|
Gaps, Maps and Perception: What Hypertext Readers (Don't) Do |
J. Yellowlees Douglas |
1992 |
|
|
Gathered, Not Made: A Brief History of Appropriative Writing |
Raphael Rubinstein |
1999 |
|
|
gCreating: Adventure in Style and The Marble Index in Curveship |
Nick Montfort |
|
interactive fiction, narration, narrative, literary art, interactive fiction system, artificial intelligence, e-lit, electronic literature |
|
Geeks Bearing Gifts: How the Computer World Got This Way |
Theodor Holm Nelson |
2008 |
|
|
Generating Books: Paradoxical Print Snapshots of Digital Literary Processes |
J. R. Carpenter |
2011 |
generative fiction, generative, remediation, print |
|
Generating Narrative Variation in Interactive Fiction |
Nick Montfort |
2007 |
language generation, narratology, computational linguistics, interactive fiction |
|
GENERATION(S) |
J. R. Carpenter |
2010 |
code, remix, generative poetry, print, generative narrative, narrative, book, third-person narrative |
|
Generative Poems |
María Mencía |
2008 |
generative, installation, alphabets, image, code |
|
Generative Poetry |
Geniwate, Brian Kim Stefans |
2005 |
animation, poetry, collaboration, generative, audio, Shockwave, violence, combinatorial, place, time-based |
|
Generative Visual Renku: Poetic Multimedia Semantics with the GRIOT System |
D. Fox Harrell, Kenny K. N. Chow |
2009 |
generative, criticism, concrete poetry, calligraphy |
|
Genesis |
Eduardo Kac |
1999 |
transgenic poetry |
|
Genius |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Genius |
Thomas Swiss |
2001 |
Flash, scheduled, audio |
|
Genre, Form, and Cultural Practice in Contemporary Electronic Literature |
Maria Engberg |
2008 |
genre |
|
Gentleman Fight Night |
Nick J. Swarth, Jeroen de Leijer |
2010 |
|
|
Geo-locative narratives and e-lit: A Literary Positioning |
Laura Borràs Castanyer, Pablo Gervás, Juan B. Gutiérrez, Mark C. Marino |
2010 |
hermenia, web 2.0, GPS, locative, geolocation, locative narrativie |
|
Geo-Spatial Aesthetics: Time, Agency and Space in Electronic Writing |
Anna Gibbs, Maria Angel |
2011 |
|
|
Geolocative Storytelling Off the Map |
Kathi Inman Berens |
2012 |
geolocative, locative, storytelling, L.A. Flood, sonic_implacement |
|
Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb |
Katja Kwastek |
2009 |
geopoetics, locative media |
|
georgelazenby |
Anonymous |
2009 |
|
|
Geospatial Aesthetics: Time, Space, Agency and Movement in Electronic Writing |
Maria Angel, Anna Gibbs |
|
|
|
German Net Literature: In the Exile of Invisibility |
Patricia Tomaszek |
2011 |
communities, Germany, literary systems, scholarship, post-processing, empirical study of literature, esl, awards |
|
Gestural Manipulation and Digital Poetics |
Serge Bouchardon |
2011 |
figure, manipulation, semiotics |
|
Gesture-Driven Electronic Literature for Mobile Devices: The Gestural Narrative Interaction Engine (GeNIE) |
D. Fox Harrell |
2012 |
|
|
Gesturing Toward the Visual: Virtual Reality, Hypertext & Embodied Feminist Criticism |
Carolyn Guertin |
1999 |
|
|
Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together |
J. R. Carpenter |
2007 |
feminism, cyberfeminism, internet, history, internet history, book |
|
Getting Started in the Digital Humanities Panel Discussion (ELMCIP) |
Eric Dean Rasmussen |
2012 |
digital humanities, research infrastructure, ELMCIP |
|
Ghost Moons |
Deena Larsen |
2000 |
hypertext, kanji, haiku, javascript |
|
GIF-Poems |
Komninos Zervos |
2000 |
HTML, animated gif, Java, scheduled, static |
|
Girls' Day Out |
Kerry Lawrynovicz |
2004 |
Flash, poetry, generative, appropriated texts, combinatorial, fiction |
|
Giving form to choice: tree-structures and the question of notational systems in multimedia. |
Carol-Ann Braun |
2010 |
tree-structures, notational systems, multimedia, Raymond Queneau, Oulipo |
|
Glimmer |
Andy Campbell |
2009 |
memory, mystery, water, glimpsing, dark, childhood, moody, glimmer, drowning, oceans, parcel, swimming |
|
Glitch |
Katherine Chen, Phillip Chow, Yasmin Kadry, Vicky Lai, Kelsey Marotta |
2011 |
mobile, locative, site-specific, narrative, diary, blog |
|
Gnoetry |
|
2001 |
generated poetry, human-computer collaboration, constraints, software, process |
|
Goggi |
Jón Örn Loðmfjörð |
2008 |
|
|
Going through the Signs |
Deena Larsen, Jody Zellen |
2006 |
HTML, javascript, hypertext, responsive |
|
Golem |
Simon Biggs |
1988 |
installation, interactive, video, book, myth, genetics, artificial intelligence |
|
Golpe de gracia and the Latin American Electronic Literature |
Perla Sassón-Henry |
2010 |
Golpe de Gracia, electronic literature, narrative, cross-platform narrative |
|
Google Earth: A Poem for Voice and Internet |
Manuel Portela |
2011 |
Google, connection, performance |
|
Google Poetics |
Sampsa Nuotio, Raisa Omaheimo |
2012 |
found poetry, poetry, Google |
|
Gorge |
J. R. Carpenter |
2010 |
text generators, remix, generative, eating, food, body, desire |
|
Gorgeous Oaks |
Jason Nelson |
2002 |
map, HTML, hypertext, responsive, static |
|
Grace, Wit and Charm |
Rob Wittig |
2011 |
netprov, comedy, improvisation, live performance, twitter, avatar, social media, theater |
|
Grafik Dynamo |
Kate Armstrong, Michael Tippett |
2005 |
image and text, comic, net art, generative, word and image, juxtaposition |
|
Grafik Dynamo (Catalog) |
Joseph Tabbi, Kate Armstrong, Michael Tippett |
2010 |
narrative, word-and-image, textuality, affect, literary criticism, comics, sublime, image and text, designwriting, graphic design |
|
Grammars for Generative Art (Part III) |
Mikael Hvidtfeldt Christensen |
2009 |
generative poetry, text generators, tree-adjoining grammars |
|
GRAMMATRON |
Mark Amerika |
1997 |
hypertext, avant-pop, hyptertext fiction, animation, HTML/DHTML, audio, golem, myth, metafiction |
|
Grand Text Auto |
Michael Mateas, Andrew Stern, Nick Montfort, Mary Flanagan, Scott Rettberg, Noah Wardrip-Fruin |
2003 |
poetry, digital art, MERGEcollaboration, games, computer narrative |
|
Grand Thieves Audio Modologues |
Mark C. Marino |
2004 |
game mod, audio, parody |
|
Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet |
Joseph Tabbi |
2010 |
narrative, non-linearity, literary modalities, combinatory |
|
Graphs, Maps, Trees: Abstract Models for Literary History |
Franco Moretti |
2007 |
distant reading, literary history, literary studies, genre, novel, visualization, quantitative analysis |
|
Grasping at Loose Bindings: Thoughts on Language, Literature, Communication in a Time of Change |
Davin Heckman |
2012 |
literature, media studies, digital culture, neoliberalism, Fulbright |
|
Great Wall of China |
Simon Biggs |
1996 |
CD-ROM, generative, Kafka, grammar, pattern recognition |
|
Growing up Digital: The Emergence of E-Lit Communities in Spain. The Case of Catalonia “And the Rest is Literature” |
Laura Borràs Castanyer |
2012 |
|
|
gsm.art |
Igor Štromajer |
1999 |
gsm, interactive animation, web, mobile phone, intimate, mobile, communication, art |
|
Guantanamobile |
Lisa Lynch, Elena Razlogova |
2004 |
vectors, documentary, website |
|
Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present |
Jörgen Schäfer |
2007 |
literary history, combinatory literature, generative literature, MERGEcollaboration, antecedents, literary games, permutation, aleatorics, automatic writing, text generators, hypertext |
|
Hadean Lands |
