|
"a crisis in se_Mantics: gendered symbols and notion" in computer graphics imaging |
Claudia Herbst |
2002 |
Shockwave, gender, CGI, programming, critical new media, symbols |
|
'Scape the Hood |
Leslie Rule |
2005 |
|
|
(Dis)Location, (Dis)Connection, (Dis)Embodiment |
Mark Cooley |
2007 |
media art, collaboration, video, audio, random, database, juxtaposition, association |
|
(S)PACING |
Talan Memmott |
2009 |
installation, performance, keyboard, video, audio, sensors, movement, time, Flash |
|
2 sides/2 lados |
Maria Lucia Cattani |
2010 |
book arts, drawing, script, site-specific |
|
217 Views of the Tokaido Line |
Will Luers |
2011 |
essay, video, poetry, generated poetry, travel, motion, loop, haiku |
|
8 Brincadeiras para Salette Tavares |
Rui Torres |
2010 |
aleatory, appropriated texts, code, digital poetry, experimental literature, Flash, generative poetry, intertextuality, poetry generator |
|
88 Constellations for Wittgenstein (to be Played with the Left Hand) |
David Clark |
2009 |
hypertext, kinetic, animation, documentary, philosophy, language philosophy, Wittgenstein, Flash |
|
>>oh<< |
Reiner Strasser, Dan Waber, Jennifer Hill-Kaucher |
2005 |
cyberpoem, interactive, literary games, poem, audio |
|
A Slow Year: Game Poems |
Ian Bogost |
2010 |
haiki, video games, digital poetry, literary games |
|
À Temporal |
Luis Andrade |
2007 |
sound installation, Brazilian elit, palindromme, oi futuro, poiesis, Brazilian concrete poetry, installed text |
|
ABC LA: Portrait d'une ville en 26 lettres |
Béatrice Mousli, Guy Bennett |
2009 |
multimodal, narrative |
|
about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek |
Patricia Tomaszek |
2007 |
poetry, audio, cut-up, context-free grammar, randomness, chance, voices, remix, Robert Creeley, RiTa, Processing |
|
Abracadabra |
Eduardo Kac |
1984 |
hologram, holopoetry, Eduardo Kac, early Brazilian electronic poetry |
|
Absurd in Public |
Aya Natalia Karpinska |
2012 |
QR code, signing, pictogram, community agreement |
|
Afeeld |
A. J. Patrick Liszkiewicz |
2010 |
textual instrument, concrete art, digital poetry, games |
|
After Parthenope |
Scott Rettberg |
2011 |
fiction, generative, Processing, procedural, italy, naples |
|
Albeit |
Eduardo Kac |
1989 |
holopoem, holopoetry, Eduardo Kac, early Brazilian electronic poetry |
|
Alchemy |
Simon Biggs |
1990 |
installation, laser disc, animation, image and text |
|
All wrongs reversed ©1982 |
JODI |
2004 |
BASIC, sinclair zx, performative rendering, poiesis |
|
Amor-mundo, ou a vida, esse sonho triste |
Rui Torres |
2006 |
aleatory, animated text, sound, code, Flash, intertextuality |
|
An American Life In Writing |
Patrick Sanchez |
2011 |
collaboration, live writing, print, anthology, javascript, poetry |
|
An Evening In Front Of The Box |
Gerald Smith |
2011 |
|
|
Andromeda |
Caitlin Fisher |
2008 |
visual poetry, collaboration, augmented reality, children's literature, 3D, audio |
|
Anfipoemas |
Wlademir Dias-Pino |
2008 |
Brazilian concrete poetry, antecedents |
|
Angels, Avatars, and Virtual Ashes |
Renée Turner |
2007 |
death, mourning, social networks, sincerity, audio, public life |
|
Anipoems |
Ana María Uribe |
1997 |
animation, kinetic typography, animated gifs |
|
Another Kind of Language |
María Mencía |
2001 |
multilingual, installation, cross-cultural communication |
|
Arrested |
Nanette Wylde |
1997 |
flipbook, conbinatory, database, prejudice, offense |
|
Attempting Ziggurats 4 |
Ed Osborn |
2010 |
audio, installation, John Barth, spoken word, babble, recitation |
|
Automatype |
Daniel C. Howe |
2012 |
ambient, text art, algorithmic text generation, minimalism |
|
Baby Work |
Shu Lea Cheang |
2012 |
installation, performance, cloning, child labor, play, haptic, audio, dissemble |
|
Bare Bones |
Joeyllyn Rock |
2002 |
fairly tale, translation, subversion, adaptation, desire, narrative, hypertext |
|
Beautopia |
Laura Sullivan |
2002 |
hypertext, Java, critical new media, political, gender, beauty, subjectivity |
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Birds Singing Other Birds' Songs |
María Mencía |
2001 |
noise, sound poetry, music, sound, animality, transcription, kinetic typography, audio, representation, responsive |
|
Blue Lacuna |
Aaron A. Reed |
2009 |
interactive fiction, novel, reactive characters |
|
Blue Light |
Kirsten Petersen, Nicole Anderson, Page Schumacher, Kevin Diep, Allison Gray, Tyler Lundfelt, Dylan Symington |
2011 |
mobile, locative, narrative, security |
|
Blue Velvet |
David Theo Goldberg, Stefka Hristova |
2006 |
documentary, vectors, New Orleans, hurricane |
|
Bodybuilding |
Frank Fietzek |
1998 |
interface, interaction design, installation, interactive installation |
|
Böhmische Dörfer |
Alexandra Saemmer |
2011 |
memory, history, trauma, prezi |
|
Bokstavene |
Sigurd Tenningen, Kristian Pedersen |
2010 |
animation, visual, letters, alphabet, microfilm |
|
Borderline |
Donna Leishman |
2012 |
performance, audiovisual, participatory, VJ |
|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
Bust Down the Door Again! Gates of Hell-Victoria Version |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
Flash, remix, experimental cinema |
|
Calling America |
Mark Cooley |
2007 |
oral history, participatory journalism, documentary, activism |
|
Card Catalogs and Electronic Books |
Judy Malloy |
1976 |
artist books, 1970s, 1980s |
|
Chaos |
Eduardo Kac |
1986 |
holopoem, Eduardo Kac, Brazilian electronic poetry, spatial |
|
CHAOSity |
NIki Nolin, Wade Roberts, Karen Osborne, Maureen Seaton |
2000 |
collaboration, prose poems, audio, animation, Flash, sound |
|
Circle |
Caitlin Fisher |
2011 |
augmented reality, narrative |
|
Circumstances |
Katie Campbell |
2011 |
Flash, photoshop, poem |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
Cityscapes: Social Poetics / Public Textualities |
María Mencía |
2005 |
city, cross-cultural communication, calligram, collaboration, exploration |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
COG (I) |
Loss Pequeño Glazier |
2002 |
visual poetry, interactive, combinatory, kinetic poetry, Flash |
