008 |
Flash, collaboration, documentary, sociological, ethnographic, political, critical/political/philosophical |
|
Puddle |
Neil Hennessy |
1999 |
animated gif, scheduled, concrete poetry, minimalism |
|
Purpling |
Nick Montfort |
2008 |
constraint, hypertext, procedural, poetry |
|
Pushkin Translation |
Megan Sapnar |
2000 |
translation, collaboration, multilingual, Flash, poetry, love letter, Russian |
|
R, Adieu |
Joe Milutis |
2010 |
digital humanities, sound art, text-sound, conceptual essay, creative non-fiction, language games, linguistics, dada, Oulipo, poetry, sound |
|
Radiant Copenhagen |
Anders Bojen, Kristoffer Ørum |
2009 |
science fiction, urban exploration, wiki, map, virtual environment, responsive, hacktivist, Flash, tourism, mashup |
|
Radio Salience |
Stuart Moulthrop |
2007 |
image-text, voice generation, poetry, Flash |
|
Re:Positioning Fear |
Rafael Lozano-Hemmer |
1997 |
interactive, networked, projection, shadows, site-specific, sound |
|
Reach, a Fiction |
Michael Joyce |
2001 |
narrative, hypertext fiction |
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
Reasoned Metagoria |
Talan Memmott |
1999 |
|
|
Reboot The Universe Now: A Propositional Poem for World Peace |
David Jhave Johnston |
2010 |
rhetoric, suffering, speed reading, generative |
|
Reconstructing Mayakovsky |
Illya Szilak |
2008 |
narrative, hypertext, video, database, text movie, documentary, games |
|
RedRidinghood |
Donna Leishman |
2001 |
animation, Flash, audio, parody, visual narrative, javascript |
|
Regime Change |
Noah Wardrip-Fruin, David Durand, Brion Moss, Elaine Froehlich |
2004 |
collaboration, generative, textual instrument, appropriated texts, stretchtext, political, Java, discourse, network fictions, parody, performative |
|
Remembering Bogle Chandler |
Rebecca Young |
2008 |
murder, mystery |
|
Restless |
Miranda F. Mellis |
2002 |
HTML |
|
Rice |
Geniwate |
1998 |
poetry, collaboration, hypertext, audio, Shockwave, memoir, place |
|
Rockface II |
Jim Bizzocchi |
2008 |
ambient video, mountains, nature |
|
Roulette |
Daniel C. Howe, Feliz L. Molina |
2008 |
3D, collaboration, Processing, audio, textual instrument, combinatorial, Java |
|
Savoir-Faire |
Emily Short |
2002 |
interactive fiction, fiction, games, Inform |
|
Screen |
Noah Wardrip-Fruin, Josh Carroll, Robert Coover, Shawn Greenlee, Andrew McClain, Benjamin Shine |
2003 |
CAVE, 3D, collaboration, textual instrument, game |
|
Sea and Spar Between |
Nick Montfort, Stephanie Strickland |
2011 |
poetry, combinatory, Herman Melville, Emily Dickinson |
|
Seattle Drift |
Jim Andrews |
1997 |
e-poetry, digital poetry, irony, genre |
|
Self Portrait(s) [as Other(s)] |
Talan Memmott |
2003 |
generative, aesthetics, identity, parody, combinatorial, art history, cut-up |
|
Semantic Disturbances |
Andreas Maria Jacobs |
2005 |
conceptual, semiotics, hacktivist, political, javascript, critical |
|
Separation / Séparation |
Annie Abrahams |
2003 |
Flash, interactivity, embodiment, ergodic, disability studies, parody, satire, participation, body - mind - computer relationship |
|
Skeleton Sky |
Carolyn Guertin |
1999 |
|
|
Skogen |
Aina Villanger |
2012 |
forest, poetry, time-based, kinetic, animation |
|
slippingglimpse |
Stephanie Strickland, Cynthia Lawson Jaramillo, Paul Ryan |
2006 |
visual poetry, collaboration, materiality, video, writing-materiality, text movie, animation, kinetic, Flash, poetry |
|
Snaps |
Dirk Hine |
2000 |
generative, images, poetry |
|
So Random |
Shawn Rider |
2005 |
fiction, tags, temporal, first-person |
|
