|
"a crisis in se_Mantics: gendered symbols and notion" in computer graphics imaging |
Claudia Herbst |
2002 |
Shockwave, gender, CGI, programming, critical new media, symbols |
|
#Carnivast |
Andy Campbell, Mez Breeze |
2013 |
code poetry, visual poetry, mezangelle, 3D, virtual environment, mobile |
|
#gifandcircumstance |
Adam Parrish |
2012 |
twitter, memes, Python, animated gif, bot, social, generative |
|
%Location |
JODI |
|
interface, network, protocol, subversion |
|
//**Code_Up |
Giselle Beiguelman |
2004 |
film, code, remediation, application, manipulation, algorithm, numeric systems, images |
|
10 Poemes en 4 Dimensions |
Xavier Malbreil |
|
visual poetry, animation, animated gif |
|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
12 Easy Lessons to Better Time Travel |
Mark C. Marino |
1998 |
hypertext, hyperfiction, humor, chatbot, chatterbot, timetravel |
|
1999 |
Barry Smylie |
1999 |
audio, Flash, HTML/DHTML, game, history, nostalgia, iconography, pop culture |
|
21 días |
Isaías Herrerro Florensa |
2006 |
|
|
217 Views of the Tokaido Line |
Will Luers |
2011 |
essay, video, poetry, generated poetry, travel, motion, loop, haiku |
|
24 hours with someone you know... |
Phillipa J. Burne |
1996 |
hypertext, HTML, branching path |
|
3 Proposals for Bottle Imps |
William Poundstone |
2003 |
Flash, audio, scheduled, e-poetry |
|
5 Haitis |
Simon Kerr |
2011 |
Flash, audio, static |
|
5000 palabras |
Isaías Herrerro Florensa |
2011 |
|
|
6 Weird Questions asked in a Wired Way |
David Jhave Johnston |
2011 |
audio, responsive, HTML, scheduled |
|
7 Poems |
Vadim Litvak |
|
Vadim Litvak, Vadim, Litvak, e-poetry, poetry, 7poems, 7 poems, 7 poem, hypertext |
|
8 Brincadeiras para Salette Tavares |
Rui Torres |
2010 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, intertextuality, poetry generator |
|
9:05 |
Adam Cadre |
2000 |
interactive fiction |
|
<? echo [THE_SIGNIFIER] ?> |
Duc Thuan |
2002 |
javascript, Flash, e-poetry, HTML |
|
>>oh<< |
Reiner Strasser, Dan Waber, Jennifer Hill-Kaucher |
2005 |
cyberpoem, interactive, literary games, poem, audio |
|
@DeleuzeGuattari, Rhiz-o-Mat, PoMoBot |
Anonymous |
1996 |
javascript, generator, Gilles Deleuze, Felix Guattari |
|
@georgelazenby: How Goes the Enemy? |
William Poundstone |
2012 |
video, Flash, scheduled, twitter |
|
a as in dog |
Dan Waber, Marko Niemi |
2007 |
concrete poetry, animated gif, javascript |
|
A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx |
Christine Wilks |
2012 |
remix, Flash, collaborative art, digital art, e-poetry |
|
A Fine View |
David Knoebel |
2000 |
animated text, VRML, Flash, flash poem, scheduled, aural, interactive |
|
A Humument |
Tom Phillips |
1970 |
altered book, technotext, palimpsest, artist's book, treated book |
|
A is for Apple |
David Clark |
2002 |
religion, pop culture, language, interactive, essay, audio-visual, audiovisual, knowledge, non-linear |
|
A Luta Continua |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
A Madlib Frost Poem |
George Hartley |
|
poetry, madlib, Robert Frost |
|
A Million Penguins |
|
2007 |
collaborative narrative |
|
A Party at Silver Beach |
Judy Malloy |
2002 |
DHTML, hypertext, love |
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
|
A Tree with Managers and Jittery Boats |
Jason Nelson |
2010 |
Flash, video, e-poetry |
|
ACITEOP. Disfunciones poéticas del lenguaje. |
Pelayo Méndez |
2011 |
visual poetry, algorithmic text generation, mashup, Google, web art, photography, web 2.0 |
|
Ad Verbum |
Nick Montfort |
2000 |
interactive fiction, wordplay, puns, literary games, Oulipo |
|
Afeeld |
A. J. Patrick Liszkiewicz |
2010 |
textual instrument, concrete art, digital poetry, games |
|
Afghan War Diary |
Matthieu Cherubini |
2010 |
google earth, wikileaks, computer game, static, kinetic, responsive |
|
after emmett: a dispersion of ninetiles |
mIEKAL aND |
1998 |
concrete poetry, kinetic typography, homage |
|
After Parthenope |
Scott Rettberg |
2011 |
fiction, generative, Processing, procedural, italy, naples |
|
Afterwards |
Judy Malloy |
2003 |
|
|
Ah (a shower song) |
K. Michel, Dirk Vis |
2008 |
digital poetry, poëzie op het scherm, animation, line, stream of consciousness, Flash, collaboration, text movie |
|
Aleph Null |
Jim Andrews |
2011 |
cinematic, instrument, network forms, digital art, tool |
|
All Fall Down |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash, jazz, monochrome, scheduled |
|
All Roads |
Jon Ingold |
2001 |
interactive fiction, fiction, games, Inform |
|
All the News that's Fit to Print |
Jody Zellen |
2006 |
news, HTML, javascript |
|
Almost Goodbye |
Aaron A. Reed |
2012 |
choice, UnDum, procedural generation, science fiction |
|
Alone Engaged |
Maria Engberg |
2011 |
generated poetry, HTML, javascript, scheduled, static |
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
altavista words |
Nelli Rothvee |
1997 |
|
|
Alternumerics |
Paul Chan |
2000 |
typography, fonts, signification, politics |
|
Am I All Alone Here? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
American Ghosts |
Alan Bigelow |
2006 |
Flash, history, satire |
|
Amor de Clarice (v. 2). Versão Combinatória |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Amor-mundo, ou a vida, esse sonho triste (cn) |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
An American Life In Writing |
Patrick Sanchez |
2011 |
collaboration, live writing, print, anthology, javascript, poetry |
|
An Essay on the Golden Lion: Indra's Net IV |
John Cayley |
1995 |
generative hypertext, hypercard, acrostic, algorithmic poem |
|
Angels, Avatars, and Virtual Ashes |
Renée Turner |
2007 |
death, mourning, social networks, sincerity, audio, public life |
|
Animalamina |
Chris Joseph |
2003 |
animation, kinetic typography, children's poetry, collaboration, electronic music, Flash, games, generative, graphics, interactive, music, poetry, visual poetry |
|
Ann Coulter : Human Document |
William Poundstone |
