|
Concrete Poetry as an International Movement viewed by Augusto de Campos: An Interview |
Marina Correa |
2008 |
concrete poetry, digital concrete poetry, materiality |
|
From OULIPO to Transitoire Observable |
Philippe Bootz |
2012 |
Oulipo, Transitoire Observable, digital poetry, france, digital aesthetics, generated poetry, A.L.A.M.O., L.A.I.R.E. |
|
From Theo Lutz to Netzliteratur. The Development of German-Language Electronic Literature |
Beat Suter |
2012 |
community, awards, post-processing, collaborative hypertext, stuttgart school |
|
Intent is Important (a sketch for a progressive criticism) |
Adrian Miles |
2003 |
intention, intentionality, interpretation, literary criticism |
|
Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media |
Marie-Laure Ryan |
2001 |
narratology, immersion |
|
Primal Affective Ground and Digital Poetry |
David Jhave Johnston |
2010 |
digital poetics, visual language, sound, affect, generative, combinatorial, video |
|
The Problem of Form: Transitoire Observable, a Laboratory for Emergent Programmed Art |
Philippe Bootz |
2007 |
programming, procedural model |
|
What Spam Means to Network Situationism |
Justin Katko, Camille Paloque-Berges |
2007 |
spam, marketing, ideology, reading, network, situationism |
|
"a crisis in se_Mantics: gendered symbols and notion" in computer graphics imaging |
Claudia Herbst |
2002 |
Shockwave, gender, CGI, programming, critical new media, symbols |
|
"Distance, Homelessness, Anonymity, and Insignificance": An Interview with Young-Hae Chang Heavy Industries |
Thomas Swiss, Young-Hae Chang Heavy Industries |
2002 |
interview |
|
"HaikuD2" |
John Burger |
2012 |
twitter, bot, generative, static |
|
"How It Is in Common Tongues": an interview with John Cayley and Daniel Howe |
Scott Rettberg, John Cayley, Daniel C. Howe |
2012 |
Google, Beckett, copyright, commons, installation, network, open-source, reading, cognition |
|
"I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext |
Paul Hackman |
2011 |
hypertext fiction |
|
"mar puro”: An Interview with Aya Karpinska |
Rita Raley, Aya Natalia Karpinska |
2006 |
3D, spatial discourse |
|
"No Preexistent World": On "Natural" and "Artificial" Forms of Poetry |
Peter Gendolla |
2010 |
aesthetics, avant-garde, culture, nature |
|
"Of Dolls and Monsters": An Interview with Shelley Jackson |
Rita Raley |
2002 |
narrative, hypertext, materiality, fiction, Storyspace, interview, body, monstrosity, information, fantasy, link, image and text |
|
"Terminal Hopscotch": Navigating Networked Space in Talan Memmott's Lexia to Perplexia |
Lisa Swanstrom |
2011 |
aesthetics of spatial dislocation, interpretation, digital literacy, grid |
|
"The Final Problem": An Interview with Mark Jeffrey and Judd Morrissey |
Scott Rettberg, Mark Jeffery, Judd Morrissey |
2012 |
|
|
"Uncle Roger", an Online Narrabase |
Judy Malloy |
1991 |
hypertext fiction, hypertext, fiction, database narrative, artist books |
|
"Where you will have been I am..." [not yet found] |
John Cayley |
2009 |
Google, search engine, performance, performance writing, singularity |
|
#gifandcircumstance |
Adam Parrish |
2012 |
twitter, memes, Python, animated gif, bot, social, generative |
|
#OutsideUrDoor |
Mez Breeze |
2010 |
twitter, live performance, alternate reality game |
|
%Location |
JODI |
|
interface, network, protocol, subversion |
|
&Now Awards 2: The Best Innovative Writing |
|
2013 |
|
|
'Click = Kill'. Textual You in Ludic Digital Fiction' |
Astrid Ensslin, Alice Bell |
2012 |
flash fiction, second person, second-person address, narratology |
|
'I know what it was. You know what it was': Second Person Narration in Hypertext Fiction |
Alice Bell, Astrid Ensslin |
2011 |
hypertext fiction, second person, narratology, stylistics |
|
'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics |
Rita Raley |
2011 |
|
|
'Scape the Hood |
Leslie Rule |
2005 |
|
|
'What Is Seen Depends Upon How Everybody Is Doing Everything': Using Hypertext to Teach Gertrude Stein's Tender Buttons |
Dene Grigar |
1998 |
hypertext, Gertrude Stein, Jeff Galin, Joan Latchaw |
|
(R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling |
Allegra Pietera |
2008 |