Soldatmarkedet |
Monica Aasprong |
2007 |
concrete poetry, hybrid, installation |
|
Soliloquy |
Kenneth Goldsmith |
2002 |
HTML/DHTML, conceptual, performance, transcription, memoir, appropriated texts, realism |
|
Sooth |
David Jhave Johnston |
2005 |
animation, Flash, poetry, video, audio |
|
soundpoems |
Jörg Piringer |
2002 |
animation, conceptual, kinetic, audio, games, wordtoy, combinatorial, alphabetic, letters |
|
Spamology |
Irad Lee |
2007 |
spam, visualization, 3D, relationships, patterns, trends |
|
Spawn |
Andy Campbell |
2002 |
Flash, poetry, interactive, poem, meaning, liquid, mouse-responsive, chaos, responsive, kinetic typography |
|
Speak: a Hypertext Essay |
Linda Carroli |
2000 |
hypertext, essay, critical new media |
|
Speaking of Rivers |
Whitney Anne Trettien, Jonathan Peter Moore |
2009 |
static, responsive, audio |
|
Stamboom |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, collaboration, wordtoy, visual poetry or narrative, multilingual |
|
Star Wars, One Letter at a Time |
Brian Kim Stefans |
2005 |
Flash, conceptual, audio, appropriated texts, performance |
|
Still Standing |
Jason Edward Lewis, Bruno Nadeau |
2005 |
reading, attention, embodiment, installation, standing |
|
Stir Fry Texts |
Jim Andrews, Brian Lennon, Pauline Masurel |
1999 |
collaboration, HTML/DHTML, network forms, appropriated texts, stretchtext, combinatorial |
|
Storyland |
Nanette Wylde |
2002 |
fiction, generative, audio, combinatorial |
|
Stravinsky's Muse |
Mark C. Marino |
2002 |
narrative, Flash, hypertext, fiction, lexicon, animation |
|
Strings |
Dan Waber |
1999 |
animation, Flash, kinetic, scheduled |
|
Stud Poetry |
Marko Niemi |
2006 |
poetry, generative, games, wordtoy, combinatorial, javascript |
|
Suits: A Narrative of About Twenty-Seven Hours, More or Less |
Jennifer Roudabush |
2011 |
narrative, non-linear, loss, memory |
|
svevedikt ("poetry floating in the air") |
Ottar Ormstad |
2006 |
kinetic poetry, concrete poetry, digital concrete poetry, lettrist, Flash |
|
Świadomość Hipertekstualna 1.0 |
Mark Amerika |
2003 |
conceptual art, criticism, critifiction, hypertext |
|
synonymovie |
Eugenio Tisselli |
2004 |
generative, database, Shockwave, text movie, appropriated texts, visual poetry or narrative, juxtaposition, synonyms |
|
Talking Cure |
Noah Wardrip-Fruin |
2002 |
word-and-image, performance, audio, speech-to-text, speech recognition, psychoanalysis, sound environment, image to text, Freud |
|
Tao |
Alan Sondheim, Reiner Strasser |
2004 |
Flash, visual poetry, poetry, collaboration, audio, place |
|
Ten Mobile Texts |
Nick Montfort |
2008 |
SMS |
|
The Art of Sleep |
Young-Hae Chang Heavy Industries |
2006 |
animation, text |
|
The Ballad of Sand and Harry Soot |
Stephanie Strickland |
1999 |
poetry, hypertext, digital poetry, e-poetry, multimodal |
|
The Ballad of Workstudy Seth |
Mark C. Marino |
2009 |
loss of control over social network, social networking, work study, assistant – employer relationship, twitter, HTML |
|
The Bomar Gene |
Jason Nelson |
2005 |
narrative, interface, family, mutation, genetics |
|
The Bubble Bath |
Susanne Berkenheger |
2005 |
mashup, Microsoft, protocol, parody, satire |
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
The Dazzle as Question |
Claire Allan Dinsmore |
2000 |
Flash, poetry, hypermedia, e-poetry, lyric, brain |
|
The Dreamlife of Letters |
Brian Kim Stefans |
2000 |
animation, concrete poetry, ambient, Flash, visual poetry, kinetic, feminism, appropriated texts, recombination |
|
The Fall of the Site of Marsha |
