|
Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media |
Marie-Laure Ryan |
2001 |
narratology, immersion |
|
(Polska) poezja cybernetyczna. Konteksty i charakterystyka |
Urszula Pawlicka |
2012 |
|
|
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Mark Sample, Noah Vawter, Casey Reas, Patsy Baudoin, John Bell |
2012 |
code, randomness, BASIC, c64, commodore 64, generative |
|
A Creative History of the Russian Internet |
Evgeny Gorny |
2006 |
|
|
A poetics |
Charles Bernstein |
1992 |
poetics, poetry, poststructuralism, literary theory, absorbtion, modernism, postmodernism, Charles Bernstein |
|
Autopoiesis: novelty, meaning and value |
Simon Biggs, James Leach |
2004 |
|
|
Avatars of Story |
Marie-Laure Ryan |
2006 |
narrative, hypertext, Storyspace, interactive drama, games, narrative theory, story |
|
Blogging |
Jill Walker Rettberg |
2008 |
|
|
Bodies in Code |
Mark B. N. Hansen |
2006 |
embodiment, body, body image, body schema, technogenesis, digital art, digital technology, agency, virtual |
|
Canonizing Hypertext: Explorations and Constructions |
Astrid Ensslin |
2007 |
teaching, hypertext, pedagogy, electronic literature, hypertext fiction, hypertext literature, canonicity, literary competence |
|
Cinematic Hypertext: Investigating a New Paradigm |
Clara Mancini |
2005 |
|
|
Cognitive Fictions |
Joseph Tabbi |
2002 |
cognitive science, fiction, autopoiesis |
|
Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report |
Theodor Holm Nelson |
1974 |
hypertext, hypermedia, multimedia, computers |
|
Computer Power and Human Reason |
Joseph Weizenbaum |
1976 |
computation, reason, artificial intelligence, chatbot |
|
Computerpoesie: Studien zur Modifikation poetischer Texte durch den Computer |
Saskia Reither |
2003 |
|
|
Computers and Creativity |
Carole Spearin McCauley |
1974 |
|
|
Computers as Theatre |
Brenda Laurel |
1993 |
|
|
Concrete Poetry: A World View |
Mary Ellen Solt |
1968 |
|
|
Control and Freedom |
Wendy Chun |
2006 |
internet, paraonoia, freedom, surveillance, networks, race, pornography, light |
|
Copy, Rip, Burn: The Politics of Copyleft and Open Source |
David M. Berry |
2008 |
|
|
Creating Interactive Fiction with Inform 7 |
Aaron A. Reed |
2010 |
authoring, interactive fiction, how-to, programming, narrative, gaming |
|
Cult of the Amateur |
Andrew Keen |
2007 |
|
|
Cybertext Poetics: The Critical Landscape of New Media Literary Theory |
Markku Eskelinen |
2012 |
cybertext, digital poetics, literary theory, media theory, cybertext narratology, game studies, ludology |
|
Cybertext: Perspectives on Ergodic Literature |
Espen Aarseth |
1997 |
ergodic literature, cybertext, hypertext, literary history |
|
Der digitale Autor. Autorschaft im Zeitalter des Internets |
Florian Hartling |
2009 |
authorship, digital literature, death of the author, Germany, dispositif |
|
Deutschsprachige Literaturmagazine im Internet: Ein Handbuch |
Renate Giacomuzzi |
2012 |
|
|
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations |
Roberto Simanowski |
2011 |
interactive, close reading, kinetic poetry, mapping, locative, meaning, hermeneutics, interpretation, desemanticization, code, body, presence, erotics |
|
Digital Currents: Art in the Electronic Age |
Margot Lovejoy |
2004 |
|
|
Digital Litteratur: En innføring |
Hans Kristian Rustad |
2012 |
digital litteratur, digital literature, electronic literature |
|
Digital Poetics: The Making of E-Poetries |
Loss Pequeño Glazier |
2001 |
digital poetics, poetry, poetics, electronic poetry, e-poetry |
|
Digital Prohibition Piracy and Authorship in New Media Art |
Carolyn Guertin |
2012 |
creativity, remix, piracy, marxism, multitude, authorship, new media art, appropriation, digital anthropophagy, creative cannibalism, mashup, archiving, Google, tactical media, activism, sampling, adaptation |
|
Digitale Medien in der Erlebnisgesellschaft. Kunst, Kultur, Utopien |
Roberto Simanowski |
2008 |
digital arts, digital media, digital culture, electronic literature, computer game |
|
Electronic Literature: New Horizons for the Literary |
N. Katherine Hayles |
2008 |
