|
The Work of Art in the Age of Mechanical Reproduction |
Walter Benjamin |
1936 |
|
|
Rytm jako kategoria opisu e-literatury |
Emilia Branny-Jankowska |
2011 |
|
|
Poetry@science? – slippingglimpse Stephanie Strickland, Cynthii Lawson Jaramillo i Paula Ryana |
Monika Górska Olesińska |
2011 |
|
|
Analiza i wartościowanie dzieła literatury cyfrowej |
Mariusz Pisarski |
2011 |
|
|
Hypertext in the Attic: The Past, Present, and Future of Digital Writing |
Andreas Kitzmann |
2011 |
hypertext fiction, history, Storyspace |
|
Poetry, Patterns, and Provocation: The nora Project |
Matthew G. Kirschenbaum |
2011 |
|
|
Four Temperaments and the Forms of Poetry |
Gregory Orr |
1996 |
|
|
Auto/onto-poiesis |
Simon Biggs |
2008 |
generative poetry, Brazilian Electronic Literature Collection, simon biggs |
|
Auto/onto-poiesis |
Simon Biggs |
|
generative, generative poetry, simon biggs, identity, poiesis, Brazilian Electronic Literature Collection |
|
Recent Experiments in Holopoetry and Computer Holopoetry |
Eduardo Kac |
1991 |
holopoetry, Eduardo Kac, visual poetry, Brazilian elit |
|
Investieren! Fünf Stellungnahmen zum Scheitern der Hypertextliteratur und ein Vorschlag zu ihrer Rettung |
Stephan Porombka |
2001 |
|
|
Weblogs: Ein globales Literaturformat. |
Thomas Ernst |
2010 |
|
|
0,5 Cent |
Dirk Schröder |
2010 |
|
|
Der Link als Herme und Seitensprung. Überlegungen zur Komposition von Webfiction. |
Dirk Schröder |
1999 |
|
|
Hyperfiction – ein neues Genre? |
Beat Suter, Michael Böhler |
1999 |
|
|
The World Must Be Described: Katarzyna Giełżyńska interviewed by Piotr Marecki |
Katarzyna Giełżyńska, Piotr Marecki |
2012 |
|
|
From The Dictionary of Digital Literature Genres |
Urszula Pawlicka, Mariusz Pisarski |
2012 |
|
|
Supplement |
Monika Górska Olesińska |
2012 |
|
|
Say it With a Film-Poem. On Katarzyna Giełżyńska’s C()n Du It |
Mariusz Pisarski |
2012 |
|
|
Aut or Not |
Urszula Pawlicka |
2012 |
|
|
A gramatura do tempo [intertexto a-textualidade] |
Roberto Keppler |
|
epoetry, Brazilian electronic poetry, computational media arts |
|
<POEM> between pixel and program </> |
Andre Vallias |
2008 |
epoetry, Brazilian electronic poetry, code aesthetitcs |
|
<POEMA> entre pixel e programa </> |
Andre Vallias |
2008 |
epoetry, Brazilian electronic poetry, code aesthetitcs |
|
Em territorio escuro |
Florian Cramer |
2008 |
|
|
From chaos to cybereal space |
Augusto de Campos |
2008 |
cyberpunk, brazilian cyberstudies, LSD, Timothy Leary |
|
POIESIS, p0es1s, p0es1e – and beyond: A retroperspective |
Friedrich W. Block |
2008 |
poiesis, Brazilian elit, poesis |
|
For a meaning of poiesis: 4 notes/interfaces |
Adolfo Montejo Navas |
2008 |
Brazilian electronic poetry, poiesis, oi futuro, Brazilian elit |
|
Do caos ao espaco ciberal |
Augusto de Campos |
2008 |
LSD, cybernetics, brazilian cyberstudies, cyberpunk |
|
Para uma razao da poiesis: 4 notas/interfaces |
Adolfo Montejo Navas |
2008 |
poesis, epoetry, Brazilian elit, poiesis |
|
Stochastische Texte - Stochastic Texts |
Theo Lutz |
1959 |
|
|
POIESIS, p0es1s, p0es1e – e adiante: Uma retroperspectiva |
Friedrich W. Block |
2008 |
poesis, poiesis, epoetry, Brazil, Brazilian elit |
|
Warum es zuwenig interessante Netzdichtung gibt. Neun Thesen |
Florian Cramer |
2000 |
|
|
Schreiben im World Wide Web - eine neue literarische Praxis? |
Christiane Heibach |
2002 |
|
|
"Creamus, ergo sumus": Ansätze zu einer Netzästhetik |
Christiane Heibach |
1999 |
|
|
Wen kümmert's wer spinnt? Gedanken zum Lesen und Schreiben im Hypertext |
Uwe Wirth |
1999 |
|
|
Wen kümmert's wer liest? Literatur im Internet |
Uwe Wirth |
1997 |
|
|
Música na cibercultura |
Gisela G. S. Castro |
2010 |
Brazilian cyberculture, music consumption, web music, piracy, copyright |
|
Cyberlove: Paixão e poder na era da cibercultura |
Francisco Rüdiger |
|
Brazilian cyberculture, forms of sociability, power systems, commodity fetishism |
|
Controle, flagrante e prazer: Regimes escópicos e atencionais da vigilância nas cidades |
Fernanda Bruno |
2010 |
surveillance, pleasure, control, brazilian cyberstudies |
|
Tecnologias de comunicação, entretenimento e competências cognitivas na cibercultura |
Fátima Régis |
|
cyberculture, cognitive competencies, entertainment, brazilian cyberstudies |
|
Cibercultura e divisão social do trabalho intelectual no Brasil: em nome da consolidação institucional nacional de um novo campo interdisciplinar de estudos Contribuição à memória da fundação da ABCiber |
Eugênio Trivinho |
2010 |
cyberculture, social division of intellectual labor, interdisciplinary field of studies, cognitive and institutional responsibility, theoretical and critical mission |
|
Cenários Cíbridos: Átimos calmos em comunicação ubíqua e móvel por conexões transparentes |
Diana Domingues |
2010 |
Cybrid, mixed reality, augmented reality, instantization, affordances, software art, locative interfaces, mobility |
|
Mobile Communication and the New Sense of Places: a Critique of Spatialization in Cyberculture |
André Lemos |
2010 |
cyberculture, mobility, communication, locative media, brazilian cyberstudies |
|
Stuttgarter Gruppe und Netzprojekte |
Roberto Simanowski, Reinhard Döhl, Johannes Auer |
2001 |
interview |
|
Geometrização do mundo e imagem digital: a tecnologia como condicionantes da arte contemporânea |
Miguel Said Vieira |
2009 |
copyleft, copyright, digital image, contemporary art, brazilian cyberstudies |
|
Arquitetura para Memória |
Anja Pratschke |
2009 |
media architecture, virtual environments, brazilian cyberstudies |
|
Über Literatur und Digitalcode / Digital Code and Literary Text |
Florian Cramer |
2004 |