pedagogy, space, video, narrative, interdisciplinary, storytelling |
|
(Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review |
Martina Pfeiler |
2010 |
teaching, close reading, scholarship |
|
(S)PACING |
Talan Memmott |
2009 |
installation, performance, keyboard, video, audio, sensors, movement, time, Flash |
|
(Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov |
Bojan Anđelković |
2011 |
noordung, postgravity art, techno, technology, subject, subjectivity, dispositif, aparatus, body without organs, deleuze, foucault, nietzsche, ubermanch, eternal return |
|
*water writes always in *plural |
Linda Carroli, Josephine Wilson |
1998 |
collaboration, hypertext, network fiction |
|
...hihi... |
Evgenia Sarbeva |
2010 |
computer, conversation, self-reflexivity |
|
...Reusement |
Jerome Fletcher |
2007 |
performance writing, erasure, performative, projective art, bilingual |
|
//**Code_Up |
Giselle Beiguelman |
2004 |
film, code, remediation, application, manipulation, algorithm, numeric systems, images |
|
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Mark Sample, Noah Vawter, Casey Reas, Patsy Baudoin, John Bell |
2012 |
code, randomness, BASIC, c64, commodore 64, generative |
|
10 PRINT CHR$(205.5+RND(1)); : GOTO 10 |
Nick Montfort |
2012 |
code, poetry, commodore 64, BASIC |
|
10 Print ebooks |
Mark Sample |
2012 |
twitter, bot, markov chain |
|
10 Sono at Swoons |
Loss Pequeño Glazier |
2006 |
|
|
10 years of Interpoesia |
Wilton Azevedo |
2011 |
|
|
10:01 |
Lance Olsen, Tim S Guthrie |
2005 |
Flash, collaboration, hypertext, fiction, audio, avant-pop, visual narrative |
|
12 Easy Lessons to Better Time Travel |
Mark C. Marino |
1998 |
hypertext, hyperfiction, humor, chatbot, chatterbot, timetravel |
|
1994-96 Word Nozzle (digital materiality) (Interview with Jason Lewis) |
Jason Edward Lewis, David Jhave Johnston |
2012 |
materiality |
|
1999 |
Barry Smylie |
1999 |
audio, Flash, HTML/DHTML, game, history, nostalgia, iconography, pop culture |
|
2012 Conference for the Electronic Literature Organization to be Held at West Virginia University from June 20-23; Media Art Exhibition Will Feature Work by 55 Artists |
Judy Malloy |
2012 |
|
|
217 Views of the Tokaido Line |
Will Luers |
2011 |
essay, video, poetry, generated poetry, travel, motion, loop, haiku |
|
24 hours with someone you know... |
Phillipa J. Burne |
1996 |
hypertext, HTML, branching path |
|
3 Proposals for Bottle Imps |
William Poundstone |
2003 |
Flash, audio, scheduled, e-poetry |
|
3 Proposals for Bottle Imps |
William Poundstone |
2006 |
|
|
34 North 118 West |
Jeff Knowlton, Naomi Spellman, Jeremy Hight |
2002 |
history, audio, locative narrative, GPS, Los Angeles |
|
4 Square |
Jody Zellen |
2012 |
iOS, juxtaposition, collage, digital art |
|
4079 |
Zuzana Husárová |
2011 |
conceptual, digital poem, interactive, non-linear reading, canvas |
|
5 Haitis |
Simon Kerr |
2011 |
Flash, audio, static |
|
51 Responses: What inspired you to get involved with Digital Literature |
|
|
video, electronic literature, practice, responses, inspiration |
|
6 Weird Questions asked in a Wired Way |
David Jhave Johnston |
2011 |
audio, responsive, HTML, scheduled |
|
6-string Aria |
Bill Marsh |
2002 |
video, Flash, audio, kinetic, scheduled |
|
7 Poems |
Vadim Litvak |
|
Vadim Litvak, Vadim, Litvak, e-poetry, poetry, 7poems, 7 poems, 7 poem, hypertext |
|
88 Constellations for Wittgenstein |
N. Katherine Hayles |
2012 |
digital literature, narrative assemblege |
|
88 Constellations for Wittgenstein (to be Played with the Left Hand) |
David Clark |
2009 |
hypertext, kinetic, animation, documentary, philosophy, language philosophy, Wittgenstein, Flash |
|
<? echo [THE_SIGNIFIER] ?> |
Duc Thuan |
2002 |
javascript, Flash, e-poetry, HTML |
|
<POEM> between pixel and program </> |
Andre Vallias |
2008 |
epoetry, Brazilian electronic poetry, code aesthetitcs |
|
>>oh<< |
Reiner Strasser, Dan Waber, Jennifer Hill-Kaucher |
2005 |
cyberpoem, interactive, literary games, poem, audio |
|
@bogost_ebooks |
Anonymous |
2013 |
twitter, serial, social media |
|
@crashtxt / exq=.s.te =n.c&de/s |
Jim Punk |
2012 |
unicode, HTML, javascript, twitter, social |
|
@Darius_at_GDC |