Andrew Plotkin |
2012 |
interactive fiction, iphone |
|
haha |
Dan Waber |
|
|
|
haikU |
Nanette Wylde |
2001 |
generative, poetry, participation, haiku |
|
Halbeath |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
Flash |
|
Half-Breed Apache |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Halo |
Simon Biggs |
1998 |
interactive, immersive, generative, projection, modelling, generative grammar, installation |
|
Hamlet on the Holodeck: The Future of Narrative in Cyberspace |
Janet Murray |
1998 |
interactive narrative |
|
Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World |
Carolyn Guertin |
2007 |
narratives, interface, remix |
|
Hapax Phenomenon |
John Cayley, Clement Valla |
2011 |
Google, Google whack, image and text, singularity, download |
|
Heart Pole |
David Knoebel |
2005 |
3D, interactive writing, memory |
|
Hegirascope |
Stuart Moulthrop |
1995 |
hypertext, push, refresh, parody, pastiche, cyberculture, HTML |
|
Heights |
Christine Wilks |
2006 |
Flash, poetry, kinetic, falling, vertigo, architecture, image and text |
|
hektor |
Nathaniel Stern |
2000 |
memory, poetry, photography, video, javascript, Flash, juxtaposition, collage, characters |
|
Hello Hell |
Nathaniel Lew |
2002 |
relationship, Flash, audio, kinetic |
|
Hermeneia Directory of On-line Digital Literature |
|
|
|
|
Hermeticon: Pop Spell Maker |
Jason Nelson |
2005 |
spells, pop culture, commercials, 1980s, Flash, keyboard, audio |
|
Hexaemeron |
Andre Vallias |
|
Hexaemeron, Brazilian electronic poetry, andre vallias |
|
Hey Now |
Thomas Swiss, Motomichi Nakamura |
2001 |
Flash, collaboration, language, wrapping, audio, voice, animation |
|
Hey, Where'd All the Smart Guys Go? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Highways of the Mind |
Helen J Burgess, Jeanne M. Hamming |
2013 |
multimedia, hypertext book, scholarly multimedia, urban planning, science fiction, science and technology studies |
|
him |
Dane Watkins |
2001 |
identity, gender, stereotypes |
|
Hitchhiker's Guide to the Galaxy |
Douglas Adams, Steven Meretzky |
1984 |
interactive fiction, space travel, science fiction, comedy |
|
Hobo Lobo of Hamelin |
Stevan Zivadinovic |
2012 |
HTML, javascript, audio, comic strip, responsive |
|
Holopoetry and fractal holopoetry: Digital holography as an art medium |
Eduardo Kac |
1989 |
holopoetry, early Brazilian electronic poetry, Eduardo Kac |
|
Holopoetry and Perceptual Syntax |
Eduardo Kac |
1986 |
holopoetry, early Brazilian electronic poetry, Eduardo Kac |
|
Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates |
Roberto Simanowski |
2007 |
Eduardo Kac, biopoetry, holopoetry, close reading, taxonomy, digital literature |
|
Holopoetry, Biopoetry und digitale Literatur. Parameter einer Annäherung |
Roberto Simanowski |
2004 |
|
|
Home |
Annette Barbier, Drew Browning |
2001 |
VRML, home, domesticity, 3D |
|
Homer's Iliad |
Barry Smylie |
1999 |
Homer, classics, new media, remediation, adaptation |
|
Honeymoon in Beppu |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
Flash, narrative |
|
Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction |
David Benin |
2008 |
interactive fiction, embodiment, affect, drugs, doping, Tour de France |
|
Hospital Tent |
Tony Barnstone, Jonathan Minori, Fabrizio Aiello |
2006 |
hospital, world war 2, nurse, war, Flash, pain, agony |
|
Hosts |
Martin Rieser |
2006 |
locative, site specific, video installation |
|
Hot Air |
Chris Ault |
2008 |
feeds, noise, language pollution, tags |
|
House of Leaves |
Mark Z. Danielewski |
2000 |
narrative, novel, typography, print fiction, satire, postprint novel, postmodern fiction, horror, romance, mystery |
|
How Am I Not Myself |
Jason Huff |
2011 |
identity, play, wikipedia, mechanical turk, remix |
|
How has technology changed writing and literature? |
Matthew G. Kirschenbaum |
2012 |
technology, writing, word processing, archiving |
|
How I Heard It |
David Knoebel |
2002 |
Flash, audio, responsive, e-poetry |
|
How I Was Played by Online Caroline |
Jill Walker Rettberg |
2006 |
|
|
How Interactive Can Fiction Be? |
Michel Chaouli |
2005 |
|
|
How It Is in Common Tongues |
Common Tongues |
2012 |
conceptual writing, conceptual literature, expressive processing, writing to be found, big data, writing through search |
|
How They Brought the News from Paradise |
Alan Bigelow |
2012 |
CSS, HTML, javascript, responsive, kinetic, audio |
|
How to Construct the Genre of Digital Poetry: A User Manual |
Friedrich W. Block |
2010 |
genre, digital poetry, creative community |
|
How to Make a Dadaist Poem |
Tristan Tzara |
1920 |
dada, composition, poesis, poetics, recombinant |
|
How to Read Words in Digital Literature |
Alckmar Luiz dos Santos |
2010 |
poetics, digital poetry, reading, interpretation, e-poetry, infopoems, epigrammatic |
|
How to transform dog/horse pron/hump lovers into art patrons |
Jason Nelson |
2006 |
creative non-fiction, criticism, hacks, Interactive art, redirect, satire |
|
How We Read: Close, Hyper, Machine |
N. Katherine Hayles |
2010 |
reading, hyperreading, close reading, machine reading, pedagogy, teaching, distant reading, interpretation, literary studies, digital humanities |
|
How We Think: Digital Media and Contemporary Technogenesis |
N. Katherine Hayles |
2012 |
digital humanities, technogenesis, hyper reading, skimming, scanning, reading, neurology, humanities, narrative, database, spatiality |
|
Huis Clos / No Exit |
Annie Abrahams |
2012 |
performance, mother tongue, language, telematic, webcam, control, communication, puppets |
|
Human Pratice - How the Problem of Ergodicity Demands a Reactivation of Anthropological Perspectives in Game Studies |
Frank Furtwängler |
|
ergodic literature, game studies, terminology |
|
Humanities Games and the Market in Digital Futures |
Johanna Drucker |
2005 |
knowledge work, review, digital culture, corporate culture, information, humanities, digital humanities, cool, avant-garde, aesthetics, media studies, aesthesis |
|
Humor — Technology — Gender, Digital Language Art and Diabolic Poetics |
Friedrich W. Block |
2007 |
Alan Turing, humor, gender, contemporary art |
|
Hundekopf |
Brian House, Sue Huang |
2005 |
urban, interactive, locative narrative, mobile, train, resistance, environment |
|
Hunger |
Billy Collins, Samuel Christopher |
2006 |
|
|
Hurst |
Kristi Barnett |
2012 |
|
|
Hybrid moment |
Rafaël Rozendaal |
2012 |
Flash |
|
Hyper/Text/Theory |
|
1994 |
hypertext, literary theory, critical theory |
|
Hyperfiction: Novels for the Computer |
Robert Coover |
1993 |
novels, hypertext, hypertext fiction, reading |
|
Hyperlinking in 3D Interactive, Multimedia Performances |
Dene Grigar |
2010 |
3D, hypertext, interactive, performance, linking |
|
Hypermedia, Eternal Life, and The Impermanence Agent |
Noah Wardrip-Fruin |
1999 |
agent, narrrative, impermanence, hypermedia, association, eternal life, mortality, web, user tracking |
|
Hypermediating the Game Interface: Grand Theft Auto and the Alienation Effect |
Jason Farman |
2008 |
computer game, alienation, Hypermediacy, political, avatar, immersion, satire |
|
Hypernews and Coherence |
Martin Engebretsen |
2001 |
news, hypertext, coherence, structure |
|
Hyperpoems and Hyperpossibilities |
Deena Larsen |
1992 |
MA thesis, hypertext |
|
Hyperrhiz.01 |
|
2005 |
|
|
Hyperrhiz.02 |
|
2006 |
|
|
Hyperrhiz.03 |