|
|
Der Code ist nicht der Text (es sei denn, er ist der Text) / The Code is not the Text (unless it is the Text) |
John Cayley |
2004 |
|
|
Möglichkeitsraum Internet: Vom verwahrten Content zur interkreativen Allmende |
Beat Suter |
2004 |
|
|
Vom Code zum Interface – und zurück: zur Orientierung im Diskurs digitaler Poesie zwischen Konzept und Wahrnehmung |
Friedrich W. Block |
2004 |
|
|
Ist die Neue-Medien-Kunst wirklich neu? Über das Verhältnis von Ideengeschichte und Medien in ästhetischer Theorie und Praxis |
Christiane Heibach |
2004 |
|
|
Screaming Screen and Binary Idealism |
Johannes Auer |
2001 |
|
|
7 Thesen zur Netzliteratur |
Johannes Auer |
2000 |
|
|
Der Leser als DJ oder was Internetliteratur mit HipHop verbindet |
Johannes Auer |
1999 |
|
|
Net Literature and Radio: A Work-in-Progress Report |
Johannes Auer |
2008 |
|
|
Conclusion: Whither American Fiction? |
Jessica Pressman |
2012 |
american fiction, remediation, narrative, electronic literature |
|
Para compreender o híbrido, o imaterial e o móvel sob o prisma da liberdade e da solidariedade |
Eugênio Trivinho |
2010 |
|
|
Subculturas e cibercultura(s): Para uma genealogia das identidades de um campo |
Adriana Amaral |
2010 |
cyberculture, subculture, brazilian cyberstudies |
|
Think different: Estilos de vida digitais e a cibercultura como expressão cultural |
Erick Felinto |
2010 |
iphone, cyberculture, brazilian cyberstudies, digital culture |
|
Estética e Cibercultura: Arte no Contexto da Segregação Democrática Avançada |
Eugênio Trivinho |
|
|
|
On the Record: Notas para Errata Erratum - Projeto Duchamp Remix no Museu de Arte Contemporânea de Los Angeles (MOCA) |
Paul D. Miller (aka DJ Spooky: That Subliminal Kid) |
2010 |
electronic music, FILE |
|
Música Visionária: Notas de Percurso (em Memória de Robert Moog) |
Vanderlei Lucentini |
2010 |
tactility, electronic music, FILE, computer music, voice synthesizer |
|
Pós-Teatro: Performance, Tecnologia e Novas Arenas de Representação |
Renato Cohen |
2010 |
performance art, FILE, cybertheater, theater |
|
Novas Indústrias Culturais da América Latina ainda Jogam Velhos Jogos: da República das Bananas a Donkey Kong |
Jairo Lugo-Ocando, Merlyn Lossada , Tony Sampson |
2010 |
culture industry, latin american media, FILE, computer games, game studies |
|
Jogos e Vida: a Emergência do Lúdico na Cibercultura |
Fabiano Alves Onça |
2010 |
game studies, ludology, Brazilian elit, FILE |
|
Why Fi? Fidelidade 4k na Cidade Escalonável |
Sheldon Brown |
2010 |
Scalable City, digital image, 4K cinema, FILE, Brazilian elit |
|
Oito Milhões de Pixels em Imagens de Quatro Quilates: 4K |
Jane de Almeida |
2010 |
embodiment, digital image, 4K cinema, Brazilian elit, FILE |
|
Fechando a Questão dos Bits: Arte Digital e Propriedade Intelectual |
Richard Rinehart |
2010 |
copyright, Brazilian elit, FILE, download |
|
A Aura do Digital |
Michael Betancourt |
2010 |
aura, benjamin, materiality, Brazilian elit, FILE |
|
O Sujeito-Projeto: Metaperformance e Endoestética |
Claudia Giannetti |
2010 |
embodiment, performance, FILE, artificial intelligence |
|
Curando (n)a Web |
Steve Dietz |
2010 |
curating digital art, online museums, Brazilian elit, FILE |
|
Brincando e Jogando: Reflexões e Classificações |
Bo Kampmann Walther |
2010 |
game studies, ludology, autopoiesis, Brazilian elit |
|
A Máquina Viral Universal - Bits, Parasitas e Ecologia de Mídia na Cultura de Redes |
Jussi Parikka |
2010 |
media ecology, FILE, posthuman, autopoiesis, cybernetics |
|
Libertando-se da Prisão |
Theodor Holm Nelson |
2010 |
software studies, FILE, hardware, windows, Mac |
|
Sonho quântico: um modelo de roteiro e narrativa e de liguagem em hipermídia |
Vicente Gosciola |
2009 |
game studies, computer narrative, Brazilian elit |
|
Videogame: jogos, narrativa e interação no espaço virtual |
Sérgio Nesteriuk |
2009 |
ludology, interactivity, game studies, Brazilian elit |
|
Questionamento quanto às tecnologias da telepresença |
Yara Guasque |
2009 |
telepresence, Brazilian elit, remote presence, affective computing |
|
The Gaming Stituation |
Markku Eskelinen |
2010 |
|
|
Efeitos de Escala |
Lev Manovich |
2010 |
|
|
Poésie numérique et politiques d'événement |
Claudia Kozak |
2012 |
|
|
Estudos de Software |
Lev Manovich |
2009 |
software studies, search engine, FILE |
|
Estudos de Software |
Noah Wardrip-Fruin |
2009 |
expressive processing, software studies, FILE |
|
Teoria dos Nurbs |
Lev Manovich |
2009 |
mapping, diagrams, computer graphics, morphing |
|
Manifesto Mediamático por uma [Proto-Arte] Vebvirtual |
Artur Matuk |
2010 |
|
|
Alquimias de webmantilha: propostas colaborativas em instalações cíbridas |
Lucia Leão |
2009 |
Brazilian elit, interactive installation |
|
Tecnologias digitais e o futuro da escrita: uma prospectiva para investigação científica |
Artur Matuk |
2009 |
authorship, copyright, generated poetry, datamining |
|
Os espaços líquidos da cibermídia |
Lucia Santaella |
2009 |
|
|
A autoria do nome próprio |
Cícero Inacio da Silva |
|
|
|
Perspectiva histórica da poesia eletrônica |
Jorge Luis Antonio |
2009 |
|
|
A poesia (im)possível do século XXI |
Lucio Agra |
2009 |
digital poetry, epoetry, digital literature, Brazilian elit |
|
A-historicidade de um simpósio |
Artur Matuk |
2009 |
new media studies, new media |
|
A-Produtividade de um simpósio |
Artur Matuk, Jorge Luis Antonio |
2009 |
|
|
Os Fins dos Meios |
Cícero Inacio da Silva |
|
|
|
Poesia [DIGITAL]: Ars Combinatória |
Lucio Agra |
2010 |
|
|
Arte e Tecnologia: uma História Porvir |
Paula Perissonotto |
2010 |
|
|
Da Crítica aos Jogos na Criatividade na Era Digital |
