|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
20% d’amour en plus |
Fançois Coulon |
1996 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image |
|
243 cartes postales en couleurs véritables |
George Perec |
|
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
|
A bribes abattues |
Philippe Bootz |
1990 |
poetry, kinetic |
|
A Dream with Demons |
Edward Falco |
1995 |
hypertext, fiction, childhood, memory, adolescence, Storyspace |
|
A Life Set for Two |
Robert Kendall |
1996 |
hypertext, poetry, Visual Basic, memory, regret |
|
A Slow Year: Game Poems |
Ian Bogost |
2010 |
haiki, video games, digital poetry, literary games |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
afternoon, a story |
Michael Joyce |
1990 |
hypertext, fiction, Storyspace, tragedy, associative indexing, narrative, Eastgate, trauma |
|
Agrippa (A Book of the Dead) |
William Gibson |
1992 |
electronic poetry, poem, digital poetry |
|
All Roads |
Jon Ingold |
2001 |
interactive fiction, fiction, games, Inform |
|
All wrongs reversed ©1982 |
JODI |
2004 |
BASIC, sinclair zx, performative rendering, poiesis |
|
Alletsator |
Pedro Barbosa , Luís Carlos Petry |
2008 |
3D, collaboration, interactive, generative, hypermedia, combinatorial, game, random, quantum opera, cybertheater |
|
Alternumerics |
Paul Chan |
2000 |
typography, fonts, signification, politics |
|
Amanda Stories: Ten Children's Adventures by Amanda Goodenough |
Amanda Goodenough |
1991 |
cats, children, point-and-click, hypercard, CD-ROM |
|
Ambulance: An Electronic Novel |
Jaime Levy, Monica Moran |
1993 |
music, narrative |
|
Amor de Clarice |
Rui Torres |
2005 |
Flash, textual instrument, appropriated texts, visual poetry, intertextuality, sound, video, intermediality |
|
An Essay on the Golden Lion: Indra's Net IV |
John Cayley |
1995 |
generative hypertext, hypercard, acrostic, algorithmic poem |
|
Atame: A Angústia do Precário |
Wilton Azevedo |
2006 |
love, passion, interprosa, flash fiction, Brazilian electronic poetry |
|
Calaboca |
Lenora de Barros |
2006 |
video poetry, Brazilian electronic poetry, video art, video performance, oi futuro, poiesis |
|
Califia |
M. D. Coverley |
2000 |
fiction, novel, multimedia, California, character, history, hypertext, multimodal, narrative, Toolbook |
|
carrier (becoming symborg) |
Damien Everett, Melinda Rackham |
1999 |
collaboration, audio, memoir, documentary, javascript, VRML, viral, games, Shockwave |
|
Carving in Possibilities |
Deena Larsen |
2001 |
Flash, collaboration, kinetic, animation, audio, time-based, sculpture, art, poetry |
|
Chemical Landscapes Digital Tales |
Edward Falco, Mary Pinto, Will Stauffer-Norris |
2006 |
Flash, hypertext, fiction, visual narrative, time-based, photogram, collaboration, HTML/DHTML |
|
Cinema Volta: Weird Science and Childhood Memory |
James Petrillo |
1994 |
cinema, memoir, image and text, memory |
|
Collocations: Indra's Net II |
John Cayley |
1993 |
interactive poetry, hypercard, algorithmic text generation |
|
Common Ground: One Night in a Three-story House |
Stephen Granade |
1999 |
interactive fiction, game, character, suburbs, TADS 2 |
|
Croatian Tales of Long Ago |
Helena Bulaja |
2002 |
mythology, folk tales, animation, interactive animation, Flash, game, narrative, children's literature |
|
Cruising |
Ingrid Ankerson, Megan Sapnar |
2001 |
Flash, visual poetry, poetry, collaboration, audio, place, adolescence, cinematic, driving, romance |
|
Cultures in Webs: Working in Hypermedia with the Documentary Image |
Roderick Coover |
2003 |
art, diary, documentary, ethnographic, fieldnotes, hypertext, interactive, interactive cinema, nonfiction, participant observation, photography, travel writing, wine |
