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anomalie_digital arts n°5 "://brasil" / Anomalie |
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2005 |
Eduardo Kac, brazilian new media art, antecedents, holopoetry |
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Authorial Scholarship 2.0: Tracing the creative process in online communities |
Leonardo Flores |
2012 |
media ecology, affordances, online communities, creative process |
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Bootstrapping Electronic Literature: An Introduction to the ELMCIP Project |
Scott Rettberg |
2012 |
introduction, ELMCIP |
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Creativity as a social relation? |
James Leach |
2012 |
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Derivative Writing: E-literature in the world of new social and economic paradigms |
Janez Strehovec |
2012 |
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DIWO: Do It With Others – No Ecology without Social Ecology |
Ruth Catlow, Marc Garrett |
2012 |
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Embodied Algorithms: On Space and Mobility as Structural Metaphors |
Romy Achituv |
2012 |
embodied, algorithm, models, strucutral metaphors, installations, data visualization |
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ESTRanHO ERTHOS – POESIGNOS |
Augusto de Campos |
2010 |
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Evaluating digital literature: social networks, selection processes and criteria |
Alexandra Saemmer |
2012 |
selection, canonization, editorial process, evaluation criteria |
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Grafik Dynamo (Catalog) |
Joseph Tabbi, Kate Armstrong, Michael Tippett |
2010 |
narrative, word-and-image, textuality, affect, literary criticism, comics, sublime, image and text, designwriting, graphic design |
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Meditationer omkring et o ('Meditations around an o') |
Karen Wagner |
2006 |
concrete poetry, digital concrete poetry |
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Of People not Machines: Authorship, Copyright and the Computer Programmer |
Elena Cooper |
2012 |
authorship, copyright, computer programmer, digital art, creative practice |
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Out of Place: Digital In-Grouping |
Donna Leishman |
2012 |
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Players only Love you when they’re Playin': Community as Algorithm in Programmable Poetics |
Chris Funkhouser, Andrew Klobucar |
2012 |
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POIESIS <POEMA>ENTRE PIXEL E PROGRAMA</> |
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2008 |
p0es1e, epoetry, Brazilian elit |
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R3/\/\1X\/\/0RX - an artist's presentation |
Christine Wilks, Randy Adams, Chris Joseph |
2012 |
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Re-reading the Digital: An inquiry through practice |
Penny Florence |
2012 |
digital reading, subject, subjectivity |
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Remediating English Pedagogy: Nurturing immersive, complex and creative literary experiences for students in contemporary times |
Angela A. Thomas |
2012 |
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Remediating the Social |
|
2012 |
conference proceedings, ELMCIP |
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Remediating the Social (E-Book) |
|
2012 |
ELMCIP, conference proceedings |
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Remediating the Social introduction |
Simon Biggs |
2012 |
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Rendezvous: A collaboration between art, research and communities |
Cécile Chevalier |
2012 |
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Rhizomes, Lines and Nomads: Doing Fieldwork with Creative Networked Communities |
Penny Travlou |
2012 |
ethnography, transnational, transcultural, creative community, distributed |
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START HERE> An Interdisciplinary Introduction to Electronic Literature |
Scott Rettberg, Rob Wittig, Joseph Tabbi, Andrew Stern, NIki Nolin, Michelle Citron, Kurt Heintz |
2002 |
exhibition, selection, interdisciplary |
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Stringing Disturbances in Poetic Array Spaces: Reading by Close Reading |
Loss Pequeño Glazier |
2012 |
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The Compelling Charm of Numbers: Writing for and thru the Network of Data |
Roberto Simanowski |
2012 |
facebook, diaries, personal, narrative, non-fiction, representation, quantified self |
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The New Gamified Social |
Daphne Dragona |
2012 |
attention economy, social media, game-space, gamify |
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Thinking in Networks: Western/non-Western Interaction |
Yvonne Spielmann |
2012 |
installations, media art, Japan, intervention |
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Toward a Mobile and Geolocative E-Lit Aesthetic: Curatorial Statement for MLA 2012 Exhibit “Electronic Literature” |
Kathi Inman Berens |
2011 |
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Where is electronic literature in Rulinet? |
Natalia Fedorova |
2012 |
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This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license, although certain works referenced herein may be separately licensed.