|
"Where you will have been I am..." [not yet found] |
John Cayley |
2009 |
Google, search engine, performance, performance writing, singularity |
|
...Reusement |
Jerome Fletcher |
2007 |
performance writing, erasure, performative, projective art, bilingual |
|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx |
Christine Wilks |
2012 |
remix, Flash, collaborative art, digital art, e-poetry |
|
abcdefghijklmnopqrstuvwxyz (Performance Work) |
Jörg Piringer |
2007 |
interactive, lettrist, animation, sound poetry |
|
About Time |
Rob Swigart |
2001 |
hypertext, future, time, temporality, ambient music, fiction |
|
Accidental Meaning |
María Mencía |
2008 |
interactive, meaning, signification, non-semantic |
|
Afeeld |
A. J. Patrick Liszkiewicz |
2010 |
textual instrument, concrete art, digital poetry, games |
|
Ah (a shower song) |
K. Michel, Dirk Vis |
2008 |
digital poetry, poëzie op het scherm, animation, line, stream of consciousness, Flash, collaboration, text movie |
|
Alletsator |
Pedro Barbosa , Luís Carlos Petry |
2008 |
3D, collaboration, interactive, generative, hypermedia, combinatorial, game, random, quantum opera, cybertheater |
|
Almost Goodbye |
Aaron A. Reed |
2012 |
choice, UnDum, procedural generation, science fiction |
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
Amor-mundo, ou a vida, esse sonho triste (cn) |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
AndOrDada |
René Bauer, Beat Suter |
2008 |
locative, adaptive, digital poetry, dada, wifi, data capture |
|
aoa_renci |
Bill Seaman |
2010 |
|
|
Between Page and Screen |
Amaranth Borsuk, Brad Bouse |
2012 |
artist's book, markers, fiducials, 3D, webcam, book screen hybrid, puns, paragrams, pop-up book, augmented reality |
|
Blue Lacuna |
Aaron A. Reed |
2009 |
interactive fiction, novel, reactive characters |
|
Böhmische Dörfer |
Alexandra Saemmer |
2011 |
memory, history, trauma, prezi |
|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
C()n Du It |
Katarzyna Giełżyńska |
2012 |
audio, video, web criticism, animation, irony |
|
Calaboca |
Lenora de Barros |
2006 |
video poetry, Brazilian electronic poetry, video art, video performance, oi futuro, poiesis |
|
Canticle |
Samantha Gorman, Danny Cannizzaro |
|
|
|
Canyonlands: Edward Abbey in the Great American Desert |
Roderick Coover |
2010 |
history, documentary, American studies, cinemascape, critical ecologies, activism, anarchism, cultural geography, direct action, environment, environmentalism, hypertext, interactive cinema, landscape, navigation, nonfiction, sabotage, wilderness |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
Cloudberries |
Stephanie Strickland |
2001 |
|
|
Completely Automated |
Samantha Gorman, Danny Cannizzaro |
2010 |
|
|
concrete_machine |
Johannes Auer |
2003 |
text picture, text-input, digital concrete poetry |
|
Connected Memories |
María Mencía |
2009 |
orality, time, refugee, interview, database, narration, installation, Processing, reading, performance |
|
Correspondences |
Joseph Butch Rovan |
2010 |
video, music, translation, dream logic, gesture, poetry, time, memory |
|
Critical Sections |
Erik Loyer, Greg J. Smith |
|
|
|
das buch gertrud |
Reinhard Döhl |
1996 |
|
|
Default Lives |
M. D. Coverley |
2001 |
hypertext, pachinko, game, choice, destiny, branching path |
|
Diari d'una absència |
Laura Borràs Castanyer |
2006 |
ergodic literature, hypertext narrative, Director |
|
Digitally Modified Organism |
Lello Masucci |
2010 |