2009 |
blog, static, e-poetry |
|
Another Emotion |
Jason Nelson |
2006 |
music, poetry, Flash, patterns |
|
Another Kind of Language |
María Mencía |
2001 |
multilingual, installation, cross-cultural communication |
|
Aomori Amori |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
Archetypal Africa |
Alan Bigelow |
2010 |
nature, metaphor, poetic language, history, archetypes, Flash, audio, kinetic, poetry |
|
Argot, Ogre, OK! |
Andrew Plotkin |
2011 |
remix, code aesthetitcs, poetry, stanzas, structure |
|
Arrested |
Nanette Wylde |
1997 |
flipbook, conbinatory, database, prejudice, offense |
|
Arteroids |
Jim Andrews |
2003 |
literature, game, programming |
|
Artist's Statement No. 45,730,944: The Perfect Artistic Website |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Artist's Statement No. 45,730,944: The Perfect Artistic Website (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Ask Me for the Moon: Working Nights in Waikiki |
John David Zuern |
2004 |
poetry, tourism, labor, night, images |
|
Astres / Stars |
Susan Coolen, Childe Rolan |
2007 |
video, animation, voice, stars |
|
Asunto Hola |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Automatype |
Daniel C. Howe |
2012 |
ambient, text art, algorithmic text generation, minimalism |
|
AutoSummarize |
Jason Huff |
2010 |
summarize, relevance, reduction, literature, Microsoft Word |
|
Babel |
Simon Biggs |
2001 |
classification, interface, data visualization, mapping, navigation, Dewey Decimal System |
|
Back in the R.O.K. |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Bad Machine |
Dan Shiovitz |
1999 |
interactive fiction, fiction, games, codework, TADS |
|
Bare Bones |
Joeyllyn Rock |
2002 |
fairly tale, translation, subversion, adaptation, desire, narrative, hypertext |
|
Bathroom Sketches |
David Jhave Johnston |
2008 |
water, audio, scheduled, Flash |
|
Beautopia |
Laura Sullivan |
2002 |
hypertext, Java, critical new media, political, gender, beauty, subjectivity |
|
Because You Asked |
Alan Bigelow |
2006 |
audio, e-poetry, Flash, hypermedia, self-portrait |
|
Beckett's Bounce |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Being Human |
Annie Abrahams |
|
|
|
Bembo's Zoo |
Roberto de Vicq de Cumptich |
2000 |
typography, Flash, audio, kinetic, scheduled |
|
Berlioz |
Ted Warnell |
2000 |
tone poem |
|
Between Page and Screen |
Amaranth Borsuk, Brad Bouse |
2012 |
artist's book, markers, fiducials, 3D, webcam, book screen hybrid, puns, paragrams, pop-up book, augmented reality |
|
Between Treacherous Objects |
Jason Nelson |
2006 |
3D, Flash, poetry, hypermedia |
|
Beyond Truth and Reason |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Biggz |
Loss Pequeño Glazier, Simon Biggs |
2006 |
javascript, HTML, scheduled, e-poetry |
|
Birds Singing Other Birds' Songs |
María Mencía |
2001 |
noise, sound poetry, music, sound, animality, transcription, kinetic typography, audio, representation, responsive |
|
Birds Still Warm from Flying |
Jason Nelson |
2010 |
cube, Flash, audio, responsive |
|
Blue Company |
Rob Wittig |
2002 |
web, comedy, e-mail, fiction, e-mail novel, network forms |
|
Blue Hyacinth |
Jim Andrews, Pauline Masurel |
2002 |
generative, combinatorial, random, cut-up |
|
Blue Velvet |
David Theo Goldberg, Stefka Hristova |
2006 |
documentary, vectors, New Orleans, hurricane |
|
Blueberries |
Susan Gibb |
2009 |
hypertext, tinderbox |
|
Bodies of Water |
David Clark, Nick Rudnicki |
2011 |
|
|
Bodyless Art |
Роман Минаев |
2001 |
net art |
|
Böhmische Dörfer |
Alexandra Saemmer |
2011 |
memory, history, trauma, prezi |
|
Boogie-Woogie Wonderland |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
Flash |
|
Book of Shadows |
Simon Biggs |
1994 |
documentation, interactive, animation, CD-ROM |
|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
Breathing at the Galaxy’s Edges |
Deena Larsen |
1999 |
haiku, hypertext poem |
|
Bruno Latourbot |
Anonymous |
2013 |
twitter, bot, social media |
|
Bust Down the Door Again! Gates of Hell-Victoria Version |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
Flash, remix, experimental cinema |
|
Bust Down the Doors! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
narrative, audio, Flash, experimental cinema |
|
Calling America |
Mark Cooley |
2007 |
oral history, participatory journalism, documentary, activism |
|
Camel Tail |
Sonny Rae Tempest |
2012 |
remix, HTML, javascript, static, scheduled |
|
Caminant |
J.M. Calleja |
|
|
|
Campbell's Soup Town |
Young-Hae Chang Heavy Industries |
2011 |
Flash, scheduled, audio |
|
Cantoos |
Dan Waber |
2010 |
generative, javascript, responsive |
|
Canyonlands: Edward Abbey in the Great American Desert |
Roderick Coover |
2010 |
history, documentary, American studies, cinemascape, critical ecologies, activism, anarchism, cultural geography, direct action, environment, environmentalism, hypertext, interactive cinema, landscape, navigation, nonfiction, sabotage, wilderness |
|
Caosflor |
Pedro Valdeolmillos |
2011 |
kinetic poetry, depth |
|
carrier (becoming symborg) |
Damien Everett, Melinda Rackham |
1999 |
collaboration, audio, memoir, documentary, javascript, VRML, viral, games, Shockwave |
|
Cartografi |
Daniela Calisi |
2011 |
|
|
Catharsis |
Pedro Valle Javier |
2013 |
hypertext, HTML, static, responsive |
|
Ceci n'est pas un Nike |
Giselle Beiguelman |
2002 |
image and text, self-reflexivity, interaction, representation, digital art |
|
Changed |
Andy Campbell |
2011 |
HTML5, javascript, digital fiction, violence, experience, dreams, nightmare, dark, haunting, memories, atmospheric, moody, attack, transient, escape, teenager, girl, mobile phone |
|
changeEverything |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda |
2011 |
audio, javascript, HTML, responsive |
|
changerTout |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda |
2011 |
|
|
CHAOSity |
NIki Nolin, Wade Roberts, Karen Osborne, Maureen Seaton |
2000 |
