|
The World Must Be Described: Katarzyna Giełżyńska interviewed by Piotr Marecki |
Katarzyna Giełżyńska, Piotr Marecki |
2012 |
|
|
The World Wide Future of Book Publishing |
Jason Epstein |
2002 |
publishing, print on demand, publishing models |
|
The World's First Collaborative Sentence |
Douglas Davis |
1994 |
collaborative art |
|
Theorizing Digital Narrative: Beginnings, Endings, and Authorship |
Jennifer Roudabush |
2012 |
critical new media, narratology, digital narratology, cross-media narratives, rhetoric, digital rhetoric |
|
Theory and technology for computational narrative: an approach to generative and interactive narrative with bases in algebraic semiotics and cognitive linguistics |
D. Fox Harrell |
2007 |
generative, semantics, narrative structure, dynamic media, interactive drama, GRIOT |
|
There Are Many Detours Between Information And Instruction |
Joe Milazzo |
2012 |
Flash, static |
|
There he was, gone. |
J. R. Carpenter |
2012 |
generative, narrative, dialogue, performance, maps, place |
|
There, There Square |
Jacqueline Goss |
2008 |
map, narrative, locative, cartography, Flash |
|
These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition |
Theodoros Chiotis |
2010 |
|
|
These Waves of Girls: A Hypermedia Novella |
Caitlin Fisher |
2001 |
narrative, hypertext, fiction, hypertext fiction, girl, coming of age, sexuality, play, cruelty, collage, childhood, youth, memory |
|
These Waves of Memories: A Hyperfiction by Caitlin Fisher |
Raine Koskimaa |
2004 |
hypertext, hyperfiction, memory, unreliable narration |
|
Things Come and Go |
María Mencía |
1999 |
|
|
Think Again: Artificial Intelligence, Television, and Video |
Joe Milutis |
1998 |
data visualization, artificial intelligence, detective, video art, emergence, television, convergence |
|
Thinking in Networks: Western/non-Western Interaction |
Yvonne Spielmann |
2012 |
installations, media art, Japan, intervention |
|
Third Hand Plays |
Brian Kim Stefans |
2011 |
|
|
Third Hand Plays: "Repeat After Me" by joerg piringer |
Brian Kim Stefans |
2011 |
sound poetry, concrete poetry, Eugen Gomringer, constellation, digital aesthetics, networked poetry |
|
Third Hand Plays: "Scrape Scraperteeth" by Jason Nelson |
Brian Kim Stefans |
2011 |
interface, games, digital aesthetics, interaction |
|
Third Hand Plays: An Introduction to Electronic Literature |
Brian Kim Stefans |
2011 |
|
|
Third Hand Plays: Putting it All Together, the" Comedy of Separation" |
Brian Kim Stefans |
2011 |
object-oriented ontology, tool |
|
Third Hand Plays: The Comedy of Association |
Brian Kim Stefans |
2011 |
association, comedy, surrealism |
|
Third Hand Plays: The Comedy of Automation |
Brian Kim Stefans |
2011 |
automation, comedy, generative, aliterary, paratactic poetry, digital poetics, chatterbots, parataxis |
|
Third Hand Plays: The Comedy of Duplication |
Brian Kim Stefans |
2011 |
comedy, duplication, aura, network distribution, digital poetics |
|
Third Hand Plays: The Comedy of Dysfunction |
Brian Kim Stefans |
2011 |
comedy, dysfunction |
|
Third Hand Plays: The Comedy of Encryption |
Brian Kim Stefans |
2011 |
comedy, encryption, enciphering |
|
Third Hand Plays: The Comedy of Exhaustion |
Brian Kim Stefans |
2011 |
conceptual writing, fonts |
|
Third Hand Plays: The Comedy of Recursion |
Brian Kim Stefans |
2011 |
comedy, recursion |
|
Third Hand Plays: The Comedy of Reduction |
Brian Kim Stefans |
2011 |
comedy, reduction, digital poetics, compression, minimalism |
|
Third Hand Plays: The Comedy of Simulation |
Brian Kim Stefans |
2011 |
comedy, simulation, hoax, forgery, politics |
|
Third Hand Plays: The Comedy of Subjection |
Brian Kim Stefans |
2011 |
electronc literature, subjection, affect, Hugh Kenner, Samauel Beckett, Flaubert, desire, politics of literature, James Joyce |
|
Third Hand Plays: “automatype” by Daniel C. Howe |
Brian Kim Stefans |
2011 |
|
|
Third Hand Plays: “Bodies of Water” by David Clark |
Brian Kim Stefans |
2011 |
|
|
Third Hand Plays: “Out of Touch” by Christine Wilks |
Brian Kim Stefans |
2011 |
|
|
Third Hand Plays: “Struts” by J. R. Carpenter |
Brian Kim Stefans |
2011 |
community, geosocial, locative, compendium piece, collaboration |
|
This is how you will die |
Jason Nelson |
2005 |
Flash, generative, textual instrument, games, combinatorial, death, gambling, demise, avant-garde, dada, audio |
|
This is Not a Hypertext |
Simon Biggs |
2003 |
|
|
This is Not a Joke |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
This Is Not A Poem |
Alan Bigelow |
2010 |
poetry, game, remix, toy, language engine, DJ, multimodal, narrative |
|
Thoems |
David Jhave Johnston |
2007 |
video, audio, Flash |
|
Thoughts Go |
David Knoebel |
2001 |
Flash, aural, scheduled, e-poetry, thought processes, association |
|
Thoughts on a Literary Lab |
Matthew Jockers |
2013 |
lab, digital humanities, data visualization, distant reading |
|
Three Rails Live |
Roderick Coover, Scott Rettberg, Nick Montfort |
2011 |
combinatory poetics, digital narrative, video, installation, spoken word, collaboration |
|
Three-Dimensional Dementia: Hypertext Fiction and the Aesthetics of Forgetting |