video, recombinant, dmo |
|
Do Peso e da Leveza |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
|
Eat Your Tits and Puppets |
Claire Donato, Ian Hatcher |
2010 |
performance, sexuality, duets, feminism, body, code |
|
Een latente meertaligheid (A potential polyphony) |
Henk van der Waal |
2010 |
digital poetry, poëzie op het scherm, creative work |
|
Eight Was Where It Ended |
Jeremy Douglass |
2012 |
grief, bereavement, miscarriage, motherhood |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Epitaph Gertrude Stein |
Reinhard Döhl, Johannes Auer |
1996 |
|
|
Errand Upon Which We Came |
Stephanie Strickland, M. D. Coverley |
2002 |
animation, collaboration, interactive, kinetic, Shockwave, textual instrument, visual poetry |
|
Etang |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Every Duck Has an Adventure |
Daniel Merlin Goodbrey |
2012 |
|
|
Excerpts from the Chronicles of Pookie & JR |
J. R. Carpenter |
2009 |
generative fiction, generative narrative, narrative, generator, Python, javascript, dialogue, remix, translation |
|
Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. |
David Jhave Johnston |
2011 |
video, generative, extinction, elegy, mutation, environment, meaning, nonsense, ecological thought |
|
Fabrikverkauf |
Johannes Auer |
1999 |
|
|
Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
Flight Paths: A Networked Novel |
Kate Pullinger, Chris Joseph |
2008 |
collaboration, narrative, Flash, networked novel, network forms, adolescence, contributory |
|
Folgen |
Michelle Teran |
2011 |
narrative, site specific, locative, Berlin, urban, geolocative, social media, YouTube |
|
For the Natural Death of the Work of Art |
Johannes Auer |
2001 |
|
|
Free Lutz! |
Johannes Auer |
2005 |
radio art, net literature, live performance |
|
Funk |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
Flash |
|
G-LINIE HTML |
Johannes Auer |
2008 |
|
|
Google Earth: A Poem for Voice and Internet |
Manuel Portela |
2011 |
Google, connection, performance |
|
GRAMMATRON |
Mark Amerika |
1997 |
hypertext, avant-pop, hyptertext fiction, animation, HTML/DHTML, audio, golem, myth, metafiction |
|
Hapax Phenomenon |
John Cayley, Clement Valla |
2011 |
Google, Google whack, image and text, singularity, download |
|
He Said, She Said |
Alan Bigelow |
2011 |
Flash, audio, relationships, kinetic, responsive, marriage, argument, wedding |
|
Hermenetka |
Lucia Leão |
2005 |
net art, brazilian new media art, cartography, mapping |
|
Hobo Lobo of Hamelin |
Stevan Zivadinovic |
2012 |
HTML, javascript, audio, comic strip, responsive |
|
Hors Catégorie |
David Benin |
2007 |
interactive fiction, drugs, doping, Tour de France |
|
Húmus poema contínuo |
Rui Torres |
2008 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, interactive poetry, intertextuality, poetry generator, sound |
|
Hurst |
Kristi Barnett |
2012 |
|
|
I-Pledge.org |
Alan Bigelow |
2006 |
|
|
ich sterbe gleich, schatz. Dramatisches Chat-Destillat (2004). Von einer stillen Autorin, einem geschwätzigem Publikum und der Frage, warum Ümit in Istanbul Schuhe putzen soll |
Susanne Berkenheger |
2004 |
|
|
Implementation |
Nick Montfort, Scott Rettberg |
2004 |
sticker, novel, distributed narrative |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
In Search of Oldton |
Tim Wright |
2004 |
fiction, map, cartographic, playing cards, contributory, place, memory, loss |
|
In Your Voice |
Machine Libertine |
2011 |
QuickTime, audio, scheduled |