collaboration, prose poems, audio, animation, Flash, sound |
|
charNG |
Edde Addad |
2011 |
generative |
|
Chasing Pandora |
Allyson Cikor, Emily Devereux, Greg Turnbull, Mathew Vickery, Trent Redmond |
2011 |
hypertext, HTML, audio, responsive |
|
chatpoetry |
Nelli Rothvee |
1997 |
|
|
Chronicle of Deaths Forgotten |
Duc Thuan |
2002 |
Flash, audio, responsive, death |
|
Cinema2.com |
Alan Bigelow |
1999 |
|
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
Cityscapes: Social Poetics / Public Textualities |
María Mencía |
2005 |
city, cross-cultural communication, calligram, collaboration, exploration |
|
Clearance |
Andy Campbell, Judi Alston |
2008 |
video, video poetry, video art, glimpsing, dark, mouse-responsive, atmospheric, apocalyptic, apocalypse, carving, stone, abandoned |
|
Clippings |
Jason Nelson, Pedro Valdeolmillos |
2006 |
love, Flash, responsive |
|
Cloud #1 |
Braxton Soderman |
2007 |
scheduled, static |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
Codeswitching 23μg |
Theodoros Chiotis |
2007 |
code, text, Dewey Decimal System, post-print fiction, protocol, database narrative |
|
codework parenthetical insertions |
Edde Addad |
2011 |
|
|
COG (I) |
Loss Pequeño Glazier |
2002 |
visual poetry, interactive, combinatory, kinetic poetry, Flash |
|
Collocations: Indra's Net II |
John Cayley |
1993 |
interactive poetry, hypercard, algorithmic text generation |
|
Commedia |
Krešimir Pintaric |
2006 |
web, HTML, computer-assisted poetry |
|
Confucius Say |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
|
|
Confucius Say |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
Flash, experimental cinema |
|
Credits |
Young-Hae Chang, Young-Hae Chang Heavy Industries, Marc Voge |
2001 |
Flash, credits |
|
Crowds and Power |
Jody Zellen |
2002 |
animated text, pop-ups, HTML |
|
Cultural Identity, Nothingness and Loneliness |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
Flash, presentation |
|
Cunnicornord |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
Cunnilingus in Nordkorea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash, sexual equality, sex, gender equality, South Korea vs. North Korea |
|
Cunnilingus in North Korea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash, satire, sexuality, dialectical materialism, dialectic, irony |
|
Cunnilingus Norcoreano |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
Dadaventuras |
Chris Joseph, Maria Colino |
2004 |
absurd, aleatory narrative, dada, Flash, hypermedia, narrative, random |
|
Dakota |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
narrative, Flash, digital modernism, digital fiction, road narrative |
|
Damascene |
Milorad Pavić |
1998 |
hypertext, non-linear, fiction |
|
das buch gertrud |
Reinhard Döhl |
1996 |
|
|
Das Epos der Maschine |
Urs Schreiber |
1998 |
cybertext, e-poetry, epic, machine control, multimodal, narrative, sound |
|
Das Erwachen der Mongoliden |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
David Still :) |
David Still |
2001 |
hoax, email, identity, second-person address |
|
Dawn |
Alan Sondheim, Reiner Strasser |
2005 |
Flash, visual poetry, collaboration, electronic poetry, audio, death, photography, life – death, day – night, nature, family |
|
Days of JavaMoon |
Duc Thuan |
2000 |
javascript, audio, responsive, gender |
|
db.11x8.5 |
Ted Warnell |
2005 |
collaboration, codework, generative, vispo |
|
dbCinema |
Jim Andrews |
2010 |
langu(im)age, image-processor, cinema, painting |
|
Death Becomes the Artist |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Declaracion De Artista |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Declaration D'Artiste Numero 45.730.944: Les Parfait Web Site Artistique |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Deep Surface |
Stuart Moulthrop |
2007 |
narrative, Flash, reading, interpretation, hermeneutics, audio, textual instrument, hyptertext, immersion |
|
Default Lives |
M. D. Coverley |
2001 |
hypertext, pachinko, game, choice, destiny, branching path |
|
degenerativa |
Eugenio Tisselli |
2005 |
philosophical, erasure, degenerative, interactive, poetics |
|
Delivery Machine 01 |
Talan Memmott |
1998 |
|
|
Déprise |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Déprise |
Serge Bouchardon |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Der Kahuna Modus |
Nika Bertram |
2001 |
|
|
Dérives |
Caroline Delieutraz |
2012 |
interactive flash |
|
Designer Gulch |
Brendan Howell |
2012 |
remix, HTML, javascript, static, scheduled, responsive |
|
Det siste utbruddet / The Last Volcano |
Roderick Coover, Scott Rettberg |
2010 |
history, video, translation, panorama, memory, disaster, recursion, Norway |
|
Détournement / Diversion |
Serge Bouchardon |
2007 |
|
|
Deus Ex Machina |
Isaías Herrerro Florensa |
|
|
|
Deviant: The Possession of Christian Shaw |
Donna Leishman |
2004 |
narrative, Flash, visual narrative, story, place, animation, audio |
|
Diagrams Series 3 |
Jim Rosenberg |
1979 |
text and image, diagrams, poetry, print |
|
Diagrams Series 6: 6.4 and 6.10 |
Jim Rosenberg |
2005 |
constraint, digital poetics, poetry, hypertext, conceptual, procedural, Squeak, literary systems, multiplicity |
|
Dibagan |
Brian Kim Stefans, Geniwate |
2006 |
audio, Flash, responsive, kinetic |
|
Dictionary |
Роман Минаев |
2004 |
net-art |
|
Die Aaleskorte der Ölig |
Dirk Günther, Frank Klötgen |
1998 |
hypertext, novel, crime, fiction, HTML |
|
Die Schwimmmeisterin |
Susanne Berkenheger |
2002 |
|
|
Digital Oracles |
Martha Carrer Cruz Gabriel |
2006 |
search, privacy, trust, filtering, critical new media |
|
Dim O'Gauble |
Andy Campbell |
2007 |
narrative, Flash, digital fiction, dreams, vision, future, nightmare, paranormal, video art, glimpsing |
|
dimocopo - digital moving concrete poetry |
Komninos Zervos |
1995 |
animated gif, kinetic, e-poetry, relationship |
|
Disappearing Rain |
Deena Larsen |
2000 |