Carolyn Guertin |
1999 |
dementia, hypertext, fiction, space, forgetting, memory, association, plot |
|
Tideland |
M. D. Coverley |
2000 |
memory, life, experiences, memory flow, transience, HTML, javascript, hypertext, audio |
|
TILT |
Angela Ferraiolo |
2010 |
video text, database, experimental cinema, spatial narrative |
|
Time and the Machine: Steve Tomasula and Stephen Farrell’s TOC |
Scott Rettberg |
2010 |
gesamtkunstwerk, multimedia, collaboration, parable |
|
Time Code Language: New Media Poetics and Programmed Signification |
John Cayley |
2006 |
poetics, programmable media |
|
Times Haiku |
Jacob Harris |
2013 |
haiku, generative, static |
|
TLT vs. LL |
Ted Warnell |
2006 |
3D, code, codework |
|
To Be Here As Stone Is |
Stephanie Strickland, M. D. Coverley |
1999 |
|
|
To be or not to be Mouchette |
Martine Neddam |
2007 |
Flash, responsive, poetry, virtual character |
|
To Find the White Cat in the Snow |
David Herrstrom |
1996 |
hypertext, poetry |
|
To Read With Your Fingers: E-Lit for the iPad |
Scott Rettberg |
2011 |
ipad, touchscreen, haptic, children's literature |
|
To Touch |
Serge Bouchardon |
2009 |
Flash, collaboration, interactive, Interactive art, audio, ergodic, wordtoy, visual poetry or narrative, touch |
|
TOC: A New-Media Novel |
Steve Tomasula |
2009 |
animation, narrative, fiction, video, time, philosophy, prose, chronos, logos |
|
Today I Die |
Daniel Benmergui |
2009 |
game, art game, experimental videogame |
|
Today is Lemonade |
Ingrid Ankerson |
2000 |
summer, childhood memories, Flash, scheduled |
|
Tokyo Garage |
Scott Rettberg |
2009 |
generative, narrative, poetry, city, javascript, remix, urbanity, metropolis, tokyo, homage, détournement |
|
Tokyo Shadows |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash |
|
Tomorrow's News Today |
Jody Zellen |
2005 |
multimedia, audio, news, Flash, javascript |
|
Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext |
Belinda Barnet, Darren Tofts |
2008 |
|
|
Topdown Digital Literature: The Effects of Institutional Collaborations and Communities |
Yra van Dijk |
2012 |
|
|
Torus |
John Cayley |
2005 |
CAVE, 3D |
|
Touch and Gesture as Aesthetic Experience: Performing 5 Apps |
Maria Engberg |
2012 |
touch, haptic, gesture, experience, app |
|
Touch: The Art of the Mobile App, featuring works by Jason Edward Lewis |
Dene Grigar |
2012 |
|
|
Toucher |
Serge Bouchardon, Kevin Carpentier, Stéphanie Spenlé |
2009 |
Flash, visual poetry, collaboration, materiality, interactivity, audio, tactile, wordtoy, haptic sensation, human – computer interaction, senses, touch |
|
Touching Words |
Talan Memmott, David Thomas Prater |
2012 |
tactile, touch, impermanence, digital writing, intention |
|
Touchwords |
Peter Kay |
2011 |
gesture, poetry, generative, ipad, iOS |
|
Tournedo Gorge |
Kathi Inman Berens |
2012 |
remix, HTML, javascript, static, scheduled |
|
Toward a Circulation of the Page |
Braxton Soderman |
2003 |
collage, kinetic, Shockwave, audio |
|
Toward a Mobile and Geolocative E-Lit Aesthetic: Curatorial Statement for MLA 2012 Exhibit “Electronic Literature” |
Kathi Inman Berens |
2011 |
|
|
Toward a Poetics for Circulars |
Brian Kim Stefans |
2006 |
|
|
Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2007) |
Joseph Tabbi |
2007 |
ELO, Electronic Literature Directory, literary tagging, folksonomy, community, directory, semantic web, database |
|
Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2010) |
Joseph Tabbi |
2010 |
ELO, Electronic Literature Directory, literary tagging, folksonomy, community, directory, semantic web, database |
|
Toward a Semantic Literary Web: Three Case Histories |
Joseph Tabbi |
2007 |
semantic web, web 2.0, scholarship |
|
Toward a Semiotic Critique of Computer Poetry |
Matteo D'Ambrosio |
2011 |
semiotics, electronic poetry, interpretation |
|
Toward an Ontology of the Field of Digital Poetry |
Philippe Bootz, Samuel Szoniecky |
2008 |
archiving, digital poetry, epoetry, ontology |
|
Towards a Multimodal Analysis of da Rimini's Dollspace |
Maya Zalbidea Paniagua |
2011 |
feminism, cyberfeminism, multimodal analysis |
|
Towards a Practice/Theory on Digital Reading |
Amelia Sanz |
2011 |
|
|
Towards an Art of Rhetoric in Electronic Literary Works: The Figures of Manipulation |
Serge Bouchardon |
2008 |
rhetoric, rhetorical figure, figures of manipulation, human-computer interaction |
|
Tower |
Simon Biggs, Mark Shovman |
2011 |
embodiment, visualization, spiral, VR, speech-to-text, corpus, speech recognition, predictive text, multiple points of view |
|
Toy Garbage |
Talan Memmott |
2011 |
generative, remix, HTML, javascript |
|
trAce Archive |
|
|
|
|
Traces of the trAce Online Writing Centre 1995-2005 |
J. R. Carpenter |
2012 |
writing community, forum, writing competition, conference series, archive, Trace, community |
|
Trac|tExt|ract |
Jerome Fletcher |
2011 |
layers, erasure, scratching, archeology |
|
Trade Tattoo |
Len Lye |
1937 |
kinetic typography, film, analog |
|
Training Missions |
Joe Amato |
2001 |
poetry, hypertext, imaging, media, Flash, spoken word |
|
Trajectory of Electronic Poetry in Brazil: A Short History |
Jorge Luis Antonio |