|
Collection |
Greg Philbrook |
2011 |
narrative, video |
|
Common Ground: One Night in a Three-story House |
Stephen Granade |
1999 |
interactive fiction, game, character, suburbs, TADS 2 |
|
Common Tongues |
John Cayley, Daniel C. Howe |
2012 |
networked audiovisual installation, multimedia, custom software, writing to be found, writing through search, conceptual literature, conceptual writing |
|
Composition |
Camille Utterback |
2000 |
video, composition, live, text, symbols, image to text |
|
concrete_machine |
Johannes Auer |
2003 |
text picture, text-input, digital concrete poetry |
|
Connected Memories |
María Mencía |
2009 |
orality, time, refugee, interview, database, narration, installation, Processing, reading, performance |
|
Contemplating Flight |
Donna Leishman |
2008 |
Flash, performance, folktales, interaction, image, symbols |
|
Core Sample |
Teri Rueb |
2007 |
locative, geography |
|
Corporate Text Cannibal |
Patricia Tomaszek |
2008 |
video, performance, poetry, creative cannibalism, digital cannibalism, remix |
|
Corposcopio |
Lucia Leão |
2007 |
interactive performance, dance, digital aesthetics, brazilian new media art |
|
Critical Sections |
Erik Loyer, Greg J. Smith |
|
|
|
Dakota |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
narrative, Flash, digital modernism, digital fiction, road narrative |
|
das buch gertrud |
Reinhard Döhl |
1996 |
|
|
database |
Adriana de Souza e Silva, Fabian Winkler |
2002 |
memory, transcription, installation, loss, hardware |
|
Datafeeds |
Deena Larsen |
2008 |
hypertext, work, government, disability, senses |
|
Deep Surface |
Stuart Moulthrop |
2007 |
narrative, Flash, reading, interpretation, hermeneutics, audio, textual instrument, hyptertext, immersion |
|
Deep Walls |
Scott Snibbe |
2003 |
digital art, non-linguistic, shadows, loops, interactive, installation |
|
Delimited Meshings: a White Paper |
Talan Memmott |
2001 |
Flash, hypermedia, theory, javascript, kinetic, DHTML |
|
Descants |
Shawn Greenlee |
2010 |
sound installation, spoken word, recordings, remix, archive, ambient, audio, Robert Coover |
|
Det siste utbruddet / The Last Volcano |
Roderick Coover, Scott Rettberg |
2010 |
history, video, translation, panorama, memory, disaster, recursion, Norway |
|
Deus |
Eduardo Kac |
1986 |
early Brazilian electronic poetry, God, Eduardo Kac, epoetry |
|
Developing: the Idea of Home |
Nancy Buchanan |
1999 |
documentary, associative, home, neighborhood, economics, environment, land use, California, video, audio |
|
Die imaginäre Bibliothek |
Heiko Idensen, Matthias Krohn |
1989 |
database, library, hypertext theory |
|
Die Schwimmmeisterin |
Susanne Berkenheger |
2002 |
|
|
Digital Oracles |
Martha Carrer Cruz Gabriel |
2006 |
search, privacy, trust, filtering, critical new media |
|
Disembodied Voices |
Jody Zellen |
2004 |
audio, responsive, image and text, public space, city, installation |
|
Distraction |
Claire Kwong |
2011 |
distraction, seearch, improvisation, blogging |
|
Dois Pontos |
João Bandeira |
2000 |
video poetry, Brazilian elit, brazilian new media art, poiesis, oi futuro |
|
Dorothy's Mirror |
Carolyn Guertin, Katherine Rong Jin |
2012 |
|
|
Drawing from Life |
Camille Utterback |
2001 |
DNA, image to text, genetic code, live, video, interactive video |
|
Duel |
Kate Pullinger, Andy Campbell |
2011 |
|
|
E:Electron |
Deena Larsen, Geoffry Gatza |
2001 |
hypertext, Flash, periodic table, poetry, love, association, relationships |
|
Earthbound: Surfing the Apocalypse |
Per Martinsen |
2010 |
transmedial, science fiction, blog, installation, sticker, music, novel |
|
Eight Was Where It Ended |
Jeremy Douglass |
2012 |
grief, bereavement, miscarriage, motherhood |
|
Electroboutique |
Aristarkh Chernyshev |
|
creative electronics, media art gallery, modern design, real-time data processing, up-to-date market-friendly art, consumer electronic art, commercial protest, device art, media art 2.0, interactive, audio-visual, crititainment, no-brain, real-time, plug-and-play, Windows-free. |
|
Enigma n |
Jim Andrews |
1998 |
kinetic typography, animation, visual poetry |
|
Entre Ville |
J. R. Carpenter |
2006 |
poetry, video, audio, locative, city, maps, geography, Montreal, place |
|
Epiglobis |
Alexander Mouton |
2007 |
media art, database, video, interactive video, generative, juxtaposition, audio |
|
Epitaph Gertrude Stein |
Reinhard Döhl, Johannes Auer |
1996 |
|
|
Erica T. Carter: The Collected Works |
Jim Carpenter |
2004 |
installation, generated poetry |
|
Escritas Arcaicas |
Wlademir Dias-Pino |
2007 |
3D, animations, generative, Brazilian electronic poetry, oi futuro, poiesis |
|
Etang |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Ethereal Landscapes |
Alexander Mouton, Christian Faur |
2005 |
artist book, photography, database, barcode, augmented, video, audio, biology, temporality, mortalitity |
|
Every Word I Saved |
Cristobal Mendoza |
2006 |
software-generated text, web harvested work, database, text stream, conceptual writing |
|
Evidence of Everything Exploding |
Jason Nelson |
2010 |
art game, conspiracy theory, semi-historical documentary |
|
Excerpts from the Chronicles of Pookie & JR |
J. R. Carpenter |
2009 |
generative fiction, generative narrative, narrative, generator, Python, javascript, dialogue, remix, translation |
|
exquisite_code |
Brendan Howell |
2009 |
collaboration, constraints, algorithm, codework, algorithmic, performance |
|
Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. |
David Jhave Johnston |
2011 |
video, generative, extinction, elegy, mutation, environment, meaning, nonsense, ecological thought |
|
Fabrikverkauf |
Johannes Auer |
1999 |
|
|
Faen. Nå har de senket takhøyden igjen. Må huske å kjøpe nye knebeskyttere. |
Tor Åge Bringsværd |
1999 |
science fiction, hypertext, Norwegian |
|
Family Tree |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, visual poetry, collaboration, wordtoy, multilingual |
|
Feed |
Renée Turner |
2008 |
iconicity, slogans, juxtaposition, image and text |
|
Feed |
Robert Kendall |
2008 |
