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Titlesort descending Author Year Tags
From OULIPO to Transitoire Observable Philippe Bootz 2012 Oulipo, Transitoire Observable, digital poetry, france, digital aesthetics, generated poetry, A.L.A.M.O., L.A.I.R.E.
From Theo Lutz to Netzliteratur. The Development of German-Language Electronic Literature Beat Suter 2012 community, awards, post-processing, collaborative hypertext, stuttgart school
Intent is Important (a sketch for a progressive criticism) Adrian Miles 2003 intention, intentionality, interpretation, literary criticism
Remiksy, remediacje, redefinicje Mariusz Pisarski 2013
"Distance, Homelessness, Anonymity, and Insignificance": An Interview with Young-Hae Chang Heavy Industries Thomas Swiss, Young-Hae Chang Heavy Industries 2002 interview
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext Paul Hackman 2011 hypertext fiction
"Of Dolls and Monsters": An Interview with Shelley Jackson Rita Raley 2002 narrative, hypertext, materiality, fiction, Storyspace, interview, body, monstrosity, information, fantasy, link, image and text
"Terminal Hopscotch": Navigating Networked Space in Talan Memmott's Lexia to Perplexia Lisa Swanstrom 2011 aesthetics of spatial dislocation, interpretation, digital literacy, grid
'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics Rita Raley 2011
A Child's Game Confused Jill Walker Rettberg 2001 hypertextual, creative criticism, personal criticism, criticism
A Four-Sided Model for Reading Hypertext Fiction Hans Kristian Rustad 2009 hypertext theory
A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen Lisa Swanstrom 2011 3D, locative literature, narrative, genre, interaction, interactive narrative, actor-network theory, ANT, performance, performativity, spatiality
A Performance of Reality. Handwriting and Paper in Digital Literature Yra van Dijk 2012
A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation Sandy Baldwin 2003 materiality, textuality, literary innovation, digital poetics
A Poetics of the Link Jeff Parker 2001 electropoetics, cyberdebate, link studies
A Posthuman Cosmopolitanism and New Media Writing Hazel Smith 2012
A Pragmatics of Links Susana Pajares Tosca 2000 links, rhetorics, hypertext fiction
A Quick Buzz around the Universe of Electronic Poetry Deena Larsen 2001 poetry, digital poetry, electronic poetry, e-poetry
A Response to "A New 'Gospel of the Three Dimensions'" Marie-Laure Ryan 2012 interpretation, experience, electronic literature, digital literary art
A Response to Twelve Blue by Michael Joyce Gregory L. Ulmer 1997 poetics, fiction, word-and-image, hypertext fiction, literacy, electracy, image
A Short History of Electronic Literature and Communities in the Nordic Countries Hans Kristian Rustad 2012 history, community, Scandinavia
A [S]creed for Digital Fiction Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Kristian Rustad, Jess Laccetti, Jessica Pressman 2010 narrative, digital fiction, literary criticism, screed, keywords, methodology, critical terms
Aesthetics and Literature: A Problematic Relation? Peter Lamarque 2007 literature, aesthetics, appreciation, poetry, narrative
Aesthetics of surface, ephemeral and re-enchantment in digital literature: How authors and readers deal with the lability of the electronic device Alexandra Saemmer 2009 digital aesthetics, lability of the device, surface and interface, semiotics, figures of manipulation, figures of animation
Alire: A Relentless Literary Investigation Philippe Bootz 1999 journal history, e-lit publishing
Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst Reinhard Döhl 1996
Anti-Spam: Reinventing Data Álvaro Seiça 2012 datascape, data mining, visualization, digital art, impedance, projection mapping
Apprendre la littérature en ligne: transformer les techniques communicatives du discours savant Laura Borràs Castanyer 2007
Arabisk og asemisk kalligrafi Karen Wagner 2005 symbols, linearity, alphabet, e-lit, mysticism, form, abstract, representation, artistic tradition, language, language philosophy