fiction, hypertext, narrative, hypertext fiction, links, haiku, poetry, generations, disappearance |
|
Disclaimer |
David Jhave Johnston |
2010 |
censorship, commentary, parody, generative, combinatorial, Flash |
|
Disembodied Voices |
Jody Zellen |
2004 |
audio, responsive, image and text, public space, city, installation |
|
Distraction |
Claire Kwong |
2011 |
distraction, seearch, improvisation, blogging |
|
Do Peso e da Leveza |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
|
dollspace |
Francesa da Rimini |
1997 |
|
|
Dorothy Abrena McCrae |
Judy Malloy |
2000 |
|
|
Dreamaphage |
Jason Nelson |
2003 |
3D, Flash, fiction, interface, audio, memoir, constraints, viral |
|
Droites et Courbes / Lines and Curves |
Patrick Henri Burgaud |
2009 |
|
|
e-cris |
Luc Dall'Armellina |
2001 |
|
|
E:Electron |
Deena Larsen, Geoffry Gatza |
2001 |
hypertext, Flash, periodic table, poetry, love, association, relationships |
|
Earthbound: Surfing the Apocalypse |
Per Martinsen |
2010 |
transmedial, science fiction, blog, installation, sticker, music, novel |
|
Eat Your Tits and Puppets |
Claire Donato, Ian Hatcher |
2010 |
performance, sexuality, duets, feminism, body, code |
|
Echelon |
Simon Biggs |
2001 |
interactive, generative, email, surveillance, dictionary, keywords |
|
Echtreim |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
rhyming, dictionary |
|
Eclipse Louisiana |
Marjorie Coverley Luesebrink |
|
|
|
Ecran Total |
Alain Salvatore |
1997 |
hypertext, hypertextfiction |
|
Een latente meertaligheid (A potential polyphony) |
Henk van der Waal |
2010 |
digital poetry, poëzie op het scherm, creative work |
|
Eidola Kosmos |
Isaías Herrerro Florensa |
2008 |
|
|
El Dorado: Scenes from the Road |
Rob Wittig |
1998 |
road trip, narrative, horizontal scroll, cross-cultural communication, episodic, maps |
|
ELIZA |
Joseph Weizenbaum |
1966 |
chatterbot, pyschotherapy, natural language processing |
|
Empty Thoughts for Real Life |
Jody Zellen |
2007 |
language, Flash, responsive |
|
En million historier |
Peter Adolphsen |
2007 |
generative fiction, danish, Scandinavian, digital narrative |
|
End Credits - Eftertexter |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash, end credits |
|
Enfonçons la Porte! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, narrative |
|
Enigma n |
Jim Andrews |
1998 |
kinetic typography, animation, visual poetry |
|
Enter the Plains |
Johannes Heldén |
2006 |
|
|
Enter:in' Wodies |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, installation, Kinect, body, poem |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Entropy Edition |
Johannes Heldén |
2010 |
science fiction, dystopic, Swedish, bilingual, Scandinavian |
|
Epitaph Gertrude Stein |
Reinhard Döhl, Johannes Auer |
1996 |
|
|
Errand Upon Which We Came |
Stephanie Strickland, M. D. Coverley |
2002 |
animation, collaboration, interactive, kinetic, Shockwave, textual instrument, visual poetry |
|
Essay |
judsoN |
2010 |
HTML, generative, static |
|
Etang |
Alexandra Saemmer |
2008 |
autobiography, animated text, memory, death |
|
Euclid |
David Knoebel |
2000 |
VRML, kinetic, responsive, interactive, static, aural |
|
Evening: 42 to 71 |
David Hadbawnik |
2001 |
|
|
Every Duck Has an Adventure |
Daniel Merlin Goodbrey |
2012 |
|
|
Every Word I Saved |
Cristobal Mendoza |
2006 |
software-generated text, web harvested work, database, text stream, conceptual writing |
|
Evidence |
Lorenza Samuels |
|
hypertext, sound and image, crime, interactive, detective |
|
Evidence of Everything Exploding |
Jason Nelson |
2010 |
art game, conspiracy theory, semi-historical documentary |
|
Excerpts from the Chronicles of Pookie & JR |
J. R. Carpenter |
2009 |
generative fiction, generative narrative, narrative, generator, Python, javascript, dialogue, remix, translation |
|
Expressions |
Patrick Henri Burgaud |
|
|
|
Exquisite Corpse Poems |
Komninos Zervos |
1996 |
generative, exquisite corpse |
|
Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. |
David Jhave Johnston |
2011 |
video, generative, extinction, elegy, mutation, environment, meaning, nonsense, ecological thought |
|
Façade |
Michael Mateas, Andrew Stern |
2005 |
3D, collaboration, generative, database, interactive drama, games, artificial intelligence, chatterbot/conversational character, ergodic/interactivity/participation |
|
Face Codes |
Andreas Müller-Pohle |
1998 |
video-still, photograph, ASCII, transmedial processing, alphanumeric code |
|
Face the Facts |
Dan Waber |
2013 |
responsive, static, constraint |
|
FaceDown |
Andy Campbell |
2001 |
visual narrative, mathematics, dark, chaos, face, scan |
|
Faen. Nå har de senket takhøyden igjen. Må huske å kjøpe nye knebeskyttere. |
Tor Åge Bringsværd |
1996 |
dictionary, HTML, science fiction, dystopic, satiric, over-population |
|
Faith |
Robert Kendall |
2002 |
animation, Flash, epoetry, electronic poetry, kinetic poetry, audio, music, religion, faith, doubt, logic |
|
Fallow Field |
Dene Grigar |
2004 |
Flash, HTML, hypertext, audio, responsive |
|
Family of silence |
Linda Suthiry Suk |
2012 |
Flash, video, audio, poetry, war, Cambodia |
|
Feed |
Robert Kendall |
2008 |
text generation, poetry, association, chance |
|
Fernwärme |
Ursula Hentschläger, Zelko Wiener |
1999 |
|
|
Ferris Wheels |
Deena Larsen |
1999 |
hypertext, short fiction |
|
FILMTEXT 2.0 |
Mark Amerika |
2002 |
narrative, performance, literature, remix, film, remediate |
|
First Screening: Computer Poems |
bp Nichol |
1984 |
visual poetry, digital poetry, archive, BASIC, emulation, wit, multimodal, poetry |
|
First Workshop Ever |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2008 |
Flash |
|
Fishes and Flying Things |
J. R. Carpenter |
1995 |
HTML, hypertext |
|
flâneur - tag the world |
Anders Sundnes Løvlie |
2010 |
collaboration, locative, literature, mobile media, writing games |
|
Flash Poems |
Komninos Zervos |
2008 |
Flash, kinetic, static, audio, opposites |
|
Flight Paths: A Networked Novel |