Ricardo Barreto |
2010 |
|
|
Interpoesia e Interprosa: Escrituras Poéticas Digitais |
Wilton Azevedo |
2010 |
|
|
A Hiper-cinematividade |
Ricardo Barreto |
2010 |
FILE, new media aesthetics |
|
A Anarco Cultura |
Ricardo Barreto, Paula Perissonotto |
2010 |
FILE, autopoiesis, sampling, mass culture |
|
A Perenidade da Inconstância: o Desafio de Preservar o Imaterial |
Paula Perissonotto |
2010 |
|
|
Cultura da Imanência |
Ricardo Barreto |
2010 |
FILE |
|
Nesystematický návod na použitie slovenskej experimentálnej poézie |
Michal Rehúš, Jaroslav Šrank |
2012 |
|
|
Literárne servery a amatérsky česko-slovenský literárny kontext |
Mira Nabělková: |
2012 |
|
|
Slovenská literatúra na internete |
Jana Kuzmíková |
2012 |
|
|
V maďarskej sieti. Od digitalizovaného k počítačovému dielu |
Gabriela Magová |
2012 |
|
|
Evolúcia softvérového nástroja na hypermediálny artefakt – na príklade PowerPointovej prezentácie |
Bogumiła Suwara |
2012 |
|
|
Vzťah vizuálnosti a textu v umení nových médií |
Bogumiła Suwara |
2012 |
|
|
Na ceste k hypermediálnemu artefaktu |
Bogumiła Suwara |
2012 |
|
|
Text, příběh a stroj: Digitální textualita a textové počítačové hry v Československu 80. let 20. století |
Jaroslav Švelch |
2012 |
|
|
Všechny hry, po kterých toužíte |
Jaroslav Švelch |
2012 |
|
|
Hra pro více hráčů: Herní studia a interdisciplinarita |
Jaroslav Švelch |
2012 |
|
|
Mediálna analýza a literárny text |
Katarina Peovic Vukovic |
2012 |
|
|
Digitálny literárny text v ríši nových médií: Text ako jazda |
Janez Strehovec |
2012 |
|
|
Elektronická lite(h)ratúra s Alicou |
Zuzana Husárová |
2012 |
|
|
Zážitok * multisenzorického čítania elektronickej literatúry |
Zuzana Husárová |
2012 |
|
|
O materialite elektronickej literatúry:_ |
Zuzana Husárová |
2012 |
|
|
Perspektívy pre ergodickú literatúru |
Andrzej Pajak |
2012 |
|
|
Kybertext je viac než „kyber“ |
Mariusz Pisarski |
2012 |
|
|
Humor — Technology — Gender, Digital Language Art and Diabolic Poetics |
Friedrich W. Block |
2007 |
Alan Turing, humor, gender, contemporary art |
|
Video Games and Configurative Performances |
Ragnhild Tronstad, Markku Eskelinen |
2003 |
|
|
Event-Sequences, Plots and Narration in Computer Games |
Fotis Jannidis |
2006 |
computer games, player, narrative, ludology, narratology |
|
E-Learning and Literary Studies - Towards a New Culture of Teaching? |
Laura Borràs Castanyer |
2007 |
VLE, virtual environment, e-learning, hypertext, practical research |
|
Human Pratice - How the Problem of Ergodicity Demands a Reactivation of Anthropological Perspectives in Game Studies |
Frank Furtwängler |
|
ergodic literature, game studies, terminology |
|
Narrative and the Split Condition of Digital Textuality |
Marie-Laure Ryan |
|
|
|
Principles and Processes of Generative Literature |
Jean-Pierre Balpe |
2007 |
|
|
Code, Cod, Ode: Poetic Language & Programming |
Loss Pequeño Glazier |
2007 |
|
|
The Problem of Form: Transitoire Observable, a Laboratory for Emergent Programmed Art |
Philippe Bootz |
2007 |
programming, procedural model |
|
Spatial Remediations |
Roderick Coover |
2012 |
interactive documentary, spatiality, remediation |
|
Unique-Reading Poems: A Multimedia Generator |
Philippe Bootz |
1996 |
|
|
Reflections on the Perception of Generativeand Interactive Hypermedia Works |
Jean-Pierre Balpe |
2007 |
|
|
Programming for Fun, Together |
Nick Montfort |
2012 |
programming, demoscene, history and criticism, computational platforms, creative computing |
|
Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together |
J. R. Carpenter |
2007 |
feminism, cyberfeminism, internet, history, internet history, book |
|
Post-Chapter Dialogue, Gendolla and Ricardo |
Peter Gendolla, Francisco J. Ricardo |
2009 |
digital literature, literariness, aesthetics |
|
Post-Chapter Dialoge, Raley and Ricardo |
Rita Raley, Francisco J. Ricardo |
2009 |
polyattentiveness, reading, interpretation, digital literature |
|
Post-Chapter Dialogue, Simanowski and Ricardo |
Roberto Simanowski, Francisco J. Ricardo |
2009 |
reading, interpretation, digital literature, materiality, literary theory, art theory, experience, production of presence |
|
All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber |
Carolyn Guertin |
2008 |
|
|
Beyond The Threshold: The Dynamic Interface as Permeable Technology |
Carolyn Guertin |
2008 |
|
|
Mobile Bodies, Zones of Attention and Tactical Media Interventions |
Carolyn Guertin |
2011 |
|
|
Das Epos der Maschine. Avantgardestrategier i Cyberspace? |
Gitte Mose |
2005 |
|
|
Digitaliseret og multimedial litteratur i undervisningen |
Gitte Mose |
2010 |
teaching digital literature, teaching, pedagogy |
|
Proposal for a Universal Electronic Publishing System and Archive |
Theodor Holm Nelson |
1981 |
publishing, archive, literary systems, editing, literary machine, docuplex |
|
Introduction [to New Narratives: Stories and Storytelling in the Digital Age] |
Ruth Page, Bronwen Thomas |
2012 |
narrative, storytelling, narratology, digital narrative, new media narrative, interactive fiction, hypertext, digital narratology, narrative interaction, identity, fiction |
|
Interactive Fiction |
Nick Montfort, N. Katherine Hayles |
2012 |
interactive fiction |
|
Code Poetry and New-Media Literature |
Steve Tomasula |
2012 |
|
|
Digital Fiction: Networked Narratives |
David Ciccoricco |
2012 |
|
|
Into Thin Air: Blank Space in ‘Happening Poetry' |
Yra van Dijk |
2009 |
|
|
Songlines in the Streets: Story Mapping with Itinerant Hypernarrative |
Brian Greenspan |
2011 |
|
|
From (W)reader to Breather: Cybertextual De-intentionalization and Kate Pullinger's Breathing Wall |