hypertext, textuality, embodiment, affect, literary history, writing-materiality, literary criticism, narrative theory, intermediation, digitality |
|
Ether: The Nothing That Connects Everything |
Joe Milutis |
2006 |
digital animism, cosmology, science and technology studies, vitalism, avant-garde, transmission art, electromagnetism, absolute art, futurism |
|
Ex-foliations: Reading Machines and the Upgrade Path |
Terry Harpold |
2008 |
hypertext, Storyspace, interface, reading, hypertext fiction, hypertext theory, obsolescence, Xanadu, ex-foliation, grammatext |
|
Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts |
Florian Cramer |
2011 |
|
|
Expressive Processing: Digital Fictions, Computer Games, and Software Studies |
Noah Wardrip-Fruin |
2009 |
narrative, game studies, story generation, software studies, platform, authoring system, digital fiction, computer games, algorithmic criticism |
|
Fashionable Noise: On Digital Poetics |
Brian Kim Stefans |
2003 |
digital poetics, cyberpoetry, hypertext, visual poetry |
|
From Papyrus to Hypertext: Toward the Universal Digital Library |
Christian Vandendorpe |
2009 |
hypertext, interactivity, novel, reading, blog, textuality, digital humanities, writing-history of, writing-materiality, literacy, writing, meaning, orality, tabularity, effect, intensive reading, extensive reading |
|
From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
Silvio Gaggi |
1998 |
postmodernism, authorship, hypertext, deconstructionism, decentering |
|
Geeks Bearing Gifts: How the Computer World Got This Way |
Theodor Holm Nelson |
2008 |
|
|
Graphs, Maps, Trees: Abstract Models for Literary History |
Franco Moretti |
2007 |
distant reading, literary history, literary studies, genre, novel, visualization, quantitative analysis |
|
Hamlet on the Holodeck: The Future of Narrative in Cyberspace |
Janet Murray |
1998 |
interactive narrative |
|
How We Think: Digital Media and Contemporary Technogenesis |
N. Katherine Hayles |
2012 |
digital humanities, technogenesis, hyper reading, skimming, scanning, reading, neurology, humanities, narrative, database, spatiality |
|
Hyperfiktion und interaktive Narration |
Beat Suter |
2000 |
genre, hyperfiction |
|
Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1997 |
|
|
Hypertext 3.0: Critical Theory and New Media in an Era of Globalization |
George P. Landow |
2006 |
hypertext criticism, critical theory |
|
Hypertext and the Female Imaginary |
Jaishree K. Odin |
2010 |
|
|
Hypertext: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1992 |
hypertext, poststructuralism, critical theory, technology, literary theory, digital textuality |
|
Hypertext: The Electronic Labyrinth |
Ilana Snyder |
1996 |
hypertext, education, digital literacy |
|
Hypertext: Zur Kritik eines digitalen Mythos |
Stephan Porombka |
2001 |
|
|
Hypertextual Fiction on the Internet: A Structural and Narratological Analysis |
Roman Zenner |
2005 |
hypertext, literary analysis, narratology |
|
Interfictions: Vom Schreiben im Netz |
Roberto Simanowski |
2002 |
|
|
Internet Art |
Rachel Greene |
2004 |
internet art, email art, media art |
|
Internetliteratur. Zu einer modernen Produktions- und Rezeptionsasthetik des netzgenuinen deutschsprachigen Schrifttums |
Ewa Hendryk |
2010 |
|
|
Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing |
Rob Wittig |
1994 |
electronic bulletin boards, collaboration, electronic literature, literary history |
|
Language Machines |
Jeffrey Masten, Nancy Vickers, Peter Stallybrass |
1997 |
|
|
Libre Culture: Meditations on Free Culture |
David M. Berry, Giles Moss |
2008 |
art, Creative Commons, free software, creativity, commons, free culture, libre, open source, Bruno Latour |
|
Life and the Screen: Identity on the Internet |
Sherry Turkle |
|
|
|
Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom |
Theodor Holm Nelson |
1981 |
|
|
Literatur auf dem Rechner |
Thomas Kamphusmann |
2002 |
|
|
Literatur im elektronischen Raum |
Christiane Heibach |
2003 |
|
|
Littérature numérique: le récit interactif, Paris, dec. 2009. |
Serge Bouchardon |
2009 |
interactive narrative, narrativity, interactivity |