Art, Creativity, Intellectual Property and the Commons David M. Berry, Giles Moss 2005 art, Creative Commons, free software, copyleft, creativity
Attacking the Borg of Corporate Knowledge Work: The Achievement of Alan Liu's The Laws of Cool N. Katherine Hayles 2005 review, knowledge work, culture of information, information, information society, digital culture, cool, diversity, humanities education, digital literary studies, corporate culutre, business culture, ethics
Authors, Readers, and Progression in Hypertext Narrative Edward Maloney, James Phelan 1999 narrative progression, hypertext, non-linear reading, linear reading
Autofiction on Screen: Self-representation of an Egyptian ‘Spinster’ in a Literary Blog Teresa Pepe 2012 blog, literary blog, fiction, autobiography, self-representation, autofiction, gender, Egypt
Aya Karpinska and Daniel C. Howe Chris Funkhouser 2012 3D, spatiality, poetry, installation, geometric, sound, verbal permutation, interactive, multi-sensory
Az augmentált valóság média– és kommunikációelméleti hatásai Zoltàn Szüts 2011 3D, augmented reality
Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games Keith Stuart, Jason Nelson 2011 interview, blog, game, Flash, electronic literature, net art, digital poetry, digital aesthetics, professionalism
Because It's Not There: Ekphrasis and the Threat of Graphics in Interactive Fiction Aaron Kashton 2011 interactive fiction, ekphrasis, graphics, image and text, word and image, rhetoric
Beyond Myth and Metaphor: Narrative in Digital Media Marie-Laure Ryan 2002 narrative, hypertext, digital narrative, digital media, metaphor, narrative interface, interactivity
Beyond Space Invaders Jennie Rothenberg Gritz 2006
Beyond the Book: François Bon and the Digital Transition Allison James 2011 François Bon, daily writing, online writing, digital literature, digital textuality
Bookend; www.claptrap.com Laura Miller 1998 hypertext, hypertext fiction, reading, literature, literary history, literacy
Bridge Work Chris Funkhouser 2003 science, poetry, typography, sonnet, hybrid, review
Cavewriting Scott Rettberg, Jill Walker Rettberg, Noah Wardrip-Fruin, Robert Coover, Josh Carroll 2004 CAVE, 3D, collaboration
charNG: case study of authoring a poetry generator Edde Addad 2011
Charting the Shifting Seas of Electronic Literature’s Past and Present Jessica Pressman 2009 electronic literature
Cia Rinnes Zaroum Anders Lundberg visual, poetry, essay, creative criticism, Nordic
Ciberdrama e Hipermédia Rui Torres, Luís Carlos Petry 2008
Cibertextualidades: Introdução Rui Torres 2006 cybertext, digital literature, digital poetry, intermediality, new media poetry, hypermedia
Close Reading in the Realm of Static and Dynamic Texts Patricia Tomaszek 2007 criticism, literary criticism, digital poetics, close reading
Code.surface || Code.depth Rita Raley 2006 materiality, code, codework, representation, geological computing
Collaborations in E-lit Stephanie Strickland, Nick Montfort 2011 collaboration, electronic literature, e-lit, the ecological thought, recombinant poetics, code, remix, appropriation, interactive fiction, platform
Collecting digital literature in Europe J. R. Carpenter 2011 digital literature, collection, Electronic Literature Collection, Electronic Literature Directory, Electronic Literature Organization, Hermeneia, databases, curation, archive, electronic literature, e-lit
Comedies of Separation: Toward a Theory of the Ludic Book Brian Kim Stefans 2011 critical terms, rhetoric
Comment lire la littérature numérique? L’expérience d’enseigner la Poésie Numérique dans les Études de Philologie Catalane Laura Borràs Castanyer 2007
Communities/Commons: A Snap Line of Digital Practice Loss Pequeño Glazier 2012
Communitizing Electronic Literature Scott Rettberg 2009 community, institutional critique, digital humanities, post-processing, e-lit publishing, ELO, ELC, archiving, e-lit academia, e-lit history
Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer Julien Denault 2009 text animation, figures of manipulation, memory, rhizome