2007 |
epoetry, Brazilian elit, Brazil, digital poetics |
|
TRANS.MISSION [A.DIALOGUE] |
J. R. Carpenter |
2011 |
generator, generative narrative, narrative, dialogue, performance, script, javascript, network archaeology, media archaeology |
|
Transcriptions: A Digital Humanities Project on the Cultures of Information |
|
|
digital humanities, teaching, technology, English, literature, literacy, digital literacy, digital cultures |
|
Transculturation, transliteracy and generative poetics |
Simon Biggs |
2008 |
generative, translation, hermeneutics, social relations, transculturation, pluriliteracy, transliteration, hermeneutics-expanded, transliteracy |
|
Transdisciplinary Digital Art: Sound, Vision and the New Screen. |
|
2008 |
|
|
Transfixions |
Michael Hoffman |
2011 |
blogging, live performance, interaction |
|
Translanguages. Towards a Politics of Electronic Poetry in Latin America |
Claudia Kozak |
2012 |
|
|
Translated! Papers on Literary Translation and Translation Studies |
James Holmes |
1994 |
|
|
Translating Codes-Performing Bilingualism |
Jerome Fletcher |
2012 |
|
|
Translating Digital Literature. The Example of “I’m simply saying” |
Laura Borràs Castanyer |
2011 |
teaching, pedagogy, translation |
|
Translation |
John Cayley |
2004 |
constraint, ambient, collaboration, generative, translation, procedural, transliteration, audio, music, textual instrument, appropriation, appropriated texts, time-based, QuickTime |
|
Translation, transmutation, transmediation and transmission in TRANSMIISSION [A DIALOGUE] |
J. R. Carpenter |
2012 |
translation, transmutation, transmediation, transmission |
|
Transliteracy and Interdisciplinarity in Digital Media Research |
Sue Thomas |
2008 |
transliteracy, interdisciplinarity |
|
Translucidity |
Talan Memmott |
2001 |
interface, network phenomenology, faciality |
|
TransmoGrify |
Leonardo Flores |
2012 |
HTML, javascript, scheduled |
|
Trapped to Reveal - On webcam mediated communication and collaboration |
Annie Abrahams |
2012 |
|
|
Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext |
Stuart Moulthrop |
1995 |
hypertext fiction, narrative, hypertext narrative |
|
Traveling to Utopia |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Tree Woman |
Deena Larsen |
2003 |
|
|
Tributaries & Text-Fed Streams: A Feed-Reading of the Capilano Review |
J. R. Carpenter |
2008 |
|
|
Trickle |
Jörg Piringer |
2012 |
kinetic, dance, performance, audio, scheduled |
|
Trilogy |
Lisa Bloomfield, Rod Moore, Katherine Haake |
2001 |
hypertext, narrative, story, animation, HTML, visual narrative |
|
Triple Echo: Orpheus and Euridyce |
Martin Rieser |
2000 |
mythology, installation, interactive video, choric functions, movement |
|
Trope |
Sarah Waterson, Elena Knox, Christyn Davies |
2008 |
poetry, collaboration, performance, Second Life, tropes, video, wordtoy, virtual environment |
|
Trope Report |
|
2012 |
|
|
True North |
Stephanie Strickland |
1997 |
poetry, hypertext, history, time, geography, mathematics |
|
Truisms |
Jenny Holzer |
1977 |
|
|
Turkmenbashi, mon amour |
Martine Neddam |
2011 |
animation, Flash |
|
Turning Away |
Curtis Harrell |
1997 |
poetry, generative, haiku, poem |
|
Turning In |
Wes Chapman |
1997 |
hypertext, fiction |
|
Tweet Haikus |
Brandon Wood |
2013 |
twitter, Python, social, responsive, generative, HTML, javascript, bot |
|
Twelve Blue |
Michael Joyce |
1996 |
narrative, HTML/DHTML, hypertext, fiction, Storyspace |
|
Twilight, A Symphony |
Michael Joyce |
1996 |
hypertext, fiction, Storyspace |
|
Twisty Little Passages: An Approach to Interactive Fiction |
Nick Montfort |
2003 |
interactive fiction, riddles |
|
Twitterwurking |
Mez Breeze |
2008 |
twitter, mezangelle |
|
Two Solitudes |
Carl Steadman |
1994 |
email narrative, email, lovers, romance |
|
Typeoms |
David Jhave Johnston |
2011 |
typos, spam, definitions, generative |
|
Typing the Dancing Signifier: Jim Andrews' (Vis)Poetics |
Leonardo Flores |
2010 |
digital poetry, visual, code studies |
|
Typoems |
Ana María Uribe |
1968 |
concrete poetry |
|
Über Literatur und Digitalcode / Digital Code and Literary Text |
Florian Cramer |
2004 |
|
|
Ubermatic |
Michelle Teran |
2009 |
collaboration, artist talk, surveillance, social networking, locative |
|
UbuWeb |
|
|
concrete poetry, visual poetry, conceptual, sound poetry, avant-garde, ubu, experimental |
|
UbuWeb |
|
|
|
|
UbuWeb, the archive and the gallery |
Lawrence Giffin |
2010 |
UbuWeb, experimental, archive, artwork, aesthetics |
|
Ugly |
Peter Howard |
2002 |
audio, Flash, combinatory |
|
Un laboratoire de littératures – Littérature numérique et Internet |
Serge Bouchardon, Evelyne Broudoux, Oriane Deseilligny, Franck Ghitalla |
2007 |
digital literature, traditional literature, internet, mailing list, publishing |
|
Una Selva Oscura |
Victoria Welby |
2008 |
vispo, participatory, illustration, animation, audio, page, voice, adaptation |
|
Uncle Buddy's Phantom Funhouse |
John McDaid |
1992 |
hyperfiction, hypertext fiction, hypercard |
|
Uncle Roger |
Judy Malloy |
1986 |
hypertext, database, hyperfiction, fiction, 1980s, links, pioneering, the Well, comedy, parties, technology industry |