Darius Kazemi |
2013 |
twitter, bot, social, performance, scheduled |
|
@DeleuzeGuattari, Rhiz-o-Mat, PoMoBot |
Anonymous |
1996 |
javascript, generator, Gilles Deleuze, Felix Guattari |
|
@georgelazenby: How Goes the Enemy? |
William Poundstone |
2012 |
video, Flash, scheduled, twitter |
|
@Jhave2 |
David Jhave Johnston |
2010 |
twitter, networked performance |
|
@KarlMarxovChain |
Moacir P. de Sá Pereira |
2012 |
twitter, bot, social, static, responsive |
|
@MarkovChainMe |
Moacir P. de Sá Pereira |
2012 |
twitter, bot, responsive |
|
@MassageMcLuhan |
Matt Schneider |
2013 |
bot, twitter, tweepy, Python, scheduled, social |
|
@Tempspence |
Mark C. Marino, Rob Wittig |
2013 |
twitter, social, netprov, performance, generative |
|
@tonightiate |
Matt Schneider |
2013 |
twitter, bot, tweepy, Python, social, scheduled |
|
@WPoundstone |
William Poundstone |
2009 |
twitter, social |
|
a as in dog |
Dan Waber, Marko Niemi |
2007 |
concrete poetry, animated gif, javascript |
|
A Bibliographic Overview of Electronic Literature |
Amanda Starling Gould |
2012 |
bibliography, literary criticism, media upheavals |
|
A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento |
Theodoros Chiotis |
2005 |
cartography, procedural poetics, memory, literary criticism, film, hypertext, novel |
|
A Child's Game Confused |
Jill Walker Rettberg |
2001 |
hypertextual, creative criticism, personal criticism, criticism |
|
A Clash between Game and Narrative |
Jesper Juul |
1998 |
computer games, interactive fiction, narrative |
|
A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival |
Katie L. Price |
2011 |
epoetry festival |
|
A Companion to Digital Humanities |
|
2004 |
history, publishing, textuality, digital humanities, literary studies, preservation, philosophy, scholarly editing, new media, art history, humanities computing, performing art, religion, classics, databases, text encoding, textual analysis, archive |
|
A Companion to Digital Literary Studies |
|
2008 |
hypertext, textuality, literary studies, writing machines, digital literary studies, ePhilology, cybertextuality, algorithmic criticism |
|
A Creative History of the Russian Internet |
Evgeny Gorny |
2006 |
|
|
A Cross-Medial Close Reading of Swedish Digital Poetry |
Mette-Marie Zacher Sørensen |
2010 |
Swedish, Swedish digital poetry, digital poetry, concrete poetry, avant-garde, language |
|
A Cyborg Manifesto |
Donna Haraway |
1985 |
cyborg, feminism |
|
A DAC Dialogue |
Susana Pajares Tosca |
2000 |
|
|
A Dialogue Between Two Eyeballs |
Braxton Soderman |
2007 |
Shockwave, kinetic, audio, hypertext |
|
A Dream with Demons |
Edward Falco |
1995 |
hypertext, fiction, childhood, memory, adolescence, Storyspace |
|
A Fine View |
David Knoebel |
2000 |
animated text, VRML, Flash, flash poem, scheduled, aural, interactive |
|
A Four-Sided Model for Reading Hypertext Fiction |
Hans Kristian Rustad |
2009 |
hypertext theory |
|
A History of the Future of Narrative |
Robert Coover |
2008 |
|
|
A homecoming festival : the application of the dialogic concepts of addressivity and the awareness of participation to an aesthetic of computer-mediated textual art |
Gavin Stewart |
2006 |
|
|
A Humument |
Tom Phillips |
1970 |
altered book, technotext, palimpsest, artist's book, treated book |
|
A is for Apple |
David Clark |
2002 |
religion, pop culture, language, interactive, essay, audio-visual, audiovisual, knowledge, non-linear |
|
A Life Set for Two |
Robert Kendall |
1996 |
hypertext, poetry, Visual Basic, memory, regret |
|
A Little Talk About Reproduction |
J. R. Carpenter |
1998 |
photocopy, artist books, hypertext, HTML, art, art theory, web art |
|
A Luta Continua |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
|
Flash, experimental cinema |
|
A Machicolated Body |
Talan Memmott |
1999 |
|
|
A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen |
Lisa Swanstrom |
2011 |
3D, locative literature, narrative, genre, interaction, interactive narrative, actor-network theory, ANT, performance, performativity, spatiality |
|
A New Total Work of Art |
Christy Dena |
2007 |
lectures, cross-media, transmedia, storytelling |
|
A Party at Silver Beach |
Judy Malloy |