Computer Game Studies, Year One Espen Aarseth 2001
Conceptual Poetics Kenneth Goldsmith 2007
Concrete Poetry in Analog and Digital Media Roberto Simanowski 2003
Concrete Poetry in Digital Media: Its Predecessors, its Presence and its Future Roberto Simanowski 2004
Connecting Memories: Contextualizing Creative Research Practice María Mencía 2011 practice-led research, research, narrative, interactive, refugee
CONT3XT.NET is Everything J. R. Carpenter 2011 internet art, artist's book, collective
Critical Code Studies Mark C. Marino 2006 critical code studies, code, paratext
Curating the MLA 2012 'Electronic Literature' Exhibit Dene Grigar, Lori Emerson, Kathi Inman Berens 2012 curation, reading, performance, geolocative works, exhibition, desktop works, mobile work, locative literature
Cybertekst: Metodologia i interpretacja Emilia Branny-Jankowska 2011 cybertext, dissertation
Cybertext Killed the Hypertext Star Nick Montfort 2000 cybertext, hypertext, debate, ergodic, ergodic literature, interactive fiction
Cybertext Poetics: The Critical Landscape of New Media Literary Theory, A Review Jan Baetens 2012 criticism, cybertext, poetics, theory, ludology
Cybertext Theory: What an English Professor Should Know Before Trying Markku Eskelinen 2001
Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature Scott Rettberg 2008 dada, avant-garde, digital literary studies
Dada2data Chris Joseph 2003
Dali Clocks: Time Dimensions of Hypermedia Stephanie Strickland 2001 time, temporality, netart, perception, web art
Datorn som poetiskt bollplank Jesper Olsson 2012
Deeper into the Machine: The Future of Electronic Literature N. Katherine Hayles 2002 interface, embodiment, multimedia, codework, second-generation electronic literature, media specific analysis, posthuman
Developing an Identity for the Field of Electronic Literature: Reflections on the Electronic Literature Organization Archives Scott Rettberg 2012 history, community, ELO, institution, identity
Dichtung Digital 28 2003
Dichtung Digital 33 2004
Digital Literature and the Modernist Problem Maria Engberg, Jay David Bolter 2011
Digital Literature in France Serge Bouchardon 2012 literary history, france
Digital Literatures and Theoretial Approaches Laura Borràs Castanyer 2004
Digital litteratur -et laboratorium for den digitale kultur Søren Bro Pold 2001 critical, network culture, digitalization, literature and technology, Nordic, nordic e-lit
Digital Magic: Preservation for a New Era Matthew G. Kirschenbaum 2012 digital forensics, preservation, emulation, media archaeology
Digital Poetics or On the Evolution of Experimental Media Poetry Friedrich W. Block 2007 digital poetics, interactivity, concrete poetry, materiality, interface, interaction design, technology
Digital Poetry: From Cybertext to Programmed Forms Philippe Bootz 2006 e-poetry, digital poetry, procedural model, intermedia, technotext, Transitoire Observable, form, cybertext
Dissonance in Multi-Semiotic Landscapes in the Work Of Donna Leishman Donna Leishman 2009 interface, navigation, pictorial literariness, semiotics
Dissoziierte Autoren - Netzliterarische Autorschaft zwischen Tradition und Experiment Florian Hartling 2009
Distributed Authorship and Creative Communities Simon Biggs, Penny Travlou 2012
Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue Anthony Enns 2001 narrative, reading, hypertext fiction, interpretation, hermeneutics, plot, closure, ending
Dovetailing Details Fly Apart — All Over, Again, in Code, in Poetry, in Chreods Stephanie Strickland, Cynthia Lawson Jaramillo 2007 philosophy, chreods, code, design, practice
Dramaturgy and the Digital Barbara Bridger 2013 Digital, dramaturgy, performance, digital performance, performance writing, script, generation
E-Borges: Stuart Moulthrop’s Victory Garden Álvaro Seiça 2012 war, intertextuality, Borges, labyrinth
E-Learning and Literary Studies. Towards a New Culture of Teaching? Laura Borràs Castanyer 2005
E-Lit Works as 'Forms-of-Culture': Envisioning Digital Literary Subjectivity Mauro Carassai 2011