Astrid Ensslin |
2011 |
intentionality, retro-intentionalization, cybertext narratology, perception, reception, narrative, embodiment, cybersomatic, digital narrative |
|
Curveship: An Interactive Fiction System for Narrative Variation |
Nick Montfort |
2011 |
interactive fiction, narratology, narrative, IF, interactive fiction system, narrative variation |
|
Seeing through the Blue Nowhere: On Narrative Transparency and New Media |
Michael Joyce |
2011 |
narrative, transparency, digital aesthetics, disorientation, poststructuralism, mediation, literary theory |
|
Ontological Boundaries and Methodological Leaps: The Importance of Possible Worlds Theory for Hypertext Fiction (and Beyond) |
Alice Bell |
2011 |
possible-worlds theory, hypertext, hypertext fiction, narratology, Storyspace |
|
The Interactive Onion: Layers of User Participation in Digital Narrative Texts |
Marie-Laure Ryan |
2011 |
interactivity, digital narrative, aesthetic value |
|
From Synesthesias to Multimedia: How to Talk about New Media Narrative |
Daniel Punday |
2011 |
new media narrative, digital narratology, multimedia, multimedia narratology |
|
The Pleasure Principle: Immersion, Engagement, Flow |
J. Yellowlees Douglas, Andrew Hargadon |
2000 |
hypertext fiction, interactive narratives, navigation |
|
Wittgenstein, Genette, and the Reader's Narrative in Hypertext |
Gunnar Liestøl |
1994 |
hypertext, narratology, multilinear, linearity |
|
Die Literaturkarte als Interface |
Annika Richterich |
2011 |
|
|
From Fantasy to Structure: Dada and Neo-Classicism |
Peter Nicholls |
1995 |
|
|
Other Spaces: French Cubism and Russian Futurism |
Peter Nicholls |
1995 |
|
|
Artifice of Absorption |
Charles Bernstein |
1992 |
|
|
‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg |
Arnaud Regnauld, Hélène Perrin |
2008 |
|
|
Between the Visceral and the Virtual: Navigating the Embedded Surfaces of Shelley Jackson’s Patchwork Girl |
Arnaud Regnauld |
2012 |
|
|
Riddle Machines: the History and Nature of Interactive Fiction |
Nick Montfort |
|
|
|
Digitale Poesie |
Dietrich Scholler |
2008 |
|
|
Conclusions |
Terry Harpold |
1994 |
|
|
Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext |
Belinda Barnet, Darren Tofts |
2008 |
|
|
The Cut-Up Method of Brion Gysin |
William S. Burroughs |
1963 |
|
|
Is There a Text on This Screen? Reading in an Era of Hypertextuality |
Bertrand Gervais |
2008 |
textuality, digital textuality, reading, interpretation, materiality, digital materiality, hypertext |
|
Digital and Analog Texts |
John Lavagnino |
2007 |
|
|
Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World |
Carolyn Guertin |
2007 |
narratives, interface, remix |
|
Electronic Poetics |
Bruce Andrews |
2003 |
|
|
Making the World Safe for Fashionable Philosophy! |
Joe Milutis |
2003 |
digital materiality, books, telecommunications, electromagnetism, machine semiotics, command-line interface, simulation, mysticism, science fiction, film, Baudrillard |
|
Enseñar literatura en la red. Nuevos recursos digitales |
Laura Borràs Castanyer |
2002 |
|
|
Investigación en teoría de la literatura y tecnologías digitales |
Laura Borràs Castanyer |
2002 |
|
|
Leed, leed, malditos. Notas para una hermenéutica de la lectura hipertextual |
Laura Borràs Castanyer |
2003 |
|
|
De la estética de la recepción a la estética de la interactividad. Notas para una hermenéutica hipertextual |
Laura Borràs Castanyer |
2004 |
|
|
Teorías literarias y retos digitales |
Laura Borràs Castanyer |
2005 |
|
|
Textualidades electrónicas: Presentación |
Laura Borràs Castanyer |
2005 |
|
|
Teorie letterarie e sfide digitali |
Laura Borràs Castanyer |
2006 |
|
|
Introduzione |
Laura Borràs Castanyer |
2006 |
|
|
Cómo analizar la nueva literatura. La crítica ante la creación literaria para la red |
Laura Borràs Castanyer |
2006 |
|
|
Teaching Literature in a Virtual Campus:The UOC Experience, 1998-2005 |
Laura Borràs Castanyer |
2006 |
|
|
Teaching Literature in a Virtual University: A Way to Enhance Imagination! |
Laura Borràs Castanyer |
2006 |
|
|
E-teaching and Literary Studies. Towards a New Culture of Teaching |
Laura Borràs Castanyer |
2007 |
|
|
Ramon Dachs, un cas d'ergodicitat intersticial / Ramon Dachs, a case of interstitial ergodicity |
Laura Borràs Castanyer |
2007 |
|
|
La revolución biotecnológica-comunicacional. Nuevas formas literarias, nuevas miradas y viejos memes |
Laura Borràs Castanyer |
2007 |
|
|
Lector in machina |
Laura Borràs Castanyer |
2007 |
|
|
Poiesis and technologie. E-learning material development in Literature |
Laura Borràs Castanyer |
2007 |
|
|
Broadening the e-learning technologies on literature: the effect of it over medieval Romance Literature |
Laura Borràs Castanyer |
2007 |
|
|
Género y ciberespacio. Ciberfeminismo y cibercultura |
Laura Borràs Castanyer |
2008 |
|
|
Reading Digital Literature: A Subject Between Media and Methods |
Roberto Simanowski |
2010 |
digital literature, literariness, literary studies, interpretation, reading, hermeneutics-expanded |
|
Apenas estas palavras mutantes |
Pedro Barbosa |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature, sound |
|
Apresentação de Amor de Clarice |
Sérgio Bairon |
2006 |
appropriated texts, digital poetry, intertextuality, teaching digital literature |
|
Literatura experimental, educació i eines interactives multimèdia |
Rui Torres |
2010 |
cybertext, digital literature, digital poetry, new media poetry, teaching digital literature |
|
Teaching Poetry With New Media |
Rui Torres |
2010 |
cybertext, digital literature, digital poetry, new media poetry, teaching digital literature |
|