2002 |
DHTML, hypertext, love |
|
A Perfect Future Unread: John Cayley's "What We Will" |
David Ciccoricco |
2010 |
|
|
A Performance of Reality. Handwriting and Paper in Digital Literature |
Yra van Dijk |
2012 |
|
|
A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation |
Sandy Baldwin |
2003 |
materiality, textuality, literary innovation, digital poetics |
|
A Poetic Homage -- of the 3-Letter, 3-Word Variety |
Matthew Mirapaul |
1998 |
|
|
A poetics |
Charles Bernstein |
1992 |
poetics, poetry, poststructuralism, literary theory, absorbtion, modernism, postmodernism, Charles Bernstein |
|
A Poetics of the Link |
Jeff Parker |
2001 |
electropoetics, cyberdebate, link studies |
|
A Posthuman Cosmopolitanism and New Media Writing |
Hazel Smith |
2012 |
|
|
A Pragmatics of Links |
Susana Pajares Tosca |
2000 |
links, rhetorics, hypertext fiction |
|
A Quick Buzz around the Universe of Electronic Poetry |
Deena Larsen |
2001 |
poetry, digital poetry, electronic poetry, e-poetry |
|
A Response to "A New 'Gospel of the Three Dimensions'" |
Marie-Laure Ryan |
2012 |
interpretation, experience, electronic literature, digital literary art |
|
A Response to Nick Montfort's "Programming for Fun, Together" |
Scott Rettberg |
2012 |
response, constraints, collaboration, social, programming, hacking |
|
A Response to Roberto Simanowski's "The Compelling Charm of Numbers" |
Friedrich W. Block |
2012 |
|
|
A Response to the Report on Publishing E-Lit in Europe |
Mark C. Marino |
2011 |
electronic literature, publishing, discussion |
|
A Response to Twelve Blue by Michael Joyce |
Gregory L. Ulmer |
1997 |
poetics, fiction, word-and-image, hypertext fiction, literacy, electracy, image |
|
A Servant. A Hanging. A Paper House. |
Lucy Anderton, Nick Robinson |
2008 |
|
|
A Short History of Electronic Literature and Communities in the Nordic Countries |
Hans Kristian Rustad |
2012 |
history, community, Scandinavia |
|
A Short History of Electronic Poetry |
Loss Pequeño Glazier |
2011 |
history, epoetry, festival, epc |
|
a show of hands |
Mark C. Marino |
2008 |
narrative, hypertext, generative, ethnicity, generative hypertext |
|
A Sky of Cinders |
Tim Lockridge |
2007 |
hypertext, second person, sensations, prose, poem, dystopia, environmental disaster |
|
A Slow Year: Game Poems |
Ian Bogost |
2010 |
haiki, video games, digital poetry, literary games |
|
A Study in Shades |
Robert Kendall |
2000 |
hypertext, alzheimer's, perspective, split screen |
|
A Subjective Chronology of Cybertext, Hypertext, and Electronic Writing |
Stuart Moulthrop |
2006 |
hypertext, cybertext, history, electronic literature, literary history, e-lit, timeline, subjective |
|
A Tower of Sound |
Sissel Lillebostad |
2012 |
curating, public space |
|
A Town as a Novel: An Interactive and Generative Literary Installation in Urban Space |
Jean-Pierre Balpe |
2010 |
city, generative fiction, participatory, urban |
|
A Tree with Managers and Jittery Boats |
Jason Nelson |
2010 |
Flash, video, e-poetry |
|
A White Paper of Information |
Matthew G. Kirschenbaum |
1998 |
information, compution, visualization |
|
A [S]creed for Digital Fiction |
Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Kristian Rustad, Jess Laccetti, Jessica Pressman |
2010 |
narrative, digital fiction, literary criticism, screed, keywords, methodology, critical terms |
|
abcdefghijklmnopqrstuvwxyz (Performance Work) |
Jörg Piringer |
2007 |
interactive, lettrist, animation, sound poetry |
|
about machine poetry. a manifesto for the destruction of poets |
Eugenio Tisselli |
2006 |
machine poetry, subversion, liberation |
|
about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek |
Patricia Tomaszek |
2007 |
poetry, audio, cut-up, context-free grammar, randomness, chance, voices, remix, Robert Creeley, RiTa, Processing |
|
About Some Programmed Forms in Digital Poetry |
Philippe Bootz |
2011 |
|
|
About the Other Animals |
Ariana-Sophia Kartsonis |
2003 |
|
|
About Time |
Rob Swigart |
2001 |
hypertext, future, time, temporality, ambient music, fiction |
|
Accident |
Eduardo Kac |
1994 |
text animation, early Brazilian electronic poetry, Eduardo Kac |
|
Accidental Meaning |
María Mencía |