Kate Pullinger, Chris Joseph |
2008 |
collaboration, narrative, Flash, networked novel, network forms, adolescence, contributory |
|
Forest |
Jacob Garbe |
2006 |
hypertext, fable |
|
Formes libres flottant sur les ondes |
Xavier Malbreil |
2002 |
image and text, HTML, animation, animated gif |
|
Forward Anywhere |
Judy Malloy, Cathy Marshall |
1995 |
collaboration, narrative, epistolary, email, hypertext fiction, family, childhood, memoir |
|
Fotomo Blues |
Paul Trevor |
1998 |
hypertext, e-poetry, digital poetry, hyperpoetry, satire |
|
Four Poems |
William Poundstone |
2000 |
kinetic, Shockwave, scheduled, audio |
|
Fragments of Distances |
Jaka Železnikar |
2010 |
web-based, narrative, google maps, remembering |
|
Fred & George |
Flourish Klink |
2011 |
text generators, remix, poetry generator, HTML, javascript, scheduled, static |
|
Frequency |
Scott Rettberg |
2008 |
constraint, poetry, poetry generator, installation, Ruby, javascript, HTML, minimalism, formal poetry |
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
Friday's Big Meeting |
Rob Wittig |
2000 |
web, comedy, time-based, chatroom, corporate |
|
From Ireland with Letters |
Judy Malloy |
2012 |
hypertext fiction, hypertext poetry, polyphonic literature, narrative, slavery, migration, Irish culture, 17th century |
|
Funk |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
Flash |
|
G-LINIE HTML |
Johannes Auer |
2008 |
|
|
Gabriella infinita |
Jaime Alejandro Rodríguez |
|
hypertext, fiction, novel, video, audio, disappearance, evidence, escape, metafiction, adaptation, translation |
|
Galactic Tides by Night |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash, scheduled, e-poetry |
|
Game, game, game, and again game |
Jason Nelson |
2007 |
animation, Flash, audio, retro, games, parody/satire |
|
Generador de poemes catalans |
Ramon Forns, Sergi Llorens |
2011 |
generative, poetry, Catalonia |
|
Generative Poetry |
Geniwate, Brian Kim Stefans |
2005 |
animation, poetry, collaboration, generative, audio, Shockwave, violence, combinatorial, place, time-based |
|
Genius |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Geothe |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
poetry generator |
|
Ghost City |
Jody Zellen |
1997 |
city, audio, responsive, image and text, environment |
|
Ghost Moons |
Deena Larsen |
2000 |
hypertext, kanji, haiku, javascript |
|
Girls' Day Out |
Kerry Lawrynovicz |
2004 |
Flash, poetry, generative, appropriated texts, combinatorial, fiction |
|
Gnoetry |
|
2001 |
generated poetry, human-computer collaboration, constraints, software, process |
|
Goggi |
Jón Örn Loðmfjörð |
2008 |
|
|
Google Poetics |
Sampsa Nuotio, Raisa Omaheimo |
2012 |
found poetry, poetry, Google |
|
Gorge |
J. R. Carpenter |
2010 |
text generators, remix, generative, eating, food, body, desire |
|
Gorgeous Oaks |
Jason Nelson |
2002 |
map, HTML, hypertext, responsive, static |
|
Grace, Wit and Charm |
Rob Wittig |
2011 |
netprov, comedy, improvisation, live performance, twitter, avatar, social media, theater |
|
Grafoman |
|
1997 |
hypertext, non-linear, fiction |
|
Great Wall of China |
Simon Biggs |
1996 |
CD-ROM, generative, Kafka, grammar, pattern recognition |
|
gsm.art |
Igor Štromajer |
1999 |
gsm, interactive animation, web, mobile phone, intimate, mobile, communication, art |
|
Guantanamobile |
Lisa Lynch, Elena Razlogova |
2004 |
vectors, documentary, website |
|
haha |
Dan Waber |
|
|
|
haikU |
Nanette Wylde |
2001 |
generative, poetry, participation, haiku |
|
Half-Breed Apache |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
He Said, She Said |
Alan Bigelow |
2011 |
Flash, audio, relationships, kinetic, responsive, marriage, argument, wedding |
|
Hegirascope |
Stuart Moulthrop |
1995 |
hypertext, push, refresh, parody, pastiche, cyberculture, HTML |
|
Heights |
Christine Wilks |
2006 |
Flash, poetry, kinetic, falling, vertigo, architecture, image and text |
|
Heim@tmuseum |
Gisela Müller |
2000 |
|
|
hektor |
Nathaniel Stern |
2000 |
memory, poetry, photography, video, javascript, Flash, juxtaposition, collage, characters |
|
Hermeticon: Pop Spell Maker |
Jason Nelson |
2005 |
spells, pop culture, commercials, 1980s, Flash, keyboard, audio |
|
Hey, Where'd All the Smart Guys Go? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Hilfe! |
Susanne Berkenheger |
1999 |
|
|
Hobo Lobo of Hamelin |
Stevan Zivadinovic |
2012 |
HTML, javascript, audio, comic strip, responsive |
|
Home |
Annette Barbier, Drew Browning |
2001 |
VRML, home, domesticity, 3D |
|
Homer's Iliad |
Barry Smylie |
1999 |
Homer, classics, new media, remediation, adaptation |
|
Honeymoon in Beppu |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
Flash, narrative |
|
How They Brought the News from Paradise |
Alan Bigelow |
2012 |
CSS, HTML, javascript, responsive, kinetic, audio |
|
How to Make a Dadaist Poem |
Tristan Tzara |
1920 |
dada, composition, poesis, poetics, recombinant |
|
How to transform dog/horse pron/hump lovers into art patrons |
Jason Nelson |
2006 |
creative non-fiction, criticism, hacks, Interactive art, redirect, satire |
|
Húmus poema contínuo |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Hunger |
Billy Collins, Samuel Christopher |
2006 |
|
|
Hurst |
Kristi Barnett |
2012 |
|
|
Hva sier trærne? |
Marte Aas, Marte Huke |
2005 |
digital art, conceptual, trees, generative |
|
Hybrid moment |
Rafaël Rozendaal |
2012 |
Flash |
|
Hypertext Hotel |
Robert Coover |
1992 |
collaboration, moo, play, parody, spatial |
|
Hypertexte |
Gerald Berche-Ngô |
2010 |
hypertext, interactive, story, non-linear |
|
Hypertextual Consciousness 1.0 |
Mark Amerika |
1995 |
critifiction, hypertext, criticism, conceptual art |
|
hyPoem |
Jörg Piringer |
2002 |
kinetic typography, animation, interaction, Java, authoring system |
|
I Love You |
Lello Masucci |
2012 |
love, multilingual, Flash, responsive |
|
i made this, you play this. we are enemies |
Jason Nelson |