|
Local Transcendence: Essays on Postmodern Historicism and the Database |
Alan Liu |
2008 |
information, historicism, New Historicism, epistemology, database, postmodernism, digital culture, information society, media studies, media history |
|
Luz & Letra: Ensaios de Arte, Literatura e Comunicação |
Eduardo Kac |
2004 |
biopoetry, holopoetry, Eduardo Kac, Brazilian elit |
|
Matières textuelles sur support numérique |
Alexandra Saemmer |
2007 |
|
|
Mechanisms: New Media and the Forensic Imagination |
Matthew G. Kirschenbaum |
2008 |
digital forensics, digital materiality, materiality, media studies, hardware |
|
Modernisms: A Literary Guide |
Peter Nicholls |
1995 |
modernism, modernity, aesthetics, literature, literary studies, symbolism, futurism, death, expressionism, dada, neo-classicism, high modernism, surrealism, literary history |
|
My Mother Was a Computer: Digital Subjects and Literary Texts |
N. Katherine Hayles |
2005 |
|
|
New Directions in Digital Poetry |
Chris Funkhouser |
2012 |
poetry, digital poetry, close reading, generative, visual poetry, interactive, animated text |
|
New Philosophy for New Media |
Mark B.N. Hansen |
2006 |
embodiment, philosophy, new media, digital image, body |
|
Notes on Conceptualisms |
Vannessa Place, Robert Fitterman |
2009 |
conceptualism, poetry, conceptualist poetry, poetics, aesthetics, appropriation, procedural poetics, literature and technology |
|
Of Two Minds: Hypertext Pedagogy and Poetics |
Michael Joyce |
1995 |
hypertext, pedagogy, poetics, digital poetics |
|
Orality and Literacy: The Technologizing of the Word |
Walter Ong |
1982 |
|
|
Paratexts: Thresholds of Interpretation |
Gérard Genette |
|
|
|
Poesia Digital: negociações com os processos digitais: teoria, história, antologias |
Jorge Luis Antonio |
2010 |
Brazilian elit, e-poetry, digital concrete poetry |
|
Poetics and Visuality: A Trajectory of Contemporary Brazilian Poetry |
Philadelpho Menezes |
1994 |
visual poetry, antecedents, Brazilian elit |
|
Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive |
Martina Pfeiler |
2010 |
poetry, digital poetry |
|
Postliterary America: From Bagel Shop Jazz to Micropoetries |
Maria Damon |
2011 |
cyberpoetics, poetry, poetics, postliteray culture, media ecology, e-poetry, cyberpoetry, liteary history, literary criticism, American studies, communities, creative community |
|
Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995 |
Chris Funkhouser |
2008 |
literary history, digital poetry, antecedents, e-poetry |
|
Radiant Textuality: Literature After the World Wide Web |
Jerome McGann |
2001 |
|
|
Radical Artifice: Writing Poetry in the Age of Media |
Marjorie Perloff |
1992 |
|
|
Reading Network Fiction |
David Ciccoricco |
2007 |
narrative, hypertext, reading, interpretation, network fiction |
|
Reading the Illegible |
Craig Douglas Dworkin |
2003 |
|
|
Remediation: Understanding New Media |
Jay David Bolter, Richard Grusin |
1999 |
history, theory, remediation, media, television, seminal |
|
remixthebook |
Mark Amerika |
2011 |
remix, pseudoautobiography, artist-medium, philosophy, performance writing |
|
Symbolic Exchange and Death |
Jean Baudrillard |
1976 |
|
|
Tactical Media |
Rita Raley |
2009 |
tactical media, digital arts |
|
Technology, Literature and Culture |
Alex Goody |
2011 |
|
|
Tecnopoeticas argentinas. Archivo blando de arte y tecnología |
Claudia Kozak |
2012 |
|
|
Tekst.no |
Ture Schwebs, Hildegunn Otnes |
2001 |
textbook |
|
Textmaschinen- Kinetische Poesie- Interaktive Installation: Studien zu einer Hermeneutik digitaler Kunst |
Roberto Simanowski |
2011 |
hermeneutics, digital hermeneutics, kinetic poetry, installation, interaction, interactivity |
|
The Ecological Thought |
Timothy Morton |
2010 |
the ecological thought, ecocriticism, critical ecologies, Romanticism, philosophy, critical theory, interconnectedness, aesthetics, ethics, new materialism |
|
The End of Books--Or Books Without End: Reading Interactive Narratives |
J. Yellowlees Douglas |
2000 |
closure, hypertext fiction, interactive, readers, choice, narrative, theory, interpretation |