E-Literacies: Politexts, Hypertexts, and Other Cultural Formations in the Late Age of Print Nancy Kaplan 1995
Editor's Introduction: Reconfiguring Place and Space in New Media Writing Scott Rettberg 2006 narrative, place, body, space, locative narrative, navigation
Editor's Introduction: Writing.3D Rita Raley 2006
Eight Digits of Digital Poetics Friedrich W. Block 2001
Electricians, Wig Makers, and Staging the New Novel Steve Tomasula 2011 writing, novel, authorship, new media, collaboration, collage
Electronic Literature and the Mashup of Analog and Digital Code Eduardo Navas 2010 electronic literature, intertextuality, mashup, remix, networked culture
Electronic Literature as an Information System Juan B. Gutiérrez, Mark C. Marino, Pablo Gervás, Laura Borràs Castanyer 2009 definitions, models, information systems
Electronic Literature Communities, Part I Scott Rettberg, Patricia Tomaszek 2012 communities, ELMCIP
Electronic Literature Communities, Part II Scott Rettberg, Patricia Tomaszek 2012
Electronic Literature Publishing and Distribution in Europe Markku Eskelinen, Giovanna Di Rosario 2011 publishing, electronic literature, literary history, e-lit, white paper, distribution
Electronic Literature Seen from a Distance: The Beginnings of a Field Jill Walker Rettberg 2012 history, Storyspace, hypertext fiction
Electronic Literature: Where Is It? Dene Grigar 2008 teaching, pedagogy, electronic literature, reading, digital humanities, literary studies, academia, higher education, literary, literacy
eLiterature questa (s)conosciuta. Storia e stato dell’arte, definizione e sistemi affini, generazioni e classificazione dei generi Fabio De Vivo 2011 e-literature, electronic literature, digital literature, new media writing
Enlightening Interactive Fiction: Andrew Plotkin’s Shade Jeremy Douglass 2008
Entre Ville: This City Between Us J. R. Carpenter 2009 digital poetry, new media, web art, city, Montreal literature
Entre Ville: this city between us redux J. R. Carpenter 2011 hypermedia, hypermedia journal, Montreal, digital literature, literature, video, walking
Et P set forfra, bagfra og fra siden Christian Yde Frostholm, Karen Wagner 2009 contemporary literature, tagging, archiving, exhibition, collaborative, diversity, aesthetics, blog, Nordic, nordic e-lit
Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics Mark Amerika 2004 writing, net art, digital narrative, ethics, aesthetics, performative
False Pretenses, Parasites, and Monsters Tom LeClair 2000 hypertext, materiality, fiction, collaboration, novel, aesthetics, hypertext fiction, literary criticism, gender, monstrosity, feminism, parasitism, encyclopedic novel
Figures in the Interface: Comparative Methods in the Study of Digital Literature John David Zuern 2009 figuration-digital, figuration, tropes, digital literature, literary studies, comparative literature
flâneur, a walkthrough: Locative Literature as Participation and Play Anders Sundnes Løvlie 2012
Flash points: Reading electronic literature as a metaphor for creativity David Thomas Prater, Maria Engberg 2012 pedagogy, electronic literature
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis N. Katherine Hayles 2000 hypertext, hypertext fiction, media-specific analysis, gender, subjectivity, feminism
Focalization and Digital Fiction David Ciccoricco 2012 focalization, narratology, narrative, digital fiction, cybernetic narration
For Thee: A Response to Alice Bell Stuart Moulthrop 2010 narrative, genre, hyperfiction, hypertext fiction, hypertext criticism, hypertext narrative, possible worlds theory, networks, experimental fiction, cognitive mapping, network theory, general economy, attention, obsolescence
Formen digitaler Literatur 2.0 Norbert Bachleitner 2010
Forming the Text, Performing the Work: Aspects of Media, Navigation, and Linking Anna Gunder 2001 navigation, ergodicity, hypertext, linking, textual criticism, hypertext theory, storage, text access, multisequentiality, axial structure, space
Framed: The Machine in/as the Garden Timothy Morton 2010 aesthetics, ecocriticism, cinemascape, critical ecologies, ecology