text generation, poetry, association, chance |
|
Fibonacci's Daughter |
M. D. Coverley |
1997 |
fiction, chance, short fiction, California, fibonacci, fate, determinism, mall |
|
Fictions d’Issy |
Jean-Pierre Balpe |
|
generative, generative novel |
|
Figurski at Findhorn on Acid |
Richard Holeton |
2001 |
hypertext, hypertext fiction, drugs, steampunk, postmodern fiction, science fiction |
|
Film of Sound |
Will Luers, Roger Dean, Hazel Smith |
2012 |
|
|
Fitting the Pattern |
Christine Wilks |
2008 |
animation, Flash, textual instrument, memoir, visual narrative |
|
flâneur - tag the world |
Anders Sundnes Løvlie |
2010 |
collaboration, locative, literature, mobile media, writing games |
|
Floppy |
Andy Campbell |
2004 |
interface, dark, floppy disk, corrupted files, file system, domestic violence, isolation, computer |
|
Foi |
João Bandeira |
2006 |
video poetry, brazilian new media art, poiesis, oi futuro, Brazilian elit |
|
Foliage |
Will Luers |
2007 |
video, nature, matter, color, pixels, media art |
|
For the Natural Death of the Work of Art |
Johannes Auer |
2001 |
|
|
Formes libres flottant sur les ondes |
Xavier Malbreil |
2002 |
image and text, HTML, animation, animated gif |
|
Fórmula do mar |
Marcelo Tápia |
2007 |
poiesis, Brazilian concrete poetry, oi futuro, epoetry |
|
Forward Anywhere |
Judy Malloy, Cathy Marshall |
1995 |
collaboration, narrative, epistolary, email, hypertext fiction, family, childhood, memoir |
|
Frequency |
Scott Rettberg |
2008 |
constraint, poetry, poetry generator, installation, Ruby, javascript, HTML, minimalism, formal poetry |
|
Funk |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
Flash |
|
G-LINIE HTML |
Johannes Auer |
2008 |
|
|
Game, game, game, and again game |
Jason Nelson |
2007 |
animation, Flash, audio, retro, games, parody/satire |
|
Generative Poems |
María Mencía |
2008 |
generative, installation, alphabets, image, code |
|
Genesis |
Eduardo Kac |
1999 |
transgenic poetry |
|
Glitch |
Katherine Chen, Phillip Chow, Yasmin Kadry, Vicky Lai, Kelsey Marotta |
2011 |
mobile, locative, site-specific, narrative, diary, blog |
|
Going through the Signs |
Deena Larsen, Jody Zellen |
2006 |
HTML, javascript, hypertext, responsive |
|
Golem |
Simon Biggs |
1988 |
installation, interactive, video, book, myth, genetics, artificial intelligence |
|
Grafik Dynamo |
Kate Armstrong, Michael Tippett |
2005 |
image and text, comic, net art, generative, word and image, juxtaposition |
|
GRAMMATRON |
Mark Amerika |
1997 |
hypertext, avant-pop, hyptertext fiction, animation, HTML/DHTML, audio, golem, myth, metafiction |
|
Grande enquête |
Delphine Riss, Cécile Bucher |
2007 |
|
|
Guantanamobile |
Lisa Lynch, Elena Razlogova |
2004 |
vectors, documentary, website |
|
haikU |
Nanette Wylde |
2001 |
generative, poetry, participation, haiku |
|
Halo |
Simon Biggs |
1998 |
interactive, immersive, generative, projection, modelling, generative grammar, installation |
|
He Said, She Said |
Alan Bigelow |
2011 |
Flash, audio, relationships, kinetic, responsive, marriage, argument, wedding |
|
hektor |
Nathaniel Stern |
2000 |
memory, poetry, photography, video, javascript, Flash, juxtaposition, collage, characters |
|
Hermenetka |
Lucia Leão |
2005 |
net art, brazilian new media art, cartography, mapping |
|
Hey Now |
Thomas Swiss, Motomichi Nakamura |
2001 |
Flash, collaboration, language, wrapping, audio, voice, animation |
|
Hilfe! |
Susanne Berkenheger |
1999 |
|
|
Holo/Olho (Holo/Eye) |
Eduardo Kac |
1983 |
holopoetry, Brazilian elit, Eduardo Kac |
|
Home |
Annette Barbier, Drew Browning |
2001 |
VRML, home, domesticity, 3D |
|
Hosts |
Martin Rieser |
2006 |
locative, site specific, video installation |
|
How It Is in Common Tongues |
Common Tongues |
2012 |
conceptual writing, conceptual literature, expressive processing, writing to be found, big data, writing through search |
|
Hva sier trærne? |
Marte Aas, Marte Huke |
2005 |
digital art, conceptual, trees, generative |
|
hyPoem |
Jörg Piringer |
2002 |
kinetic typography, animation, interaction, Java, authoring system |
|
I, You, We |
Dan Waber, Jason Pimble |
2005 |
collaboration, Java, literary art, 3D |
|
I-Pledge.org |
Alan Bigelow |
2006 |
|
|
ID_Xor.cism_ |
Mez Breeze |
|
internet art, code language, hypermedia poetry |
|
ilvyrgif |
Giselle Beiguelman |
2013 |
ipad, Brazil, remix, mobile, animated gif |
|
Imaginary Year |
Jeremy Bushnell |
2000 |
fiction, seriali, interconnected narrative, Chicago, urban, mediation |
|
Immobilité |
Mark Amerika |
2011 |
mobile, video, narrative, iOS, iphone |
|
Implementation |
Nick Montfort, Scott Rettberg |
2004 |
sticker, novel, distributed narrative |
|
Imposition |
John Cayley |
2007 |
generative, collective, multilingual, installation |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
Influencing Machine of Miss Natalija A. |
Zoe Beloff |
2001 |
creative non-fiction, gothic, installation, video, Flash |
|
INJECTIES (INJECTIONS) |
Paul Bogaert |
2010 |
video |
|
Instant Memory |
Patricia Rydzok, Pedro Vitorino Olivera |
2007 |
flash fiction, interactive fiction, war, pollution, cloning |
|
Interstitial |
David Jhave Johnston |
2006 |
Flash, video, death, triptych, water |
|
IO (Kac) |
Eduardo Kac |
1990 |
3D, animation, spatial, binary, early Brazilian electronic poetry, Eduardo Kac |
|
IO: analysis |
Andre Vallias |
1995 |
graphic poem, flash poem, andre vallias, neoconcrete, Brazilian electronic poetry |
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
its name was Penelope |
Judy Malloy |
1989 |
hypertext, fiction, memory, photography, myth |
|
Jargon Reducer |
Nanette Wylde |
2006 |
software art, manipulation, jargon, filtering, textual analysis |
|
Je liegt en je filtert ... (You're lying and you filter ...) |
Paul Bogaert |
2006 |
video, audio, scheduled |
|
Journey (Jornada) |
Anita Cheng, Ronaldo Kiel |
2006 |
dance, video installation, poiesis |
|
Kastastrofetrilogien |
Scott Rettberg, Roderick Coover |
2011 |
video, Norway, disaster, media, interpersonal, cross-cultural communication, multilingual, catastrophe |
|
Killing Lena |