2008 |
narrative games, consumerism, hand-drawn, satire, hypermedia, video |
|
I mellom tiden |
Anne Bang-Steinsvik |
2002 |
hypertext, visual, multimodal, video, sound, memory, photography, collage, montage |
|
I wish I were the Moon |
Daniel Benmergui |
|
art game, experimental videogame |
|
I'm Sucking on a Tailpipe in Seoul |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2008 |
Flash, experimental cinema, environmentalism |
|
I-Pledge.org |
Alan Bigelow |
2006 |
|
|
I.M.PROMPT.U |
Duc Thuan |
2007 |
Flash, audio, static, communism, propaganda |
|
IChing.Poetry.Engine |
Jared Tarbell, Lola Brine |
2001 |
generative, poetry, iching, engine |
|
Ideas of Beauty: Conversations |
Shandra Lamaute |
2011 |
audio |
|
ID_Xor.cism_ |
Mez Breeze |
|
internet art, code language, hypermedia poetry |
|
If I Were You I'll Go to the Palace |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
ii — in the white darkness: about [the fragility of] memory |
Reiner Strasser, M. D. Coverley |
2004 |
memory, loss, image and text, audio, alzheimer's, kinetic |
|
Imaginary Year |
Jeremy Bushnell |
2000 |
fiction, seriali, interconnected narrative, Chicago, urban, mediation |
|
Immobilité |
Mark Amerika |
2011 |
mobile, video, narrative, iOS, iphone |
|
Implementation |
Nick Montfort, Scott Rettberg |
2004 |
sticker, novel, distributed narrative |
|
In a World Without Electricity |
Alan Bigelow |
2012 |
CSS, HTML, javascript, responsive, audio, kinetic |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
In Search of Oldton |
Tim Wright |
2004 |
fiction, map, cartographic, playing cards, contributory, place, memory, loss |
|
Inanimate Alice Episode #2: Italy |
Kate Pullinger, Chris Joseph |
2007 |
Flash, audio, responsive, static, scheduled |
|
Inanimate Alice Episode 3: Russia |
Kate Pullinger, Chris Joseph |
2006 |
video game, audio, Flash, static, responsive |
|
Inanimate Alice, Episode 1: China |
Kate Pullinger, Chris Joseph |
2005 |
audio, children's literature, collaboration, fiction, Flash, network forms, place |
|
Inanimate Alice, Episode 4: Hometown |
Kate Pullinger, Chris Joseph |
2008 |
narrative, audio, games, visual narrative, collaboration |
|
Incident of the Last Century 1999, Sampling Sarajevo |
Grégory Chatonsky |
1998 |
|
|
Influencing Machine of Miss Natalija A. |
Zoe Beloff |
2001 |
creative non-fiction, gothic, installation, video, Flash |
|
Ingen elge på vejen den dag |
Sonja Thomsen |
2001 |
drama, generative fiction |
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
Inside the House |
Adam Sylvain |
2011 |
remix, HTML, javascript, scheduled, static |
|
Instant Memory |
Patricia Rydzok, Pedro Vitorino Olivera |
2007 |
flash fiction, interactive fiction, war, pollution, cloning |
|
Intermínims de navegació poètica |
Ramon Dachs |
|
|
|
Internet Text, 1994- [Through Feb 2, 2006] |
Alan Sondheim |
1994 |
performance, performative, digital textuality, archive, network forms, codework, critical |
|
Into the Green Green Mud |
Eric A. Meyer |
2006 |
animation, HTML, CSS, music, performance, open source, hypertext |
|
Into the Night |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
Invisible Seattle: The Novel of Seattle, by Seattle |
Rob Wittig, Philip Wohlstetter |
1983 |
collaboration, collective, bulletin board systems, constraint, database novel, remix |
|
Ipertesto Poetico Quadridimensionale |
Machina Amniotica |
1995 |
hyperpoetry, non-linear, generated |
|
Isopoema |
Lluis Calvo, Pedro Valdeolmillos |
|
|
|
It's a Woman's World |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
Ja tornaré |
Marc Lloan |
2005 |
|
|
Jardins de plàstic I |
Isaías Herrerro Florensa |
2008 |
|
|
Jargon Reducer |
Nanette Wylde |
2006 |
software art, manipulation, jargon, filtering, textual analysis |
|
Java Poems |
Komninos Zervos |
1995 |
Java, kinetic, scheduled |
|
JB Wok |
Eugenio Tisselli |
2006 |
constraint, php, Google, e-poetry, Oulipo, PHP script, poetry |
|
Jean-Pierre Balpe ou les Lettres Dérangées |
Patrick Henri Burgaud |
2005 |
animation, Flash, multilingual, ALAMO, games, time-based, kinetic |
|
Joe Jones |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Jongno |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Jongno (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Joyride |
Andy Campbell, Judi Alston |
2002 |
car accident, drugs, wreck |
|
Kairos |
Isaías Herrerro Florensa |
2009 |
|
|
Kastastrofetrilogien |
Scott Rettberg, Roderick Coover |
2011 |
video, Norway, disaster, media, interpersonal, cross-cultural communication, multilingual, catastrophe |
|
Kaycee Nicole |
Kaycee Nicole Swenson |
1999 |
hoax, weblog |
|
Kill the poem |
Johannes Auer |
1997 |
dynamic poetry, poem art |
|
Kind of Blue |
Scott Rettberg |
2002 |
collaboration, novel, epistolary, remix, e-mail fiction, email, narrative, intertextuality, multivalent, conspiracy, madness |
|
Kluge: A Mediation |
Brian Kim Stefans |
2005 |
Flash, algorithm |
|
Kodachrome Blue Syntax |
Kenneth Sherwood |
2006 |
remediation, voice, stock footage, montage, loops, transcoding, media art |
|
L'Albatross |
Patrick Henri Burgaud |
2010 |
video, recombination, tagging |
|
La Huella de Cosmos |
Domenico Chiappe |
2005 |
|
|
La Lucha Continua |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
La Lutte Continue |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
Flash, experimental cinema |
|
La Resocialista Internacional |
Andreas Maria Jacobs |
2008 |
poetry, translation, appropriation, politics, socialism, transmedial |
|
Labyrinth: the Rulebook without Game |
Mark C. Marino |
2001 |
games, playable manuals, Flash, audio, hypertext |
|
Lace (Dentelle) |
Pierre Albert-Birot, F.J. Bergmann |
2002 |
animation, translation, Flash |
|
Lair of the Marrow Monkey |
Erik Loyer |
1998 |
Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
Landscape Projects |
Judy Malloy |
1978 |
|
|
Landscapes |
Bill Marsh |
2002 |
animation, Flash, visual poetry, poetry, kinetic, audio, place |
