|
"Poésies contemporaines: le retour en avant" |
Jan Baetens |
2011 |
poetry, modernity, postmodernity, originality, sampling |
|
"Trans-former" la poésie: formes émergentes de poésie numérique |
Giovanna Di Rosario |
2011 |
|
|
...Reusement |
Jerome Fletcher |
2007 |
performance writing, erasure, performative, projective art, bilingual |
|
10 Poemes en 4 Dimensions |
Xavier Malbreil |
|
visual poetry, animation, animated gif |
|
20% d’amour en plus |
Fançois Coulon |
1996 |
interactive, hypertext novel, hypertext, non-linear, story, sound and image |
|
243 cartes postales en couleurs véritables |
George Perec |
|
combinatorial techniques, interactive, fiction, postcards, algorithm, game |
|
A bribes abattues |
Philippe Bootz |
1990 |
poetry, kinetic |
|
ABC LA: Portrait d'une ville en 26 lettres |
Béatrice Mousli, Guy Bennett |
2009 |
multimodal, narrative |
|
Amour |
Philippe Bootz |
1989 |
|
|
anomalie digital_arts |
|
|
|
|
anomalie_digital arts n°5 "://brasil" / Anomalie |
|
2005 |
Eduardo Kac, brazilian new media art, antecedents, holopoetry |
|
Apparitions inquiétantes |
Anne-Cécile Brandenbourger |
1998 |
hypertext, sound, story, non-linear, interactive |
|
Apprendre la littérature en ligne: transformer les techniques communicatives du discours savant |
Laura Borràs Castanyer |
2007 |
|
|
Archives Zaroum |
Cia Rinne |
2008 |
typography, kinetic poetry |
|
Astres / Stars |
Susan Coolen, Childe Rolan |
2007 |
video, animation, voice, stars |
|
Being Human |
Annie Abrahams |
|
|
|
Blind Side of a Secret |
Thomas Swiss, Nils Mühlenbruch, Yoshi Sodeoka, Motomichi Nakamura |
2007 |
audio, collaboration, Flash, remix |
|
Ce qui nous reste |
Luc Dall'Armellina |
2011 |
|
|
Cent mille milliards de poèmes |
Raymond Queneau |
1961 |
combinatory poetics, writing under constraint, Oulipo, antecedents |
|
changerTout |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda |
2011 |
|
|
Comment lire la littérature numérique? L’expérience d’enseigner la Poésie Numérique dans les Études de Philologie Catalane |
Laura Borràs Castanyer |
2007 |
|
|
Composition No. 1 |
Marc Saporta |
1961 |
nonlinear fiction, cybertext, artist book |
|
Compte-rendu critique de l'oeuvre "Étang" de Alexandra Saemmer |
Julien Denault |
2009 |
text animation, figures of manipulation, memory, rhizome |
|
Cunnicornord |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
Dans la gueule du loup |
Nicolas Clauss, Jean-Jacques Birgé |
2003 |
Shockwave, responsive, kinetic, audio |
|
De l'amour |
Xavier Malbreil |
2007 |
text and image, inscription |
|
De l'espace-temps parfait du jeu à l'esthétique du trouble interactif: engagement, réflexivité et déplacements expressifs |
Étienne Armand Amato, Fanny Georges |
2011 |
|
|
De la confirmation à la subversion: Les figures d’animation face aux conventions du discours numérique |
Alexandra Saemmer |
2011 |
digital discourse, semiotics, poetics, figures of animation |
|
Declaration D'Artiste Numero 45.730.944: Les Parfait Web Site Artistique |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Déprise |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Déprise |
Serge Bouchardon |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Désir Insuffisant |
Philippe Bootz |
2005 |
parody, paratext, performance |
|
Détournement / Diversion |
Serge Bouchardon |
2007 |
|
|
Dichtung Digital 33 |
|
2004 |
|
|
Disclaimer |
David Jhave Johnston |
2010 |
censorship, commentary, parody, generative, combinatorial, Flash |
|
Do Not Forget It |
Pierre Alferi |
2012 |
video, performance |
|
Dressage #7 |
Tibor Papp, Claude Maillard |
1990 |
appropriation, visual poetry |
|