|
2007 |
|
|
Hyperrhiz.04 |
|
2007 |
|
|
Hyperrhiz.05 |
|
2008 |
|
|
Hyperrhiz.06: Visionary Landscapes |
|
2009 |
ELO |
|
Hyperrhiz.07 |
|
2010 |
|
|
Hyperrhiz.08 |
|
2011 |
|
|
Hyperrhiz.09 |
|
2012 |
|
|
Hypertext |
|
|
hypertext, theory, literature, postmodern fiction, creative writing |
|
Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1997 |
|
|
Hypertext 3.0: Critical Theory and New Media in an Era of Globalization |
George P. Landow |
2006 |
hypertext criticism, critical theory |
|
Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way |
Mariusz Pisarski |
2008 |
|
|
Hypertext and Creative Writing |
Jay David Bolter, Michael Joyce |
1987 |
Storyspace |
|
Hypertext and Ethnographic Representation: A Case Study |
Rulon Matley Wood |
2011 |
ethnography, hypertext, multimodality, multivocality, multilinearity, design, representation, web publishing |
|
Hypertext and the Female Imaginary |
Jaishree K. Odin |
2010 |
|
|
Hypertext Criticism: introduction to a special issue |
Susana Pajares Tosca |
2001 |
|
|
Hypertext Criticism: Writing about Hypertext |
Susana Pajares Tosca, Jill Walker Rettberg |
2003 |
hypertext criticism |
|
Hypertext Fiction from 1987-1999 |
Jill Walker Rettberg |
2010 |
|
|
Hypertext Fiction in the Twilight Zone |
Raine Koskimaa |
1998 |
hypertext fiction, space, time |
|
Hypertext Fiction Reading: Haptics and Immersion |
Anne Mangen |
2008 |
haptics, reading, multisensory reading, touch, hypertext fiction |
|
Hypertext Hotel |
Robert Coover |
1992 |
collaboration, moo, play, parody, spatial |
|
Hypertext in the Attic: The Past, Present, and Future of Digital Writing |
Andreas Kitzmann |
2011 |
hypertext fiction, history, Storyspace |
|
Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature |
Jan Baetens |
2011 |
hypertext, installment, sequentiality, fragment, short form, minimalism, link |
|
Hypertext Syntagmas: Cinematic Narration with Links |
Adrian Miles |
2001 |
semiotics, hypertext narrative |
|
Hypertext: An alternative route to short story theorising |
Anastasia Natsina |
2007 |
|
|
Hypertext: Permeable skin |
Martha Petry |
1992 |
|
|
Hypertext: The Convergence of Contemporary Critical Theory and Technology |
George P. Landow |
1992 |
hypertext, poststructuralism, critical theory, technology, literary theory, digital textuality |
|
Hypertext: The Electronic Labyrinth |
Ilana Snyder |
1996 |
hypertext, education, digital literacy |
|
Hypertextual Consciousness 1.0 |
Mark Amerika |
1995 |
critifiction, hypertext, criticism, conceptual art |
|
Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film |
Jill Walker Rettberg |
1998 |
hypertext, non-fiction |
|
Hypertextual Fiction on the Internet: A Structural and Narratological Analysis |
Roman Zenner |
2005 |
hypertext, literary analysis, narratology |
|
Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness) |
Michael Joyce |
1992 |
hypertext, hypermedia, hypertext fiction, literary history |
|
Hyperworks: On Digital Literature and Computer Games |
Anna Gunder |
2004 |
ergodic literature, cybertext, digital literature, hypertext fiction, narratology, literature, sociology of literature, computer game, ludology, game studies, new media studies, textual criticism, media theory |
|
hyPoem |
Jörg Piringer |
2002 |
kinetic typography, animation, interaction, Java, authoring system |
|
I am |
Pär Thörn |
2011 |
|
|
I Cried Of Course |
Steve Minor |
2002 |
multimedia, audio, scheduled, Flash |
|
I Have Said Nothing |
J. Yellowlees Douglas |
1994 |
hypertext, fiction, car crash, Storyspace |
|
I know that somewhere this is a homage some where |
Adrian Miles |
1999 |
cinepoem, video, flashback |
|
I like IRC & SMS |
Rita Raley |
2008 |
IRC, SMS, multimedia, installation, performance, user-generated texts |
|
i made this, you play this. we are enemies |
Jason Nelson |
2008 |
narrative games, consumerism, hand-drawn, satire, hypermedia, video |
|
I wish I were the Moon |
Daniel Benmergui |
|
art game, experimental videogame |
|
I ♥ E-Poetry |
Leonardo Flores |
2011 |
blog, e-poetry, writing under constraint, electronic literature, weblog, e-lit, tags |
|
I'm simply saying |
Deena Larsen |
2004 |
|
|
I'm Sucking on a Tailpipe in Seoul |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2008 |
Flash, experimental cinema, environmentalism |
|
I, Apparatus, You: A Technosocial Introduction to Creative Practice |
Jenny Weight |
2006 |
apparatus, dialogue, interpretation, phenomenology, programming, technosocial, text-as-apparatus, trilogue, uncanny |
|
I, Chatbot: The Gender and Race Performativity of Conversational Agents |
Mark C. Marino |
2006 |
chatbots, gender, narratology, ludology |
|
I, You, We |
Dan Waber, Jason Pimble |
2005 |
collaboration, Java, literary art, 3D |
|
I.M.PROMPT.U |
Duc Thuan |
2007 |
Flash, audio, static, communism, propaganda |
|
IChing.Poetry.Engine |
Jared Tarbell, Lola Brine |
2001 |
generative, poetry, iching, engine |
|
Ideas of Beauty: Conversations |
Shandra Lamaute |
2011 |
audio |
|
ID_Xor.cism_ |
Mez Breeze |
|
internet art, code language, hypermedia poetry |
|
If I Were You I'll Go to the Palace |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
|
|
ii — in the white darkness: about [the fragility of] memory |
Reiner Strasser, M. D. Coverley |
2004 |
memory, loss, image and text, audio, alzheimer's, kinetic |
|
image + narrative |
|
1997 |
electronic book review, image, narrative, literary theory, literary criticism, image and text |
|
Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot |
Jaishree K. Odin |
2002 |
poetry, hypertext, hypermedia |
|
Imaginary Year |
Jeremy Bushnell |
2000 |
fiction, seriali, interconnected narrative, Chicago, urban, mediation |
|
Immersion versus Interactivity: Virtual Reality and Literary Theory |
Marie-Laure Ryan |
1994 |
3D, literary theory, virtual reality |
|
Immobilité |
Mark Amerika |
2011 |
mobile, video, narrative, iOS, iphone |
|
Implementation |
Nick Montfort, Scott Rettberg |
2004 |
sticker, novel, distributed narrative |
|
Implied Code as Mental Geography |
Jeremy Douglass |
2008 |
turing test, psychogeography, maps, cartography, navigation |
|
Imposition |
John Cayley |
2007 |
generative, collective, multilingual, installation |
|
In a World Without Electricity |
Alan Bigelow |
2012 |
CSS, HTML, javascript, responsive, audio, kinetic |
|
in absentia |
J. R. Carpenter |
2008 |
narrative, collaboration, French, fiction, mapping, locative, geography, geocoding, Montreal, site-specific, memoir |
|
In praise of an elevator |
Heather Lee Schroeder, Handplant Studio |
2008 |
|
|
In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia |
Janez Strehovec |
2010 |
teaching, electronic literature, digital literature, Slovenia |
|
In Search of Novel Poetic Territories: On Media Poetry: An International Anthology |
Janez Strehovec |
2010 |
digital poetics, poetry, materiality, digital poetry, review |
|
In Search of Oldton |
Tim Wright |
2004 |
fiction, map, cartographic, playing cards, contributory, place, memory, loss |
|
In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature |
Jörgen Schäfer |
2011 |
sustainability, teaching, pedagogy, electronic literature, digital literature |
|
In the Event of Digital Text. Performativity and E-literature. |
Jerome Fletcher |
2011 |
|
|
In the Event of Text |
John Cayley, Markku Eskelinen |
1999 |