|
Langweekend |
Beathe C. Rønning |
2006 |
|
|
Larvatus Prodeo |
Braxton Soderman, Roxanne Carter |
2006 |
HTML, scheduled, static |
|
Lascaux.Symbol.ic |
Ted Warnell |
2000 |
codework |
|
Last Dream |
Andy Campbell |
2006 |
Flash, animation, multimedia, dreams, nightmare, dark, atmospheric, moody, surreal, video game, puzzles |
|
Last Tango in Tokyo |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Last Words |
Alan Bigelow |
2012 |
death, audio, mortality, new york, appropriated video, machine voice, HTML5, javascript |
|
Le Noeud |
Jean-François Verreault |
1998 |
hyperfiction |
|
Leaved Life |
Anne Frances Wysocki |
|
|
|
Leaving the City: Indra's Net V |
John Cayley |
1995 |
hypercard, poetry, interactive, text generation, china |
|
LEi/iEBESÜBUNGEN |
Gisela Müller |
2002 |
|
|
lens |
John Cayley |
2006 |
CAVE, 3D, kinetic typography, letters, spatial relationships |
|
Les 12 Travaux de l'Internaute / The 12 Labors of the Internet User |
Serge Bouchardon |
2008 |
game, mythology, classics, Flash, interactive, satire, user interface, remediation, Hercules |
|
Les Amants de Beaubourg |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
Flash, narrative |
|
Letter |
Eduardo Kac |
1996 |
3D, poetry, spatial, navigational, Brazilian electronic poetry, Eduardo Kac |
|
Letterbuilder |
Brian Kim Stefans |
|
|
|
Lexia to Perplexia |
Talan Memmott |
2000 |
animation, interface, textuality, textual instrument, appropriated texts, javascript, cyborg, hci, consciousness, network phenomenology, philosophical, DHTML, Gilles Deleuze, neologism |
|
light |
Machine Libertine |
2012 |
|
|
Like Stars in a Clear Night Sky |
Sharif Ezzat |
2006 |
audio, Flash, multilingual |
|
Lines of Life |
Jody Zellen |
2010 |
Flash, javascript, HTML, responsive |
|
Logozoa |
Robert Kendall |
2006 |
sticker, poetry, distributed, metaphor, textual organisms, participatory, photography |
|
looppool |
Bas Böttcher |
1998 |
|
|
Lord's Prayer, The |
Alan Bigelow |
2007 |
recombination, bible, Flash, poetry |
|
Losing the Lottery |
Eric LeMay |
2012 |
lottery, game, essay, satire |
|
Loss of Grasp |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Lotus Blossom |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Lotus Blossom (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Love and Kill |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Love Is... |
Alan Bigelow |
2008 |
|
|
Luminous Airplanes: A Hyperromance |
Paul La Farge |
2011 |
|
|
M.U.C. Love Letter Generator |
Christopher Stratchey |
1952 |
generative, epistolary, combinatory, pioneering, love, program |
|
Machine Libertine |
Natalia Fedorova, Taras Mashtalir |
2010 |
|
|
Mandelbrot.fr (private reading device) |
Alexandra Saemmer, Bruno Scoccimarro |
1999 |
ephemerality, device, temporarilty, flow |
|
Mar de Sophia |
Rui Torres |
2005 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
|
maybe make some change |
Aaron A. Reed |
2011 |
interactive fiction, multimedia, Afghanistan, war, point of view, unreliable narrator, video, interactive documentary |
|
mayday |
Cris Cheek, Kirsten Lavers |
1998 |
hypertext, collective narrative, mass observation, performance |
|
McLu-uhms |
David Jhave Johnston |
2011 |
McLuhan, media society, theory, Flash, audio, scheduled |
|
Mechanical Bride |
Ted Warnell |
2001 |
HTML, IRC, e-poetry |
|
mémoire involuntaire no. 1 |
Braxton Soderman |
2009 |
ambient, animation, Processing, text movie, Java |
|
Memoirs from Hijiyama |
Jonathan Yuen |
2002 |
nuclear bomb, Hiroshima, human suffering, grave, memorial, javascript, HTML, hypertext, poetry, visual poetry, prose poem |
|
memory |
Machine Libertine |
|
video poetry, posthuman |
|
Memory |
Pedro Valle Javier |
2013 |
memes, social, e-poetry, HTML, static |
|
MEorIKE |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
poetry generator |
|
Mesostics for Dick Higgins |
mIEKAL aND |
1998 |
elegy, mesostic |
|
Metablast |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash |
|
MetaGenesis |
Duc Thuan |
2000 |
javascript, audio, scheduled, bible |
|
Metricalizer |
Klemens Bobenhausen, Benjamin Hammerich |
2011 |
automated metrical markup, meter, rhyme |
|
MIDIPoet |
Eugenio Tisselli |
2002 |
visual poetry, software, performance, performative |
|
Mirroring Tears: Visages |
John Cayley, Penny Florence |
2011 |
translation, Processing, reading, cognition, RiTa, reader |
|
Miss DMZ |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2005 |
experimental cinema, Flash |
|
Missed Connections |
Cristobal Mendoza |
2007 |
language-driven digital art, web harvested work, stopwords, data-collection engine, software, database, 2-channels |
|
Missy |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Modern Mother |
Arlene Stamp |
1998 |
storytelling, audio, fragmentary, documentary |
|
More Real than Now |
Jody Zellen |
2005 |
video, e-poetry, Flash, kinetic, scheduled |
|
Morpheus Biblionaut |
William Gillespie, Travis Alber |
2009 |
narrative, space, linear, post-apocalyptic, science fiction, prose poem, Flash, collaboration |
|
Mozaic |
Simon Biggs |
1999 |
|
|
Mr. President |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Muds |
David Jhave Johnston |
2009 |
|
|
MUPS |
David Jhave Johnston |
2012 |
interface, remix, audio, prosody, mashup, Flash |
|
My Boyfriend Came Back From the War |
Olia Lialina |
1996 |
frames, hypertext, visual narrative, remix, war |
|
My Nervous Breakdown |
Alan Bigelow |
2010 |
Flash, psychology, therapy, suicide, video, sound, subjectivity |
|
My Summer Vacation |
Alan Bigelow |
2008 |
video, audio, Flash, loss, characters, point of view, spoken word |
|
myBALL |
Shawn Rider |
2002 |
Flash, network forms, parody/satire |
|
MyNovel.org |
Alan Bigelow |
2006 |
power, satire, Flash, narrative |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
MythWatch.org |
Alan Bigelow |
2010 |
|
|
Nachtkrabbel |
Tonnus Oosterhoff |
2011 |
Flash, digital poetry, handwriting, materiality of letters, rewriting |