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
INJECTIES (INJECTIONS) |
Paul Bogaert |
2010 |
video |
|
Inside Blackwell Mansion |
Claudia Yi Leon |
1999 |
3D, spatial narrative, Quicktime VR, haunted house, voice, narrative |
|
Instrumental |
John Cayley |
2001 |
|
|
Intermission |
Talan Memmott, Eric Snodgrass |
2011 |
collaboration, cinema, performance, remix, Bergman, dada, film, digital film |
|
Interstitial |
David Jhave Johnston |
2006 |
Flash, video, death, triptych, water |
|
Invisible Seattle: The Novel of Seattle, by Seattle |
Rob Wittig, Philip Wohlstetter |
1983 |
collaboration, collective, bulletin board systems, constraint, database novel, remix |
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
its name was Penelope |
Judy Malloy |
1989 |
hypertext, fiction, memory, photography, myth |
|
JB Wok |
Eugenio Tisselli |
2006 |
constraint, php, Google, e-poetry, Oulipo, PHP script, poetry |
|
Je liegt en je filtert ... (You're lying and you filter ...) |
Paul Bogaert |
2006 |
video, audio, scheduled |
|
Jean-Pierre Balpe ou les Lettres Dérangées |
Patrick Henri Burgaud |
2005 |
animation, Flash, multilingual, ALAMO, games, time-based, kinetic |
|
Kastastrofetrilogien |
Scott Rettberg, Roderick Coover |
2011 |
video, Norway, disaster, media, interpersonal, cross-cultural communication, multilingual, catastrophe |
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
Land/Wave Series |
Talan Memmott |
2010 |
video |
|
Les 12 Travaux de l'Internaute / The 12 Labors of the Internet User |
Serge Bouchardon |
2008 |
game, mythology, classics, Flash, interactive, satire, user interface, remediation, Hercules |
|
Lexia to Perplexia |
Talan Memmott |
2000 |
animation, interface, textuality, textual instrument, appropriated texts, javascript, cyborg, hci, consciousness, network phenomenology, philosophical, DHTML, Gilles Deleuze, neologism |
|
Listening Post |
Mark H. Hansen, Ben Rubin |
2003 |
found text, networked audiovisual installation, voice synthesizer, data sonification, web harvested work, text stream |
|
Living Liberia Fabric |
D. Fox Harrell |
2010 |
|
|
Logozoa |
Robert Kendall |
2006 |
sticker, poetry, distributed, metaphor, textual organisms, participatory, photography |
|
Lord's Prayer, The |
Alan Bigelow |
2007 |
recombination, bible, Flash, poetry |
|
Loss of Grasp |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
LYMS |
Ottar Ormstad |
2009 |
video poetry, lettrist, poetry, translation, image and text |
|
make-shift |
Paula Crutchlow, Helen Varley Jamieson |
2010 |
cyberformance, networked performance, improvisation, online performance space, connectivities, consequences, translation, process, chat, webcam, community, online stage |
|
Making Art Online |
Judy Malloy |
1991 |
collaboration, information art, narrative, artist statement |
|
Mar de Sophia |
Rui Torres |
2005 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
|
Marginal Effects |
Stuart Moulthrop |
2001 |
occlusion, attention, control |
|
maybe make some change |
Aaron A. Reed |
2011 |
interactive fiction, multimedia, Afghanistan, war, point of view, unreliable narrator, video, interactive documentary |
|
ME |
Jim Rosenberg |
2007 |
hypertext, diagrams |
|
midiPoetry 2012 |
Chris Funkhouser, Amy Hufnagel, Andrew Klobucar |
2012 |
|
|
Modern Moral Fairy Tales |
MaJe Kindschuh-Larsen, Deena Larsen |
2012 |
salmon, philosophy, internet, newspaper, journalism, hypertext, satire, dystopia, utopia |
|
my Molly (departed) |
Talan Memmott |