|
Uncontrollable Semantics |
Jason Nelson |
2012 |
Flash, HTML5, hypertext, responsive |
|
Uncreative Writing: Managing Language in the Digital Age |
Kenneth Goldsmith |
2011 |
uncreative writing, appropriation, appropriated texts, robo-poetics, remix, literary theory, literary history |
|
Under Language |
Stuart Moulthrop |
2007 |
|
|
Underbelly |
Christine Wilks |
2010 |
animation, Flash, playable media, digital fiction, interactive, audio, voices, multimedia, multimodal, narrative |
|
Understanding Digital Humanities: The Computational Turn and New Technology |
|
2011 |
|
|
Understanding Knowledge Work |
Alan Liu |
2005 |
humanities, digital humanities, literary studies, epistemology, higher education, information, information society, academia, knowledge work, corporate culture, New Criticism, literary criticism |
|
Understanding New Media Art Through Close Reading. Four Remarks on Digital Hermeneutics |
Roberto Simanowski |
2010 |
digital hermeneutics, digital culture, electracy |
|
Understanding the Act of Reading: the WOE Beginners' Guide to Dissection |
J. Yellowlees Douglas |
1991 |
close reading, reading hypertext |
|
Understanding Video Games: the Essential Introduction |
Simon Egenfeldt-Nielsen, Jonas Heide Smith, Susana Pajares Tosca |
2008 |
ludology, video games, textbook |
|
Unicode |
Jörg Piringer |
2011 |
visual poetry, letters, language, unicode, conceptual writing |
|
Unique-Reading Poems: A Multimedia Generator |
Philippe Bootz |
1996 |
|
|
Unoriginal Genius: Poetry by Other Means in the New Century |
Marjorie Perloff |
2010 |
poetry, poetics, originality, authorship, appropriation, citation, quotation, transcription, avant-garde |
|
Unravel |
Agnieszka Michalska |
2010 |
Flash, static, scheduled, kinetic |
|
Unraveling the Tapestry of Califia |
Jaishree K. Odin |
2001 |
hypertext, fiction, literary criticism, gender |
|
Unravelled |
Spenser Wain, Zac Urness, Kollin Branicki |
2011 |
hypertext, audio, xhtml, responsive |
|
untitled(to reconstruct) |
Jason Nelson, Jody Zellen |
2006 |
e-poetry, audio, responsive, tree-structures |
|
Up Against the Screen Mother Fuckers |
Justin Katko |
2008 |
CAVE, poetry, video, audio, hacktivist, critical/political/philosophical |
|
UPC |
Eduardo Kac |
1994 |
installation, installed text, Brazilian electronic poetry, Eduardo Kac, looped text |
|
Upgrade Soul |
Erik Loyer |
2012 |
ipad, iphone |
|
Upstage |
Helen Varley Jamieson |
2012 |
collaboration, performance, networked community |
|
Urbanalities |
Chris Joseph, escha |
2005 |
animation, audio, collaboration, Flash, generative, music, visual poetry or narrative |
|
Urbanalities: Modernism, Postmodernism and Digital Literature |
Andrew Michael Roberts |
2010 |
short story, poem, comic strip, modernism, postmodernism, electronic literature, dada |
|
US Library E-Lit Archive Projects |
John M. Vincler |
2011 |
preservation, archive, library, digital library |
|
Using Gowalla to Create a Historical Narrative |
Katy Meyers |
2011 |
narrative, documentary, artist statement, locative narrative |
|
Using HCI Techniques To Make Digital Art More Ergodic |
Julianne Chatelain |
2000 |
|
|
Utter |
Simon Biggs |
2009 |
interpretative grammar engine, recombinant poetics, unencumbered immersive interaction, speech-to-text |
|
V: Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2002 |
visual poetry, poetry, collaboration, embodiment, Shockwave, textual instrument |
|
V: WaveSon.nets / Losing l'Una |
Stephanie Strickland |
2002 |
poetry |
|
Väljarna/Elect |
Johannes Heldén |
2008 |
science fiction, nature, bilingual, Swedish, Scandinavian |
|
Variability and Intermediality as Challenges to Preservation Issues: Reflections about the Design and Implementation of Digital Archives |
Rui Torres |
2011 |
archive, preservation, intermediality |
|
VE3 Composition No. 1 |
Marc Saporta |
2011 |
nonlinear fiction, artifact, cybertext, artist book |
|
Vectors, Scalar, and Magic: Emerging Platforms for E-lit Scholarship |
Erik Loyer, Mark C. Marino, Craig Dietrich |
2012 |
scholarship, development, interface, multimodal works, vectors |
|
Vers de nouvelles formes en poésie numérique programmée? |
Philippe Bootz |
2006 |
genre, form, semiotics |
|
Versus Vega: Precessing |
Stephanie Strickland, Jason Nelson |
2005 |
|
|
Victoria's Fire |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash |
|
Victory Garden |
Stuart Moulthrop |
1991 |
hypertext, fiction, war, politics, multilinear |
|
Video Blog::Vog |
Adrian Miles |
2002 |
video, e-poetry, QuickTime, audio, interactive |
|
Video Ergo Sum: Video as Symbolic Form |
Paolo Granata |
2011 |
|
|
Video Games and Configurative Performances |
Ragnhild Tronstad, Markku Eskelinen |
2003 |
|
|
Videograph Fictions or Graphoems |
Jason Nelson |
2010 |
audio, Flash, 1980s, childhood memories |
|
VIDEOPLACE |
Myron Krueger |
1975 |
embodiment, body, responsive environment, real-time, projection, video, movement, artificial reality, interface, gesture |
|
Vienna Underground: The Third Woman Project |
Martin Rieser |
2008 |
sensors, sound art, installed text, performance, bioterrorism, game, locative, video installation |
|
Villadom |
