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"Poésies contemporaines: le retour en avant" |
Jan Baetens |
2011 |
poetry, modernity, postmodernity, originality, sampling |
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Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games |
Keith Stuart, Jason Nelson |
2011 |
interview, blog, game, Flash, electronic literature, net art, digital poetry, digital aesthetics, professionalism |
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Digital Fiction iPad Project: the Good and Bad Stuff |
Andy Campbell |
2010 |
ipad, development |
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E-Poetry 2007 Paris Cellfone Documentary Extravaganza (Grand Text Auto) |
Scott Rettberg |
2007 |
video, phone video, trip report |
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Grammars for Generative Art (Part III) |
Mikael Hvidtfeldt Christensen |
2009 |
generative poetry, text generators, tree-adjoining grammars |
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Grand Text Auto |
Michael Mateas, Andrew Stern, Nick Montfort, Mary Flanagan, Scott Rettberg, Noah Wardrip-Fruin |
2003 |
poetry, digital art, MERGEcollaboration, games, computer narrative |
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Hvis Adam i stedet havde spist en løg |
Christian Yde Frostholm |
2008 |
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I Love E-Poetry |
Leonardo Flores |
2011 |
blog, e-poetry, writing under constraint, electronic literature, weblog, e-lit, tags |
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Is e-literature just one big anti-climax? |
Andrew Gallix |
2008 |
e-literature, digital literature, new media writing, hype, digital literacy, transliteracy |
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Literatura Electrónica |
Juan José Diez |
2009 |
digital art, electronic literature, digital culture, reviews |
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L’avventura è l’avventura |
Francesco Cordelli |
|
interactive fiction, blog, Italian, text adventure |
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Netpoetic |
|
2009 |
pedagogy, electronic literature, digital poetry, reviews, discussion, announcements, events |
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Notes on N. Katherine Hayles: Literature and the Literary: Why Electronic Literature is Key to Their Future |
Jill Walker Rettberg |
2007 |
university, electronic literature, curriculum, institution, institutionalization, literary, literariness |
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NURBS theory | conceptualizing cultural processes: from discrete categories to continuous curves |
Lev Manovich |
2008 |
Nurbs, software studies, FILE |
|
On Reading 300 Works of Electronic Literature: Preliminary Reflections |
Joseph Tabbi |
2009 |
electronic literature, e-lit, literary studies, literary networks, networks, tagging, reading, digital humanities, academia, semantic web, web 2.0, knowledge work, electronic book review, ELD, methodology |
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On the Art of Producing a Phenomenally Short Fiction Collection over the Net Using Twitter: ‘The 24-Hr. Micro-Elit Project |
Dene Grigar |
2010 |
twitter, The 24-Hr. Micro-Elit Project, authoring software, Judy Malloy |
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Reading Hypertext: Reading Blue Hyacinth |
Steve Ersinghaus |
2003 |
|
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Responses to "On Reading 300 Works of Electronic Literature: Preliminary Reflections" |
Davin Heckman, Rita Raley, Dene Grigar, Alan Liu, Bill Benzon, Gary Comstock, Mark C. Marino, Jan Baetens, Maria Angel, Jason Nelson, Joseph Tabbi |
2009 |
riposte, electronic literature, tagging, literary studies, literary professionalism, reading, semantic web, literary criticism, description, academia, methodology |
|
Saul Bass Title Sequences (selections) |
Brian Kim Stefans |
2011 |
|
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The Story of Meehan's Tale-Spin |
Noah Wardrip-Fruin |
2006 |
|
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Third Hand Plays |
Brian Kim Stefans |
2011 |
|
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Third Hand Plays: "Repeat After Me" by joerg piringer |
Brian Kim Stefans |
2011 |
sound poetry, concrete poetry, Eugen Gomringer, constellation, digital aesthetics, networked poetry |
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Third Hand Plays: "Scrape Scraperteeth" by Jason Nelson |
Brian Kim Stefans |
2011 |
interface, games, digital aesthetics, interaction |
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Third Hand Plays: An Introduction to Electronic Literature |
Brian Kim Stefans |
2011 |
|
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Third Hand Plays: Putting it All Together, the" Comedy of Separation" |
Brian Kim Stefans |
2011 |
object-oriented ontology, tool |
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Third Hand Plays: The Comedy of Association |
Brian Kim Stefans |
2011 |
association, comedy, surrealism |
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Third Hand Plays: The Comedy of Automation |
Brian Kim Stefans |
2011 |
automation, comedy, generative, aliterary, paratactic poetry, digital poetics, chatterbots, parataxis |
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Third Hand Plays: The Comedy of Duplication |
Brian Kim Stefans |
2011 |
comedy, duplication, aura, network distribution, digital poetics |
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Third Hand Plays: The Comedy of Dysfunction |
Brian Kim Stefans |
2011 |
comedy, dysfunction |
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Third Hand Plays: The Comedy of Encryption |
Brian Kim Stefans |
2011 |
comedy, encryption, enciphering |
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Third Hand Plays: The Comedy of Exhaustion |
Brian Kim Stefans |
2011 |
conceptual writing, fonts |
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Third Hand Plays: The Comedy of Recursion |
Brian Kim Stefans |
2011 |
comedy, recursion |
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Third Hand Plays: The Comedy of Reduction |
Brian Kim Stefans |
2011 |
comedy, reduction, digital poetics, compression, minimalism |
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Third Hand Plays: The Comedy of Simulation |
Brian Kim Stefans |
2011 |
comedy, simulation, hoax, forgery, politics |
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Third Hand Plays: The Comedy of Subjection |
Brian Kim Stefans |
2011 |
electronc literature, subjection, affect, Hugh Kenner, Samauel Beckett, Flaubert, desire, politics of literature, James Joyce |
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Third Hand Plays: “automatype” by Daniel C. Howe |
Brian Kim Stefans |
2011 |
|
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Third Hand Plays: “Bodies of Water” by David Clark |
Brian Kim Stefans |
2011 |
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Third Hand Plays: “Out of Touch” by Christine Wilks |
Brian Kim Stefans |
2011 |
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Third Hand Plays: “Struts” by J. R. Carpenter |
Brian Kim Stefans |
2011 |
community, geosocial, locative, compendium piece, collaboration |
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Toward a Mobile and Geolocative E-Lit Aesthetic: Curatorial Statement for MLA 2012 Exhibit “Electronic Literature” |
Kathi Inman Berens |
2011 |
|
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Using Gowalla to Create a Historical Narrative |
Katy Meyers |
2011 |
narrative, documentary, artist statement, locative narrative |
|
Who Grabbed My Gorge |
Nick Montfort |
2011 |
remix, generative, appropriation |
|
Workshop on Curating and Exhibiting Electronic Literature |
Jill Walker Rettberg |
2012 |
exhibiting, curating |