interview, textuality, translation, transliteration, cybertext, hypertext, grammatology, moo |
|
In the Footsteps of the Father |
Jennifer Ley |
2002 |
e-poetry, hypertext, HTML, scheduled |
|
In the Garden of Recounting |
Robert Kendall |
2004 |
|
|
In Urban Jungles: Literature and Locative Media |
Jörgen Schäfer, Peter Gendolla |
2010 |
electronic literature, mobile media, mixed reality, multimodal, locative narrative |
|
Inanimate Alice Episode #2: Italy |
Kate Pullinger, Chris Joseph |
2007 |
Flash, audio, responsive, static, scheduled |
|
Inanimate Alice Episode 3: Russia |
Kate Pullinger, Chris Joseph |
2006 |
video game, audio, Flash, static, responsive |
|
Inanimate Alice, Episode 1: China |
Kate Pullinger, Chris Joseph |
2005 |
audio, children's literature, collaboration, fiction, Flash, network forms, place |
|
Inanimate Alice, Episode 4: Hometown |
Kate Pullinger, Chris Joseph |
2008 |
narrative, audio, games, visual narrative, collaboration |
|
Inanimate Alice: a Pedagogical Community |
Kate Pullinger |
|
|
|
Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s] |
Mez Breeze |
2003 |
|
|
Incarnation: Heart of the Maze |
Carolyn Guertin |
2000 |
HTML, QuickTime, audio, responsive, hypertext |
|
Incident of the Last Century 1999, Sampling Sarajevo |
Grégory Chatonsky |
1998 |
|
|
Infinite Interfaces and Intimate Expressions: Hand-Held Mobile Devices and New Reflective Writing Spaces |
Lisa Holloway-Attaway |
2008 |
mobile, interface |
|
Influencing Machine of Miss Natalija A. |
Zoe Beloff |
2001 |
creative non-fiction, gothic, installation, video, Flash |
|
Ingenstans |
Talan Memmott |
2009 |
video, translation, intertextuality, comedy, Bergman, sweden, miscommunication |
|
Inigo Gets Out |
Amanda Goodenough |
1987 |
children's literature, cats, hypercard, graphic, point-and-click, narrative |
|
INJECTIES (INJECTIONS) |
Paul Bogaert |
2010 |
video |
|
Inner Workings: Code and Representations of Interiority in New Media Poetics |
John Cayley |
2003 |
digital poetics, materiality, textuality, code, signification, codework, new media poetics, programmable media, turing |
|
Insects |
Pedro Valdeolmillos, Lluis Calvo |
2010 |
isometric, zoom, scrabble, insects, Flash |
|
Inside Blackwell Mansion |
Claudia Yi Leon |
1999 |
3D, spatial narrative, Quicktime VR, haunted house, voice, narrative |
|
Inside Outside the Box: Default Settings and Electronic Poetics |
Davin Heckman |
2010 |
critical/political/philosophical, electronic poetics, mortality |
|
Inside the House |
Adam Sylvain |
2011 |
remix, HTML, javascript, scheduled, static |
|
Inside: A Journal of Dreams |
Andy Campbell, Judi Alston |
2002 |
collaboration, dreams, dark, memories, surreal, dream diary, dream journal, poisoned |
|
Instrument Making (Interview with Eric Loyer) |
David Jhave Johnston, Erik Loyer |
2012 |
digital intruments, performance, collaboration |
|
Instrumental |
John Cayley |
2001 |
|
|
Interactive Drama, Art, and Artificial Intelligence |
Michael Mateas |
2003 |
artificial intelligence, art, entertainment, believable agents, interactive drama, interactive characters, interactive story |
|
Interactive Drama: Narrativity in a Highly Interactive Environment |
Marie-Laure Ryan |
1997 |
interactivity, interactive drama, Classicism, Aristotle |
|
Interactive Fiction |
Nick Montfort, N. Katherine Hayles |
2012 |
interactive fiction |
|
Interactive Fiction |
Nick Montfort |
2005 |
|
|
Interactive Fiction as Literature |
Mary Ann Buckles |
1987 |
interactive fiction, adventure games, computer games |
|
Interactive Fiction Communities: From Preservation through Promotion and Beyond |
Nick Montfort, Emily Short |
2012 |
|
|
Interactive fiction, virtual realities, and the reading-writing relationship |
Sarah Jane Sloane |
1991 |
interactive fiction |
|
Interactive Fiction: The Computer Storygame 'Adventure' |
Mary Ann Buckles |
1985 |
interactive fiction, New Criticism, meaning, reader response |
|
Interactive Fiction? I prefer Adventure |
Francesco Cordelli, Don Woods |
2001 |
interactive fiction, interview, text adventure |
|
Intercultural medium literature digital |
Hyun-Joo Yoo |
2005 |
interview |
|
Interface Criticism : Aesthetics Beyond Buttons. |
Søren Bro Pold, Christian Ulrik Andersen |
2011 |
interface, digital aesthetics |
|
Interferences: [Net.Writing] and the Practice of Codework |
Rita Raley |
2002 |
|
|
Intergrams |
Jim Rosenberg |
1993 |
hypercard |
|
Intermediation: The Pursuit of a Vision |
N. Katherine Hayles |
2007 |
electronic literature, reading, hypertext fiction, textuality, digital textuality, literary history, plot, intermediation, cognition, dynamic heterarchy, fluid analogies, print textuality, mark |
|
Intermission |
Talan Memmott, Eric Snodgrass |
2011 |
collaboration, cinema, performance, remix, Bergman, dada, film, digital film |
|
Internal Damage Data |
Mez Breeze |
2000 |
e-poetry, hypertext, HTML, animated gif, responsive |
|
International Electronic LIterature |
Sandy Baldwin, Laura Borràs Castanyer, Bertrand Gervais, Juan B. Gutiérrez, Mark C. Marino, Jill Walker Rettberg |
2007 |
international, collaboration, translation, diversity, language diversity |
|
International Texts in Critical Media Aesthetics |
|
|
series, media studies, aesthetics, critical media aesthetics |
|
Internet Art |
Rachel Greene |
2004 |
internet art, email art, media art |
|
Internet Literature in China: A New Literary Revolution? |
Chen Jing |
2010 |
internet literature, electronic literature, new media, virtual identity, new folk literature, china |
|
Internet Present and Future |
|
|
|
|
Internet Text, 1994- [Through Feb 2, 2006] |
Alan Sondheim |
1994 |
performance, performative, digital textuality, archive, network forms, codework, critical |
|
Interpoetry: a game of words, images and sounds as a poetic sign in digital media |
Wilton Azevedo, Philadelpho Menezes, Jorge Luis Antonio |
2001 |
epoetry, interpoetry, Brazilian elit, electronc literature |
|
Interrogating Electronic Literature |
Talan Memmott, David Thomas Prater |
2011 |
digital poetics, politics, Google, authorship |
|
Interrupting D : Patchwork Girl’s Syncopated Body |
Arnaud Regnauld |
2010 |
|
|
Intersecting Approaches to Electronic Literature: Close-Reading Code, Content, and Cartographies in “William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]” |
Jessica Pressman, Jeremy Douglass, Mark C. Marino |
2010 |
electronic literature, methodology, digital literature, Flash, animation, literary hermeneutics, literary aesthetics, critical code studies, programming, information visualization, visualization |
|
Intersecting Lives |
Joanna Sakellion |
2002 |
relationship, Flash, responsive, hypertext |
|
Interstitial |
David Jhave Johnston |
2006 |
Flash, video, death, triptych, water |
|
Intertextuality in Digital Poetry |
Yra van Dijk |
2008 |
digital poetry, hypertext theory, intertextuality, hypertextuality, electronic poetry, interpretation, hermeneutics |
|
Intervals and Links: The Indeterminancy of a Link's Possible Future |
Adrian Miles |
1999 |
hypertext, post-cinematic, link, indetermination, cinema |
|
Interview with Amaranth Borsuk |
Amaranth Borsuk, David Jhave Johnston |
2012 |
|
|
Interview with Andrew Klobucar |
Andrew Klobucar, David Jhave Johnston |
2012 |
|
|
Interview with Andy Campbell: “Digital Fiction and Interactive Fiction” |
Fabio De Vivo |
2010 |