|
The End of Books--Or Books Without End: Reading Interactive Narratives |
J. Yellowlees Douglas |
2000 |
closure, hypertext fiction, interactive, readers, choice, narrative, theory, interpretation |
|
The Engagement Aesthetic: Experiencing New Media Art through Critique |
Francisco J. Ricardo |
2013 |
|
|
The Fundamentals of Digital Art |
Richard Colson |
2007 |
digital art, digital art history, creative data, physical computing, database, coding, programming, interfaces, dynamic spaces, virtaul environment, collaborative art, network culture |
|
The Gutenberg Elegies |
Sven Birkerts |
1995 |
|
|
The Language of New Media |
Lev Manovich |
2002 |
theory, media theory, new media |
|
The Laws of Cool: Knowledge Work and the Culture of Information |
Alan Liu |
2004 |
knowledge work, labor, information society, information, culture of information, cool, aesthetics |
|
The Material of Poetry |
Gerald L. Bruns |
2005 |
|
|
The New Digital Storytelling: Creating Narratives with New Media |
Bryan Alexander |
2011 |
new media, narratives, story, storytelling, digital storytelling, interactive, multimedia, web 2.0 |
|
The Philosophy of Software: Code and Mediation in the Digital Age |
David M. Berry |
2011 |
|
|
The Possible Worlds of Hypertext Fiction |
Alice Bell |
2010 |
hypertext fiction, hypertext criticism, hypertext theory |
|
The Postmodern Condition: A Report on Knowledge |
Jean-François Lyotard |
1984 |
postmodernism, epistemology, postmodernity, modernity, performativity, technology, legitimation, language games, paralogy, narrative, metanarrative |
|
The Program Era: Postwar Fiction and the Rise of Creative Writing |
Mark McGurl |
2009 |
electronic literature, hypertext fiction, literary history, literary institutions, technomodernism, literature-sociology, American literature |
|
The Shape of the Signifier: 1967 to the End of History |
Walter Benn Michaels |
2004 |
|
|
The Textual Condition |
Jerome McGann |
1991 |
|
|
Translated! Papers on Literary Translation and Translation Studies |
James Holmes |
1994 |
|
|
Twisty Little Passages: An Approach to Interactive Fiction |
Nick Montfort |
2003 |
interactive fiction, riddles |
|
Un laboratoire de littératures – Littérature numérique et Internet |
Serge Bouchardon, Evelyne Broudoux, Oriane Deseilligny, Franck Ghitalla |
2007 |
digital literature, traditional literature, internet, mailing list, publishing |
|
Uncreative Writing: Managing Language in the Digital Age |
Kenneth Goldsmith |
2011 |
uncreative writing, appropriation, appropriated texts, robo-poetics, remix, literary theory, literary history |
|
Unoriginal Genius: Poetry by Other Means in the New Century |
Marjorie Perloff |
2010 |
poetry, poetics, originality, authorship, appropriation, citation, quotation, transcription, avant-garde |
|
Virtual Muse: Experiments in Computer Poetry |
Charles O. Hartman |
1996 |
memoir, digital poetry |
|
Walking and Mapping: Artists as Cartographers |
Karen O'Rourke |
2013 |
walking, mapping, art, datascape, mobility |
|
Webdramaturgie: Das audio-visuelle Gesamtereignis - 3D, Streaming, Flash |
Ursula Hentschläger, Zelko Wiener |
2002 |
|
|
Wo ist der Online-Ulysses? Kanonisierungsprozesse in der Netzliteratur |
Florian Hartling |
2004 |
digital literature, Germany, canon |
|
Words Made Flesh. Code, Culture, Imagination |
Florian Cramer |
2005 |
|
|
Writing Machines |
N. Katherine Hayles |
2002 |
materiality, electronic literature, grammatology, literary history, media-specific analysis, word and image, writing machines, technotext |
|
Writing Space: The Computer, Hypertext, and the History of Writing |
Jay David Bolter |
1991 |
electronic writing, hypertext, writing-history of, new media, writing, technology, electronic publishing |
|
Writing Space: The Computer, Hypertext, and the History of Writing, 2nd ed. |
Jay David Bolter |
2001 |
hypertext, writing-history of, remediation, new media, writing, technology |
|
Zeros and Ones: Digital Women and the New Cyberculture |
Sadie Plant |
1997 |
cyberculture, cyberfeminism, feminism, history, technology -- social aspects, technoculture |