Jamie Allen |
2007 |
image, manipulation, compression, algorithmic art |
|
Kodachrome Blue Syntax |
Kenneth Sherwood |
2006 |
remediation, voice, stock footage, montage, loops, transcoding, media art |
|
L'Albatross |
Patrick Henri Burgaud |
2010 |
video, recombination, tagging |
|
La plissure du texte |
Roy Ascott |
1983 |
collaboration, narrative, fairy-tale |
|
La Resocialista Internacional |
Andreas Maria Jacobs |
2008 |
poetry, translation, appropriation, politics, socialism, transmedial |
|
Labylogue |
Maurice Benayoun, Jean-Pierre Balpe, Jean-Baptiste Barrière |
2000 |
Interactive art, virtual reality, virtual environment, 3D, sound, poetry, software-generated text, algorithmic text generation, networked, installation, speech recognition |
|
Labyrinth |
Martin Rieser |
1997 |
dialectic, monologue, video, performance |
|
Labyrinth: the Rulebook without Game |
Mark C. Marino |
2001 |
games, playable manuals, Flash, audio, hypertext |
|
Lace (Dentelle) |
Pierre Albert-Birot, F.J. Bergmann |
2002 |
animation, translation, Flash |
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
LAT 23 |
LAT-23 , Claudio Bueno, Denise Agassi, Marcus Bastos, Nacho Duran |
2010 |
cartography, geolocative |
|
Le mange-textes |
Jean-Marie Dutey |
1989 |
|
|
Les amis seur le seuil |
Philippe Bootz, Marcel Frémiot |
2011 |
|
|
Letter |
Eduardo Kac |
1996 |
3D, poetry, spatial, navigational, Brazilian electronic poetry, Eduardo Kac |
|
Letter to Linus |
William Gillespie |
2001 |
visual poetry, hypertext, commons, conceptual, hypercube, economics and literature, neoliberalism, political |
|
Lexia to Perplexia |
Talan Memmott |
2000 |
animation, interface, textuality, textual instrument, appropriated texts, javascript, cyborg, hci, consciousness, network phenomenology, philosophical, DHTML, Gilles Deleuze, neologism |
|
Lilith |
Eduardo Kac |
1989 |
Eduardo Kac, early Brazilian electronic poetry, spatial, holopoem |
|
Listening Post |
Mark H. Hansen, Ben Rubin |
2003 |
found text, networked audiovisual installation, voice synthesizer, data sonification, web harvested work, text stream |
|
Living Will |
Mark C. Marino |
2012 |
hypertext, interactive fiction, storygame |
|
Lombrices (Minhocas) |
Leon Ferrari, Ricardo Pons |
2004 |
video poetry, video installation, oi futuro, poiesis |
|
Lord's Prayer, The |
Alan Bigelow |
2007 |
recombination, bible, Flash, poetry |
|
Losing the Lottery |
Eric LeMay |
2012 |
lottery, game, essay, satire |
|
Loss of Grasp |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Love Is... |
Alan Bigelow |
2008 |
|
|
LYMS |
Ottar Ormstad |
2009 |
video poetry, lettrist, poetry, translation, image and text |
|
Lys-Mørke |
Tale Næss |
|
|
|
Macelib |
Dirk Schröder |
2005 |
algorithmic text generation, algorithmic poem |
|
Magnet |
Simon Biggs |
1997 |
sensors, projection, cameras, audio, levitation, haptic |
|
Making Art Online |
Judy Malloy |
1991 |
collaboration, information art, narrative, artist statement |
|
Making Visible the Invisible |
George Legrady |
2005 |
installation, data visualization, mapping, non-linguistic |
|
Mandelbrot.fr (private reading device) |
Alexandra Saemmer, Bruno Scoccimarro |
1999 |
ephemerality, device, temporarilty, flow |
|
Mapping |
Sylvia Tomayko-Peters |
2011 |
interactive, HTML, javascript |
|
Mar de Sophia |
Rui Torres |
2005 |
collaboration, aleatory, animated text, appropriated texts, code, cybertext, digital poetry, e-poetry, Flash, generative poetry, interactive poetry, intermediality, intertextuality, kinetic poetry, new media poetry, poetry generator, sound |
|
Marble Springs 3.0 |
Deena Larsen |
2012 |
hypertext, wiki, responsive, static |
|
maybe make some change |
Aaron A. Reed |
2011 |
interactive fiction, multimedia, Afghanistan, war, point of view, unreliable narrator, video, interactive documentary |
|
Middle Orange | Meia Naranja |
Loss Pequeño Glazier |
2010 |
video, epoetry, performative |
|
MIDIPoet |
Eugenio Tisselli |
2002 |
visual poetry, software, performance, performative |
|
Mirroring Tears: Visages |
John Cayley, Penny Florence |
2011 |
translation, Processing, reading, cognition, RiTa, reader |
|
Missed Connections |
Cristobal Mendoza |
2007 |
language-driven digital art, web harvested work, stopwords, data-collection engine, software, database, 2-channels |
|
Modern Mother |
Arlene Stamp |
1998 |
storytelling, audio, fragmentary, documentary |
|
Mondriaan |
Zachary Booth Simpson |
2004 |
art, interactive, installation, modriaan |
|
Morpheus Biblionaut |
William Gillespie, Travis Alber |
2009 |
narrative, space, linear, post-apocalyptic, science fiction, prose poem, Flash, collaboration |
|
MUPS |
David Jhave Johnston |
2012 |
interface, remix, audio, prosody, mashup, Flash |
|
my Molly (departed) |
Talan Memmott |
2007 |
audio, textual instrument, appropriated texts, remix |
|
My Name is Captain, Captain |
Judd Morrissey, Lori Talley |
2002 |
poetry, hypertext, audio, sound, word and image, navigation, flight |
|
My Words / Mes Mots |
Serge Bouchardon |
2009 |
collaboration, interactive, gestural |
|
myBALL |
Shawn Rider |
2002 |
Flash, network forms, parody/satire |
|
Mythologies of Landforms and Little Girls |
J. R. Carpenter |
1996 |
hypertext, hypertext fiction, hypertext narrative, narrative, intertextuality, internet art, mapping, gender |
|
Não |
Eduardo Kac |
1982 |
LED text, early Brazilian electronic poetry, Eduardo Kac |
|
Narrative Units |
Ethan Miller |
2006 |
information theory, narrative, visualization, video, software system, Python |
|
Natural History |
Johannes Heldén |
2007 |
nature, science fiction, dystopic, sculpture |
|
Nature on a Leash |
Gail White Scott |
2008 |
video, animation, nature, suburbs |
|
New Word Order: Basra |
Sandy Baldwin |
2006 |
3D, interpretation, textual instrument, games, violence, hacktivist, game mod |
|
nextgame |
Friedrich W. Block |
2010 |
chess, combinatory, short story, constraint |
|
Nine Gestures for J.D. Salinger |
Mikhail Mansion |
2010 |
interactive, constraint, response, writing, machine response |
|
No Country For Old Men |
Zehra Yousofi |
2010 |