e-literature, interview, digital fiction, interactive fiction |
|
Interview with Brian Kim Stefans |
Brian Kim Stefans, David Jhave Johnston |
2012 |
|
|
Interview with Charles Bernstein |
Charles Bernstein, David Jhave Johnston |
2012 |
|
|
Interview with Chris Funkhouser |
Chris Funkhouser, David Jhave Johnston |
2012 |
interview |
|
Interview with Christian Bök |
David Jhave Johnston, Christian Bök |
2012 |
|
|
Interview with D. Kimm |
D. Kimm, David Jhave Johnston |
2012 |
|
|
Interview with Dan Waber: “Digital Writing and Writing 3D" |
Fabio De Vivo |
2010 |
3D, writing, aesthetics |
|
Interview with Ian Hatcher |
Ian Hatcher, David Jhave Johnston |
2012 |
interview |
|
Interview with J. R. Carpenter |
J. R. Carpenter, David Jhave Johnston |
2012 |
interview |
|
Interview with Jean-Luc Lamarque |
Jim Andrews, Jean-Luc Lamarque |
2003 |
|
|
Interview with Loss Pequeño Glazier |
Loss Pequeño Glazier, David Jhave Johnston |
2012 |
|
|
Interview with Michael Joyce |
Gabriela Redwine, Michael Joyce |
2009 |
hypertext, history, community, hypertext fiction, 1980s, interview, oral history, archive, preservation |
|
Interview with Noah Wardrip-Fruin: “Digital Literature and Correlations” |
Fabio De Vivo |
2010 |
interview, Noah Wardrip-Fruin |
|
Interview with Pauline Masurel |
Pauline Masurel, Jim Andrews |
2002 |
interview, digital poetics |
|
Interview with Steve McCaffery |
Steve McCaffery, David Jhave Johnston |
2012 |
|
|
Interview with Steve Tomasula |
David Jhave Johnston, Steve Tomasula |
2012 |
|
|
Into the Deep End: An Approach to Generation of Formal Poetry |
Andrew Brogdon |
2010 |
depth-first searches, dfs, search tree, formal poetry, makov chain, electronic poetry, phonetic data |
|
Into the Green Green Mud |
Eric A. Meyer |
2006 |
animation, HTML, CSS, music, performance, open source, hypertext |
|
Into the Night |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
Into Thin Air: Blank Space in ‘Happening Poetry' |
Yra van Dijk |
2009 |
|
|
Introducing Literature Across Frontiers |
Nia Davies |
2011 |
literary organization, nonprofit, publishing |
|
Introduction to (New) Media (English 48A, Spring 2009) |
|
|
|
|
Introduction to Electronic Literature: A Freeware Guide |
|
|
theory, anthology, essays, freeware, text, open-source, electronic literature |
|
Introduction to net.art (1994-1999) |
Natalie Bookchin |
1999 |
net.art, list, manifesto |
|
Introduction [to New Narratives: Stories and Storytelling in the Digital Age] |
Ruth Page, Bronwen Thomas |
2012 |
narrative, storytelling, narratology, digital narrative, new media narrative, interactive fiction, hypertext, digital narratology, narrative interaction, identity, fiction |
|
Introduction: Juncture and Form in New Media Criticism |
Francisco J. Ricardo |
2010 |
aesthetics, digital literary arts, experience, literary art, new media criticism, electronic literature, literary theory, art theory |
|
Invisible Participation: Writing on/over/against the Cloud |
Daniel C. Howe, John Cayley, Jason Huff, Mimi Cabell |
2012 |
|
|
Invisible Seattle: The Novel of Seattle, by Seattle |
Rob Wittig, Philip Wohlstetter |
1983 |
collaboration, collective, bulletin board systems, constraint, database novel, remix |
|
Involvement, Interruption, and Inevitability: Melancholy as an Aesthetic Principle in Game Narratives |
Daniel Punday |
2004 |
game narratives, melancholy, emotion, affect, immersion, reader response |
|
ira, sarah |
André Cutair |
2002 |
video, desire, Flash, scheduled, kinetic |
|
Is e-literature just one big anti-climax? |
Andrew Gallix |
2008 |
e-literature, digital literature, new media writing, hype, digital literacy, transliteracy |
|
Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters |
Rob Wittig |
2011 |
narrative, fiction, form, electronic literature, textuality, writing-history of, design, slideshow |
|
Is the Future of Electronic Literature the Future of the Literary? |
N. Katherine Hayles |
2007 |
literary, literariness, institution, institutionalization |
|
Is There a Message in the Medium? The Materiality of Language |
John Cayley |
2011 |
materiality, light, sound, writing-materiality, materiality of language, literary theory, reading, book |
|
Is There a Text on This Screen? Reading in an Era of Hypertextuality |
Bertrand Gervais |
2008 |
textuality, digital textuality, reading, interpretation, materiality, digital materiality, hypertext |
|
Is Your Computer's Sound on? Fiction on the Flash Platform |
Jens Kirk |
2009 |
Flash, transition from print, adaptation |
|
It's a Woman's World |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
experimental cinema, Flash |
|
Italian E-poetry: Breaking the Traditions? |
Giovanna Di Rosario |
2011 |
|
|
Iterature |
Christophe Bruno |
2001 |
performance, interface, digital textuality, network forms, documentary, hacktivist, Oulipian, Google |
|
Itinerant |
Teri Rueb |
2005 |
locative narrative, Frankenstein, Boston |
|
its name was Penelope |
Judy Malloy |
1989 |
hypertext, fiction, memory, photography, myth |
|
JABBER: The Jabberwocky Engine |
Neil Hennessy |
2000 |
nonsense, Flash, animation, responsive, lexicon, sound poetry |
|
Jargon Reducer |
Nanette Wylde |
2006 |
software art, manipulation, jargon, filtering, textual analysis |
|
Java Poems |
Komninos Zervos |
1995 |
Java, kinetic, scheduled |
|
JB Wok |
Eugenio Tisselli |
2006 |
constraint, php, Google, e-poetry, Oulipo, PHP script, poetry |
|
Je liegt en je filtert ... (You're lying and you filter ...) |
Paul Bogaert |
2006 |
video, audio, scheduled |
|
Jeffrey |
Lewis LaCook |
2002 |
multimedia, e-poetry, kinetic, Flash, audio |
|
Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance |
Christophe Collard |
2012 |
|
|
Jig-Sound |
Jim Andrews |
2007 |
Shockwave, audio, responsive |
|
Jim Andrews on Aleph Null |
Jim Andrews |
2012 |
|
|
Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues |
Arnaud Regnauld, Hélène Perrin |
2007 |
|
|
Joe Jones |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Jongno |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Joyride |
Andy Campbell, Judi Alston |
2002 |
car accident, drugs, wreck |
|
Junction of Image, Text, and Sound in Net.fictions |
Zuzana Husárová |
2008 |
narrative, fiction, narratology, multisensory reading, reading-multisensory |
|
Justin Buber |
Anonymous |
2011 |
|
|
Kac, Cayley, and Kargl on Translation |
J. R. Carpenter |
2011 |
digital literature, translation, installation, bio-tech |
|
Kantye West |
Anonymous |
2012 |
|
|
Kastastrofetrilogien |
Scott Rettberg, Roderick Coover |
2011 |
video, Norway, disaster, media, interpersonal, cross-cultural communication, multilingual, catastrophe |
|
Kaycee Nicole |
Kaycee Nicole Swenson |
1999 |
hoax, weblog |
|
Kenneth Goldsmith |
Marcus Boon, Kenneth Goldsmith |
2011 |
structural, UbuWeb, avant-garde, appropriation, copyright, dissemination, John Giorno, Mark Andrés, digital poetics, aesthetics, poetics, remix, influence, impurity, internet, net aesthetics |
|
Kill the Poem - digitale visuell-konkrete Poesie und Poem Art (CD-ROM) |
Johannes Auer, Reinhard Döhl |
2000 |
|
|
Killing Lena |
Jamie Allen |
2007 |
image, manipulation, compression, algorithmic art |
|
Kim Kierkegaardashian |
Anonymous |
2012 |
|
|
Kind of Blue |
Scott Rettberg |
2002 |
collaboration, novel, epistolary, remix, e-mail fiction, email, narrative, intertextuality, multivalent, conspiracy, madness |