|
Cyberpoetry Underground |
Komninos Zervos |
2001 |
Flash, interactive, sound poetry, interface, recombination, multimedia, machine voice |
|
Dawn |
Alan Sondheim, Reiner Strasser |
2005 |
Flash, visual poetry, collaboration, electronic poetry, audio, death, photography, life – death, day – night, nature, family |
|
Deadline |
Marc Blank |
1982 |
interactive fiction, detective, mystery |
|
Det siste utbruddet / The Last Volcano |
Roderick Coover, Scott Rettberg |
2010 |
history, video, translation, panorama, memory, disaster, recursion, Norway |
|
Developing: the Idea of Home |
Nancy Buchanan |
1999 |
documentary, associative, home, neighborhood, economics, environment, land use, California, video, audio |
|
Deviant: The Possession of Christian Shaw |
Donna Leishman |
2004 |
narrative, Flash, visual narrative, story, place, animation, audio |
|
Diagrams Series 6: 6.4 and 6.10 |
Jim Rosenberg |
2005 |
constraint, digital poetics, poetry, hypertext, conceptual, procedural, Squeak, literary systems, multiplicity |
|
Diari d'una absència |
Laura Borràs Castanyer |
2006 |
ergodic literature, hypertext narrative, Director |
|
Dois Pontos |
João Bandeira |
2000 |
video poetry, Brazilian elit, brazilian new media art, poiesis, oi futuro |
|
Down Time |
Rob Swigart |
2000 |
hypertext fiction, narrative, silicon valley, fiction, music, Director |
|
Dreamaphage |
Jason Nelson |
2003 |
3D, Flash, fiction, interface, audio, memoir, constraints, viral |
|
Dreamtime |
Stuart Moulthrop |
1992 |
|
|
Dressage #7 |
Tibor Papp, Claude Maillard |
1990 |
appropriation, visual poetry |
|
Earthbound: Surfing the Apocalypse |
Per Martinsen |
2010 |
transmedial, science fiction, blog, installation, sticker, music, novel |
|
Egypt: The Book of Going Forth by Day |
M. D. Coverley |
2006 |
history, novel, mythology, image and text, Egypt |
|
Endemic Battle Collage |
Geof Huth |
1986 |
animation, visual poetry, poetry, retro, text movie |
|
Entre |
Angela Dentanico, Rafael Lain |
2001 |
interface, typography, audio, fonts, image and text |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Entropy Edition |
Johannes Heldén |
2010 |
science fiction, dystopic, Swedish, bilingual, Scandinavian |
|
Everglade |
Rod Willmot |
1989 |
hypertext, poem |
|
Everybody Dies |
Jim Munroe |
2008 |
interactive fiction, visual narrative, ergodic, Java |
|
Family Tree |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, visual poetry, collaboration, wordtoy, multilingual |
|
Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
First Screening: Computer Poems |
bp Nichol |
1984 |
visual poetry, digital poetry, archive, BASIC, emulation, wit, multimodal, poetry |
|
Foi |
João Bandeira |
2006 |
video poetry, brazilian new media art, poiesis, oi futuro, Brazilian elit |
|
Forward Anywhere |
Judy Malloy, Cathy Marshall |
1995 |
collaboration, narrative, epistolary, email, hypertext fiction, family, childhood, memoir |
|
Fragments of the Dionysian Body |
Eric Steinhart |
1997 |
hypercard, nietzsche |
|
Frequently Asked Questions about "Hypertext" |
Richard Holeton |
2006 |
HTML/DHTML, hypertext, fiction, network forms, parody, mystery, academia, gender, short fiction, anagrams |
|
Frontières Vomies (Borders vometing) |
Jean-Marie Pelloquin |
1995 |
interactive, hypertext, Poetic, non-linear, interactive story |
|
Generative Poetry |
Geniwate, Brian Kim Stefans |
2005 |
animation, poetry, collaboration, generative, audio, Shockwave, violence, combinatorial, place, time-based |
|
Ghost Moons |
Deena Larsen |
2000 |
hypertext, kanji, haiku, javascript |
|
Girls' Day Out |
Kerry Lawrynovicz |
2004 |
Flash, poetry, generative, appropriated texts, combinatorial, fiction |