2007 |
audio, textual instrument, appropriated texts, remix |
|
My Nervous Breakdown |
Alan Bigelow |
2010 |
Flash, psychology, therapy, suicide, video, sound, subjectivity |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
nam shub web |
Jörg Piringer |
2007 |
web, alteration, website processor, textual intstrument, visual poetry |
|
Newsrub |
Barbara Campbell |
2009 |
collaboration, performance, news, rubbing, embodiment |
|
No matter |
Daniela Calisi |
2007 |
kinetic typography, poetry, Flash |
|
Nobody knows but you |
Aya Natalia Karpinska |
2005 |
interactive textual installation, video game, VJ battle |
|
NONCE.EXECUTOR (disposable language) |
Talan Memmott |
2011 |
poetry, video poetry, image and text, music |
|
Notes on the Voyage of Owl and Girl |
J. R. Carpenter |
2012 |
generative, digital narrative, mapping, fiction |
|
noth'rs |
John Cayley |
1999 |
transliteral morphing, appropriation, collaboration, poetry |
|
Opening Sources |
Ian Hatcher |
2008 |
reading, collective writing, feedback loop |
|
Opuscula |
Elin Sjursen |
1999 |
poetry, hypertext, animation, random, interactive, paratext |
|
Oracle |
Simon Biggs |
2009 |
speech recognition, interaction, interpretative grammar engine, generative grammar engine, text performance, audience engagement |
|
Out of Touch |
Christine Wilks |
2011 |
Flash, e-poetry, randomness |
|
Panoramic Poems, Narratives and Travels |
Roderick Coover |
2009 |
|
|
Passage Sets |
Bill Seaman |
2010 |
generative, visual poetry, video, installation |
|
Paths of Memory and Painting |
Judy Malloy |
2010 |
hypertext literature, HTML |
|
Pentameters Toward the Dissolution of Certain Vectorialist Relations |
John Cayley |
2012 |
digital poetry, digital poetics, Google, reading, performance, critical theory, discourse networks, commons, computationalist linguistics, algorithm |
|
Pentimento |
Jerome Fletcher, Geoffrey Olsen |
2003 |
e-poetry, hypertext, Java, responsive |
|
per.m]utations - permutationen |
Florian Cramer |
1998 |
permutation, algorithmic text generation |
|
petite brosse à dépoussiérer la fiction |
Philippe Bootz |
2011 |
HTML, javascript, responsive |
|
Petits Poems a Lecture Inconfortable |
Philippe Bootz |
2007 |
|
|
PLAY with the last days of DRAG RACING PUPPETS |
Jason Nelson |
|
|
|
pleintekst.nl |
Florian Cramer |
2005 |
algorithmic text generation |
|
Poemário - Blog de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
collaboration, code, digital poetry, blog, generative poetry, networked poetry, poetry generator, user-generated texts |
|
Poemário - Editor de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
aleatory, code, digital poetry, Flash, generative poetry, interactive poetry, networked poetry, poetry generator, software, sound, user-generated texts |
|
Poemedia |
Erin Costello, Aaron Angello |
|
|
|
Poetrica |
Giselle Beiguelman |
2003 |
teleintervention, SMS, public space, brazilian new media art |
|
Poëzie loont (Poetry pays) |
Arnoud van Adrichem |
2012 |
digital poetry, application, poëzie op het scherm |
|
ppg256 (Perl Poetry Generator in 256 Characters) |
Nick Montfort |
2008 |
poetry generation, text generation, writing under constraint, generative, codework |
|
Presence |
Simon Biggs |
1995 |
interactive, immersive, projection, sensors, installation |
|
Prosthesis |
Ian Hatcher |
2011 |
performance, embodiment, cognition |
|
Queerskins |
Illya Szilak |
2012 |
novel, gay, AIDS, distributed narrative, multimedia |
|
R3/\/\1X\/\/0RX - selected works |