|
Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry |
Alan Filreis |
2006 |
poetics, digital poetry, electronic poetry, kinetic poetry, e-poetry |
|
Kinetic Poetry |
Manuel Portela |
2010 |
kinetic poetry, teaching digital literature, teaching methodology, pedagogy, algorithmic criticism |
|
King of Space |
Sarah Smith |
1991 |
science fiction, hypertext narrative |
|
Kissing the Steak: The Poetry of Text Generators |
Chris Funkhouser |
2009 |
text generators, generative |
|
Kluge: A Mediation |
Brian Kim Stefans |
2005 |
Flash, algorithm |
|
Know |
Jason Edward Lewis |
2012 |
iOS, touch, kinetic typography, poetry |
|
Kodachrome Blue Syntax |
Kenneth Sherwood |
2006 |
remediation, voice, stock footage, montage, loops, transcoding, media art |
|
konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature |
Martina Pfeiler, Johannes Auer |
2011 |
interview, concrete poetry, code, codework, ASCII, algorithm, performance, HTML, hypertext |
|
L'Albatross |
Patrick Henri Burgaud |
2010 |
video, recombination, tagging |
|
l0ve0ne |
Judy Malloy |
1994 |
hypertext, fiction, poetry, hacker culture, love, road trip |
|
La plissure du texte |
Roy Ascott |
1983 |
collaboration, narrative, fairy-tale |
|
Labyrinth: the Rulebook without Game |
Mark C. Marino |
2001 |
games, playable manuals, Flash, audio, hypertext |
|
Lace (Dentelle) |
Pierre Albert-Birot, F.J. Bergmann |
2002 |
animation, translation, Flash |
|
Lair of the Marrow Monkey |
Erik Loyer |
1998 |
Shockwave, animation, cognition, consciousness, fiction, kinetic, interior monologue, jazz, letters, memory, mind, music, narrative, poem, poetry, posthuman, spoken word, science fiction |
|
lala |
Aya Natalia Karpinska |
2007 |
performance, interface, interaction design, wii, third-person narrative |
|
Landscape (Re)-Visioned |
Jim Bizzocchi |
2008 |
landscape, cinematic landsape, post-production, ambient video |
|
Landscape Projects |
Judy Malloy |
1978 |
|
|
Landscapes |
Bill Marsh |
2002 |
animation, Flash, visual poetry, poetry, kinetic, audio, place |
|
Language Machines |
Jeffrey Masten, Nancy Vickers, Peter Stallybrass |
1997 |
|
|
Language Writing, Digital Poetics, and Transitional Materialities |
Alan Golding, Giselle Beiguelman |
2006 |
digital poetics, poetics, materiality, language writing |
|
Language, Voice, Sound, Computer |
Jörg Piringer |
2011 |
|
|
Larvatus Prodeo |
Braxton Soderman, Roxanne Carter |
2006 |
HTML, scheduled, static |
|
Lascaux.Symbol.ic |
Ted Warnell |
2000 |
codework |
|
Last Dream |
Andy Campbell |
2006 |
Flash, animation, multimedia, dreams, nightmare, dark, atmospheric, moody, surreal, video game, puzzles |
|
Last Tango in Tokyo |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
experimental cinema, Flash |
|
Lasting Image |
Michael Joyce, Carolyn Guyer |
2000 |
narrative, hypertext, fiction, image |
|
LAT 23 |
LAT-23 , Claudio Bueno, Denise Agassi, Marcus Bastos, Nacho Duran |
2010 |
cartography, geolocative |
|
Latour Swag |
Darius Kazemi |
2013 |
twitter, bot, javascript, social media |
|
Le lit des amants (The Lover's Bed / Rakastavaisten vuode) |
Elina Saloranta |
2004 |
experimental, multimodal, video art, combinatory poetics, interactive |
|
Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry |
Chris Funkhouser |
2007 |
cannibalism, antropophagy, digital poetry |
|
Learning from Science Fiction Criticism: Excessive Candour |
Julianne Chatelain |
2003 |
science fiction, reviewing |
|
Learning From the Review Culture of Fan Fiction |
Julianne Chatelain |
2003 |
fan fiction |
|
Leaved Life |
Anne Frances Wysocki |
|
|
|
Leaving the City: Indra's Net V |
John Cayley |
1995 |
hypercard, poetry, interactive, text generation, china |
|
Lector in machina |
Laura Borràs Castanyer |
2007 |
|
|
lens |
John Cayley |
2006 |
CAVE, 3D, kinetic typography, letters, spatial relationships |
|
Les 12 Travaux de l'Internaute / The 12 Labors of the Internet User |
Serge Bouchardon |
2008 |
game, mythology, classics, Flash, interactive, satire, user interface, remediation, Hercules |
|
Les Amants de Beaubourg |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2007 |
Flash, narrative |
|
Lessons Learned from Designing Children’s Interactive Narratives |
Angela Chang, Pei-yu Chi, Cynthia Breazeal, Nick Montfort, Henry Lieberman |
2010 |
interactive narratives, children's literature, user interaction, systems |
|
Letter |
Eduardo Kac |
1996 |
3D, poetry, spatial, navigational, Brazilian electronic poetry, Eduardo Kac |
|
Letter to Linus |
William Gillespie |
2001 |
visual poetry, hypertext, commons, conceptual, hypercube, economics and literature, neoliberalism, political |
|
Letterbuilder |
Brian Kim Stefans |
|
|
|
Letters Demand Things |
Michael Madsen |
2004 |
lettrist, Flash, static, audio, responsive |
|
LETTERS FROM THE ARCHIVERSE |
Jeff T. Johnson |
2012 |
|
|
Letters in Space, At Play |
Scott Rettberg |
2011 |
kinetic poetry, kinetic typography, Electronic Literature Collection |
|
Letters That Matter: Electronic Literature Collection Vol 1 |
John David Zuern |
2007 |
electronic literature, e-lit, letters, materiality of letters, materiality, semantic web, literary history, anthology, preservation, canonization, images, information |
|
Lexia to Perplexia |
Talan Memmott |
2000 |
animation, interface, textuality, textual instrument, appropriated texts, javascript, cyborg, hci, consciousness, network phenomenology, philosophical, DHTML, Gilles Deleuze, neologism |
|
Libre Culture: Meditations on Free Culture |
David M. Berry, Giles Moss |
2008 |
art, Creative Commons, free software, creativity, commons, free culture, libre, open source, Bruno Latour |
|
Life and the Screen: Identity on the Internet |
Sherry Turkle |
|
|
|
light |
Machine Libertine |
2012 |
|
|
Light & Dust: Polyaesthetic Experiences with Locative Augmented Reality |
Maria Engberg |
2011 |
|
|
Light-Water: a Mosaic of Meditations |
Christy Sheffield Stanford |
1999 |
hypermedia, poetry, image and text |
|
Like Stars in a Clear Night Sky |
Sharif Ezzat |
2006 |
audio, Flash, multilingual |
|
Lilith |
Eduardo Kac |
1989 |
Eduardo Kac, early Brazilian electronic poetry, spatial, holopoem |
|
Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program |
Nick Montfort |
2011 |
creative computing, software studies, code, code reading, BASIC, commodore 64 |
|
Lines of Life |
Jody Zellen |
2010 |
Flash, javascript, HTML, responsive |
|
List(en)ing Post |
Rita Raley |
2009 |
generative, reading, attention, polyattentiveness, attentive, embodiment, affect, disorientation, surveillance, interference, mobility, listening, crowds, multi-sensorial, algorithmic text generation, imobility, social relations, totality, voyeurism, statistical work, media ecology, lists |
|
Listening Post |
Mark H. Hansen, Ben Rubin |
2003 |
found text, networked audiovisual installation, voice synthesizer, data sonification, web harvested work, text stream |
|
Lit |
Eric LeMay |
2012 |
|
|
Literal Art |
John Cayley |
2004 |
writing, literal art, materiality, pixel, line, affect, programmatology, digital poetry, poetics, e-poetics, Digital, alphabetic, Kittler, media studies, literary studies |
|
Literary Art in Digital Performance : Case Studies in New Media Art and Criticism |
|
2009 |