|
Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Hamnen |
Karl-Erik Tallmo |
1988 |
Swedish, hypertext, hypercard |
|
Hilfe! |
Susanne Berkenheger |
1999 |
|
|
him |
Dane Watkins |
2001 |
identity, gender, stereotypes |
|
Histoire de la Femme aux Grosses Mains |
Véronique Hubert |
2002 |
fiction, story, poetry, absurd |
|
Hitchhiker's Guide to the Galaxy |
Douglas Adams, Steven Meretzky |
1984 |
interactive fiction, space travel, science fiction, comedy |
|
Home |
Annette Barbier, Drew Browning |
2001 |
VRML, home, domesticity, 3D |
|
Húmus poema contínuo |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
I Have Said Nothing |
J. Yellowlees Douglas |
1994 |
hypertext, fiction, car crash, Storyspace |
|
I, You, We |
Dan Waber, Jason Pimble |
2005 |
collaboration, Java, literary art, 3D |
|
Iakttagarens förmåga att inngripa |
Karl-Erik Tallmo |
1992 |
Swedish, hypertext, hypercard, crime novel |
|
ii — in the white darkness: about [the fragility of] memory |
Reiner Strasser, M. D. Coverley |
2004 |
memory, loss, image and text, audio, alzheimer's, kinetic |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
Inanimate Alice, Episode 1: China |
Kate Pullinger, Chris Joseph |
2005 |
audio, children's literature, collaboration, fiction, Flash, network forms, place |
|
Inigo Gets Out |
Amanda Goodenough |
1987 |
children's literature, cats, hypercard, graphic, point-and-click, narrative |
|
Intergrams |
Jim Rosenberg |
1993 |
hypercard |
|
Internet Text, 1994- [Through Feb 2, 2006] |
Alan Sondheim |
1994 |
performance, performative, digital textuality, archive, network forms, codework, critical |
|
its name was Penelope |
Judy Malloy |
1989 |
hypertext, fiction, memory, photography, myth |
|
Je t'aimerai |
Jean-Marie Dutey |
1995 |
|
|
Je ziet hier iedereen voorbijkomen, de Westerparkse gedichten |
Hans Kloos |
2010 |
Flash |
|
Jean-Pierre Balpe ou les Lettres Dérangées |
Patrick Henri Burgaud |
2005 |
animation, Flash, multilingual, ALAMO, games, time-based, kinetic |
|
Kill the poem |
Johannes Auer |
1997 |
dynamic poetry, poem art |
|
Kill the Poem - digitale visuell-konkrete Poesie und Poem Art (CD-ROM) |
Johannes Auer, Reinhard Döhl |
2000 |
|
|
King of Space |
Sarah Smith |
1991 |
science fiction, hypertext narrative |
|
Landscapes |
Bill Marsh |
2002 |
animation, Flash, visual poetry, poetry, kinetic, audio, place |
|
Landskaber omkring digtet kompas |
Morten Søndergaard |
2000 |
Scandinavian, danish, poetry, nature, navigation, maps, multimodal texts |
|
Le lit des amants (The Lover's Bed / Rakastavaisten vuode) |
Elina Saloranta |
2004 |
experimental, multimodal, video art, combinatory poetics, interactive |
|
Le mange-textes |
Jean-Marie Dutey |
1989 |
|
|
Leaving the City: Indra's Net V |
John Cayley |
1995 |
hypercard, poetry, interactive, text generation, china |
|
Letter to Linus |
William Gillespie |
2001 |
visual poetry, hypertext, commons, conceptual, hypercube, economics and literature, neoliberalism, political |
|
Lexia to Perplexia |
Talan Memmott |
2000 |
animation, interface, textuality, textual instrument, appropriated texts, javascript, cyborg, hci, consciousness, network phenomenology, philosophical, DHTML, Gilles Deleuze, neologism |
|
Lombrices (Minhocas) |
Leon Ferrari, Ricardo Pons |
2004 |
video poetry, video installation, oi futuro, poiesis |
|
L’esprit humain |
Jean-Pierre Balpe |
1994 |
poetry generator |
|
Marble Springs 1.0 |
Deena Larsen |
1993 |
hypercard, hypertext, identity, 19th ct., american west |
|
Metamorphose |
Philippe Bootz |
1988 |
|
|
my body — a Wunderkammer |
Shelley Jackson |
1997 |
collaboration, HTML/DHTML, hypertext, embodiment, audio, memoir, autobiography, body, image and text, identity, illustration |