Friending the Past: The Sense of History and Social Computing Alan Liu 2011 historicism, social networks, social computing, history, literary history, oral culture, media studies, writing systems, authorship, web 2.0, temporality, sociality, social media
From Concrete to Digital Poetry: Driving Down the Road of Continuity? A Personal Report from Norway Ottar Ormstad 2012
Gang i Norden Morten Søndergaard 2004 comparative literature, analysis, creative criticism, information visualization, Nordic, nordic e-lit
Gathered, Not Made: A Brief History of Appropriative Writing Raphael Rubinstein 1999
Generative Visual Renku: Poetic Multimedia Semantics with the GRIOT System D. Fox Harrell, Kenny K. N. Chow 2009 generative, criticism, concrete poetry, calligraphy
Gesturing Toward the Visual: Virtual Reality, Hypertext & Embodied Feminist Criticism Carolyn Guertin 1999
Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet Joseph Tabbi 2010 narrative, non-linearity, literary modalities, combinatory
Growing up Digital: The Emergence of E-Lit Communities in Spain. The Case of Catalonia “And the Rest is Literature” Laura Borràs Castanyer 2012
Her har man altid med sig Anna Hallberg 2005 creative criticism, experimental, visual, e-lit, Nordic, nordic e-lit, static, memoir
Humanities Games and the Market in Digital Futures Johanna Drucker 2005 knowledge work, review, digital culture, corporate culture, information, humanities, digital humanities, cool, avant-garde, aesthetics, media studies, aesthesis
Hypernews and Coherence Martin Engebretsen 2001 news, hypertext, coherence, structure
Hyperrhiz.09 2012
Hypertext Criticism: introduction to a special issue Susana Pajares Tosca 2001
Hypertext Criticism: Writing about Hypertext Susana Pajares Tosca, Jill Walker Rettberg 2003 hypertext criticism
Hypertext Syntagmas: Cinematic Narration with Links Adrian Miles 2001 semiotics, hypertext narrative
Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot Jaishree K. Odin 2002 poetry, hypertext, hypermedia
Immersion versus Interactivity: Virtual Reality and Literary Theory Marie-Laure Ryan 1994 3D, literary theory, virtual reality
Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s] Mez Breeze 2003
Inside Outside the Box: Default Settings and Electronic Poetics Davin Heckman 2010 critical/political/philosophical, electronic poetics, mortality
Interactive Fiction Nick Montfort 2005
Interactive Fiction Communities: From Preservation through Promotion and Beyond Nick Montfort, Emily Short 2012
Interactive Fiction? I prefer Adventure Francesco Cordelli, Don Woods 2001 interactive fiction, interview, text adventure
Interferences: [Net.Writing] and the Practice of Codework Rita Raley 2002
Intermediation: The Pursuit of a Vision N. Katherine Hayles 2007 electronic literature, reading, hypertext fiction, textuality, digital textuality, literary history, plot, intermediation, cognition, dynamic heterarchy, fluid analogies, print textuality, mark
Internet i literatura avui: el fil d’Ariadna Laura Borràs Castanyer 2001
Interpoetry: a game of words, images and sounds as a poetic sign in digital media Wilton Azevedo, Philadelpho Menezes, Jorge Luis Antonio 2001 epoetry, interpoetry, Brazilian elit, electronc literature
Interview with Jean-Luc Lamarque Jim Andrews, Jean-Luc Lamarque 2003
Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives Daniel Punday 2004 game narratives, melancholy, emotion, affect, immersion, reader response
Is e-literature just one big anti-climax? Andrew Gallix 2008 e-literature, digital literature, new media writing, hype, digital literacy, transliteracy
Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues Arnaud Regnauld, Hélène Perrin 2007
Kac, Cayley, and Kargl on Translation J. R. Carpenter 2011 digital literature, translation, installation, bio-tech
Kjærstad, hyperroman og hieroglyffer Karen Wagner 2003 hieroglyphic language, Norwegian, danish, Nordic, essay, e-lit, love, linking
Learning from Science Fiction Criticism: Excessive Candour Julianne Chatelain 2003 science fiction, reviewing