digital poetics, generative text, electronic literature, aesthetics, interactive poetry, narrative games, filmic sculture, projective art, digital media, distributed cognition, interactive drama, screen writing |
|
Literary Aspects of the New Media Art Works by Jaka Železnikar and Srečo Dragan |
Narvika Bovkon |
2011 |
new media art, digital literary art |
|
Literary Games: The Intersection of Writing and Play (DANM 132, UC Santa Cruz) |
|
|
workshop, survey |
|
Literary Hypertext: The Passing of the Golden Age |
Robert Coover |
1999 |
poetry, hypertext, fiction, golden age, transition, line |
|
Literary Machines Made in Germany. German Proto-Cybertexts from the Baroque Era to the Present |
Jörgen Schäfer |
2006 |
|
|
Literary Machines: The report on, and of, Project Xanadu concerning word processing, electronic publishing, hypertext, thinkertoys, tomorrow's intellectual revolution, and certain other topics including knowledge, education and freedom |
Theodor Holm Nelson |
1981 |
|
|
Literary Programming (In the Age of Digital Transliteration) |
John Cayley |
1999 |
practice, programming, inscription, performance, poetry, hypertext, generation, kinetic text, transliteration |
|
Literatur, Raum, Neue Medien |
|
2011 |
|
|
Literature and Culture of Information (LCI) Specialization |
|
|
literature, information, literary studies, digital literary studies, literature and technology, media studies, writing systems, digital humanities |
|
Literature and Media: Electronic Literature (EN1126, Fall 2010) |
|
|
|
|
Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature |
Søren Bro Pold |
2007 |
textuality, interface, web 2.0, search engine, Google |
|
Literature in Digital Culture: Pedagogical Possibilities |
Raine Koskimaa |
2010 |
teaching, electronic literature, literature, digital culture, distance learning |
|
Literature Nation |
mIEKAL aND, Maria Damon |
2003 |
poetry, hypertext, hypertext poetry |
|
Literature: Lift this End |
Stuart Moulthrop |
2012 |
|
|
Literatures in the Digital Era: Theory and Praxis |
Anastasia Natsina |
2007 |
literature, literary criticism |
|
Little Book of Prompts |
Sylvanus Shaw |
2010 |
Flash, static, kinetic, responsive |
|
Live Movies |
Gail White Scott, Kirby Malone |
2008 |
media art, performance |
|
Living Will |
Mark C. Marino |
2012 |
hypertext, interactive fiction, storygame |
|
Local Transcendence: Essays on Postmodern Historicism and the Database |
Alan Liu |
2008 |
information, historicism, New Historicism, epistemology, database, postmodernism, digital culture, information society, media studies, media history |
|
Locating the Creativity in the Interactive Fiction Community |
Yra van Dijk |
2012 |
|
|
Locating the Literary in New Media |
Joseph Tabbi |
2008 |
posthuman, digital textuality, digital culture, materiality, literary studies, constraints, literariness |
|
Locative Narrative, Literature and Form |
Jeremy Hight |
2010 |
narrative, space, style, locative narrative |
|
Logging In |
Sandy Baldwin |
2008 |
logging, cognition, subjectivity, turing test, login |
|
Logging In and Getting Off: Login, Labor, Literature, and the Subject of the Net |
Sandy Baldwin |
2009 |
|
|
Logozoa |
Robert Kendall |
2006 |
sticker, poetry, distributed, metaphor, textual organisms, participatory, photography |
|
Lollipop Noose |
Todd Seabrook |
2009 |
Flash, static, kinetic, audio |
|
London Eye |
Diane Greco Josefowicz |
2000 |
Flash, narrative, responsive, image and text, intertextuality |
|
Long Weekend |
Beathe C. Rønning |
|
|
|
Look, here she lies (Kijk, hier ligt ze) |
Hans Kloos |
2009 |
Flash |
|
Looking Behind the Façade: Playing and Performing an Interactive Drama |
Jörgen Schäfer |
2009 |
interactive drama, games |
|
Los Wikiless Timespedia |
Mark C. Marino, Scott Rettberg |
2008 |
satire, parody, wiki, newspaper, funny |
|
Losing the Lottery |
Eric LeMay |
2012 |
lottery, game, essay, satire |
|
Loss of Grasp |
Serge Bouchardon, Vincent Volckaert |
2010 |
Flash, interactivity, webcam, interface, control, loss |
|
Lotus Blossom |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Love and Kill |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Luminous Airplanes: A Hyperromance |
Paul La Farge |
2011 |
|
|
M.U.C. Love Letter Generator |
Christopher Stratchey |
1952 |
generative, epistolary, combinatory, pioneering, love, program |
|
Machine Enhanced (Re)minding: the Development of Storyspace |
Belinda Barnet |
2012 |
Storyspace, history, topography, interviews, hypertext, authoring software |
|
Machine Subjectivity, Politics and Digital Arts |
Jichen Zhu |
2010 |
artificial intelligence, interactive narrative, computational art, digital art, systems |
|
Machinic minds and posthuman bodies: the complexities of intimacy in three electronic works by Shelley Jackson |
Arnaud Regnauld |
2010 |
embodiment, intimacy |
|
Machinic Minds and Posthuman Bodies: the Complexities of Intimacy in Three Electronic Works by Shelley Jackson, Patchwork Girl, My Body & A Wunderkammer, and The Doll Games |
Arnaud Regnauld |
2010 |
|
|
Machinic Performance |
John Lumley |
2012 |
machinic, performance, digital textuality |
|
Magnet |
Simon Biggs |
1997 |
sensors, projection, cameras, audio, levitation, haptic |
|
make-shift |
Paula Crutchlow, Helen Varley Jamieson |
2010 |
cyberformance, networked performance, improvisation, online performance space, connectivities, consequences, translation, process, chat, webcam, community, online stage |
|
Making Art Online |
Judy Malloy |
1991 |
collaboration, information art, narrative, artist statement |
|
Making Connections Visible: Building a Knowledge Base for Electronic Literature |
Scott Rettberg |
2011 |
electronic literature, ELMCIP, creativity, cross-referencing, databases, creative community, open access, collaboration, archiving |
|
Making Digital Poetry: Writing with and through Spaces |
Mirona Magearu |
2012 |
|
|
Making Meaning: Negotiating Seduction in New Media Works |
Nanette Wylde |
2008 |
technological seduction, novelty |
|
Making Sense of the Digital as Embodied Experience |
Serge Bouchardon, Asunción López-Varela Azcárate |
2011 |
|
|
Making Sense: aspects of the literary in electronic environments |
Maria Angel, Anna Gibbs |
2010 |
e-literature, e-lit, interactive, literature and technology, body, affect |
|
Making the World Safe for Fashionable Philosophy! |
Joe Milutis |
2003 |
digital materiality, books, telecommunications, electromagnetism, machine semiotics, command-line interface, simulation, mysticism, science fiction, film, Baudrillard |
|
Making Visible the Invisible |
George Legrady |
2005 |
installation, data visualization, mapping, non-linguistic |
|
Making, Critique: A New Paradigm for the Humanities |
N. Katherine Hayles, Jessica Pressman |
2013 |
digital humanities |
|
Making/Trans-lating Literature in Immersive 3D |
Robert Coover |
2012 |
|
|
Map of a Future War |
Angela Ferraiolo |
2008 |
maps, spatial, capitalism, collapse |
|
Mapping |
Sylvia Tomayko-Peters |
2011 |
interactive, HTML, javascript |
|
Mapping out Spaces for E-Lit Criticism |
Jessica Pressman |
2008 |
journals, online journals, publication venues, discourse networks, discursive space |
|
Marble Springs 1.0 |
Deena Larsen |
1993 |
hypercard, hypertext, identity, 19th ct., american west |
|
Marble Springs 3.0 |
Deena Larsen |
2012 |
hypertext, wiki, responsive, static |
|
Marginal Effects |
Stuart Moulthrop |
2001 |
occlusion, attention, control |