|
My Name is Captain, Captain |
Judd Morrissey, Lori Talley |
2002 |
poetry, hypertext, audio, sound, word and image, navigation, flight |
|
myBALL |
Shawn Rider |
2002 |
Flash, network forms, parody/satire |
|
Não |
Augusto de Campos |
2003 |
|
|
natyr |
Ottar Ormstad |
2013 |
video poem, digital concrete poetry, multilingual |
|
Negative Space: a Computerized Video Novel |
Holly Franking |
1990 |
video, text, graphics |
|
Negative Space: A Computerized Video Novel (CD-ROM edition) |
Holly Franking |
1995 |
video, text, graphics |
|
Nepabunna |
Geniwate |
2001 |
Flash, Australia, myth, satellite imagery |
|
New Digital Emblems |
William Poundstone |
2001 |
animation, visual, Shockwave, image, essay/creative non-fiction, critical, emblem, rhetoric |
|
Nio |
Jim Andrews |
2001 |
animation, audio, music, Shockwave, textual instrument, combinatorial, QuickTime, documentary |
|
Nome |
Arnaldo Antunes |
1993 |
concrete poetry, multimedia |
|
Notes Toward Absolute Zero |
Tim McLaughlin |
1995 |
hypertext, fiction, quest narrative |
|
Of Day, of Night |
Megan Heyward |
2005 |
visual, hypertext, narrative, memory |
|
open.ended |
Daniel C. Howe, Aya Natalia Karpinska |
2004 |
3D, poetry, collaboration, audio |
|
Opération Teddy Bear |
Edouard Lussan |
1996 |
comic, interactive, story, world war 2, linear |
|
Oulipoems |
Millie Niss, Martha Deed |
2004 |
constraint, audio, collaboration, combinatorial, Flash, games, generative, place, poetry |
|
Ouroboros (aka. Uróboros) |
João Antonio da Silva Sampaio |
1999 |
early Brazilian electronic poetry, visual poetry, Brazil |
|
Palavrador |
Chico Marinho |
2006 |
narrative, 3D, collaboration, generative, critical/political/philosophical, virtual environment |
|
Paris Réseau/ Paris Network |
Karen O'Rourke |
2000 |
interactive narrative, mapping, art, collaborative art, bilingual |
|
Patchwork Girl |
Shelley Jackson |
1995 |
hypertext, adaptation, postmodern fiction, gender, body, remix, monster, pastiche, Storyspace |
|
Pentimento |
Jerome Fletcher, Geoffrey Olsen |
2003 |
e-poetry, hypertext, Java, responsive |
|
Phares gamma |
Jacques Donguy |
2002 |
sound and image, hypertext, interactive |
|
pianographique |
Jean-Luc Lamarque |
1993 |
multimedia instrument, literal art, keyboard, music, audio, collage, spatial, visual poetry |
|
Pieces of Herself |
Juliet Davis |
2005 |
Flash, identity, visual, embodiment, audio, gender, social inscription, subjectivity |
|
Poemas no meio do caminho |
Rui Torres |
2008 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound, 3D, combinatorial |
|
Poetrica |
Giselle Beiguelman |
2003 |
teleintervention, SMS, public space, brazilian new media art |
|
popołudnie, pewna historia |
Michael Joyce |
2011 |
hypertext, fiction, tragedy, associative, indexing, narrative, trauma |
|
Portal |
Rob Swigart |
1986 |
interactive fiction, science fiction |
|
Pressing the Reveal Code Key: Indra's Net VIII |
John Cayley |
1996 |
hypertext, hypercard, generative poetry |
|
Project for Tachistoscope [Bottomless Pit] |
William Poundstone |
2005 |
audio, time-based, image, essay/creative non-fiction, subliminal, iconography |
|
Public Secrets |
Sharon Daniel, Erik Loyer |
2008 |
Flash, collaboration, documentary, sociological, ethnographic, political, critical/political/philosophical |
|
Quando Assim Termina o Nunca 1 – Visuais |
Wilton Azevedo |
2004 |
video poetry, Brazilian electronic poetry |
|
Quibbling |
Carolyn Guyer |
1992 |
hypertext fiction, text, hypertext narrative, narrative, ecriture feminine, fragmentation, identity |
|
Ré veille d’artiste |
Philippe Bootz |
2007 |
|
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
Reconstructing Mayakovsky |