Telepoesis.net - Poesia em Rede |
Rui Torres |
2005 |
cybertext, digital literature, digital poetry, interactive poetry, networked poetry, new media poetry, teaching digital literature |
|
Telepoesis.net - Poesia em Rede |
Rui Torres |
2005 |
|
|
Género y ciberespacio. Ciberfeminismo y cibercultura |
Laura Borràs Castanyer |
2008 |
|
|
¿Pero hay realmente un cambio de paradigma? Un análisis apresurado mientras la literatura pierde los papeles |
Laura Borràs Castanyer |
2008 |
|
|
Ciberteatro. Posibilidades dramatúrgicas en la era digital |
Laura Borràs Castanyer |
2009 |
|
|
Literatura i tecnologia. Ha perdut els papers, la literatura? |
Laura Borràs Castanyer |
2009 |
|
|
The Global Poetic System. A system of Poetical Positioning |
Laura Borràs Castanyer |
2010 |
|
|
De l'art si je veux |
Laura Borràs Castanyer |
2010 |
|
|
Ler Clarice Lispector, re-escrevendo Amor |
Rui Torres |
2004 |
appropriated texts, appropriation, digital literature, digital poetry, intertextuality |
|
Poesia em meio digital: algumas observações |
Rui Torres |
2004 |
cybertext, digital literature, new media poetry |
|
A Perfect Future Unread: John Cayley's "What We Will" |
David Ciccoricco |
2010 |
|
|
Megan Sapnar's "Car Wash" as a New Media Sonnet |
M.A. Keller |
2010 |
|
|
eLiterature: la letteratura nell’era digitale. Definizione, concetto e statuto. |
Fabio De Vivo |
2011 |
e-literature, definizione, concetto, statuto |
|
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives |
J. Yellowlees Douglas |
1994 |
closure, narrative, hypertext |
|
All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities |
Scott Rettberg |
2011 |
hypertext, collaboration, communities, storytelling, narrative, collective narrative |
|
CityFish |
J. R. Carpenter |
2011 |
conference, city, narrative, QuickTime, google maps, new york, Nova Scotia, panorama |
|
Five Elements of Digital Literature |
Noah Wardrip-Fruin |
|
|
|
'What Is Seen Depends Upon How Everybody Is Doing Everything': Using Hypertext to Teach Gertrude Stein's Tender Buttons |
Dene Grigar |
1998 |
hypertext, Gertrude Stein, Jeff Galin, Joan Latchaw |
|
Electronic Literature: Its Types and Some Examples |
Dene Grigar |
2003 |
Katia Valeria Maciel Toledo |
|
The Potential of Electronic Textuality |
Dene Grigar |
2006 |
Roy Ascott, Engineering Nature |
|
The Present [Future] of Electronic Literature |
Dene Grigar |
2008 |
ELO, electronic literature, Steve Gibson |
|
Electronic Fiction in the 21st Century |
Judy Malloy |
1992 |
|
|
Nonlinearity and Literary Theory |
Espen Aarseth |
1994 |
nonlinenarity, cybertext |
|
On Reading 300 Works of Electronic Literature: Preliminary Reflections |
Joseph Tabbi |
2009 |
electronic literature, e-lit, literary studies, literary networks, networks, tagging, reading, digital humanities, academia, semantic web, web 2.0, knowledge work, electronic book review, ELD, methodology |
|
Beyond Play and Narration: Video Games as Simulations of Self Action |
Jochen Venus |
2010 |
|
|
Navigating the Borders—Edges and Interfaces |
Dene Grigar |
2001 |
interface, navigation |
|
Archivability of Electronic Literature in Context |
Beat Suter |
2010 |
archiving, electronic literature, sustainability, preservation |
|
"Wo ist der Ort des Textes?" - Rainald Goetz' "Abfall für alle" |
Natalie Binczek |
2001 |
|
|
Kollaborative Schreibweisen - virtuelle Text- und Theorie-Arbeit: Schnittstellen für Interaktionen mit Texten im Netzwerk |
Heiko Idensen |
2001 |
|
|
Playable Media and Textual Instruments |
Noah Wardrip-Fruin |
2005 |
game, interactive, hypertext, play, textual instrument |
|
Digital Literature – In Search of a Discipline ? |
Alexandra Saemmer |
2009 |
teaching digital literature in France, pedagogy, didactics |
|
Digital Literature. A Question of Style |
Alexandra Saemmer |
2009 |
semiotics, poetics, figures of animation, figures of manipulation |
|
Six Problems in Search of a Solution: The Challenge of Cybertext Theory and Ludology to Literary Theory |
Markku Eskelinen |
2007 |
|
|
Sprachzeichenprozesse: Überlegungen zur Codierung von Literatur in 'alten' und 'neuen' Medien |
Jörgen Schäfer |
2004 |
|
|
Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present |
Jörgen Schäfer |
2007 |
literary history, combinatory literature, generative literature, MERGEcollaboration, antecedents, literary games, permutation, aleatorics, automatic writing, text generators, hypertext |
|
Playing With Signs: Towards an Aesthetic Theory of Net Literature |
Peter Gendolla, Jörgen Schäfer |
2007 |
|
|
Net Literature in the Classroom: Teaching Practice at the University of Siegen |
Peter Gendolla, Jörgen Schäfer, Patricia Tomaszek |
2010 |
|
|
Reading (in) the Net: Aesthetic Experience in Computer-Based Media |
Jörgen Schäfer, Peter Gendolla |
2010 |
|
|
Looking Behind the Façade: Playing and Performing an Interactive Drama |
Jörgen Schäfer |
2009 |
interactive drama, games |
|
"Verweile doch...": Über flüchtige Momente in der Netzliteratur |
Peter Gendolla |
2010 |
|
|
Verteiltes literarisches Handeln: Vorüberlegungen zu einer Theorie der Literatur in computerbasierten Medien |
Jörgen Schäfer |
2010 |
|
|
"Hypertext Poetry and Fiction": Beobachtungen zu einem Online-Seminar der New School |
Patricia Tomaszek |
2007 |
teaching, e-learning, didactics, hypertext pedagogy |
|
Digitale Literatur und Kunst: Blended Learning zu ästhetischen Prozessen in und mit Informatiksystemen |
Jörgen Schäfer, Sigrid Schubert |
2007 |
|
|
Konservativer Avantgardismus oder: Die Rettung der Kunst im Zeichen der Technik |
Roberto Simanowski |
2010 |
|
|
Die bedingten Buchstaben: Sprachreflexion und kombinatorische Literatur |