Rob Wittig |
1999 |
HTML/DHTML, network forms, comedy, gothic, parody/satire |
|
The Hugo Ball |
Talan Memmott |
2006 |
Flash, sound poetry, dada, Hugo Ball, nonsense |
|
The Last Performance |
Judd Morrissey, Mark Jeffery |
2007 |
architecture, ambient sound, constraint, collaboration, hypertext, conceptual, generative, performance, database, procedural, installation |
|
The Mandrake Vehicles |
Oni Buchanan |
2006 |
animation, visual poetry, kinetic, typography, kinetic poetry, stretchtext, combinatorial, Shockwave |
|
The Meddlesome Passenger |
Scott Rettberg |
2002 |
hypertext, fiction, intertextuality, textuality, poststructuralism, death of the author, travel |
|
The murmur of i n t e r s t i c e s |
Zahra Safavian |
2000 |
Shockwave, audio, responsive, kinetic |
|
The Pines at Walden Pond |
Deena Larsen |
2000 |
hypertext, HTML, responsive |
|
The Quiddities |
Joe Milutis |
2011 |
digital humanities, creative non-fiction, online writing, experimental poetics, Shakespeare, datamining, print on demand, referentiality, performance, embodiment, noise |
|
The Set of U / La Série des U |
Philippe Bootz, Marcel Frémiot |
2004 |
animation, collaboration, generative, audio, music, Shockwave, combinatorial, multilingual |
|
The Sweet Old Etcetera |
Alison Clifford |
2006 |
animation, Flash, visual poetry, audio, e.e. cummings, calligram, tree, poetry, responsive |
|
The Tapeworm Foundry |
Darren Wershler-Henry |
|
|
|
The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
|
There Are Many Detours Between Information And Instruction |
Joe Milazzo |
2012 |
Flash, static |
|
There he was, gone. |
J. R. Carpenter |
2012 |
generative, narrative, dialogue, performance, maps, place |
|
There, There Square |
Jacqueline Goss |
2008 |
map, narrative, locative, cartography, Flash |
|
This is how you will die |
Jason Nelson |
2005 |
Flash, generative, textual instrument, games, combinatorial, death, gambling, demise, avant-garde, dada, audio |
|
Tideland |
M. D. Coverley |
2000 |
memory, life, experiences, memory flow, transience, HTML, javascript, hypertext, audio |
|
Tierra de Extracción |
Domenico Chiappe, Andreas Meier |
2000 |
narrative, collaboration, hypertext, audio, Shockwave, multilingual or non-english |
|
TLT vs. LL |
Ted Warnell |
2006 |
3D, code, codework |
|
To Be Here As Stone Is |
Stephanie Strickland, M. D. Coverley |
1999 |
|
|
To Find the White Cat in the Snow |
David Herrstrom |
1996 |
hypertext, poetry |
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
Toucher |
Serge Bouchardon, Kevin Carpentier, Stéphanie Spenlé |
2009 |
Flash, visual poetry, collaboration, materiality, interactivity, audio, tactile, wordtoy, haptic sensation, human – computer interaction, senses, touch |
|
Training Missions |
Joe Amato |
2001 |
poetry, hypertext, imaging, media, Flash, spoken word |
|
Tramway |
Alexandra Saemmer |
2009 |
memory, oblivion, lability, autobiography |
|
Translation |
John Cayley |
2004 |
constraint, ambient, collaboration, generative, translation, procedural, transliteration, audio, music, textual instrument, appropriation, appropriated texts, time-based, QuickTime |
|
Trepp |
Hasso Krull |
1996 |
|
|
Tributaries & Text-Fed Streams: A Feed-Reading of the Capilano Review |
J. R. Carpenter |
2008 |
|
|
Trope |
Sarah Waterson, Elena Knox, Christyn Davies |
2008 |
poetry, collaboration, performance, Second Life, tropes, video, wordtoy, virtual environment |
|
Turning Away |
Curtis Harrell |
1997 |
poetry, generative, haiku, poem |
|
Twelve Blue |
Michael Joyce |
1996 |
narrative, HTML/DHTML, hypertext, fiction, Storyspace |