Illya Szilak |
2008 |
narrative, hypertext, video, database, text movie, documentary, games |
|
RedRidinghood |
Donna Leishman |
2001 |
animation, Flash, audio, parody, visual narrative, javascript |
|
Regime Change |
Noah Wardrip-Fruin, David Durand, Brion Moss, Elaine Froehlich |
2004 |
collaboration, generative, textual instrument, appropriated texts, stretchtext, political, Java, discourse, network fictions, parody, performative |
|
Rehearsal of Memory |
Graham Harwood |
1995 |
amnesia, memory, insanity |
|
Retournement |
Philippe Bootz |
1991 |
syntactic animation, reading |
|
Reversed Mirror |
Eduardo Kac |
1997 |
videopoetry, Eduardo Kac, Brazilian electronic poetry, videopoem, epoetry |
|
Roulette |
Daniel C. Howe, Feliz L. Molina |
2008 |
3D, collaboration, Processing, audio, textual instrument, combinatorial, Java |
|
Sale Temps |
Frank Dufour |
1997 |
interactive, fiction, pictures, photomontage, crime, novell, Faust |
|
Samplers: Nine Vicious Little Hypertexts |
Deena Larsen |
1998 |
hypertext, Storyspace, hypertext fiction |
|
Savoir-Faire |
Emily Short |
2002 |
interactive fiction, fiction, games, Inform |
|
Sea Island |
Edward Falco |
1995 |
|
|
Self Portrait(s) [as Other(s)] |
Talan Memmott |
2003 |
generative, aesthetics, identity, parody, combinatorial, art history, cut-up |
|
Semiotic Poetry |
Alexandre Gherban |
2002 |
semiotics, poetry |
|
Sintext |
Pedro Barbosa , Abílio Cavalheiro |
1994 |
|
|
Skriv rätt |
Karl-Erik Tallmo |
1992 |
dictionary, hypercard |
|
slippingglimpse |
Stephanie Strickland, Cynthia Lawson Jaramillo, Paul Ryan |
2006 |
visual poetry, collaboration, materiality, video, writing-materiality, text movie, animation, kinetic, Flash, poetry |
|
Soft Cinema: Navigating the Database |
Lev Manovich, Andreas Kratky |
2005 |
narrative, ambient narrative, cinema, database |
|
Soliloquy |
Kenneth Goldsmith |
2002 |
HTML/DHTML, conceptual, performance, transcription, memoir, appropriated texts, realism |
|
spätwinterhitze |
Frank Klötgen |
2004 |
hypertext, sound environment, non-linear, fiction, crime, CD-ROM, interactive |
|
Speaking Clock |
John Cayley |
1995 |
hypercard, interactive, time-based |
|
Stamboom |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, collaboration, wordtoy, visual poetry or narrative, multilingual |
|
Start at the End: a Hypertext Fiction |
Philipp Hofmann |
2001 |
hypertext fiction, tragedy |
|
Stir Fry Texts |
Jim Andrews, Brian Lennon, Pauline Masurel |
1999 |
collaboration, HTML/DHTML, network forms, appropriated texts, stretchtext, combinatorial |
|
Storyland |
Nanette Wylde |
2002 |
fiction, generative, audio, combinatorial |
|
Strings |
Dan Waber |
1999 |
animation, Flash, kinetic, scheduled |
|
Sujeitobjeto (Practices of Meaning) |
Betty Leirner, Florian Kutzli |
2007 |
photography, videopoetry, Brazilian elit, poiesis, oi futuro |
|
SWALLOWS |
Paul Zelevansky |
1985 |
animation, ASCII, text |
|
Tao |
Alan Sondheim, Reiner Strasser |
2004 |
Flash, visual poetry, poetry, collaboration, audio, place |
|
tExtra.Tour (tExtra.Touren) |
Oliver Gassner |
2003 |
hypertext, sound, online performance space, art, email art, lectures |
|
The Barrier Frames / Diffractions Through |
Jim Rosenberg |
1998 |
layers, clustering, hypertext poetry, language poetry |
|
The Breathing Wall |
Kate Pullinger, Stefan Schemat, Chris Joseph |
2004 |
cybersomatic, physio-cybertext, body-machine, gothic, murder-mystery |
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
The Fall of the Site of Marsha |
Rob Wittig |
1999 |
HTML/DHTML, network forms, comedy, gothic, parody/satire |
|
The Horse on the Cell Phone / Das Pferd am Handy |
Johannes Auer |
2000 |
|
|
The Jew's Daughter |