Jörgen Schäfer |
2010 |
|
|
From Revisi(tati)on to Retro-Intentionalization |
Astrid Ensslin |
2010 |
cybersomatic, physio-cybertext, body-machine, gothic, murder-mystery |
|
Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2006 |
digital poetics, poetry |
|
Language Writing, Digital Poetics, and Transitional Materialities |
Alan Golding, Giselle Beiguelman |
2006 |
digital poetics, poetics, materiality, language writing |
|
Poetics in the Expanded Field: Textual, Visual, Digital . . . |
Barrett Watten |
2006 |
|
|
Digital Gestures |
Carrie J. Noland |
2006 |
digital poetics, poetics, embodiment, gesture |
|
The World Wide Future of Book Publishing |
Jason Epstein |
2002 |
publishing, print on demand, publishing models |
|
Adventures in Mot-Town |
Robert Coover |
2002 |
literary history, image and text, word |
|
Time Code Language: New Media Poetics and Programmed Signification |
John Cayley |
2006 |
poetics, programmable media |
|
3 Proposals for Bottle Imps |
William Poundstone |
2006 |
|
|
10 Sono at Swoons |
Loss Pequeño Glazier |
2006 |
|
|
Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry |
Alan Filreis |
2006 |
poetics, digital poetry, electronic poetry, kinetic poetry, e-poetry |
|
Screening the Page/Paging the Screen: Digital Poetics and the Differential Text |
Marjorie Perloff |
2006 |
digital poetics, poetry, poetics, digital poetry, interpretation, hermeneutics, literary criticism, e-poetry |
|
Electric Line: The Poetics of Digital Audio Editing |
Martin Spinelli |
2006 |
digital poetics, poetics, editing, audio, digital-audio editing |
|
Deeper into the Machine: The Future of Electronic Literature |
N. Katherine Hayles |
2002 |
interface, embodiment, multimedia, codework, second-generation electronic literature, media specific analysis, posthuman |
|
Riding the Meridian |
Jennifer Ley |
2006 |
|
|
Exchange on Curriculars (2003) |
Brian Kim Stefans, Darren Wershler-Henry |
2006 |
|
|
Toward a Poetics for Circulars |
Brian Kim Stefans |
2006 |
|
|
The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis |
Kenneth Goldsmith |
2009 |
|
|
The Time of Digital Poetry: From Object to Event |
N. Katherine Hayles |
2006 |
digital poetics, time, temporality |
|
Coding the Infome: Writing Abstract Reality |
Lisa Jevbratt |
2003 |
coding, interfaces, code, visualization, infome, abstract realities |
|
Poetics of Dynamic Text |
Loss Pequeño Glazier |
2003 |
textuality, code, language, apparatus, dynamics, reading practice, programmability |
|
Process Window: Code Work, Code Aesthetics, Code Poetics |
Sandy Baldwin |
2003 |
aesthetics, code, codework, code poetics |
|
Inner Workings: Code and Representations of Interiority in New Media Poetics |
John Cayley |
2003 |
digital poetics, materiality, textuality, code, signification, codework, new media poetics, programmable media, turing |
|
The Reader, the Player and the Executable Poetics: Towards a Literature Beyond the Book |
Giselle Beiguelman |
2010 |
concrete poetry, database narrative, reading contexts, cross-media narratives |
|
How to Construct the Genre of Digital Poetry: A User Manual |
Friedrich W. Block |
2010 |
genre, digital poetry, creative community |
|
"No Preexistent World": On "Natural" and "Artificial" Forms of Poetry |
Peter Gendolla |
2010 |
aesthetics, avant-garde, culture, nature |
|
The Global Poetic System: A System of Poetic Positioning |
Laura Borràs Castanyer, Juan B. Gutiérrez |
2010 |
urban, locative narrative, authoring system |
|
A Town as a Novel: An Interactive and Generative Literary Installation in Urban Space |
Jean-Pierre Balpe |
2010 |
city, generative fiction, participatory, urban |
|
Locative Narrative, Literature and Form |
Jeremy Hight |
2010 |
narrative, space, style, locative narrative |
|
Framing Locative Consciousness |
Francisco J. Ricardo |
2010 |
place, space, locative narrative |
|
Hyperlinking in 3D Interactive, Multimedia Performances |
Dene Grigar |
2010 |
3D, hypertext, interactive, performance, linking |
|
Beyond the Complex Surface |
Noah Wardrip-Fruin |
2010 |
|
|
The Gravity of the Leaf: Phenomenologies of Literary Inscription in Media-Constituted Diegetic Worlds |
John Cayley |
2010 |
CAVE, 3D, materiality, surface |
|
Why Digital Literature Has Always Been “Beyond the Screen” |
Andrew Michael Roberts |
2010 |
interactivity, embodiment, affect, body, movement, enactment, depth, impersonality |
|
Event and Meaning: Reading Interactive Installations in the Light of Art History |
Roberto Simanowski |
2010 |
art history, avant-garde, transmediality |
|
Memory and Motion: The Body in Electronic Writing |
Maria Angel, Anna Gibbs |
2010 |
tactile, body, new materialism, aural |
|
Epistemology of Disruptions: Thoughts on the Operative Logic of Media Semantics |
Ludwig Jäger |
2010 |
epistemology, cultural semantics, disruptions |
|
RFID: Human Agency and Meaning in Information-Intensive Environments |
N. Katherine Hayles |
2010 |
distributed cognition, RFID, sensors, Philip K. Dick |
|
En guise de conclusion: Lieux d'opcité, le sort en jeu dans l'art |
Monique Maza |
2011 |
|
|
Peinture et création numérique: le jeu et les coulisses |
Mihai Christian Ile |
2011 |
|
|
Le jeu au risque de l'art |
Joël Gilles |
2011 |
|
|
Du jeu d l'art et des e-formes: perspective combinatoire |
Monique Maza |
2011 |
|
|
minE~i+)_mire ®+U experienced? |
Marc Veyrat |
2011 |
|
|
Poésie numérique: enjeux de lecture, lecture en jeu, étude de cas |
Philippe Bootz |
2011 |
|
|
PLAYGAME: Jouer sans fins? |
Samuel Bianchini, Jean-Baptiste Labrune |
2011 |
|
|
Musiques électroniques: vers de nouveaux modes de jeu |
Laurent Pottier |
2011 |
|
|