Nick Montfort |
2001 |
|
|
Virtual Communities and Collective Narratives: From Tokyo to Mercedes, Buenos Aires. |
Allison Alexy, Osvaldo Cleger |
2010 |
blog, bulletin board, collaborative enterprises, collaborative, pseudonomic narrative, fan community, blog fiction |
|
Virtual Muse: Experiments in Computer Poetry |
Charles O. Hartman |
1996 |
memoir, digital poetry |
|
Virtual Narrations: From the crisis of storytelling to new narration as mental potentiality |
Söke Dinkla |
2004 |
|
|
Virtual Reality Exhibit at the Singapore Museum |
David Herrstrom |
1997 |
hypertext, poetry, virtual reality |
|
VIRU2 |
Ted Warnell |
|
|
|
Visionary Landscapes: Literature on the Edge of Time and Space |
Dene Grigar |
2009 |
ELO |
|
Visions of Reading |
Scott Rettberg |
2011 |
vision, reading, cognitive psychology |
|
Visual Sonnet #1 |
Braxton Soderman |
2004 |
Shockwave, responsive, generative, sonnet |
|
Visualizing Cultures in the Age of Digital Media |
Roderick Coover |
1999 |
representation, film, anthropology, documentary, montage, hypermedia |
|
Viva Zombatista |
Simen Hagerup |
2010 |
animation, zombies, animated text, time-based |
|
Vniverse |
Stephanie Strickland, Cynthia Lawson Jaramillo |
2006 |
digital poetics, poetry |
|
Vocaleyes |
María Mencía |
2001 |
phonetic, text-sound, image and text, synesthesia |
|
Voice Inside My Head |
Joseph Farbrook |
2008 |
poem, internal monologue, installation, digital literary art |
|
Voice of the poet programmer Jörg Piringer |
J. R. Carpenter |
2011 |
digital poetry, performance, voice activated, visual poetry |
|
Voice of the Shuttle (Vos) |
|
1994 |
digital humanities, database, reference, literary studies, cultural studies, philosophy |
|
vowheels |
Neil Hennessy |
2000 |
kinetic typography |
|
Voyage avec l’ange |
Tamara Lai |
1999 |
hypertext, sound and image, voice, interactive, story, humour, mythical |
|
Voyage Into the Unknown |
Roderick Coover |
2008 |
hypertext, history, maps, appropriation, documentary, ecocriticism, appropriated texts, interactive documentary, cinemascapes, American studies, critical ecologies, Flash |
|
Waldemar Cordeiro's Oeuvre and Its Context: A Biographical Note |
Eduardo Kac |
1997 |
Brazilian concrete poetry, antecedents, Brazil, Waldemar Cordeiro |
|
Walk This Way: Mobile Narrative as Composed Experience |
Rita Raley |
2010 |
narrative, locative, mobile, typology, experiential, environment, experience, movement |
|
Walkdont |
David Knoebel |
2000 |
animated text, VRML, Java, static, kinetic, scheduled, aural, interactive |
|
Walking and Mapping: Artists as Cartographers |
Karen O'Rourke |
2013 |
walking, mapping, art, datascape, mobility |
|
Walking Together What Remains |
Chris Green, Erik Natzke |
2001 |
constraints, Flash, scheduled, static |
|
Walt FML Whitman |
Mark Sample |
2013 |
twitter, javascript, bot |
|
Walt Whitman |
Anonymous |
|
twitter, serial, static, scheduled |
|
Wanderkammer: A Walk Through Texts |
J. R. Carpenter |
2011 |
hypertext, HTML, walking |
|
wap.sonnet |
Igor Štromajer |
2000 |
gsm, mobile, intimate, sonnet, art, deleted by author |
|
War Games |
Jennifer Ley |
2001 |
activism, war, land mines |
|
Warfare and Conventionality: How avant-garde computer-generated text can be |
Roberto Simanowski |
2011 |
avant-garde, digital poetics, generative, text generators, technical avant-garde, aesthetic avant-garde, formalism |
|
Wasting Time |
Judy Malloy |
1992 |
database narrative |
|
Waxweb |
David Blair |
1993 |
film, interactive video, hypertext, bees, tragedy, narrative, time |
|
Way Out of the Box |
Theodor Holm Nelson |
1999 |
programming, FILE, software studies |
|
We Descend : Archives Pertaining to Edgerus Scriptor, Volume 1 |
Bill Bly |
1997 |
history, hypertext fiction, interpretation, myth |
|
We Feel Fine: An Almanac of Human Emotion |
Sep Kamvar, Jonathan Harris |
2009 |
networked, language-driven digital art, big data, statistical computation, web harvested literature, found text, infographics, data visualization |
|
We Feel Fine: An Exploration of Human Emotion, in Six Movements |
Sep Kamvar, Jonathan Harris |
2005 |
networked, database narrative, language-driven digital art, big data, statistical computation, web harvested literature, found text, data visualization, infographics |
|
We have never had a mind of our own: A Poetics of the Integrated Circuit |
Adalaide Morris |
2010 |
poetry, e-poetry, documentary poetics, digital poetics, cyborg poetic |
|
Weapons Of The Deconstructive Masses: Whatever the Electronic in Electronic Literature may or may not mean |
John Cayley |
2008 |
terminology, definitions |
|
Weave |
Thomas Bell |
2002 |
e-poetry, hypertext, HTML, animated gif, scheduled, responsive |
|
Web 2.0 Storytelling: Emergence of a New Genre |
Bryan Alexander, Alan Levine |
2008 |
web 2.0, Flickr, facebook, YouTube, twitter, narrative, genre, overview |
|
Web Warp & Weft |
Helen Whitehead |
2001 |
hypertext, e-poetry, HTML, javascript, audio, scheduled |
|
Web/Fiction/Design: A brief beta-test of this year’s winner of the ELO Awards, Caitlin Fisher’s These Waves of Girls |
Anja Rau |
2001 |