|
nam shub web |
Jörg Piringer |
2007 |
web, alteration, website processor, textual intstrument, visual poetry |
|
Narrative Units |
Ethan Miller |
2006 |
information theory, narrative, visualization, video, software system, Python |
|
Ne me touchez pas / Don't touch me |
Annie Abrahams |
2003 |
|
|
Net poetry |
Nelli Rothvee |
1997 |
|
|
New Digital Emblems |
William Poundstone |
2001 |
animation, visual, Shockwave, image, essay/creative non-fiction, critical, emblem, rhetoric |
|
New York City Map |
Marketa Bankova |
2000 |
interactive, virtual world, map, google maps, language – sound - picture relationship, abstract realities |
|
News Reader |
Noah Wardrip-Fruin, Brion Moss, David Durand, Elaine Froehlich |
2004 |
textual instrument, news, n-gram |
|
Nightingale's Playground |
Andy Campbell, Judi Alston |
2010 |
animation, Flash, drama, digital fiction, 1980s, mystery, virtual reality, nightingale, dark, haunting, memories, commodore 64, childhood, disappearance |
|
Nine attempts to clone a poem |
Jason Nelson |
|
|
|
Nio |
Jim Andrews |
2001 |
animation, audio, music, Shockwave, textual instrument, combinatorial, QuickTime, documentary |
|
Nippon |
Young-Hae Chang, Marc Voge, Young-Hae Chang Heavy Industries |
2003 |
experimental cinema, Flash, translation, sex, smoking |
|
NobodyHere |
Jogchem Niemandsverdriet |
1998 |
HTML, animated gif, Flash, Shockwave, hypertext |
|
Noiselines |
Pedro Valdeolmillos, Jason Nelson |
2006 |
e-poetry, noise, Flash, responsive, audio |
|
non-LOSS'y Translator |
Simon Biggs |
2004 |
translation, machine reading, legibility, feedback loop |
|
NONCE.EXECUTOR (disposable language) |
Talan Memmott |
2011 |
poetry, video poetry, image and text, music |
|
Nostalgia |
Claire Carre |
2002 |
nostalgia, critical new media, animated gif, linearity |
|
Notes on the Voyage of Owl and Girl |
J. R. Carpenter |
2012 |
generative, digital narrative, mapping, fiction |
|
Nothing temps |
Lluis Calvo |
|
|
|
O Mar |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
OCO |
Eduardo Kac |
1985 |
lettrist, spatial, holopoem |
|
Office Diva |
Josephine Anstey, Dave Pape |
2011 |
installation, psychoanalysis, voice, emotion, affect, character |
|
On the Web |
Xtine Burrough |
2007 |
altered book, handwriting, scrolling |
|
OneSmallStep: a MySpace LuvStory |
Mark Cooley |
2006 |
media art, media archeology, fetish, consumption, voyeurism, video, random, remix, database |
|
Online Caroline |
Tim Wright, Rob Bevan |
2000 |
|
|
Onrust (Restlessness) |
Tonnus Oosterhoff |
2010 |
Flash, handwriting, electronic poetry, writing-materiality |
|
Opacità |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactive narrative, interactivity, opacity, HTML5, web-based, smartphone, tablet |
|
Opacité |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactive narrative, interactivity, opacity, HTML5, web-based, smartphone, tablet |
|
Opacity |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactivity, opacity, HTML5, web-based, smartphone, tablet, interactive narrative |
|
open.ended |
Daniel C. Howe, Aya Natalia Karpinska |
2004 |
3D, poetry, collaboration, audio |
|
Opening Sources |
Ian Hatcher |
2008 |
reading, collective writing, feedback loop |
|
Operation Dear Leader |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Operation Nukorea |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash |
|
Oppen Do Down |
Jim Andrews |
2001 |
audio, static, responsive, e-poetry, Shockwave |
|
Orient |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Orient (Japanese) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Orient (Korean) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
Oros |
Ursula Hentschläger, Zelko Wiener |
2003 |
|
|
Orson Whales |
Alex Itin |
2008 |
Herman Melville, Moby Dick, video poetry, mashup, prose poem, prose |
|
Oulipoems |
Millie Niss, Martha Deed |
2004 |
constraint, audio, collaboration, combinatorial, Flash, games, generative, place, poetry |
|
Out of Touch |
Christine Wilks |
2011 |
Flash, e-poetry, randomness |
|
overboard |
John Cayley |
2004 |
literal art, algorithmic text generation |
|
PAC - Poesia Assistida per Computadora |
Eugenio Tisselli |
|
|
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
PamelaSmall.com |
Alan Bigelow |
2005 |
|
|
Pao! Pao! Pao! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
experimental cinema, Flash |
|
Passage |
Jason Rohrer |
|
narrative, game |
|
Passing Through |
Alexander Mouton |
2011 |
Flash, static, responsive, audio, scheduled |
|
Paths of Memory and Painting |
Judy Malloy |
2010 |
hypertext literature, HTML |
|
Pause |
Jody Zellen |
2006 |
drawing, kinetic, scheduled, Flash |
|
Pax: an instrument |
Stuart Moulthrop |
2003 |
textual instrument, terror, insecurity, embodiment, characters, avatars, play, configuration |
|
Pentimento |
Jerome Fletcher, Geoffrey Olsen |
2003 |
e-poetry, hypertext, Java, responsive |
|
per.m]utations - permutationen |
Florian Cramer |
1998 |
permutation, algorithmic text generation |
|
Perdersi |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Perfect Victoria |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
Flash, experimental cinema |
|
Peter's Haiku Generator |
Peter Howard |
1996 |
haiku, generated poetry, javascript |
|
pianographique |
Jean-Luc Lamarque |
1993 |
multimedia instrument, literal art, keyboard, music, audio, collage, spatial, visual poetry |
|
Pieces |
Robert Kendall |
2008 |
narrative, jigsaw puzzle, assemblage, configuration, XML |
|
Place Their Face |
Mo Fanning |
2007 |
email fiction, romance |
|
Please Come Play with Me, Baby |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash |
|
Please Don't Thank Me |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
pleintekst.nl |
Florian Cramer |
2005 |
algorithmic text generation |
|
Poem for 莫海伦 (Mo Hailun) |
Jaka Železnikar |
2007 |
firefox add-on, e-literature |
|
PoemAds - Sob o signo da devoração |
Rui Torres |
2011 |
|