Learning From the Review Culture of Fan Fiction Julianne Chatelain 2003 fan fiction
Letters That Matter: Electronic Literature Collection Vol 1 John David Zuern 2007 electronic literature, e-lit, letters, materiality of letters, materiality, semantic web, literary history, anthology, preservation, canonization, images, information
Literal Art John Cayley 2004 writing, literal art, materiality, pixel, line, affect, programmatology, digital poetry, poetics, e-poetics, Digital, alphabetic, Kittler, media studies, literary studies
Literary Machines Made in Germany. German Proto-Cybertexts from the Baroque Era to the Present Jörgen Schäfer 2006
Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature Søren Bro Pold 2007 textuality, interface, web 2.0, search engine, Google
Locating the Literary in New Media Joseph Tabbi 2008 posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness
Logging In and Getting Off: Login, Labor, Literature, and the Subject of the Net Sandy Baldwin 2009
Læsetrance - tempo og tvang hos YHCHI Karen Wagner 2008 Young-Hae Chang Heavy Industries, scheduled, audio-visual, creative criticism
L’escriptura literària en l’era digital Laura Borràs Castanyer 2010
Making Sense of the Digital as Embodied Experience Serge Bouchardon, Asunción López-Varela Azcárate 2011
Meditationer omkring et o ('Meditations around an o') Karen Wagner 2006 concrete poetry, digital concrete poetry
Mez Interview Josephine Bosma 2000
Miniatureskrift og andet uendeligt småt Karen Wagner 2004 language, symbols, religion, art, art history, book arts, calligram, cyberculture
Multi-Dimensional Dementia: M.D. Coverley’s Califia and the Aesthetics of Forgetting Carolyn Guertin 2001
Multi-Dimensional Dementia: M.D. Coverley’s Califia and the Aesthetics of Forgetting Carolyn Guertin 2001
Multimediality, Intermediality, and Medially Complex Digital Poetry Kiene Brillenburg Wurth 2006 multimediality, intermediality, gesamtkunstwerk, materiality, interactivity
Musealisierung und Jugendwahn - Frieder Rusmanns Kunsttot-Manifest Roberto Simanowski
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext Laura Shackelford 2005 narrative, remediation, hypertext, postmodern fiction, hypertext theory, subjectivity, gender
New Criticism Necessary? and Points for Hypermedia Critics Bill Marsh 2003 hypertext criticism, analysis
New Directions in Digital Poetry: A Review Jan Baetens 2012 digital poetry, review, criticism
New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia 2011 labor, digital humanities, ELO, scholarly multimedia, material labor, embodied labor, rhetoric, academia, literary studies
Nicolas Clauss' Art if I want Laura Borràs Castanyer 2005
Nonce Upon Some Times: Rereading Hypertext Fiction Michael Joyce 1997 close reading
Notes Towards a Phenomenology of Digital Information Jenny Weight 2003 phenomenology
Número especial sobre Crítica Hipertextual Journal of Digital Information: Editorial Susana Pajares Tosca 2001
Od żył przez pędzel do hipertekstu: O Czarnych jagodach Susan Gibb Urszula Pawlicka 2012
Om Monica Aasprongs Soldatmarkedet Audun Lindholm 2007 concrete poetry, hybrid, fonts, typewriters
On Byways and Backlanes: The Philosophy of Free Culture David M. Berry 2007 Creative Commons, commons, free culture, copyright, Heidegger
On Hypertext Criticism Richard E. Higgason 2003 criticism, close reading
On Hypertext Criticism Deena Larsen 2003
On Media and Modules Stephen Dougherty 2004
Paradoxical Print Publishers TRAUMAWIEN J. R. Carpenter 2011 print, books, digital literature, performance, publishing
Performative Reading: Attending The Last Performance [dot org] Scott Rettberg 2010 close reading, constraints, networked reading, attentive reading
Performing Digital Texts in European Contexts J. R. Carpenter 2011 digital literature, performance writing
Phantasmal Fictions D. Fox Harrell 2010 electronic literature, media theory, literary criticism, phantasmal media, cognitive science, cognitive theory, metaphor, computational media arts, imagination, conceptual blending
Ping Poetics Sandy Baldwin 2009 digital poetics, poetics, coding, poesis, materiality, ping