Du jeu d l'art et des e-formes: perspective combinatoire |
Monique Maza |
2011 |
|
|
Du jeu vidéo á l'éctriture hybride du réel. World of Electors ou l'at de la re-médiation |
Marida Di Crosta |
2011 |
|
|
e-cris |
Luc Dall'Armellina |
2001 |
|
|
E-Formes 1 : Ecritures visuelles sur support numérique |
|
2008 |
|
|
E-Formes 2: Au risque du jeu |
|
2011 |
poetry, games, interaction, borders, play |
|
Ecran Total |
Alain Salvatore |
1997 |
hypertext, hypertextfiction |
|
En guise de conclusion: Lieux d'opcité, le sort en jeu dans l'art |
Monique Maza |
2011 |
|
|
Enfonçons la Porte! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, narrative |
|
Etang |
Alexandra Saemmer |
2011 |
animation, interactive, re-enchantment |
|
Etang |
Alexandra Saemmer |
2008 |
autobiography, animated text, memory, death |
|
Etudes de linguistique appliquée |
|
|
|
|
European eLiterature Collection |
|
2012 |
collection, anthology, e-literature, electronic literature, digital literature, new media writing, preservation, archiving |
|
Expressions |
Patrick Henri Burgaud |
|
|
|
Family of silence |
Linda Suthiry Suk |
2012 |
Flash, video, audio, poetry, war, Cambodia |
|
Fictions d’Issy |
Jean-Pierre Balpe |
|
generative, generative novel |
|
Fils de l'art et la littérature (Interview with Alexandra Saemmer) |
David Jhave Johnston, Alexandra Saemmer |
2012 |
|
|
Formes du vertige dans le web-art, und lecture de desordre.net |
Estrella Rojas |
2011 |
|
|
Free Lutz! |
Johannes Auer |
2005 |
radio art, net literature, live performance |
|
Frontières Vomies (Borders vometing) |
Jean-Marie Pelloquin |
1995 |
interactive, hypertext, Poetic, non-linear, interactive story |
|
Fugues |
René Lapierre |
2007 |
poetry, hypermedia, piano, image and text |
|
Hermeneia Directory of On-line Digital Literature |
|
|
|
|
Histoire de la Femme aux Grosses Mains |
Véronique Hubert |
2002 |
fiction, story, poetry, absurd |
|
Hypertexte |
Gerald Berche-Ngô |
2010 |
hypertext, interactive, story, non-linear |
|
Imposition |
John Cayley |
2007 |
generative, collective, multilingual, installation |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
Inanimate Alice, Episode 1: China |
Kate Pullinger, Chris Joseph |
2005 |
audio, children's literature, collaboration, fiction, Flash, network forms, place |
|
Incident of the Last Century 1999, Sampling Sarajevo |
Grégory Chatonsky |
1998 |
|
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
INJECTIES (INJECTIONS) |
Paul Bogaert |
2010 |
video |
|
Instant Memory |
Patricia Rydzok, Pedro Vitorino Olivera |
2007 |
flash fiction, interactive fiction, war, pollution, cloning |
|
Interpoesia: Le Debut de L’ecriture en Expansion |
Wilton Azevedo |
2009 |
interpoetry, Brazilian elit, Transitoire Observable, interpoesia |
|
Interview with D. Kimm |
D. Kimm, David Jhave Johnston |
2012 |
|
|
Introduction à la deuxième partie: Lorsque l'art entre en jeu: approches croisées |
Monique Maza |
2011 |
|
|
Introduction à la première partie: Le jeu, comme espace de résistance |
Alexandra Saemmer |
2011 |
|
|
Je t'aimerai |
Jean-Marie Dutey |
1995 |
|
|
Jean-Pierre Balpe ou les Lettres Dérangées |
Patrick Henri Burgaud |
2005 |
animation, Flash, multilingual, ALAMO, games, time-based, kinetic |
|
Jeux en génération: Requalification esthétique des œuvres textuelles programées |
Ambroise Barras |
2011 |
|
|
L' après-midi d'un phonème, or la faune of après-afternoon |
Michael Joyce |
2012 |
|
|
L'Albatross |
Patrick Henri Burgaud |
2010 |
video, recombination, tagging |
|
L'art de game design: caracteréristiques de l'expression vidéoludique |
Sébastien Genevo |
2011 |
|
|
La Groupe Alire (Interview with Philippe Bootz) |