interactive |
|
Nobody knows but you |
Aya Natalia Karpinska |
2005 |
interactive textual installation, video game, VJ battle |
|
Noise |
Gerald Smith |
2011 |
digital poetry, concrete poetry |
|
Nostalgia |
Claire Carre |
2002 |
nostalgia, critical new media, animated gif, linearity |
|
Notes on the Voyage of Owl and Girl |
J. R. Carpenter |
2012 |
generative, digital narrative, mapping, fiction |
|
Nous n'avons pas compris Descartes |
Andre Vallias |
1991 |
early Brazilian electronic poetry, graphical poetry, andre vallias |
|
OCO |
Eduardo Kac |
1985 |
lettrist, spatial, holopoem |
|
Odyssée 3 min 50 |
Linda Suthiry Suk |
2007 |
flash poem |
|
Office Diva |
Josephine Anstey, Dave Pape |
2011 |
installation, psychoanalysis, voice, emotion, affect, character |
|
Oisleánd: Indra's Net IX |
John Cayley |
1996 |
translation, hypertext, hypercard, poetry, mesostic |
|
One or More Disfigurements in the Home |
Benny Lichtner |
2009 |
hypertext, fragmentary, disfigurement |
|
OneSmallStep: a MySpace LuvStory |
Mark Cooley |
2006 |
media art, media archeology, fetish, consumption, voyeurism, video, random, remix, database |
|
Opacità |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactive narrative, interactivity, opacity, HTML5, web-based, smartphone, tablet |
|
Opacité |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactive narrative, interactivity, opacity, HTML5, web-based, smartphone, tablet |
|
open.ended |
Daniel C. Howe, Aya Natalia Karpinska |
2004 |
3D, poetry, collaboration, audio |
|
Osso |
Augusto de Campos |
2007 |
clip-poem, Brazilian electronic poetry, epoetry, digital concrete poetry |
|
overboard |
John Cayley |
2004 |
literal art, algorithmic text generation |
|
P.o.E.M.M. |
Jason Edward Lewis, Bruno Nadeau |
2011 |
mobile, touch, interactive, haptic |
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
Palimpsest |
Alison Clifford, Graeme Truslove |
2011 |
narrative, virtual |
|
Para uma eventual conversa sobre poesia |
Ricardo Aleixo |
2007 |
sound environment, sound poetry, poiesis, oi futuro, sampling, brazilian new media art |
|
Partially Buried University |
Karen O'Rourke |
2010 |
3D, art game, roof garden, earthwork, collapse |
|
Paths of Memory and Painting |
Judy Malloy |
2010 |
hypertext literature, HTML |
|
Pause |
François Coulon |
2003 |
hypertext, French |
|
Pé Ponta-Cabeça |
Arnaldo Antunes |
2007 |
calligraphy, ASCII, Brazilian elit |
|
Peggy |
Jean-Hugues Réty |
1999 |
hypertext, conditional links, javascript, cookies |
|
Pentimento |
Jerome Fletcher, Geoffrey Olsen |
2003 |
e-poetry, hypertext, Java, responsive |
|
Penumbra |
Samantha Gorman, Danny Cannizzaro |
2011 |
tablet, ipad, fiction, point of view |
|
per.m]utations - permutationen |
Florian Cramer |
1998 |
permutation, algorithmic text generation |
|
petite brosse à dépoussiérer la fiction |
Philippe Bootz |
2011 |
HTML, javascript, responsive |
|
Phoenix |
Eduardo Kac |
1989 |
holopoem, Eduardo Kac, Brazilian elit |
|
PHONE:E:ME |
Mark Amerika |
1999 |
|
|
Picking Petals |
Mindy Lam |
2011 |
Flash, poem |
|
Pieces |
Robert Kendall |
2008 |
narrative, jigsaw puzzle, assemblage, configuration, XML |
|
Plaintext Performance |
Bjørn Magnhildøen |
2006 |
performance, text movie, appropriated texts, javascript, codework |
|
Poemário - Blog de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
collaboration, code, digital poetry, blog, generative poetry, networked poetry, poetry generator, user-generated texts |
|
Poemário - Editor de poesia combinatória |
Rui Torres, Nuno F. Ferreira |
2008 |
aleatory, code, digital poetry, Flash, generative poetry, interactive poetry, networked poetry, poetry generator, software, sound, user-generated texts |
|
Poemedia |
Erin Costello, Aaron Angello |
|
|
|
Poetrica |
Giselle Beiguelman |
2003 |
teleintervention, SMS, public space, brazilian new media art |
|
Post Modern Object |
Meghan Newell |
2002 |
image and text, video, interface, postmodern, critical new media |
|
Postales |
Gabriela Golder |
2000 |
labyrinth, expatriation, net art, image and text, nonlinearity, cycles, performance, hypertext |
|
PROTOMIR |
Taras Mashtalir |
2009 |
|
|
Prthvî |
Andre Vallias |
1991 |
graphic poem, andre vallias, Brazilian electronic poetry, visual poetry |
|
Public Override Void |
Jim Carpenter |
2004 |
installation, generated poetry |
|
Public Secrets |
Sharon Daniel, Erik Loyer |
2008 |
Flash, collaboration, documentary, sociological, ethnographic, political, critical/political/philosophical |
|
Pyxis Byzantium |
M. D. Coverley |
2008 |
hypertext, narrative, time, history, Byzantium, Constantinople, map, landscape |
|
Quando? (When?) |
Eduardo Kac |
1988 |
holopoem, Eduardo Kac, early Brazilian electronic poetry |
|
Quebra Cabeça |
Walter Silveira |
2007 |
video, intervention, digital graffiti, Brazilian electronic poetry, poiesis, oi futuro |
|
R3/\/\1X\/\/0RX - selected works |
Randy Adams, Chris Joseph, Christine Wilks, Peter Ciccariello, Erik K Rzepka, Matina L Stamatakis, Ted Warnell |
2012 |
animation, remix, collaboration, digital art, e-poetry, playable media, text, spoken word, music, visual poetry, code |
|
Radial City |
Jeremy Welsh, Paul A. Green |
2010 |
poetry, collaboration, video, city |
|
Re:Cycle |
Jim Bizzocchi |
2010 |
ambient, video, generative, recombinant, recombinant poetics, ambient video |
|
Re:Positioning Fear |
Rafael Lozano-Hemmer |
1997 |
interactive, networked, projection, shadows, site-specific, sound |
|
Reabracadabra |
Eduardo Kac |
1985 |
early Brazilian electronic poetry, Eduardo Kac, epoetry |
|
Reagan Library |
Stuart Moulthrop |
1999 |
narrative, hypertext, fiction, memory, hypertext fiction, satire, political, combinatorial, QuickTime |
|
Ream |
Nick Montfort |
2007 |
|
|
Recaos |
Eduardo Kac |
1986 |
early Brazilian electronic poetry, animated text, Eduardo Kac, epoetry |
|
Red/tratos |
Eduardo Scala |
2002 |
lierary authors, visual poetry, digital concrete poetry, poiesis, Brazilian elit |
|
Redeeming the Gene, Molding the Golem, Folding the Protein |
Sonya Rapoport |
2002 |
myth, parody, genetics, kabbalah, feminism, golem |