design, usability, narrative, review, awards, authorship, collaboration, Flash, Electronic Literature Organization, ELO |
|
Webartery |
|
|
|
|
Welcome to Pine Point |
Michael Simons, Paul Shoebridge |
2011 |
multimedia, video, audio, Flash, kinetic, static |
|
Welkom Vreemdeling (Welcome Stranger) |
K. Michel |
2010 |
digital poetry, creative work |
|
Well/Brane |
Alan Sondheim |
2010 |
|
|
Whale Hunt |
Jonathan Harris |
2007 |
photography, multimodal, narrative |
|
What are writers doing on the net? |
Sue Thomas |
2000 |
|
|
What hypertext is |
Noah Wardrip-Fruin |
2004 |
hypertext, definition, history, design, hyperfilm, hypergra, hypermedia, stretchtext |
|
What Hypertext Is |
Nick Montfort |
2004 |
|
|
What I Believe |
William Poundstone |
2004 |
Flash, generative, responsive, audio |
|
What is "The Asian Tower"? |
Lorenza Colicigno |
2011 |
Second Life |
|
What is an Intellectual? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2008 |
Flash |
|
What is and Toward What End Do We Read Digital Literature? |
Roberto Simanowski |
2010 |
eventilization, time, textuality, digital textuality, perl poetry, hermeneutics-digital, digital hermeneutics, close reading, digital literacy, digital humanities, creative cannibalism, digital cannibalism, interpretation, reading |
|
What Is at Work in a Work of Digital Literature? |
Marjorie C. Luesebrink |
2010 |
Stephanie Strickland, archiving, electronic poetry, e-poetry, electronic literature, John Zuern, Mark Marino |
|
What is Electronic Writing? |
Brian Kim Stefans |
2006 |
|
|
What is the Point of Compulit? |
Marie-Laure Ryan |
1998 |
|
|
What New Media Offers |
Dene Grigar |
2007 |
Computers and Composition |
|
What Now? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2005 |
experimental cinema, Flash |
|
What the Nightwoman Texted |
Mark C. Marino |
2010 |
responsive, static |
|
What They Said... (While We Were Sleeping) |
Alan Bigelow |
2008 |
political, Flash, residual media, animated text, video |
|
What They Speak When They Speak to Me |
Jason Edward Lewis |
2007 |
iOS touch, e-poetry, responsive |
|
What we had has not yet been / Wat we hadden is nog niet geweest |
Jan Baeke, Alfred Marseille |
2007 |
video |
|
What We Will |
John Cayley |
2004 |
collaboration, interactive drama, audio, panorma, Quicktime VR, poetic narrative |
|
What's on your mind? Status Updates, Friend Suggestions And Data Mining |
Renée Turner |
2009 |
subjectivity, social networks, datamining |
|
when |
Ottar Ormstad |
2011 |
video poetry, digital concrete poetry, multilingual or non-english, photographs, modern music, nature/culture, environmental, life/death |
|
When Digital Literature goes Multimedia: Three German Examples |
Roberto Simanowski |
2000 |
multimedia, hypertext, spectacle |
|
When I Was President |
Alan Bigelow |
2007 |
multimodal, narrative, Flash, politics |
|
When you reach Kyoto |
Geniwate, Brian Kim Stefans |
2005 |
Shockwave, audio, letters, scheduled, responsive |
|
Where Are We Now?: Orienteering in the Electronic Literature Collection, Volume 2 |
John David Zuern |
2011 |
electronic literature, anthology, translation, transnational, Electronic Literature Collection, diversity |
|
Where is electronic literature in Rulinet? |
Natalia Fedorova |
2012 |
|
|
Where the Senses Become a Stage and Reading is Direction: Performing the Texts of Virtual Reality and Interactive Fiction |
J. Yellowlees Douglas |
1993 |
text performance, reading-performance, hypertext |
|
Where To? |
Stuart Moulthrop |
1997 |
|
|
WhereAbouts |
Orit Kruglanski |
2003 |
animation, poetry, urban, Shockwave, ergodic |
|
While Chopping Red Peppers |
Megan Sapnar, Ingrid Ankerson |
2000 |
Flash, audio, kinetic, scheduled, father |
|
Whispering |
Sean Donohue |
2001 |
video, e-poetry, Flash, audio, scheduled |
|
White Poem |
William Poundstone |
2002 |
Flash, generative, scheduled |
|
White Room |
David Knoebel |
2002 |
scheduled, Flash, responsive |
|
White-Faced Bromeliads on 20 Hectares |
Loss Pequeño Glazier |
1999 |
visual poetry, HTML/DHTML, generative, digital poetry, translation, javascript, place, e-poetry, dynamic, multilingual, transcultural |
|
Who Grabbed My Gorge |
Nick Montfort |
2011 |
remix, generative, appropriation |
|
Who's in Charge Here? A Response to Shelley Jackson's Patchwork Girl |
Jeanne Larson |
1997 |
|
|
Whom the Telling Changed |
Aaron A. Reed |
2005 |
interactive fiction, narrative, hypertext, fiction, Inform |
|
Why digital games and networks can help us to change reality and generate concrete changes in social environments |
Patrícia Gouveia |
2011 |
games, social networks, social relations, technology -- social aspects |
|
Why Digital Literature Has Always Been “Beyond the Screen” |
Andrew Michael Roberts |
2010 |
interactivity, embodiment, affect, body, movement, enactment, depth, impersonality |
|
Why Some Dolls Are Bad: a generative graphic novel for the iPhone |
Kate Armstrong |
2007 |
generative, novel, graphic novel, identity, dolls, facebook, Flickr, tags, image and text |
|
Why ‘But is it e-lit?’ Is a Ridiculous Question: The Case for Online Journals as Organic, Evolving Works of Digital Literature |
David Thomas Prater |
2012 |
digital literature, electronic literature, taxonomy |