|
Marginalia in the Library of Babel |
Mark C. Marino |
2007 |
javascript, marginalia, Jorges Luis Borges, metafiction |
|
Mark Amerika, "Remix the Book" (review) |
Jan Baetens |
2011 |
|
|
Massively Multireader: A Networked Teaching of House of Leaves across Five Classrooms |
Brian Croxall |
2011 |
collaborative teaching, scholarly communication, distant teaching |
|
Matières textuelles sur support numérique |
Alexandra Saemmer |
2007 |
|
|
Maud |
Sally Rodgers, Steve Jones |
2011 |
video, audio |
|
maybe make some change |
Aaron A. Reed |
2011 |
interactive fiction, multimedia, Afghanistan, war, point of view, unreliable narrator, video, interactive documentary |
|
mayday |
Cris Cheek, Kirsten Lavers |
1998 |
hypertext, collective narrative, mass observation, performance |
|
MC23: Digital Media |
|
|
hypertext, cyberspace, networks |
|
McLu-uhms |
David Jhave Johnston |
2011 |
McLuhan, media society, theory, Flash, audio, scheduled |
|
ME |
Jim Rosenberg |
2007 |
hypertext, diagrams |
|
Meaning |
Jelena Glazova |
2009 |
poetry, ambient video, light, sound environment, expressionism |
|
Mechanical Bride |
Ted Warnell |
2001 |
HTML, IRC, e-poetry |
|
Mechanisms: New Media and the Forensic Imagination |
Matthew G. Kirschenbaum |
2008 |
digital forensics, digital materiality, materiality, media studies, hardware |
|
Media Archaeology Lab |
|
|
|
|
Media Poetry: An International Anthology |
|
2007 |
media poetry |
|
Media studies, mobile augmented reality, and interaction design |
Jay David Bolter, Maria Engberg, Blair MacIntyre |
2013 |
|
|
Media Upheavals Database |
|
|
|
|
Mediawork Pamphlets |
|
|
book series, pamphlet, visual culture, image and text |
|
Medien Kunst Netz / Media Art Net |
|
2004 |
|
|
Medienumbrüche |
|
|
series, media upheavals, digital humanities, media culture, media aesthetics, media history |
|
Meditation on a Bar Stool |
Natalie Zeriff |
2000 |
e-poetry, video, Flash, audio, scheduled, kinetic |
|
Mediums and Messages (Comparative Literature 163A) |
|
|
|
|
Megan Sapnar's "Car Wash" as a New Media Sonnet |
M.A. Keller |
2010 |
|
|
mémoire involuntaire no. 1 |
Braxton Soderman |
2009 |
ambient, animation, Processing, text movie, Java |
|
Memoirs from Hijiyama |
Jonathan Yuen |
2002 |
nuclear bomb, Hiroshima, human suffering, grave, memorial, javascript, HTML, hypertext, poetry, visual poetry, prose poem |
|
memory |
Machine Libertine |
|
video poetry, posthuman |
|
Memory |
Pedro Valle Javier |
2013 |
memes, social, e-poetry, HTML, static |
|
Memory and Motion: The Body in Electronic Writing |
Maria Angel, Anna Gibbs |
2010 |
tactile, body, new materialism, aural |
|
Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron |
Arnaud Regnauld |
2011 |
|
|
Memory Bytes |
|
2004 |
|
|
Menschliche Praxis. Zu einer Re-Animation der literarischen Anthropologie in den Game Studies |
Frank Furtwängler |
2004 |
|
|
Mermaid |
W.B. Yeats, Alis Yung |
2001 |
Flash, static, responsive, love |
|
Mes Hypertropes: Programmed Poems from a Founding Member of Oulipo |
Amaranth Borsuk |
2012 |
|
|
Mesostics for Dick Higgins |
mIEKAL aND |
1998 |
elegy, mesostic |
|
Mesostics for Dick Higgins (Print) |
mIEKAL aND |
1998 |
|
|
Meta Discourse: An Investigation into Possibilities of Meta-Fictions in the 21st Century |
Jennifer Roudabush |
2008 |
|
|
Metablast |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
experimental cinema, Flash |
|
MetaGenesis |
Duc Thuan |
2000 |
javascript, audio, scheduled, bible |
|
Metaphor-a-Minute |
Darius Kazemi |
2012 |
twitter, javascript, serial, responsive |
|
Mez Interview |
Josephine Bosma |
2000 |
|
|
Michael Joyce papers (Ransom Center) |
|
|
|
|
Michigan Agricultural College Tour |
Katy Meyers |
2011 |
gowalla, locative, narrative, tour, fictionalized documentary, historical, fictional characters |
|
Middle Orange | Meia Naranja |
Loss Pequeño Glazier |
2010 |
video, epoetry, performative |
|
MIDIPoet |
Eugenio Tisselli |
2002 |
visual poetry, software, performance, performative |
|
MIDIPoet - User's Manual |
Eugenio Tisselli |
1999 |
midi, software |
|
Mimesis: An Integrated Social Networking Application and Computer Game for Exploring Social Discrimination |
D. Fox Harrell |
2012 |
mimesis, social networking, game, discrimination |
|
Mindwheel |
Robert Pinsky |
1984 |
interactive fiction, narrative, narrative games, games |
|
Mining the Arteroids Development Folder |
Leonardo Flores |
2010 |
poetic game, programming, linguistic, video games, poetry, computer programming, visual poetry, interactivity, programmable media, development process |
|
Mining the Knowledge Base: Exploring Methodologies for Analysing the Field of Electronic Literature |
Jill Walker Rettberg, Scott Rettberg |
2013 |
visualization, database, digital humanities, authorship, tags, electronic literature |
|
Mirroring Tears: Visages |
John Cayley, Penny Florence |
2011 |
translation, Processing, reading, cognition, RiTa, reader |
|
Mirrorings: Art of the Copy (English 5380, Spring 2011) |
|
|
|
|
Miss DMZ |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2005 |
experimental cinema, Flash |
|
Missed Collections: Away From the Canon, Toward the Archive |
Dana Solomon |
2010 |
new media, yhchi, Young-Hae Chang Heavy Industries, electronic literature, non-linear, multi-directional, adaptive, textual preservation, archive, preservation, storage |
|
Missed Connections |
Cristobal Mendoza |
2007 |
language-driven digital art, web harvested work, stopwords, data-collection engine, software, database, 2-channels |
|
Missy |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Mobile Bodies, Zones of Attention and Tactical Media Interventions |
Carolyn Guertin |
2011 |
|
|
Mobile Communication and the New Sense of Places: a Critique of Spatialization in Cyberculture |
André Lemos |
2010 |
cyberculture, mobility, communication, locative media, brazilian cyberstudies |
|
Mobile Media Narratives: From Site-Specific Stories to Locative Hypertexts |
Jason Farman |
2010 |
personal computing, pervasive computing, mobile media, ubiquitous computing, mobile technologies, site-specific, community narrative, locative narrative |
|
Mobile Media Poetics |
Rita Raley |
2011 |
|
|
mobile poetics: a select bibliography of digital textuality/art apps |
|
|
iphone, ipad, mobile |
|
Mobile Tagging as Tools to cCeate Mixed Reality in eLit |
Martha Carrer Cruz Gabriel |
2010 |
mobile tagging, mobile technologies, mixed reality, electronic literature, elit, e-lit, barcode |
|
Mobilizing the Poli |
Laura Goldstein |
2011 |
|
|
Modern Moral Fairy Tales |
MaJe Kindschuh-Larsen, Deena Larsen |
2012 |
salmon, philosophy, internet, newspaper, journalism, hypertext, satire, dystopia, utopia |
|
Modern Mother |
Arlene Stamp |
1998 |
storytelling, audio, fragmentary, documentary |
|
Modernisms: A Literary Guide |
Peter Nicholls |
1995 |
modernism, modernity, aesthetics, literature, literary studies, symbolism, futurism, death, expressionism, dada, neo-classicism, high modernism, surrealism, literary history |
|
Modes of Narrative Specific to AI (Interview with Jichen Zhu) |
Jichen Zhu, David Jhave Johnston |
2012 |
artificial intelligence, cognitive science, association, narrative |
|
Moment |
Joe Keenan |
2001 |
DHTML, javascript, responsive, generative |
|
Mondriaan |
Zachary Booth Simpson |
2004 |
art, interactive, installation, modriaan |