Philippe Bootz, David Jhave Johnston |
2012 |
|
|
La Lutte Continue |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
Flash, experimental cinema |
|
La machine à écrire (The typewriter) |
Jean Baudot |
1961 |
generated poetry, pioneering |
|
La plissure du texte |
Roy Ascott |
1983 |
collaboration, narrative, fairy-tale |
|
Labylogue |
Maurice Benayoun, Jean-Pierre Balpe, Jean-Baptiste Barrière |
2000 |
Interactive art, virtual reality, virtual environment, 3D, sound, poetry, software-generated text, algorithmic text generation, networked, installation, speech recognition |
|
Lace (Dentelle) |
Pierre Albert-Birot, F.J. Bergmann |
2002 |
animation, translation, Flash |
|
Le jeu au risque de l'art |
Joël Gilles |
2011 |
|
|
Le lit des amants (The Lover's Bed / Rakastavaisten vuode) |
Elina Saloranta |
2004 |
experimental, multimodal, video art, combinatory poetics, interactive |
|
Le mange-textes |
Jean-Marie Dutey |
1989 |
|
|
Le Noeud |
Jean-François Verreault |
1998 |
hyperfiction |
|
Le Rabot poète |
Philippe Bootz |
2005 |
unconfortable reading, ergodic poetry |
|
Les 12 Travaux de l'Internaute / The 12 Labors of the Internet User |
Serge Bouchardon |
2008 |
game, mythology, classics, Flash, interactive, satire, user interface, remediation, Hercules |
|
Les Amants de Beaubourg |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
Flash, narrative |
|
Les amis seur le seuil |
Philippe Bootz, Marcel Frémiot |
2011 |
|
|
Les figures de manipulation face aux conventions du jeu |
Alexandra Saemmer |
2011 |
|
|
Lire la littérature numérique à l’université : deux situations pédagogiques |
Alexandra Saemmer |
2010 |
pedagogy, didactics, teaching digital literature |
|
Loss of Grasp |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Lucidité et lucidité dans Les 12 travaux de l'internaute |
Serge Bouchardon |
2011 |
|
|
L’esprit humain |
Jean-Pierre Balpe |
1994 |
poetry generator |
|
Mandelbrot.fr (private reading device) |
Alexandra Saemmer, Bruno Scoccimarro |
1999 |
ephemerality, device, temporarilty, flow |
|
Matières textuelles sur support numérique |
Alexandra Saemmer |
2007 |
|
|
Metamorphose |
Philippe Bootz |
1988 |
|
|
minE~i+)_mire ®+U experienced? |
Marc Veyrat |
2011 |
|
|
Mirroring Tears: Visages |
John Cayley, Penny Florence |
2011 |
translation, Processing, reading, cognition, RiTa, reader |
|
Musiques électroniques: vers de nouveaux modes de jeu |
Laurent Pottier |
2011 |
|
|
Ne me touchez pas / Don't touch me |
Annie Abrahams |
2003 |
|
|
NON-roman |
Lucie de Boutiny |
1997 |
hypertext |
|
Not Found |
Christophe Bruchansky |
2007 |
google maps, locative narrative, distributed narrative |
|
noth'rs |
John Cayley |
1999 |
transliteral morphing, appropriation, collaboration, poetry |
|
NT2 Répertoire Des Arts et Littératures Hypermédiatiques |
|
|
|
|
Opacité |
Serge Bouchardon, Leonard Dumas, Vincent Volckaert, Hervé Zénouda |
2012 |
interactive narrative, interactivity, opacity, HTML5, web-based, smartphone, tablet |
|
Opération Teddy Bear |
Edouard Lussan |
1996 |
comic, interactive, story, world war 2, linear |
|
Paris Réseau/ Paris Network |
Karen O'Rourke |
2000 |
interactive narrative, mapping, art, collaborative art, bilingual |
|
Peinture et création numérique: le jeu et les coulisses |
Mihai Christian Ile |
2011 |
|
|
petite brosse à dépoussiérer la fiction |
Philippe Bootz |
2011 |
HTML, javascript, responsive |
|
Petits Poems a Lecture Inconfortable |
Philippe Bootz |
2007 |
|
|
Peurs / Fears |
Annie Abrahams |
2007 |
contributory participation, voices, fear, performance |
|
Phares gamma |
Jacques Donguy |
2002 |
sound and image, hypertext, interactive |
|
pianographique |