Randy Adams, Chris Joseph, Christine Wilks, Peter Ciccariello, Erik K Rzepka, Matina L Stamatakis, Ted Warnell |
2012 |
animation, remix, collaboration, digital art, e-poetry, playable media, text, spoken word, music, visual poetry, code |
|
RC_AI |
Judd Morrissey |
2010 |
homage, generative, markov chain, ocr, performance, grammar, natural language, collaboration, Pinocchio, Robert Coover |
|
Re:Cycle |
Jim Bizzocchi |
2010 |
ambient, video, generative, recombinant, recombinant poetics, ambient video |
|
Rememori |
Christine Wilks |
2011 |
Flash, game, e-poetry, memory, disability, poetic game, playable poem |
|
Rockface II |
Jim Bizzocchi |
2008 |
ambient video, mountains, nature |
|
Saving the Alphabet |
Alan Bigelow |
2005 |
interactive, language, conspiracy, loss of language, evil cooperation, avant-garde, visual poetry, prose poem |
|
Sea and Spar Between |
Nick Montfort, Stephanie Strickland |
2011 |
poetry, combinatory, Herman Melville, Emily Dickinson |
|
Search Trilogy |
Johannes Auer, Beat Suter, René Bauer |
|
algorithmic text generation, live performance |
|
Searchsonata 181 |
Johannes Auer, Beat Suter, René Bauer |
2010 |
performance, algorithmic text generation, search engine, encryption, phonetic poetry |
|
Searchsongs |
Johannes Auer, René Bauer, Beat Suter |
2007 |
search engine poetry, yearning, text-input, sound |
|
Seattle Drift |
Jim Andrews |
1997 |
e-poetry, digital poetry, irony, genre |
|
Self Portrait(s) [as Other(s)] |
Talan Memmott |
2003 |
generative, aesthetics, identity, parody, combinatorial, art history, cut-up |
|
Signal to Noise |
Ian Hatcher |
2007 |
hypertext, interactivity, collective navigation |
|
Sintext |
Pedro Barbosa , Abílio Cavalheiro |
1994 |
|
|
Small Uncomfortable Reading Poems |
Philippe Bootz |
2012 |
poetry, ergodic reading, noematic reading |
|
Smeekbede |
Mustafa Stitou |
2010 |
digital poetry, poëzie op het scherm, creative work |
|
sniff_jazzbox.audible_city |
René Bauer, Beat Suter, Johannes Auer |
2007 |
|
|
Snow Queen |
Machine Libertine |
2010 |
|
|
Something That Happened Only Once |
Roderick Coover |
2007 |
panorama, film, installation, searching, consciousness, mobius strip |
|
Soothcircuit |
Robert Kendall |
2004 |
poetry, oracle, chance, insight, aphorism |
|
Speak: a Hypertext Essay |
Linda Carroli |
2000 |
hypertext, essay, critical new media |
|
Spine Sonnet |
Jody Zellen |
2012 |
generated poetry, sonnet, app, book vs. computer, materiality, poetry, language, iOS |
|
Springpoem |
Jim Andrews |
2007 |
vispo, Shockwave |
|
Stagno |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Stochastische Texte |
Theo Lutz |
1959 |
prehistoric digital poetry, algorithmic text generation, generative |
|
Sujeitobjeto (Practices of Meaning) |
Betty Leirner, Florian Kutzli |
2007 |
photography, videopoetry, Brazilian elit, poiesis, oi futuro |
|
Takei, George |
Mark Sample |
2011 |
text generators, remix, poetry generator |
|
Talking Cure |
Noah Wardrip-Fruin |
2002 |
word-and-image, performance, audio, speech-to-text, speech recognition, psychoanalysis, sound environment, image to text, Freud |
|
Text Rain |
Romy Achituv, Camille Utterback |
1999 |
installation, text instrument, interactive, movement, embodiment, image to text |
|
Thank you... |
Chris Funkhouser, Amy Hufnagel |
2010 |
|
|
The Black Chamber |
Brendan Howell |
2012 |
paranoia, steganography, generative, natural language processing, markov chain |
|
The Broadside of a Yarn |
J. R. Carpenter |