|
Rehearsal of Memory |
Graham Harwood |
1995 |
amnesia, memory, insanity |
|
Reimbox |
Klemens Bobenhausen, Benjamin Hammerich |
2012 |
digital poetry, poetry generator, meter, rhyme, speech synthesis, poem |
|
Rememori |
Christine Wilks |
2011 |
Flash, game, e-poetry, memory, disability, poetic game, playable poem |
|
Requiem |
Caitlin Fisher, Charles Fisher |
2010 |
augmented reality, poem, spatial |
|
reRead |
Simon Biggs |
2009 |
generative grammars, unencumbered interactive environment, video tracking, endless writing, image and text |
|
Revenances |
Grégory Chatonsky |
2000 |
|
|
Reversed Mirror |
Eduardo Kac |
1997 |
videopoetry, Eduardo Kac, Brazilian electronic poetry, videopoem, epoetry |
|
reWrite |
Simon Biggs |
2007 |
installation, interactive |
|
Robohand |
Josh White |
2011 |
reinterpretation |
|
Roland HT |
Vika Zafrin |
2002 |
Song of Roland, hypertext, digital humanities, critical new media |
|
Ruben and Lullaby |
Erik Loyer |
2009 |
iphone, app, mobile, lovers, touch, haptic |
|
Screen |
Noah Wardrip-Fruin, Josh Carroll, Robert Coover, Shawn Greenlee, Andrew McClain, Benjamin Shine |
2003 |
CAVE, 3D, collaboration, textual instrument, game |
|
Search Lutz! |
Johannes Auer |
2006 |
algorithmic text generation, search engine poetry, live performance, text-input |
|
Search Trilogy |
Johannes Auer, Beat Suter, René Bauer |
|
algorithmic text generation, live performance |
|
Searchsonata 181 |
Johannes Auer, Beat Suter, René Bauer |
2010 |
performance, algorithmic text generation, search engine, encryption, phonetic poetry |
|
Searchsongs |
Johannes Auer, René Bauer, Beat Suter |
2007 |
search engine poetry, yearning, text-input, sound |
|
Secret |
Eduardo Kac |
1996 |
VRML navigational poem, Eduardo Kac, VRML, Brazilian electronic poetry |
|
Secret Door |
Martin Rieser |
2006 |
installation, video, site specific |
|
Selene and Chandra |
Hunter Crawford, Margarete Strawn |
2011 |
mobile media, short story, thumb novel |
|
Self Portrait(s) [as Other(s)] |
Talan Memmott |
2003 |
generative, aesthetics, identity, parody, combinatorial, art history, cut-up |
|
Semantic Disturbances |
Andreas Maria Jacobs |
2005 |
conceptual, semiotics, hacktivist, political, javascript, critical |
|
Semiotic Poetry |
Alexandre Gherban |
2002 |
semiotics, poetry |
|
Series 1: the alphabetic |
María Mencía |
2011 |
alphabetic, letters, reading patterns, generative, generated audio |
|
Shadows Never Sleep |
Aya Natalia Karpinska |
2008 |
visual poetry, iphone, non-linear, monochrome, iOS |
|
Signal to Noise |
Ian Hatcher |
2007 |
hypertext, interactivity, collective navigation |
|
Six Little Loops |
Brian Evans |
2008 |
algorithmic art, maps, animation, music, synesthesia, abstract expressionism |
|
Skindoscope |
Martha Carrer Cruz Gabriel |
2007 |
web art, identity, alterity, skin, game, kaliedoscope, Second Life, virtual world |
|
Skogen |
Aina Villanger |
2012 |
forest, poetry, time-based, kinetic, animation |
|
Sky and Wires: At Home and Homeless |
Blake Carrington |
2007 |
media art, video, cartography, movement, stillness |
|
Slamming the Sonnet |
Jayne Fenton Keane, David Keane |
2002 |
poetry slam, virtual bodies, voice, performance, interactivity, poetry |
|
slippingglimpse |
Stephanie Strickland, Cynthia Lawson Jaramillo, Paul Ryan |
2006 |
visual poetry, collaboration, materiality, video, writing-materiality, text movie, animation, kinetic, Flash, poetry |
|
sniff_jazzbox.audible_city |
René Bauer, Beat Suter, Johannes Auer |
2007 |
|
|
Softies |
David Jhave Johnston |
2009 |
animation, typography |
|
Something That Happened Only Once |
Roderick Coover |
2007 |
panorama, film, installation, searching, consciousness, mobius strip |
|
Sous Terre, The Subnetwork |
Grégory Chatonsky |
2001 |
subway, network, time, attention, waiting, memory |
|
Spamology |
Irad Lee |
2007 |
spam, visualization, 3D, relationships, patterns, trends |
|
Speak: a Hypertext Essay |
Linda Carroli |
2000 |
hypertext, essay, critical new media |
|
Sphiros |
James B. Pollack |
2009 |
Flash, animation, layers, zooming interface, sound, image, headtracking |
|
Spine Sonnet |
Jody Zellen |
2012 |
generated poetry, sonnet, app, book vs. computer, materiality, poetry, language, iOS |
|
Stamboom |
Rozalie Hirs, Harm van den Dorpel |
2006 |
Flash, collaboration, wordtoy, visual poetry or narrative, multilingual |
|
Star Wars, One Letter at a Time |
Brian Kim Stefans |
2005 |
Flash, conceptual, audio, appropriated texts, performance |
|
Still Standing |
Jason Edward Lewis, Bruno Nadeau |
2005 |
reading, attention, embodiment, installation, standing |
|
Stochastische Texte |
Theo Lutz |
1959 |
prehistoric digital poetry, algorithmic text generation, generative |
|
Storms |
Eduardo Kac |
1993 |
interactive poetry, early Brazilian electronic poetry, Eduardo Kac, kabbalah, hypertext |
|
Stream |
Simon Biggs |
2003 |
installation, interactive, 3D, movement, streams, mapping, remote presence |
|
Streamflow conditions |
Rui Torres |
2009 |
aleatory, animated text, code, digital poetry, experimental literature, Flash, generative poetry, immersion, interactive poetry, poetry generator, sound |
|
string-code |
María Mencía |
2011 |
code poetics, Processing, voice activated |
|
STRUTS |
J. R. Carpenter |
2011 |
narrative, RSS, place, javascript |
|
Substratum |
Alison Clifford, Graeme Truslove |
2010 |
|
|
Suicide in an Airplane |
Brian Kim Stefans |
2009 |
algorithmic poem, multimodal, poetry |
|
Sujeitobjeto (Practices of Meaning) |
Betty Leirner, Florian Kutzli |
2007 |
photography, videopoetry, Brazilian elit, poiesis, oi futuro |
|
Tafel 2/Blackboard 2 |
Frank Fietzek |
2001 |
memory, installation, inscription, hardware, interaction design, interface |
|
Tafel/Blackboard |
Frank Fietzek |
1993 |
memory, installation, inscription, hardware |
|
Takei, George |
Mark Sample |
2011 |
text generators, remix, poetry generator |
|
Talking Cure |
Noah Wardrip-Fruin |
2002 |
word-and-image, performance, audio, speech-to-text, speech recognition, psychoanalysis, sound environment, image to text, Freud |
|
Tao |