|
wide and widely branded |
Jason Nelson |
2010 |
compass, digital poem, video, sound, mouse-over text, Flash |
|
Wiki Notes on International Electronic Literature from the 2007 ELO Symposium Panel on International Electronic LIterature |
Mark C. Marino, Bertrand Gervais, Sandy Baldwin, Juan B. Gutiérrez, Laura Borràs Castanyer, Juan B. Gutiérrez |
2007 |
international, electronic literature, links, works |
|
WIKIARTPEDIA |
Tommaso Tozzi |
2011 |
wiki |
|
William Poundstone and the Aesthetics of Digital Literature |
Brian Kim Stefans |
2010 |
William Poundstone, web art, visual writing, ludic writing, digital art, visual art |
|
Willy Shakes |
Joshua Strebel |
2009 |
twitter, static, scheduled |
|
Winchester's Nightmare |
Nick Montfort |
1999 |
interactive fiction, novel machine, setting, mental map, puzzles |
|
Window |
Katharine Norman |
2012 |
combinatory, poetry, audiovisual, sound, place, listening, John Cage, seasons, time, observation, HTML5, javascript |
|
windsound |
John Cayley |
1998 |
ambient, poetry, generative, algorithmic text generation, appropriated texts, soundscape, synthetic voices, transliteral morphing, text movie |
|
Wine |
Eduardo Kac |
1996 |
animated text, epoetry, Eduardo Kac, animation |
|
Winter City Sleeps |
Adrianna De Barros |
2001 |
Flash, audio, scheduled, kinetic, video, weather |
|
Wired |
James W. Johnson |
2000 |
cyborg, posthuman, body, QuickTime, kinetic, scheduled, audio |
|
With Code in Hand: An Inventory & Prospectus for E-Poetics |
Loss Pequeño Glazier |
1998 |
e-poetry, poetics, practice, inventory, tropes, materiality |
|
With Love, from a Failed Planet |
Jason Nelson |
2011 |
narrative, satire, humor, neoliberalism, short fiction, corporations, capitalism |
|
Wittenoom: speculative shell and the cancerous breeze |
Jason Nelson |
2009 |
Flash, kinetic, audio, scheduled, responsive |
|
Wittgenstein, Genette, and the Reader's Narrative in Hypertext |
Gunnar Liestøl |
1994 |
hypertext, narratology, multilinear, linearity |
|
WOE |
Michael Joyce |
1991 |
fiction, hypertext |
|
Word Museum |
William Gillespie |
2004 |
3D |
|
Words Made Flesh. Code, Culture, Imagination |
Florian Cramer |
2005 |
|
|
Words to light up a dark room: Electronic Literature |
Scott Rettberg |
2009 |
electronic literature, introduction, modalities |
|
Wordscapes and Letterscapes |
Peter Cho |
2002 |
animation, ambient, visual poetry, word-and-image, typography, typographic landscape, conceptual, Java, Processing |
|
Wordy Mouths |
María Mencía |
2000 |
mouths, word, image and text |
|
Working Memory |
Ian Hatcher |
2011 |
HTML, javascript, scheduled, static |
|
Workplace is Mediaspace is Cityscape: Nick Montfort on Book and Volume |
Jeremy Douglass |
2006 |
city, interactive fiction, games, constraint, space |
|
Works, Works? Works! |
Laura Borràs Castanyer |
2011 |
|
|
Workshop on Curating and Exhibiting Electronic Literature |
Jill Walker Rettberg |
2012 |
exhibiting, curating |
|
Workshop on Electronic Literature and Archiving |
Scott Rettberg |
2012 |
workshop, ELMCIP, electronic literature, database |
|
wotclock |
John Cayley |
2002 |
ambient, poetry, collaboration, digital poetry, electronic poetry, textual instrument, time-based, QuickTime, e-poetry, photography, panoramic |
|
Would you let Mikhail Bakhtin smoke your text? : Dialogism and the Participative Rhetoric of Computer-mediated textual art |
Gavin Stewart |
2004 |
Bakhtin, dialogic, rhetoric, reading, participation |
|
Wreader's Digest - How To Appreciate Hyperfiction |
Anja Rau |
2001 |
interface, narrative, fiction, close reading |
|
Writing as a Woman: Annie Abrahams' e-writing |
Elisabeth Joyce |
2005 |
writing, feminism, postfeminism, gender, body |
|
Writing as Erasure: Book Art, Memory, and Forgetting in the Digital Age |
Kiene Brillenburg Wurth |
2011 |
|
|
Writing at the Edge |
George P. Landow |
1995 |
|
|
Writing Digital Media |
Josh McCoy, Mike Treanor, Ben Samuel, Brandon Tearse, Michael Mateas, Noah Wardrip-Fruin |
2010 |
games, fiction, promacolypse, social interaction games, artificial intelligence, story, authoring system |
|
Writing Digital Media Collection |
|
|
|
|
Writing for the New Millennium: The Birth of Electronic Literature |
Robert Kendall |
1995 |
historical |
|
Writing Machines |
N. Katherine Hayles |
2002 |
materiality, electronic literature, grammatology, literary history, media-specific analysis, word and image, writing machines, technotext |
|
Writing Material Differences (LITR 1230J, Spring 2012) |
|
|
material poetics, transcultural, translingual, performance writing, complex surfaces, inscription, installation, remediated text, code |
|
Writing on Complex Surfaces |
John Cayley |
2005 |
writing surface, CAVE, 3D |
|
Writing on the World: Augmented Reading Environments |
Maria Engberg |
2011 |
|
|
Writing Organism: CAPTCHA as a paradigm of *literary* digital textuality |
Sandy Baldwin |
2010 |
CAPTCHA, distributed work, visual text, subjectivity, repetition |
|
Writing Space: The Computer, Hypertext, and the History of Writing |
Jay David Bolter |
1991 |
electronic writing, hypertext, writing-history of, new media, writing, technology, electronic publishing |