2008 |
interactive, meaning, signification, non-semantic |
|
Accounts of the Glass Sky |
M. D. Coverley |
2002 |
narrative, Flash, hypertext, fiction, history, audio |
|
Acid-Free Bits: Recommendations for Long-Lasting Electronic Literature |
Nick Montfort, Noah Wardrip-Fruin |
2004 |
preservation, best practices |
|
Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry |
Dubravka Djurić |
2011 |
new media poetics, visual poetry, poetics, Yugoslav poetry, literary history, avant-garde, socialist modernism, ideology, nationalism, concrete poetry |
|
Ad Verbum |
Nick Montfort |
2000 |
interactive fiction, wordplay, puns, literary games, Oulipo |
|
Adventures in Mot-Town |
Robert Coover |
2002 |
literary history, image and text, word |
|
Adventures in Transition: Jason Nelson’s Scary Journey from Flash to J-Code and Desk to Hand |
Jason Nelson |
2012 |
|
|
Aesthetic Animism: Digital Poetry as Ontological Probe |
David Jhave Johnston |
2011 |
software studies, machine language, digital poetry, animism, ekphrasis, terminology, interface |
|
Aesthetic Animism: Digital Poetry as Ontological Probe |
David Jhave Johnston |
2011 |
digital animism, poetry, tavit |
|
Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry |
Andrew Michael Roberts |
2008 |
interactivity, aesthetics, autonomy, sensuous, appearing, avant-garde, anti-aesthetic |
|
Aesthetics and Literature: A Problematic Relation? |
Peter Lamarque |
2007 |
literature, aesthetics, appreciation, poetry, narrative |
|
Aesthetics of surface, ephemeral and re-enchantment in digital literature: How authors and readers deal with the lability of the electronic device |
Alexandra Saemmer |
2009 |
digital aesthetics, lability of the device, surface and interface, semiotics, figures of manipulation, figures of animation |
|
Aesthetics of Visual Noise in Digital Literary Arts |
Maria Engberg |
2010 |
fiction, visuality, word-and-image, noise |
|
Afeeld |
A. J. Patrick Liszkiewicz |
2010 |
textual instrument, concrete art, digital poetry, games |
|
Afghan War Diary |
Matthieu Cherubini |
2010 |
google earth, wikileaks, computer game, static, kinetic, responsive |
|
After 391: Picabia's early multimedia experiments |
Chris Joseph |
2002 |
dada, art history, avant-garde, surrealism, Francis Picabia, Instantanéisme, cinema, multimedia |
|
after emmett: a dispersion of ninetiles |
mIEKAL aND |
1998 |
concrete poetry, kinetic typography, homage |
|
After Parthenope |
Scott Rettberg |
2011 |
fiction, generative, Processing, procedural, italy, naples |
|
After Persephone |
Ingrid Ankerson |
2001 |
Flash, children, audio, responsive |
|
After the Book: Writing Literature/Writing Technology |
|
1992 |
|
|
After the Book? |
Carolyn Guyer |
1992 |
|
|
After the Gold Rush: Sustainable Information Culture |
Stuart Moulthrop |
2000 |
|
|
afternoon, a story |
Michael Joyce |
1990 |
hypertext, fiction, Storyspace, tragedy, associative indexing, narrative, Eastgate, trauma |
|
Afterwards |
Judy Malloy |
2003 |
|
|
Against Digital Poetics |
Sandy Baldwin |
2009 |
digital poetics |
|
Against Expression: An Anthology of Conceptual Writing |
|
2011 |
avant-garde, dada, Oulipo, flarf, conceptualism, conceptual writing, poetics, aesthetics, dada, Oulip, L=A=N=G=U=A=G=E |
|
Against immersion – notes for non-virtual reality design |
Gonzalo Frasca |
2000 |
|
|
Against Information: Reading (in) the Electronic Waste Land |
Andrew Klobucar |
2012 |
|
|
Agrippa (A Book of the Dead) |
William Gibson |
1992 |
electronic poetry, poem, digital poetry |
|
Ah (a shower song) |
K. Michel, Dirk Vis |
2008 |
digital poetry, poëzie op het scherm, animation, line, stream of consciousness, Flash, collaboration, text movie |
|
Albeit |
Eduardo Kac |
1989 |
holopoem, holopoetry, Eduardo Kac, early Brazilian electronic poetry |
|
Alchemy |
Simon Biggs |
1990 |
installation, laser disc, animation, image and text |
|
Aleph Null as Tool, Thought Process, and Poetics |
Leonardo Flores |
2012 |
|
|
Algorithmic Poems |
Chris Funkhouser |
2011 |
static, generative |
|
Algorithmic Search for Love |
Julian Palacz |
2010 |
video, movie, spoken word, collage, algorithmic art, search, phrase |
|
Alice for the iPad |
|
2010 |
application, ipad |