Playable Media and Textual Instruments Noah Wardrip-Fruin 2005 game, interactive, hypertext, play, textual instrument
Poesin banar ny väg bland ettor och nollor Magnus Bremmer 2007
Poetic Transformations in(to) the Digital Friedrich W. Block, Rui Torres 2007 adaptation, intertextuality, poetics, visual poetry, sound poetry, combinatory, algorithmic
Possiplex: Ted Nelson ’59 and the Literary Machine Mark Bernstein 2011 Ted Nelson, literary machine, hypertext, writing systems, personal computing, biography
Pressing the ‘Reveal Code’ Key John Cayley 1996 poetic writing, code, software, computer system, algorithmic text generation
Psychogeography, Détournement, Cyberspace Amy J Elias 2011 psychogeography, détournement, cyberspace, Situationist Internationale, avant-garde, dérive, web 2.0, Debord, spectacle
Queen Bees and the Hum of the Hive An Overview of Feminist Hypertext's Subversive Honeycombings Carolyn Guertin 1998
Reading Digital Cultural Objects Patricia Tomaszek 2010 e-lit, digital culture, digital objects
Reading Hypertext and the Experience of Literature David S. Miall, Teresa Dobson 2001 hypertext, reading, literary reading, literacy, digital literacy, absorbtion, style, links
Reading the Code between the Words: The Role of Translation in Young-hae Chang Heavy Industries’s Nippon Jessica Pressman 2007 essay
Reading Time: For a Poetics of Hypermedia Writing Bill Marsh 2001 poetics, performance, hypermedia, interpretation, hermeneutics, time, digital textuality, literary criticism, anti-hermeneutics, ephemerality, duration
Reproductive Technologies, Fetal Icons, and Genetic Freaks: Shelley Jackson’s Patchwork Girl and the Limits and Possibilities of Donna Haraway’s Cyborg Heather Latimer 2011 hypertext fiction, cyborg, reproductive technologies, representation, monstrosity
Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres Jan Baetens 2010 electronic literature, interface, literary theory
Reveal Codes: Hypertext and Performance Rita Raley 2001 hypertext, performance, digital textuality, self-reflexivity, combinatorial, links, postmodernism, anamorphosis, complexity, linking
Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser Chris Funkhouser 2012 review, meaning, interpretation, close reading, telematic embrace, digital poetics, literary criticism, semantics, literary theory
Review of Mark Bernstein and Diane Greco, Reading Hypertext Marvin E. Hobson 2011
Riposte to "A [S]creed for Digital Fiction" Kate Pullinger 2010 digital fiction, e-books
Sc4nda1 in New Media Stuart Moulthrop 2012
Scott Rettberg’s Writerly Text, “The Meddlesome Passenger”: Reading as Writing/Consumption as Production Robert Ford 1993 close reading, Roland Barthes, postmodern, writerly
Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997) Arnaud Regnauld 2010
Shyness, Cushions, and Food: Case Studies in American Creative Communities Rob Wittig 2012
Six Problems in Search of a Solution: The Challenge of Cybertext Theory and Ludology to Literary Theory Markku Eskelinen 2007
Some Joyces, Not an Eco: Introduction to Instruments and Playable Texts Stuart Moulthrop 2008 Michael Joyce, textual instrument, playable texts, Umberto Eco
Somewhere Nearby is Colossal Cave: Examining Will Crowther's Original "Adventure" in Code and in Kentucky Dennis G. Jerz 2007 interactive fiction, text adventure, code studies, spelunking, adventure
START HERE> An Interdisciplinary Introduction to Electronic Literature Scott Rettberg, Rob Wittig, Joseph Tabbi, Andrew Stern, NIki Nolin, Michelle Citron, Kurt Heintz 2002 exhibition, selection, interdisciplary
Stepping Into the River: Experiencing John Cayley's riverIsland Maria Engberg 2005
Stepping Into the River: Experiencing riverIsland Maria Engberg 2006
Stuttgarter Gruppe und Netzprojekte Roberto Simanowski, Reinhard Döhl, Johannes Auer 2001 interview
Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental Laura Shackelford 2006 monstrosity, media studies, feminism, posthuman, systems theory