Alan Sondheim, Reiner Strasser |
2004 |
Flash, visual poetry, poetry, collaboration, audio, place |
|
Tele_bits 2.0: Metacinema, Redes Abertas e RA |
Giselle Beiguelman |
2011 |
Brazilian net.art, net.art, telecommunications, QR code, teleintervention, giselle beiguelman |
|
Terminal Time |
Steffi Domike, Michael Mateas, Paul Vanouse |
1999 |
interactive cinema, history, participation, documentary, ideology |
|
Tesão |
Eduardo Kac |
1986 |
animation, minitel, digital graffiti |
|
Text Rain |
Romy Achituv, Camille Utterback |
1999 |
installation, text instrument, interactive, movement, embodiment, image to text |
|
text.curtain |
Daniel C. Howe |
2005 |
interactive, installation, play |
|
Textual Skyline |
Jason Nelson |
2012 |
digital poetry, RSS, Flash, generative |
|
Textweave |
Michael Takeo Magruder |
2007 |
|
|
The 24-Hr. Micro-Elit Project |
Dene Grigar |
2009 |
twitter, microfiction, collaboration, narrative |
|
The ABCDESTRUCTIONOPQRXYZÅÄÖ |
Johannes Heldén |
2005 |
|
|
The Art of Sleep |
Young-Hae Chang Heavy Industries |
2006 |
animation, text |
|
The Barrier Frames / Diffractions Through |
Jim Rosenberg |
1998 |
layers, clustering, hypertext poetry, language poetry |
|
The Black Chamber |
Brendan Howell |
2012 |
paranoia, steganography, generative, natural language processing, markov chain |
|
The Cape |
J. R. Carpenter |
2005 |
narrative, fiction, Cape Cod, audio, HTML/DHTML, javascript |
|
The Carrier |
Evan Young |
2009 |
iphone, geolocation, serial distribution, graphic novel |
|
The Castle |
Simon Biggs |
1995 |
projection, site-specific, interactive, generative grammar engine |
|
The Dazzle as Question |
Claire Allan Dinsmore |
2000 |
Flash, poetry, hypermedia, e-poetry, lyric, brain |
|
The Death of a Factory |
Anni Kämäräinen |
1999 |
narrative, documentary, non-fiction, report, factories, sound art |
|
The Distributed Legible City |
Jeffrey Shaw |
1998 |
concrete poetry, urban, distributed, embodiment, installation, interaction, movement, architecture, multi-user |
|
The Famous Sound of Absolute Wreaders |
Johannes Auer, Reinhard Döhl, Beat Suter, René Bauer, Martina Kieninger, Sylvia Egger |
2003 |
radio art, net literature, performance, algorithmic text generation |
|
The Final Problem |
Judd Morrissey |
2012 |
data visualization, text mining, psychogeography, augmented reality, live performance |
|
The Fugue Book |
Ton Ferret |
2008 |
narrative, Flash, collaboration, facebook, network forms, critical/political/philosophical, php |
|
The Garden Library Database Visualization Project |
Romy Achituv, Andres Colubri |
2012 |
database, visualization, digital library, indexing, emotion, language, participatory |
|
The Help File |
Nick Montfort |
1999 |
help, conceptual art, parody, hypertext |
|
The Hollow |
Mika Igarashi |
2002 |
visual poem, kinetic typography, isolation, solipsism, Flash |
|
The Impermanence Agent |
Noah Wardrip-Fruin, Adam Chapman, Brion Moss |
1999 |
recombinant, push, web, server-based, proxy |
|
The Inframergence |
Jim Rosenberg |
2009 |
animated text, screen stage, live performance |
|
The LA Flood Project |
LAinundacion, Mark C. Marino |
2011 |
collaboration, locative narrative, mobile phone, disaster, Google aps |
|
The Last Performance |
Judd Morrissey, Mark Jeffery |
2007 |
architecture, ambient sound, constraint, collaboration, hypertext, conceptual, generative, performance, database, procedural, installation |
|
The Legible City |
Jeffrey Shaw, Dirk Groeneveld |
1989 |
concrete poetry, urban, embodiment, installation, movement, architecture |
|
The Living Room |
Simon Biggs |
1994 |
|
|
The Mandrake Vehicles |
Oni Buchanan |
2006 |
animation, visual poetry, kinetic, typography, kinetic poetry, stretchtext, combinatorial, Shockwave |
|
The Many Voices of Saint Catarina of Pedemont |
Silvia Rigon, Alison Walker |
2002 |
history, multimedia, belief, mysticism |
|
The Prisoner |
Martin Rieser |
2011 |
spatialized figure, voice control, avatar |
|
The Readers Project |
John Cayley, Daniel C. Howe |
2009 |
Processing, reading, procedural, typography, reader, cognition, visualization |
|
The Reading Glove |
Karen Tanenbaum, Joshua Tanenbaum |
2012 |
haptic, interface, touch, physical, narrative, spy novel, audio narrator, interactive narrative, embodied |
|
The Roar of Destiny |
Judy Malloy |
1996 |
hypertext, hypertext fiction, hypertext poetry, network fiction |
|
The Torrent |
Joe Milutis |
2009 |
collaboration, expanded fiction, print on demand, installation, blog, oblivion, video art, performance, remix, translation, intellectual property, authorship, virtual literature |
|
The Tulse Luper Suitcases |
Peter Greenaway |
2000 |
remix, archive, cross media narrative |
|
The Unknown |
William Gillespie, Scott Rettberg, Dirk Stratton, Frank Marquardt |
1999 |
authorship, narrative, collaboration, hypertext, fiction, performance, pastiche, satire, parody, comedy, picaresque, network fiction, pharmakon, drug literature, mockumentary |
|
The Walking Man |
Will Luers |
2008 |
documentary, video |
|
The Way North |
Joel Weishaus |
2006 |
climate change, myth, inuit culture, audio, video, hypertext, intertextuality |
|
The Wedding Celebration of Gunter and Gwen |
Judy Malloy |
2008 |
hypertext, fiction, wedding, signs, artists, surveillance, history, espionage |
|
The World's First Collaborative Sentence |
Douglas Davis |
1994 |
collaborative art |
|
This is how you will die |
Jason Nelson |
2005 |
Flash, generative, textual instrument, games, combinatorial, death, gambling, demise, avant-garde, dada, audio |
|
This Is Not A Poem |
Alan Bigelow |
2010 |
poetry, game, remix, toy, language engine, DJ, multimodal, narrative |
|
Three Rails Live |
Roderick Coover, Scott Rettberg, Nick Montfort |
2011 |
combinatory poetics, digital narrative, video, installation, spoken word, collaboration |
|
TILT |
Angela Ferraiolo |
2010 |
video text, database, experimental cinema, spatial narrative |
|
Time Qullts (a loop study) |
Will Luers |
2008 |
video, remix, media art, moie history, nested loops |
|
To be or not to be Mouchette |
Martine Neddam |
2007 |
