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21 días |
Isaías Herrerro Florensa |
2006 |
|
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5000 palabras |
Isaías Herrerro Florensa |
2011 |
|
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
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ACITEOP. Disfunciones poéticas del lenguaje. |
Pelayo Méndez |
2011 |
visual poetry, algorithmic text generation, mashup, Google, web art, photography, web 2.0 |
|
Algoritmo, (Algorithm) |
Pablo Brito Altamira |
2005 |
hypertext, novell, interactive, crime novel |
|
Anipoems |
Ana María Uribe |
1997 |
animation, kinetic typography, animated gifs |
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Apología de la brevedad: Intermínims de navegació poètica o la tentación del silencio |
Laura Borràs Castanyer |
2005 |
|
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Asunto Hola |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
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Ciberteatro. Posibilidades dramatúrgicas en la era digital |
Laura Borràs Castanyer |
2009 |
|
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Cityscapes: Social Poetics / Public Textualities |
María Mencía |
2005 |
city, cross-cultural communication, calligram, collaboration, exploration |
|
Código de barras |
Alma Pérez |
2006 |
sound, voice, distance |
|
Cómo analizar la nueva literatura. La crítica ante la creación literaria para la red |
Laura Borràs Castanyer |
2006 |
|
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Como el cielo los ojos (Like the sky the eyes) |
Edith Checa |
1998 |
hypertext novel, multi plot, timeline, interactive |
|
Cunnilingus Norcoreano |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
Dadaventuras |
Chris Joseph, Maria Colino |
2004 |
absurd, aleatory narrative, dada, Flash, hypermedia, narrative, random |
|
Dakota |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2001 |
narrative, Flash, digital modernism, digital fiction, road narrative |
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De la estética de la recepción a la estética de la interactividad. Notas para una hermenéutica hipertextual |
Laura Borràs Castanyer |
2004 |
|
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Declaracion De Artista |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
degenerativa |
Eugenio Tisselli |
2005 |
philosophical, erasure, degenerative, interactive, poetics |
|
Desde Aquí (From here) |
Mónica Montes |
|
hypertext |
|
Deseo - Desejo - Desire: 3 Erotic Anipoems |
Ana María Uribe |
2003 |
Flash, static, audio, e-poetry, desire |
|
Discipline |
Ana María Uribe |
2002 |
Flash, kinetic, e-poetry, audio |
|
Eidola Kosmos |
Isaías Herrerro Florensa |
2008 |
|
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Enseñar literatura en la red. Nuevos recursos digitales |
Laura Borràs Castanyer |
2002 |
|
|
European eLiterature Collection |
|
2012 |
collection, anthology, e-literature, electronic literature, digital literature, new media writing, preservation, archiving |
|
Gabriella infinita |
Jaime Alejandro Rodríguez |
|
hypertext, fiction, novel, video, audio, disappearance, evidence, escape, metafiction, adaptation, translation |
|
Género y ciberespacio. Ciberfeminismo y cibercultura |
Laura Borràs Castanyer |
2008 |
|
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Género y ciberespacio. Ciberfeminismo y cibercultura |
Laura Borràs Castanyer |
2008 |
|
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Golpe de Gracia |
Jaime Alejandro Rodríguez |
2009 |
narrative, Flash, hypertext, audio, games, critical/political/philosophical |
|
Golpe de gracia and the Latin American Electronic Literature |
Perla Sassón-Henry |
2010 |
Golpe de Gracia, electronic literature, narrative, cross-platform narrative |
|
Hermeneia |
|
|
|
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Hermeneia Directory of On-line Digital Literature |
|
|
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Inanimate Alice, Episode 1: China |
Kate Pullinger, Chris Joseph |
2005 |
audio, children's literature, collaboration, fiction, Flash, network forms, place |
|
Investigación en teoría de la literatura y tecnologías digitales |
Laura Borràs Castanyer |
2002 |
|
|
Kairos |
Isaías Herrerro Florensa |
2009 |
|
|
La Huella de Cosmos |
Domenico Chiappe |
2005 |
|
|
La literatura electrónica |
Laura Borràs Castanyer |
2009 |
|
|
La Resocialista Internacional |
Andreas Maria Jacobs |