Ce qui nous reste |
Luc Dall'Armellina |
2011 |
|
|
Introduction à la deuxième partie: Lorsque l'art entre en jeu: approches croisées |
Monique Maza |
2011 |
|
|
Lucidité et lucidité dans Les 12 travaux de l'internaute |
Serge Bouchardon |
2011 |
|
|
Jeux en génération: Requalification esthétique des œuvres textuelles programées |
Ambroise Barras |
2011 |
|
|
"Trans-former" la poésie: formes émergentes de poésie numérique |
Giovanna Di Rosario |
2011 |
|
|
Formes du vertige dans le web-art, und lecture de desordre.net |
Estrella Rojas |
2011 |
|
|
Les figures de manipulation face aux conventions du jeu |
Alexandra Saemmer |
2011 |
|
|
De l'espace-temps parfait du jeu à l'esthétique du trouble interactif: engagement, réflexivité et déplacements expressifs |
Étienne Armand Amato, Fanny Georges |
2011 |
|
|
Du jeu vidéo á l'éctriture hybride du réel. World of Electors ou l'at de la re-médiation |
Marida Di Crosta |
2011 |
|
|
L'art de game design: caracteréristiques de l'expression vidéoludique |
Sébastien Genevo |
2011 |
|
|
Introduction à la première partie: Le jeu, comme espace de résistance |
Alexandra Saemmer |
2011 |
|
|
Responsive Environments |
Myron Krueger |
1977 |
art, meaning, technology, interaction, environment, responsive |
|
No More Teacher's Dirty Looks |
Theodor Holm Nelson |
1970 |
hypertext, stretchtext, education, computer aided instruction, hypergrams, information structures |
|
Walk This Way: Mobile Narrative as Composed Experience |
Rita Raley |
2010 |
narrative, locative, mobile, typology, experiential, environment, experience, movement |
|
These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition |
Theodoros Chiotis |
2010 |
|
|
Every Rendition on A Broken Machine |
Ross Sutherland |
2010 |
|
|
Hypertext: An alternative route to short story theorising |
Anastasia Natsina |
2007 |
|
|
From ASCII to Cyberspace: A Trajectory in Digital Poetry |
Eduardo Kac |
2011 |
poetics, holopoetry, animation, digital poetry, electronic poetry, ASCII, e-poetry, interaction |
|
Approaches to Digital Literature: Temporal Dynamics and Cyborg Authors |
Raine Koskimaa |
2010 |
|
|
Teaching Digital Literature through Multi-Layered Analysis |
Raine Koskimaa |
2010 |
teaching, electronic literature, digital literature |
|
In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia |
Janez Strehovec |
2010 |
teaching, electronic literature, digital literature, Slovenia |
|
Alphabet on the Move: Digital Poetry and the Realm of Language |
Janez Strehovec |
2010 |
|
|
Literature in Digital Culture: Pedagogical Possibilities |
Raine Koskimaa |
2010 |
teaching, electronic literature, literature, digital culture, distance learning |
|
The Moving Word: Towards the Theory of Web Literary Objects |
Janez Strehovec |
|
|
|
Når litteratur går fra papir til skjerm |
Hans Kristian Rustad |
2010 |
|
|
A Cyborg Manifesto |
Donna Haraway |
1985 |
cyborg, feminism |
|
Editorial [on Regards Croisés: Perspectives on Digital Literature] |
Philippe Bootz |
2010 |
poetics, editing, electronic literature, digital literature, e-lit |
|
Preface [to Regards Croisés: Perspectives on Digital Literature] |
Sandy Baldwin |
2010 |
editing, electronic literature, digital literature, literary history, e-lit |
|
Textual Material in the Digital Medium |
Alexandra Saemmer |
2010 |
materiality, animation, reading, writing-materiality, immersion, metaphor, links, calligramme, metonym, metalepsis, hypotyposis, onomatopoeia |
|
How to Read Words in Digital Literature |
Alckmar Luiz dos Santos |
2010 |
poetics, digital poetry, reading, interpretation, e-poetry, infopoems, epigrammatic |
|
Digital Poetry Beyond the Metaphysics of 'Projective Saying' |
Janez Strehovec |
2010 |
digital poetics, poetry, poetics, digital poetry, media ecology, modernism, interfaces, cybertextuality, e-poetry, modern poetry |
|
Speak, "Memory": Simulation and Satire in Reagan Library |
Shuen-shing Lee |
2010 |
hypertext, memory, hypertext fiction, close reading, satire, surrealism |
|
The Unsatisfied Reading |
Philippe Bootz |
2010 |
poetics, reading, procedural, affect, Costa, sublime, presentation, representation, affective reading, analytical reading |
|
Narrative Motors |
Eugenio Tisselli |
2010 |
narrative, tropes, procedural, metaphor, databases, combinatory, style, metadata, dynamic, degenerative |
|
Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing |
Noah Wardrip-Fruin |
2008 |
electronic literature, digital literature, reading, interpretation, surface, data, expressive processing, interaction |
|
Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades |
Chris Funkhouser |
2007 |
poetry, cybertext, poetics, digital poetry, procedural, electronic poetry, algorithmic text generation, kinetic poetry, literary studies, literary criticism, e-poetry, cyberpoetry, graphical poetry, reference |
|
E-literature |
Joseph Tabbi |
2011 |
narrative, materiality, writing under constraint, electronic literature, e-lit, semantic web, constraint, meaning, Oulipian, differentiation, transclusion, world literature, literalism, semantics, Oulipo |
|
Principles of Spatialization in Text and Hypertext |
Karin Wenz |
1997 |
hypertext, spatialization, space, narrative space, discursive space |
|
Do You Think You're Part of This? Digital Texts and the Second Person Address |
Jill Walker Rettberg |
2000 |
narratology, second person, narrator, narratee, communication |
|
The Definition of Hypertext and its History as a Concept |
George P. Landow |
1992 |
|
|
New Media Poetics: As We May Think/How to Write |
Adalaide Morris |
2006 |
|
|
Electronic Literature in the University |
Eric Dean Rasmussen |
2003 |