Flash, responsive, poetry, virtual character |
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
Torus |
John Cayley |
2005 |
CAVE, 3D |
|
Tower |
Simon Biggs, Mark Shovman |
2011 |
embodiment, visualization, spiral, VR, speech-to-text, corpus, speech recognition, predictive text, multiple points of view |
|
Trac|tExt|ract |
Jerome Fletcher |
2011 |
layers, erasure, scratching, archeology |
|
Training Missions |
Joe Amato |
2001 |
poetry, hypertext, imaging, media, Flash, spoken word |
|
TRANS.MISSION [A.DIALOGUE] |
J. R. Carpenter |
2011 |
generator, generative narrative, narrative, dialogue, performance, script, javascript, network archaeology, media archaeology |
|
Transfixions |
Michael Hoffman |
2011 |
blogging, live performance, interaction |
|
Translucidity |
Talan Memmott |
2001 |
interface, network phenomenology, faciality |
|
Tributaries & Text-Fed Streams: A Feed-Reading of the Capilano Review |
J. R. Carpenter |
2008 |
|
|
Trilogy |
Lisa Bloomfield, Rod Moore, Katherine Haake |
2001 |
hypertext, narrative, story, animation, HTML, visual narrative |
|
Triple Echo: Orpheus and Euridyce |
Martin Rieser |
2000 |
mythology, installation, interactive video, choric functions, movement |
|
Trope |
Sarah Waterson, Elena Knox, Christyn Davies |
2008 |
poetry, collaboration, performance, Second Life, tropes, video, wordtoy, virtual environment |
|
Turkmenbashi, mon amour |
Martine Neddam |
2011 |
animation, Flash |
|
Typoems |
Ana María Uribe |
1968 |
concrete poetry |
|
uConnect |
Mark Cooley |
2004 |
media art, installation, commodification, materiality, labor, ready-made |
|
Una Selva Oscura |
Victoria Welby |
2008 |
vispo, participatory, illustration, animation, audio, page, voice, adaptation |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
Uncontrollable Semantics |
Jason Nelson |
2012 |
Flash, HTML5, hypertext, responsive |
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
Understanding Echo |
Martin Rieser |
2002 |
video, projection, installation |
|
Untitled |
Ivan Khimin |
2009 |
asciiart, painting, remediation, St-Petersburg artists |
|
Untitled 5 |
Camille Utterback |
2004 |
movement, space, projection, data visualization, cumulative interaction |
|
UPC |
Eduardo Kac |
1994 |
installation, installed text, Brazilian electronic poetry, Eduardo Kac, looped text |
|
Urban Fragments |
Jody Zellen |
2009 |
pop-ups, urban, city, image as text, audio, interface |
|
Urheilulajeja hentorakenteisille |
Sari Taimela |
|
narrative, hypertext |
|
Utter |
Simon Biggs |
2009 |
interpretative grammar engine, recombinant poetics, unencumbered immersive interaction, speech-to-text |
|
V: Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2002 |
visual poetry, poetry, collaboration, embodiment, Shockwave, textual instrument |
|
Velvet |
Alexander Mouton |
2008 |
media art, image, sound, dreams, memory, surreal, interactive video |
|
Versalhões |
Omar Khouri |
2007 |
LED text, Brazilian electronic poetry, oi futuro, poiesis |
|
Vienna Underground: The Third Woman Project |
Martin Rieser |
2008 |
sensors, sound art, installed text, performance, bioterrorism, game, locative, video installation |
|
Vive la Bagatelle |
Richard Montoya |
2011 |
futurism, Flash, e-poetry, kinetic poetry |
|
Voice Inside My Head |
Joseph Farbrook |
2008 |
poem, internal monologue, installation, digital literary art |
|
Voice Mosaic |
Martha Carrer Cruz Gabriel |
2004 |
media art, voice, speech, participatory, interface |
|
Voyage Into the Unknown |
Roderick Coover |
2008 |
hypertext, history, maps, appropriation, documentary, ecocriticism, appropriated texts, interactive documentary, cinemascapes, American studies, critical ecologies, Flash |
|
Waiting for Gwodot |
Sepand Ansair, Raschin Fatemi |
2012 |
remediation, Beckett |
|
Wander Wire |
Alan Bigelow |
2005 |
|
|
Welkom Vreemdeling (Welcome Stranger) |
K. Michel |
2010 |
digital poetry, creative work |
|
Whale Hunt |
Jonathan Harris |
2007 |
photography, multimodal, narrative |
|
What we had has not yet been / Wat we hadden is nog niet geweest |
Jan Baeke, Alfred Marseille |
2007 |
video |
|
when |
Ottar Ormstad |
2011 |
video poetry, digital concrete poetry, multilingual or non-english, photographs, modern music, nature/culture, environmental, life/death |
|
When I Was President |
Alan Bigelow |
2007 |
multimodal, narrative, Flash, politics |
|
Whisper Wire |
J. R. Carpenter |
2010 |
generative, poetry generator, haunted media, media archaeology |
|
Who is Flora? |
Travis Alber |
2002 |
Flash, narrative, travel, postcards, found text |
|
Why Some Dolls Are Bad: a generative graphic novel for the iPhone |
Kate Armstrong |
2007 |
generative, novel, graphic novel, identity, dolls, facebook, Flickr, tags, image and text |
|
Window |
Katharine Norman |
2012 |
combinatory, poetry, audiovisual, sound, place, listening, John Cage, seasons, time, observation, HTML5, javascript |
|
Wine |
Eduardo Kac |
1996 |
animated text, epoetry, Eduardo Kac, animation |
|
Winterscape |
Jim Bizzocchi |
2008 |
ambient video, winter, mountains, visual essay, manipulation, recombination |
|
WORDSL 1 and 2 |
Eduardo Kac |
1986 |
holopoetry, Brazilian electronic poetry, Eduardo Kac |
|
worm applepie for doehl |
Johannes Auer |
1997 |
concrete poetry, visual poetry, animation, gif |
|
wotclock |
John Cayley |
2002 |
ambient, poetry, collaboration, digital poetry, electronic poetry, textual instrument, time-based, QuickTime, e-poetry, photography, panoramic |
|
ZYX |
Eduardo Kac |
1985 |
holopoem, spatial, laser, Eduardo Kac, Brazilian electronic poetry |
|
[Murmur] |
Robin Elliott |
2003 |
documentary, geolocative, oral history, archive, locative, mobile media |
|
[theHouse] |
Mary Flanagan |
2006 |
3D, interactivity, digital poetry, Processing, aleatory, spatiality, relationship, communication |
|
_:terror(aw)ed patches:_ |
Mez Breeze, Shane Hinton |
2010 |
collaboration, Google Wave, transformation, live editing |
|
_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_ |
Mez Breeze |
2000 |
codework |
|
_The_Tem(Cor)p(oral)_Body_ |
Mez Breeze |
2012 |
codepoetry, code poetics |