2008 |
poetry, translation, appropriation, politics, socialism, transmedial |
|
La revolución biotecnológica-comunicacional. Nuevas formas literarias, nuevas miradas y viejos memes |
Laura Borràs Castanyer |
2007 |
|
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Leed, leed, malditos. Notas para una hermenéutica de la lectura hipertextual |
Laura Borràs Castanyer |
2003 |
|
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Leer literatura (en) digital: una historia de intermediaciones, desplazamientos y contaminaciones |
Laura Borràs Castanyer |
2010 |
|
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Libros informáticos, libros posinformáticos: formas de lo literario en la era digital. Muestra de tecnologías literarias catalanas contemporáneas |
Laura Borràs Castanyer |
2009 |
|
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Literatura Digital 2010. La Incubadora |
Laura Borràs Castanyer |
2010 |
|
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Literatura digital: una nueva relación entre teoría y práctica experimental |
|
2012 |
|
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Literatura Electrónica |
Juan José Diez |
2009 |
digital art, electronic literature, digital culture, reviews |
|
Lit[art]ure: la literatura en tiempos de Internet |
Laura Borràs Castanyer |
2008 |
|
|
Lombrices (Minhocas) |
Leon Ferrari, Ricardo Pons |
2004 |
video poetry, video installation, oi futuro, poiesis |
|
mar puro |
Aya Natalia Karpinska |
2006 |
3D, spatial |
|
Middle Orange | Meia Naranja |
Loss Pequeño Glazier |
2010 |
video, epoetry, performative |
|
Mulheres más: Percepções e representações da mulher transgressora no mundo luso-hispânico |
|
2004 |
|
|
Negro en ovejas |
Tina Escaja |
2008 |
Flash, photographs, voice, poem |
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Número especial sobre Crítica Hipertextual Journal of Digital Information: Editorial |
Susana Pajares Tosca |
2001 |
|
|
Pain & Vice Versa / Dolor y Viceversa |
Blaz Valdez |
2002 |
Flash, Shockwave, QuickTime, hypertext, fiction, short story, point of view |
|
Pentagonal |
Carlos Labbé |
2001 |
hypertext, non-linear, simulation, email, digital poem |
|
Pinzas de metal |
Tina Escaja |
2003 |
|
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Poesia encontrada |
Rui Torres |
2007 |
aleatory, appropriated texts, code, digital collage, ephemerality, Flash, networked poetry |
|
Poubelle |
Guiliano Tosin, Fabio Oliveira Nunes |
2007 |
politics, audio, Flash, George W. Bush, Hugo Chavez, kinetic typography |
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Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental |
Rui Torres |
2010 |
cybertext, digital literature, digital poetry, experimental literature, intermediality, new media poetry, preservation, teaching digital literature, digital archives |
|
Red/tratos |
Eduardo Scala |
2002 |
lierary authors, visual poetry, digital concrete poetry, poiesis, Brazilian elit |
|
Robotype |
|
|
typography |
|
Samsung (Spanish) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Sinferidad |
Benjamín Escalonilla Godayol |
2009 |
|
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Tecnopoeticas argentinas. Archivo blando de arte y tecnología |
Claudia Kozak |
2012 |
|
|
Teorías literarias y retos digitales |
Laura Borràs Castanyer |
2005 |
|
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Textualidades electrónicas: Presentación |
Laura Borràs Castanyer |
2005 |
|
|
The Circus |
Ana María Uribe |
2001 |
Flash, kinetic, audio, e-poetry |
|
The Two |
Nick Montfort, Serge Bouchardon, Natalia Fedorova, Carlos León |
2008 |
|
|
Tierra de Extracción |
Domenico Chiappe, Andreas Meier |
2000 |
narrative, collaboration, hypertext, audio, Shockwave, multilingual or non-english |
|
Una Selva Oscura |
Victoria Welby |
2008 |
vispo, participatory, illustration, animation, audio, page, voice, adaptation |
|
Universo Molécula |
Isaías Herrerro Florensa |
2007 |
poetry, interactive, javascript |
|
Velo City |
Tina Escaja |
2000 |
Flash, kinetic poetry |
|
White-Faced Bromeliads on 20 Hectares |
Loss Pequeño Glazier |
1999 |
visual poetry, HTML/DHTML, generative, digital poetry, translation, javascript, place, e-poetry, dynamic, multilingual, transcultural |
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¿Pero hay realmente un cambio de paradigma? Un análisis apresurado mientras la literatura pierde los papeles |
Laura Borràs Castanyer |
2008 |
|