2012 |
networked narrative, narrative, multimodal, performative, map, generative, QR code, dialogue, literature, performance writing |
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
The Ed Report |
William Gillespie, Nick Montfort, Dylan Meissner |
2000 |
hypertext fiction, serial fiction, satire, parody, political, government, report |
|
The Good Captain |
Jay Bushman |
2007 |
twitter, adaptation, point of view, temporal, storytelling |
|
The Horse on the Cell Phone / Das Pferd am Handy |
Johannes Auer |
2000 |
|
|
The Madeleine Effect |
Melissa Berman |
2008 |
visual narrative |
|
The Misanthrope of Karlskrona |
Scott Rettberg |
2011 |
generator, comedy, cross-cultural communication, performance |
|
The Nowhere Dance |
Alan Sondheim |
2009 |
performance, virtual world |
|
The Precession |
Mark Jeffery, Judd Morrissey |
2009 |
performance, distributed narrative, twitter, collective narrative |
|
The Tulse Luper Suitcases |
Peter Greenaway |
2000 |
remix, archive, cross media narrative |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
The Wave |
Heather Raikes |
2007 |
performance, hypertext, illuminated manuscript, myth, embodiment, video, sound, dance, Flash |
|
There he was, gone. |
J. R. Carpenter |
2012 |
generative, narrative, dialogue, performance, maps, place |
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
TRANS.MISSION [A.DIALOGUE] |
J. R. Carpenter |
2011 |
generator, generative narrative, narrative, dialogue, performance, script, javascript, network archaeology, media archaeology |
|
Tributaries & Text-Fed Streams: A Feed-Reading of the Capilano Review |
J. R. Carpenter |
2008 |
|
|
Trujillo poeem |
Astrid Lampe |
2008 |
digital poetry, poëzie op het scherm, creative work |
|
Ubermatic |
Michelle Teran |
2009 |
collaboration, artist talk, surveillance, social networking, locative |
|
Um Corvo Nunca Mais |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
v i r a l p o e t i c s |
Mary Flanagan |
1999 |
virus, poetics. collage, repurposing content, audio, video, database |
|
Villadom |
Nick Montfort |
2001 |
|
|
Viz Études |
Loss Pequeño Glazier |
1998 |
e-poetry, kinetic typography |
|
Voice Time |
Jörg Piringer |
2012 |
|
|
Waiting for Gwodot |
Sepand Ansair, Raschin Fatemi |
2012 |
remediation, Beckett |
|
Waxweb |
David Blair |
1993 |
film, interactive video, hypertext, bees, tragedy, narrative, time |
|
Welkom Vreemdeling (Welcome Stranger) |
K. Michel |
2010 |
digital poetry, creative work |
|
Well/Brane |
Alan Sondheim |
2010 |
|
|
Wen |
Eugenio Tisselli |
2009 |
|
|
What we had has not yet been / Wat we hadden is nog niet geweest |
Jan Baeke, Alfred Marseille |
2007 |
video |
|
when |
Ottar Ormstad |
2011 |
video poetry, digital concrete poetry, multilingual or non-english, photographs, modern music, nature/culture, environmental, life/death |
|
Whisper Wire |
J. R. Carpenter |
2010 |
generative, poetry generator, haunted media, media archaeology |
|
worm applepie for doehl |
Johannes Auer |
1997 |
concrete poetry, visual poetry, animation, gif |
|
Xilo |
Rodrigo Motta |
2011 |
narrative game, Brazil, FILE |
|
[raveling] |
Mary Flanagan |
1999 |
poetry, perfromance, memory, communication, synthetic voices, machine translation, animation, kinetic typography |
|
[the perpetual bed] |
Mary Flanagan |
1998 |
VRML, chat, world, video, narrative, surrealist |
|
_:terror(aw)ed patches:_ |
Mez Breeze, Shane Hinton |
2010 |
collaboration, Google Wave, transformation, live editing |