Taking A Scroll: Text, Image and the Construction of Meaning in a Digital Panorama Roderick Coover 2008 scrolling, layering, compositing, panorama, paths, choice
Teaching Digital Literature: Didactic and Institutional Aspects Roberto Simanowski 2009 teaching, digital literature, electronic literature, pedagogy, literary institutions
Technics and Violence in Electronic Literature Davin Heckman 2011 electronic literature, embodiment, literary studies, violence, tactile, technics, neoliberalism, desire, mnemotechnics, digital culture, political, interface
Tending the Garden Plot: Victory Garden and Operation Enduring.... David Ciccoricco 2004 war, politics, hypertext fiction
The Aesthetics of Generative Literature: Lessons from a Digital Writing Workshop Daniel C. Howe, Braxton Soderman 2009 pedagogy, generative, tools, authorship, materiality
The Assimilation of Text by Image David Jhave Johnston 2012 electronic literature, visual poetry, spatial arts, avant-garde
The Body in Electronic Literature Jonathan Jones 2008
The Challenge of Cybertext: Teaching Literature in the Digital World Raine Koskimaa 2007 electracy, hypertext, literary pedagogy, meta-interpretation, procedural literacy, digital culture
The Code is not the Text (unless it is the Text) John Cayley 2002 code, codework
The Cut-Up Method of Brion Gysin William S. Burroughs 1963
The Digital Loop: Feedback and Recurrence Rita Raley 2002
The Distributed Author: Creativity In the Age of Computer Networks Christiane Heibach 2000 authorship
The E-ssense of Literature Robert Kendall 2008 generative, source code, criticism, methodology
The Flash Community: Implications for Post-Conceptualism Donna Leishman 2012
The Function of Digital Poetry at the Present Time Nathan Brown 2008
The Gaming Situation Markku Eskelinen interpretation, game studies, configuration
The Loom and the Weaver: Hypertext and Homer's Odyssey Dene Grigar 1995 Mindi Corwin, Homer, The Odyssey
The Machine in the Text, and the Text in the Machine Manuel Portela 2010 electronic literature, materiality, digital materiality, intermediation, digital literature, digital forensics, interface
The Making of "The Famous Sound of Absolute Wreaders" Beat Suter 2004
The Monstrous Book and the Manufactured Body in the Late Age of Print John M. Vincler 2010 materiality, codex, paratext, interface
The New Place of Reading: Locative Media and the Future of Narrative Brian Greenspan 2011 locative narrative, spatiality, literary space, mobile reading, embodiment, spatial play, ludology
The Nihilanth: Immersivity in a First-Person Gaming Mod Sandy Baldwin 2006 3D, video games, modding, game mod, artist commentary
The NT2 Hypermedia Art and Literature Directory: A New Knowledge Environment Devoted to the Valorization of Screen Culture Bertrand Gervais 2009 database, knowledge environment, media ecology, digital media, archiving, hypermedia, environnement de connaissance, médias numériques, NT2 Hypermedia and Literature Directory
The Paratexts of Inanimate Alice: Thresholds, Genre Expectations and Status Gavin Stewart 2010 paratext, technotext, Genette, close reading
The Politics of the Libre Commons David M. Berry 2006 art, Creative Commons, creativity, commons
The Print Map as a ‘literary platform’ J. R. Carpenter 2013 map, mapping, print, publishing, publishing models, QR code, generation, performance
The Prison-House of Data Noah Wardrip-Fruin 2012 digital humanities, expressive processing, methodology, software studies, literature and technology
The Role of Sound in Electronic Literature 2006 Trace, Sue Thomas
The Significance of Navigation and Interactivity Design for Readers’ Responses to Interactive Narrative James Pope 2009 reader response, design, navigation, interactivity design, interactive narrative, interface
The Strategy of Digital Modernism: Young-Hae Chang Heavy Industries's Dakota Jessica Pressman 2008 narrative, reading, intertextuality, interpretation, hermeneutics, close reading, digital modernism, modernism, Beat literature, jazz, remediation, retro, plot, Ezra Pound, high modernism
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