|
Alire: A Relentless Literary Investigation |
Philippe Bootz |
1999 |
journal history, e-lit publishing |
|
All Fall Down |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash, jazz, monochrome, scheduled |
|
All Roads |
Jon Ingold |
2001 |
interactive fiction, fiction, games, Inform |
|
All the News that's Fit to Print |
Jody Zellen |
2006 |
news, HTML, javascript |
|
All The Numbers From Numbers |
Kenneth Goldsmith |
2008 |
|
|
All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber |
Carolyn Guertin |
2008 |
|
|
All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation |
Scott Rettberg |
2005 |
narrative, collaboration, fiction, collective, participation, systems |
|
All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities |
Scott Rettberg |
2011 |
hypertext, collaboration, communities, storytelling, narrative, collective narrative |
|
All Tomorrow's Parties |
Scott Rettberg |
2010 |
history, ELO, community, parody, literary institutions, Robert Coover |
|
All wrongs reversed ©1982 |
JODI |
2004 |
BASIC, sinclair zx, performative rendering, poiesis |
|
Almost Goodbye |
Aaron A. Reed |
2012 |
choice, UnDum, procedural generation, science fiction |
|
Alone Engaged |
Maria Engberg |
2011 |
generated poetry, HTML, javascript, scheduled, static |
|
Along the Briny Beach |
J. R. Carpenter |
2011 |
performance, performance writing, e-poetry, generative poetry, intertextuality, remix |
|
Alphabet of Stars |
Whitney Anne Trettien |
2010 |
HTML, javascript, responsive, kinetic |
|
Alphabet on the Move: Digital Poetry and the Realm of Language |
Janez Strehovec |
2010 |
|
|
Alternative Avenues in Digital Poetics and Post-Literary Studies |
Talan Memmott, Maria Damon, Claire Donato, Chris Funkhouser, Carolyn Guertin, Jeff T. Johnson, Eric Snodgrass, Alan Sondheim |
2012 |
digital poetics, storytelling, education, technologial studies |
|
Alternumerics |
Paul Chan |
2000 |
typography, fonts, signification, politics |
|
Am I All Alone Here? |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Amanda Stories: Ten Children's Adventures by Amanda Goodenough |
Amanda Goodenough |
1991 |
cats, children, point-and-click, hypercard, CD-ROM |
|
Ambient Fish |
Caroline Bergvall |
2008 |
|
|
Ambulance: An Electronic Novel |
Jaime Levy, Monica Moran |
1993 |
music, narrative |
|
American Ghosts |
Alan Bigelow |
2006 |
Flash, history, satire |
|
An Account of Randomness in Literary Computing |
Mark Sample |
2013 |
randomness, computing history, generation, cold war |
|
An American Life In Writing |
Patrick Sanchez |
2011 |
collaboration, live writing, print, anthology, javascript, poetry |
|
An Annotated Bibliography Of Interactive Fiction Scholarship |
|
|
interactive fiction |
|
An Archival Approach to Curating Born-Digital and Electronic Literary Materials |
Michael Forstrom, Catherine Stollar Peters, Melissa Waterworth, Gabriela Redwine |
2008 |
archive, curation, preservation |
|
An Essay on the Golden Lion: Indra's Net IV |
John Cayley |
1995 |
generative hypertext, hypercard, acrostic, algorithmic poem |
|
An ethnography of a networked community as emergent creativity |
Penny Travlou |
2010 |
|
|
An Evening In Front Of The Box |
Gerald Smith |
2011 |
|
|
An Interview with Dan Waber on "five by five" |
Rita Raley, Dan Waber |
2006 |
|
|
An Interview with David Knoebel on "Heart Pole" |
David Knoebel, Rita Raley |
2006 |
3D, spatialization, spatial discourse |
|
An Interview with Jason Nelson |
Jason Nelson, David Thomas Prater |
2011 |
interview, interfaces, digital poetry, authoring software, creative writing |
|
An Interview with John Cayley on "Torus" |
Rita Raley, John Cayley |
2006 |
3D, spatialization, spatial discourse, cave writing |
|
An interview with Maria Engberg |
David Thomas Prater, Maria Engberg |
2011 |
pedagogy, electronic literature, sweden |
|
An Interview with Talan Memmott |
David Thomas Prater, Talan Memmott |
2011 |
hypertext, online journals, editing |
|
An Ornithology of Net Art |
Mark Tribe |
2006 |
|
|
Analysing Digital Poetry: A Case Study |
Philippe Bootz |
2011 |
|
|
Analysis of Fitting the Pattern |
Yolanda de Gregorio Robledo |
2010 |
narratology, reader reception, complexity, tools, multimodality |