archiving, electronic literature, digital literature, literary history, academia, digital literary arts, higher education |
|
Multimedia Criticism |
Eric Dean Rasmussen |
2003 |
literary history, literary criticism, multimedia criticism, academia, multimedia, multimodality |
|
Distributed Narrative: Telling Stories Across Networks |
Jill Walker Rettberg |
2005 |
network, distributed, narratives |
|
Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb |
Katja Kwastek |
2009 |
geopoetics, locative media |
|
Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature |
Peter Gendolla |
2009 |
aesthetics, artificial poetry, digital poetics, aesthetic perception, literariness |
|
Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics |
John Cayley |
2009 |
|
|
Kissing the Steak: The Poetry of Text Generators |
Chris Funkhouser |
2009 |
text generators, generative |
|
Reading the Discursive Spaces of Text Rain, Transmodally |
Francisco J. Ricardo |
2009 |
|
|
Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work |
N. Katherine Hayles |
2009 |
|
|
List(en)ing Post |
Rita Raley |
2009 |
generative, reading, attention, polyattentiveness, attentive, embodiment, affect, disorientation, surveillance, interference, mobility, listening, crowds, multi-sensorial, algorithmic text generation, imobility, social relations, totality, voyeurism, statistical work, media ecology, lists |
|
What is and Toward What End Do We Read Digital Literature? |
Roberto Simanowski |
2010 |
eventilization, time, textuality, digital textuality, perl poetry, hermeneutics-digital, digital hermeneutics, close reading, digital literacy, digital humanities, creative cannibalism, digital cannibalism, interpretation, reading |
|
Introduction: Juncture and Form in New Media Criticism |
Francisco J. Ricardo |
2010 |
aesthetics, digital literary arts, experience, literary art, new media criticism, electronic literature, literary theory, art theory |
|
How I Was Played by Online Caroline |
Jill Walker Rettberg |
2006 |
|
|
Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates |
Roberto Simanowski |
2007 |
Eduardo Kac, biopoetry, holopoetry, close reading, taxonomy, digital literature |
|
Orality Writing Vision |
Luigi Frezza |
2011 |
|
|
From Mimetic to Cybernetic |
Mario Franco |
2011 |
|
|
Toward a Semiotic Critique of Computer Poetry |
Matteo D'Ambrosio |
2011 |
semiotics, electronic poetry, interpretation |
|
Digital Media |
Scott Rettberg, Jill Walker Rettberg |
2010 |
teaching, interactive fiction, narrative, hypertext, pedagogy, electronic literature |
|
The Experience of the Unique in Reading Digital Literature |
Raine Koskimaa |
2011 |
unique, generative, singularity, interpretation |
|
The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice |
Scott Rettberg |
2011 |
community, knowledge base, database, consortium, directory, research infrastructure |
|
Translating Digital Literature. The Example of “I’m simply saying” |
Laura Borràs Castanyer |
2011 |
teaching, pedagogy, translation |
|
E-Literature vs. E-poetry |
Caterina Davinio |
2011 |
|
|
German Net Literature: In the Exile of Invisibility |
Patricia Tomaszek |
2011 |
communities, Germany, literary systems, scholarship, post-processing, empirical study of literature, esl, awards |
|
Filiations and History of Digital Literature in France |
Serge Bouchardon |
2011 |
france, history, characteristics, groups |
|
About Some Programmed Forms in Digital Poetry |
Philippe Bootz |
2011 |
|
|
The Textual Whole and its Vicissitudes in Digital and Ergodic Literature |
Markku Eskelinen |
2011 |
textuality |
|
E-Art: Fragmentation and Assembling |
Alessandro Zinna |
2011 |
artistic tradition |
|
eLiterature: Literature in the Digital Era. Definition, Concept and Status |
Fabio De Vivo |
2011 |
|
|
From Textual Random Synthesis to Hypermedia - The Genesis of a Multimedia Electronic Work: ALLETSATOR/ROTASTELLA |
Pedro Barbosa |
2011 |
|
|
A Short History of Electronic Poetry |
Loss Pequeño Glazier |
2011 |
history, epoetry, festival, epc |
|
Art, Activism and Web. Notes and Hypothesis for a Historical Overview |
Stefano Taccone |
2011 |
|
|
New Media ArtPoetry: A Reflection on Practice |
María Mencía |
2011 |
|
|
Video Ergo Sum: Video as Symbolic Form |
Paolo Granata |
2011 |
|
|
From Oral Poetry to Tridimensional Poetry |
Agata Chiusano |
2011 |
poetry, video poetry, transmission, memory |
|
Digital Literary Text as a Play and a Ride |
Janez Strehovec |
2011 |
|
|
Digital Arts and Literature – Is it Just a Game? |
Alexandra Saemmer |
2011 |
games, play, literariness |
|
WIKIARTPEDIA |
Tommaso Tozzi |
2011 |
wiki |
|
Multimodal Metaphor and Intersubjective Experiences: The Importance of Eye-Contact in Davidson’s Graphic Novel The Spiral Cage and in Annie Abrahams Net-Project On Collaboration |
Asunción López-Varela Azcárate |
2011 |
|
|
What is "The Asian Tower"? |
Lorenza Colicigno |
2011 |
Second Life |
|
Reassembling the Literary: Toward a Theoretical Framework for Literary Communication in Computer-Based Media |
Jörgen Schäfer |
2010 |
translation, transcription, actor-network theory, mediation |
|
Beyond Taxonomy: Digital Poetics and the Problem of Reading |
Talan Memmott |
2006 |
poetics, reading, literary history |
|
Networks, Margins and Centres |
Simon Biggs |
2003 |
|
|
From Concrete to Digital: The Reconceptualization of Poetic Space |
Anna Katharina Schaffner |
2010 |
poetic space, concrete poetry, antecedents |
|
Digital Poetics or On the Evolution of Experimental Media Poetry |
Friedrich W. Block |
2007 |
digital poetics, interactivity, concrete poetry, materiality, interface, interaction design, technology |