Judd Morrissey |
2000 |
narrative, collaboration, generative text, HTML/DHTML, hypertext, interactive, intertexutality, fiction, Flash, single page, stretchtext |
|
The Last Performance |
Judd Morrissey, Mark Jeffery |
2007 |
architecture, ambient sound, constraint, collaboration, hypertext, conceptual, generative, performance, database, procedural, installation |
|
The Mandrake Vehicles |
Oni Buchanan |
2006 |
animation, visual poetry, kinetic, typography, kinetic poetry, stretchtext, combinatorial, Shockwave |
|
The Minotaur Project |
Kim White |
2001 |
Flash, poetry, interface, myth |
|
The Perfect Couple |
Clark Humphrey |
1992 |
|
|
The Set of U / La Série des U |
Philippe Bootz, Marcel Frémiot |
2004 |
animation, collaboration, generative, audio, music, Shockwave, combinatorial, multilingual |
|
The Tulse Luper Suitcases |
Peter Greenaway |
2000 |
remix, archive, cross media narrative |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
This is how you will die |
Jason Nelson |
2005 |
Flash, generative, textual instrument, games, combinatorial, death, gambling, demise, avant-garde, dada, audio |
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
Translation |
John Cayley |
2004 |
constraint, ambient, collaboration, generative, translation, procedural, transliteration, audio, music, textual instrument, appropriation, appropriated texts, time-based, QuickTime |
|
Travesty |
Hugh Kenner, Joseph O'Rourke |
1984 |
generative, scramble |
|
True North |
Stephanie Strickland |
1997 |
poetry, hypertext, history, time, geography, mathematics |
|
Turning In |
Wes Chapman |
1997 |
hypertext, fiction |
|
Twelve Blue |
Michael Joyce |
1996 |
narrative, HTML/DHTML, hypertext, fiction, Storyspace |
|
Twilight, A Symphony |
Michael Joyce |
1996 |
hypertext, fiction, Storyspace |
|
Un conte à votre façon |
Raymond Queneau |
1999 |
hypertext, interactive, non-linear, abstract, algorithm, combinatorial techniques |
|
Uncle Buddy's Phantom Funhouse |
John McDaid |
1992 |
hyperfiction, hypertext fiction, hypercard |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
Up Against the Screen Mother Fuckers |
Justin Katko |
2008 |
CAVE, poetry, video, audio, hacktivist, critical/political/philosophical |
|
Urbanalities |
Chris Joseph, escha |
2005 |
animation, audio, collaboration, Flash, generative, music, visual poetry or narrative |
|
V: Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2002 |
visual poetry, poetry, collaboration, embodiment, Shockwave, textual instrument |
|
Victory Garden |
Stuart Moulthrop |
1991 |
hypertext, fiction, war, politics, multilinear |
|
Voyage avec l’ange |
Tamara Lai |
1999 |
hypertext, sound and image, voice, interactive, story, humour, mythical |
|
Wasting Time |
Judy Malloy |
1992 |
database narrative |
|
Waxweb |
David Blair |
1993 |
film, interactive video, hypertext, bees, tragedy, narrative, time |
|
We Descend : Archives Pertaining to Edgerus Scriptor, Volume 1 |
Bill Bly |
1997 |
history, hypertext fiction, interpretation, myth |
|
White-Faced Bromeliads on 20 Hectares |
Loss Pequeño Glazier |
1999 |
visual poetry, HTML/DHTML, generative, digital poetry, translation, javascript, place, e-poetry, dynamic, multilingual, transcultural |
|
WOE |
Michael Joyce |
1991 |
fiction, hypertext |
|
Zone : Zero |
Stephanie Strickland |
2008 |
poetry, e-poetry |
|
Zork 1: The Great Underground Empire |
Marc Blank, David Lebling |
1981 |
interactive fiction |
|
[theHouse] |
Mary Flanagan |
2006 |
3D, interactivity, digital poetry, Processing, aleatory, spatiality, relationship, communication |
|
_the data][h!][bleeding texts_ |
Mez Breeze |
2001 |
gender, data, codework, cyborg, human – machine interaction, language |