|
Andrews' Open Canvas: A Critical Code Studies Reading of Aleph Null |
Mark C. Marino |
2012 |
|
|
Andromeda |
Caitlin Fisher |
2008 |
visual poetry, collaboration, augmented reality, children's literature, 3D, audio |
|
Angels, Avatars, and Virtual Ashes |
Renée Turner |
2007 |
death, mourning, social networks, sincerity, audio, public life |
|
Animalamina |
Chris Joseph |
2003 |
animation, kinetic typography, children's poetry, collaboration, electronic music, Flash, games, generative, graphics, interactive, music, poetry, visual poetry |
|
Animals are Placebos |
Jennifer Roudabush, Caren Beilin |
2008 |
|
|
Anipoems |
Ana María Uribe |
1997 |
animation, kinetic typography, animated gifs |
|
Ann Coulter : Human Document |
William Poundstone |
2009 |
blog, static, e-poetry |
|
Another Emotion |
Jason Nelson |
2006 |
music, poetry, Flash, patterns |
|
Another Kind of Language |
María Mencía |
2001 |
multilingual, installation, cross-cultural communication |
|
Anthological and Archaeological Approaches to Digital Media: A Review of Electronic Literature and Prehistoric Digital Poetry |
Stephanie Boluk |
2009 |
review, literary history, electronic literature, digital poetry, ergodic, anthological, archaeological |
|
Anthology of Concrete Poetry |
|
1967 |
|
|
Anti-Spam: Reinventing Data |
Álvaro Seiça |
2012 |
datascape, data mining, visualization, digital art, impedance, projection mapping |
|
Any Vision |
Zuzana Husárová |
2011 |
static, video, scheduled, audio |
|
Anywhere |
Ingrid Ankerson, Steve Matanle |
2000 |
Flash, static, scheduled, audio |
|
aoa_renci |
Bill Seaman |
2010 |
|
|
Aomori Amori |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
experimental cinema, Flash |
|
Approaches to Digital Literature: Temporal Dynamics and Cyborg Authors |
Raine Koskimaa |
2010 |
|
|
Architectures of Possibility: After Innovative Writing |
Lance Olsen |
2012 |
|
|
Archive, Database, Interface (English 5380, History 5348, Spring 2009) |
|
|
|
|
Archives Zaroum |
Cia Rinne |
2008 |
typography, kinetic poetry |
|
Archivierung von digitaler Literatur: Probleme,Tendenzen, Perspektiven / Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives |
|
2010 |
archiving, restoring, emulating, digital memory |
|
Arrested |
Nanette Wylde |
1997 |
flipbook, conbinatory, database, prejudice, offense |
|
Ars Electronica Archive |
|
|
|
|
Art and Electronic Media |
Edward A Shanken |
2009 |
electronic art, digital art, new media art, survey, art history |
|
Art and Electronic Media Online |
|
|
|
|
Art at the biological frontier |
Eduardo Kac |
1998 |
art, biology, telematics, telepresence, robotics, interactivity, dialogism, noen-litteratur |
|
Art at the Interstice |
Carolyn Guertin |
2008 |
cultural production, uncommodified culture, user-generated, social, ambivalence |
|
Art, Activism and Web. Notes and Hypothesis for a Historical Overview |
Stefano Taccone |
2011 |
|
|
Art, Creativity, Intellectual Property and the Commons |
David M. Berry, Giles Moss |
2005 |
art, Creative Commons, free software, copyleft, creativity |
|
Arteroids |
Jim Andrews |
2003 |
literature, game, programming |
|
Artifice of Absorption |
Charles Bernstein |
1992 |
|
|
Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature |
Peter Gendolla |
2009 |
aesthetics, artificial poetry, digital poetics, aesthetic perception, literariness |
|
Artist's Statement No. 45,730,944: The Perfect Artistic Website |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
experimental cinema, Flash |
|
Artists' Books in the Digital Age |
Margot Lovejoy |
1997 |
artist books |
|
Artists, Personas, Mediums, Instruments: Envisioning the Visionary |
Mark Amerika |
2012 |
creativity, persona, hybrid art practice, artist-medium, cybernated art |
|
As We May Think |
Vannevar Bush |
1945 |
hypertext, history, archive, science, memex, associative indexing, research |
|
Ask Me for the Moon: Working Nights in Waikiki |
John David Zuern |
2004 |
poetry, tourism, labor, night, images |
|
Aspects of Experiencing Poetry in Digital Media |
Mohsen Emadi |
2011 |
poetry, natural language, machine language |
|
Assembling the Morrow |
Sandra Huber |
2011 |
|
|
Astres / Stars |