|
Ugly |
Peter Howard |
2002 |
audio, Flash, combinatory |
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
Universo Molécula |
Isaías Herrerro Florensa |
2007 |
poetry, interactive, javascript |
|
Unravel |
Agnieszka Michalska |
2010 |
Flash, static, scheduled, kinetic |
|
Up Against the Screen Mother Fuckers |
Justin Katko |
2008 |
CAVE, poetry, video, audio, hacktivist, critical/political/philosophical |
|
V: Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2002 |
visual poetry, poetry, collaboration, embodiment, Shockwave, textual instrument |
|
Väljarna/Elect |
Johannes Heldén |
2008 |
science fiction, nature, bilingual, Swedish, Scandinavian |
|
Verrà H.P. e avrà i tuoi occhi (H.P. will come and will have your eyes) |
Antonio Koch |
2010 |
hypertext, crime |
|
Virtual Reality Exhibit at the Singapore Museum |
David Herrstrom |
1997 |
hypertext, poetry, virtual reality |
|
Viva Zombatista |
Simen Hagerup |
2010 |
animation, zombies, animated text, time-based |
|
vowheels |
Neil Hennessy |
2000 |
kinetic typography |
|
Walking Together What Remains |
Chris Green, Erik Natzke |
2001 |
constraints, Flash, scheduled, static |
|
Wander Wire |
Alan Bigelow |
2005 |
|
|
Wanderkammer: A Walk Through Texts |
J. R. Carpenter |
2011 |
hypertext, HTML, walking |
|
War Games |
Jennifer Ley |
2001 |
activism, war, land mines |
|
What the Nightwoman Texted |
Mark C. Marino |
2010 |
responsive, static |
|
When I Was President |
Alan Bigelow |
2007 |
multimodal, narrative, Flash, politics |
|
WhereAbouts |
Orit Kruglanski |
2003 |
animation, poetry, urban, Shockwave, ergodic |
|
While Chopping Red Peppers |
Megan Sapnar, Ingrid Ankerson |
2000 |
Flash, audio, kinetic, scheduled, father |
|
White-Faced Bromeliads on 20 Hectares |
Loss Pequeño Glazier |
1999 |
visual poetry, HTML/DHTML, generative, digital poetry, translation, javascript, place, e-poetry, dynamic, multilingual, transcultural |
|
Whom the Telling Changed |
Aaron A. Reed |
2005 |
interactive fiction, narrative, hypertext, fiction, Inform |
|
windsound |
John Cayley |
1998 |
ambient, poetry, generative, algorithmic text generation, appropriated texts, soundscape, synthetic voices, transliteral morphing, text movie |
|
Wittenoom: speculative shell and the cancerous breeze |
Jason Nelson |
2009 |
Flash, kinetic, audio, scheduled, responsive |
|
Word Museum |
William Gillespie |
2004 |
3D |
|
Wordscapes and Letterscapes |
Peter Cho |
2002 |
animation, ambient, visual poetry, word-and-image, typography, typographic landscape, conceptual, Java, Processing |
|
Working Memory |
Ian Hatcher |
2011 |
HTML, javascript, scheduled, static |
|
wotclock |
John Cayley |
2002 |
ambient, poetry, collaboration, digital poetry, electronic poetry, textual instrument, time-based, QuickTime, e-poetry, photography, panoramic |
|
[theHouse] |
Mary Flanagan |
2006 |
3D, interactivity, digital poetry, Processing, aleatory, spatiality, relationship, communication |
|
_cross.ova.ing 4rm.blog.2.log 07/08 XXtracts_ |
Mez Breeze |
2010 |
performative, network forms, hacktivist, codework |
|
_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_ |
Mez Breeze |
2000 |
codework |
|
_][ad][Dressed in a Skin C.ode_ |
Mez Breeze |
2002 |
distributed cognition, gender, codework |
|
Буриме |
Дмитрий Манин |
1996 |
ergodic/interactivity/participation, literary game, collective writing |
|
Сад расходящихся хокку |
Дмитрий Манин, Роман Лейбов |
1997 |
|
|
Сонетник |
Дмитрий Манин |
|
collective writing, ergodic/interactivity/participation, literary games |