|
Writing Space: The Computer, Hypertext, and the History of Writing, 2nd ed. |
Jay David Bolter |
2001 |
hypertext, writing-history of, remediation, new media, writing, technology |
|
Writing the Ephemeral […] and Re-Enchanting the Remnants: The Lability of the Digital Device in Literary Practice |
Alexandra Saemmer |
2011 |
animation, figure, technological sublime, re-enchantment, ephemeral, instability, digital poetry, digital aesthetics |
|
Writing the Web with RiTa and Javascript |
Daniel C. Howe |
2012 |
workshop |
|
Writing the World: Toward a Systems Approach to E-Writing |
Jim Carpenter |
2007 |
code, writing, programming, platform, source code, archiving, best practices, systems |
|
Writing to be Found and Writing Readers |
John Cayley |
2011 |
Google, writing, composition, processual, digital poetics, collaboration |
|
Writing To Be Found In Common Tongues |
John Cayley, Common Tongues |
2013 |
|
|
Writing with Images: Toward a Semiotics of the Web |
George L. Dillon |
2002 |
web, semiotics, mixed modes, hypertext book, image and text, word-and-image, visual language, digital rhetoric, photomontage, digital collage |
|
Writing with the Code - a Cybertextual Poetics |
Søren Bro Pold |
2000 |
poetics, source code, cybertext |
|
Writing.3D |
|
2006 |
|
|
Written on the Body: An Interview with Shelley Jackson |
Scott Rettberg, Shelley Jackson |
2006 |
distributed narrative, body, space, conceptual art |
|
XpoMOO: Ambient Thresholds, Random Art |
Cynthia Haynes, Jan Rune Holmevik |
1999 |
moo, randomness |
|
XS, S, M, L: Creative Text Generators of Different Scales |
Nick Montfort |
2012 |
text generation, creative computing |
|
Xylo |
Peter Howard |
2001 |
animation, poetry |
|
Yatoo |
Ursula Hentschläger, Zelko Wiener |
2001 |
|
|
Yes, really |
Katharine Norman |
2008 |
email fiction, epistolary, short story, php, mySQL, javascript, asciiart |
|
Yoko Engorged |
Eric Snodgrass |
2011 |
generative, remix, HTML, javascript, scheduled, static |
|
You Secure in Your Job? |
William Poundstone |
2007 |
QuickTime, scheduled, audio |
|
Your Job Won't Stand a Chance |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash |
|
Your World of Text |
Andrew Badr |
2009 |
|
|
Zaira, City of Memories |
Gökçen Ergüven |
2004 |
Calvino, hypertext, hypertext novel, Invisible Cities, net art, adaptation, remediation |
|
Zeit für die Bombe |
Susanne Berkenheger |
1997 |
hyperfiction |
|
Zeros and Ones: Digital Women and the New Cyberculture |
Sadie Plant |
1997 |
cyberculture, cyberfeminism, feminism, history, technology -- social aspects, technoculture |
|
Zone |
Andy Campbell, David Jhave Johnston |
2013 |
3D, dark, dreaming methods, experimental computer game, experimental fiction |
|
Zone : Zero |
Stephanie Strickland |
2008 |
poetry, e-poetry |
|
Zork 1: The Great Underground Empire |
Marc Blank, David Lebling |
1981 |
interactive fiction |
|
[JJ.BS]GENERATIVE RE:EDIT/ATOR |
Talan Memmott |
2011 |
combinatory, Samuel Beckett, James Joyce |
|
[Murmur] |
Robin Elliott |
2003 |
documentary, geolocative, oral history, archive, locative, mobile media |
|
[raveling] |
Mary Flanagan |
1999 |
poetry, perfromance, memory, communication, synthetic voices, machine translation, animation, kinetic typography |
|
[the perpetual bed] |
Mary Flanagan |
1998 |
VRML, chat, world, video, narrative, surrealist |
|
[theHouse] |
Mary Flanagan |
2006 |
3D, interactivity, digital poetry, Processing, aleatory, spatiality, relationship, communication |
|
[Untitled Twitter Fiction @samplereality] |
Mark Sample |
2010 |
twitter, fiction, netprov |
|
_:terror(aw)ed patches:_ |
Mez Breeze, Shane Hinton |
2010 |
collaboration, Google Wave, transformation, live editing |
|
_cross.ova.ing 4rm.blog.2.log 07/08 XXtracts_ |
Mez Breeze |
2010 |
performative, network forms, hacktivist, codework |
|
_The Art of M[ez]ang.elle.ing: Constructing Polysemic & Neology Fic/Factions Online_ |
Mez Breeze |
2000 |
codework |
|
_the data][h!][bleeding texts_ |
Mez Breeze |
2001 |
gender, data, codework, cyborg, human – machine interaction, language |
|
_][ad][Dressed in a Skin C.ode_ |
Mez Breeze |
2002 |
distributed cognition, gender, codework |
|
Битница: A Translation |
Joe Milutis |
2010 |
video, appropriated texts, translation, performance, homophonic, homolexic, audiovisual, vispo, transmutilation |
|
ә-măn’yoo-ĕn’sĭs |
Claire Donato, Timothy Terhaar |
2012 |
presentation, live performance, transcription, language, cybernetic, digital body, virtual bodies |
|
‘Trying to See the Garden’: Interdisciplinary Perspectives on Hypertext Use in Composition Instruction.” |
Johndan Johnson-Eilola |
1991 |
pedagogy, hypertext |
|
“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives |
J. Yellowlees Douglas |
1994 |
closure, narrative, hypertext |
|
“It’s Not That, It’s Not That, It’s Not That”: Reading Digital Poetry |
Lori Emerson |
2003 |
reading digital poetry, human-machine-relation |
|
…ha perdut la veu: Some reflections on the composition of e-literature as a minor literature |
Jerome Fletcher |
2011 |
electronic literature, erasure, minor literature, minorization, performativity, pragmatics |