Jean-Luc Lamarque |
1993 |
multimedia instrument, literal art, keyboard, music, audio, collage, spatial, visual poetry |
|
PLAYGAME: Jouer sans fins? |
Samuel Bianchini, Jean-Baptiste Labrune |
2011 |
|
|
Poésie numérique et politiques d'événement |
Claudia Kozak |
2012 |
|
|
Poésie numérique: enjeux de lecture, lecture en jeu, étude de cas |
Philippe Bootz |
2011 |
|
|
Postales |
Gabriela Golder |
2000 |
labyrinth, expatriation, net art, image and text, nonlinearity, cycles, performance, hypertext |
|
Q.Q.A.3 |
Luc Dall'Armellina |
2004 |
dialogic pong, conversation game |
|
Ream |
Nick Montfort |
2007 |
|
|
Recuil |
Patrick Henri Burgaud |
2007 |
poetry, HTML |
|
Retournement |
Philippe Bootz |
1991 |
syntactic animation, reading |
|
Revenances |
Grégory Chatonsky |
2000 |
|
|
Sale Temps |
Frank Dufour |
1997 |
interactive, fiction, pictures, photomontage, crime, novell, Faust |
|
Samsung (French) |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Samsung Veut Dire Jouir |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Sans Titre |
Anonymes |
2005 |
|
|
Separation / Séparation |
Annie Abrahams |
2003 |
Flash, interactivity, embodiment, ergodic, disability studies, parody, satire, participation, body - mind - computer relationship |
|
Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997) |
Arnaud Regnauld |
2010 |
|
|
Simultan |
Urs Richle |
2008 |
hypertext novel, hypertext, collaboration |
|
Soleil Amer |
Bruno Scoccimarro |
2007 |
|
|
Sooth |
David Jhave Johnston |
2005 |
animation, Flash, poetry, video, audio |
|
Sous Terre, The Subnetwork |
Grégory Chatonsky |
2001 |
subway, network, time, attention, waiting, memory |
|
Techniques avancées pour l'hypertexte |
|
1996 |
linguistic, hypertext grammar |
|
The Intruder |
Natalie Bookchin |
1999 |
cybertext, games, Jorges Luis Borges, remediattion, perspective, Shockwave, adaptation |
|
The Set of U / La Série des U |
Philippe Bootz, Marcel Frémiot |
2004 |
animation, collaboration, generative, audio, music, Shockwave, combinatorial, multilingual |
|
The Tradition of E-Lit Publishing in France |
Philippe Bootz |
2011 |
france, electronic literature, literary history, e-lit |
|
The Two |
Nick Montfort, Serge Bouchardon, Natalia Fedorova, Carlos León |
2008 |
|
|
Tibor Papp performance |
Tibor Papp |
2007 |
sound poetry, voices, machine voice, reading |
|
To be or not to be Mouchette |
Martine Neddam |
2007 |
Flash, responsive, poetry, virtual character |
|
Tramway |
Alexandra Saemmer |
2009 |
memory, oblivion, lability, autobiography |
|
Translation |
John Cayley |
2004 |
constraint, ambient, collaboration, generative, translation, procedural, transliteration, audio, music, textual instrument, appropriation, appropriated texts, time-based, QuickTime |
|
Tue-moi |
Eric Sérandour |
1998 |
email |
|
Tumulte, 227 histoires brèves |
François Bon |
2008 |
|
|
Un conte à votre façon |
Raymond Queneau |
1999 |
hypertext, interactive, non-linear, abstract, algorithm, combinatorial techniques |
|
Una Selva Oscura |
Victoria Welby |
2008 |
vispo, participatory, illustration, animation, audio, page, voice, adaptation |
|
Vers de nouvelles formes en poésie numérique programmée? |
Philippe Bootz |
2006 |
genre, form, semiotics |
|
Vingt ans après |
Sophie Calle |
2001 |
|
|
Voyage avec l’ange |
Tamara Lai |
1999 |
hypertext, sound and image, voice, interactive, story, humour, mythical |
|
when |
Ottar Ormstad |
2011 |
video poetry, digital concrete poetry, multilingual or non-english, photographs, modern music, nature/culture, environmental, life/death |
|
‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg |
Arnaud Regnauld, Hélène Perrin |
2008 |
|