|
A New Total Work of Art |
Christy Dena |
2007 |
lectures, cross-media, transmedia, storytelling |
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Catharsis and Flow: Two Modes in Our Media Culture |
Jay David Bolter |
2011 |
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Designing for Lotsa Media |
Christy Dena |
2008 |
lectures, cross-media, transmedia, storytelling |
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Digital Media Poetics presents Patricia Tomaszek |
Patricia Tomaszek |
2009 |
reading, generative literature, hypertext |
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Digital Storytelling: Something Old, Something New |
Carolyn Handler Miller |
2008 |
lectures, digital storytelling |
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E-Poetry Bibliography |
Chris Joseph |
2008 |
e-poetry, digital poetry, bibliography, lectures |
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Freedom in the Cloud: Software Freedom, Privacy, and Security for Web 2.0 and Cloud Computing |
Eben Molgen |
2010 |
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Grasping at Loose Bindings: Thoughts on Language, Literature, Communication in a Time of Change |
Davin Heckman |
2012 |
literature, media studies, digital culture, neoliberalism, Fulbright |
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How has technology changed writing and literature? |
Matthew G. Kirschenbaum |
2012 |
technology, writing, word processing, archiving |
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Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program |
Nick Montfort |
2011 |
creative computing, software studies, code, code reading, BASIC, commodore 64 |
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Networked Improv Narrative (Netprov) and the Story of Grace Wit & Charm: Rob Wittig's Thesis Defense |
Rob Wittig |
2011 |
netprov, improv, games, narrative |
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Open Publishing |
Suw Charman |
2007 |
lectures, publishing |
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Polyaesthetics: Designing and Experiencing Digital Narratives |
Maria Engberg |
2012 |
poetics, aesthetics, digital aesthetics, contemporary literature |
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SURFACE TEXT: Text as Surface in Immersive 3D Environments |
John Cayley |
2009 |
lectures, cave writing, digital writing |
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The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext |
John Cayley |
2011 |
hypertext, book, history of the book, writing, authorship |
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Vom Computertext zur Netzkunst. Vom Bleisatz zum Hypertext |
Reinhard Döhl |
2000 |
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Warum es zuwenig interessante Netzdichtung gibt. Neun Thesen |
Florian Cramer |
2000 |
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