Susan Coolen, Childe Rolan |
2007 |
video, animation, voice, stars |
|
At the Time of Writing: Digital Media, Gesture and Handwriting |
Anna Gibbs, Maria Angel |
2011 |
literary agency, agency, handwriting, gesture, locative media, graffitti, typography |
|
Attacking the Borg of Corporate Knowledge Work: The Achievement of Alan Liu's The Laws of Cool |
N. Katherine Hayles |
2005 |
review, knowledge work, culture of information, information, information society, digital culture, cool, diversity, humanities education, digital literary studies, corporate culutre, business culture, ethics |
|
Attempting Ziggurats 4 |
Ed Osborn |
2010 |
audio, installation, John Barth, spoken word, babble, recitation |
|
Aufschreibesysteme Green ghost echo |
Brian Lennon |
2003 |
static, e-poetry, HTML |
|
Augmented Reality Storyworlds: Building Spatial Hyperfictions in the York Future Cinema Lab |
Caitlin Fisher |
2008 |
augmented reality, spatial hypermedia |
|
Australian Electronic Literature Directory |
|
|
|
|
Aut or Not |
Urszula Pawlicka |
2012 |
|
|
Authorial Scholarship 2.0: Tracing the creative process in online communities |
Leonardo Flores |
2012 |
media ecology, affordances, online communities, creative process |
|
Authoring 2.0: Writing Digital Culture (ENGL 5380-001) |
|
|
authors, authorship, publishing, remix, markup, tactical media, creativity, copyright |
|
Authoring Software |
|
|
interactive fiction, software, electronic literature, hyperfiction, epoetry, algorithmic text generation, authoring system |
|
Authors, Readers, and Progression in Hypertext Narrative |
Edward Maloney, James Phelan |
1999 |
narrative progression, hypertext, non-linear reading, linear reading |
|
Authorship and agency in networked environments |
Simon Biggs |
2010 |
authorship, agency, environments |
|
Auto/onto-poiesis |
Simon Biggs |
2008 |
generative poetry, Brazilian Electronic Literature Collection, simon biggs |
|
Autofiction on Screen: Self-representation of an Egyptian ‘Spinster’ in a Literary Blog |
Teresa Pepe |
2012 |
blog, literary blog, fiction, autobiography, self-representation, autofiction, gender, Egypt |
|
Automatype |
Daniel C. Howe |
2012 |
ambient, text art, algorithmic text generation, minimalism |
|
Autopoiesis: novelty, meaning and value |
Simon Biggs, James Leach |
2004 |
|
|
AutoSummarize |
Jason Huff |
2010 |
summarize, relevance, reduction, literature, Microsoft Word |
|
Avant-Gaming: An Interview with Jane McGonigal |
Scott Rettberg, Jane McGonigal |
2006 |
locative narrative, alternate reality game, deep play |
|
Avatars of Story |
Marie-Laure Ryan |
2006 |
narrative, hypertext, Storyspace, interactive drama, games, narrative theory, story |
|
Avatars Sharing Agency: Metaphor in Interactive Narrative Environments |
Jeff Rush |
2008 |
avatar, agency, negotiation, game, interactive narrative |
|
Aya Karpinska and Daniel C. Howe |
Chris Funkhouser |
2012 |
3D, spatiality, poetry, installation, geometric, sound, verbal permutation, interactive, multi-sensory |
|
BA-Tale |
Zuzana Husárová, Ľubomír Panák |
2011 |
interactive, intermedial, narrative, Slovak, Bratislava, storytelling |
|
Babel |
Simon Biggs |
2001 |
classification, interface, data visualization, mapping, navigation, Dewey Decimal System |
|
Back in the R.O.K. |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2009 |
experimental cinema, Flash |
|
Backbeat |
AR Cantú |
2008 |
|
|
Bad Machine |
Dan Shiovitz |
1999 |
interactive fiction, fiction, games, codework, TADS |
|
Bare Bones |
Joeyllyn Rock |
2002 |
fairly tale, translation, subversion, adaptation, desire, narrative, hypertext |
|
Basho's Frogger and JABBER |
Neil Hennessy |
2000 |
poetry, parody, games, haiku, Java, conceptual |
|
Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games |
Keith Stuart, Jason Nelson |
2011 |
interview, blog, game, Flash, electronic literature, net art, digital poetry, digital aesthetics, professionalism |
|
Bathroom Sketches |
David Jhave Johnston |
2008 |
water, audio, scheduled, Flash |
|
Bean Project |
Carolyn Black |
2002 |
linear, hypertext, HTML, javascript, dreamweaver |
|
Bearing the Fruits of E-Poetry: A Personal Decennial View |
Chris Funkhouser |
2011 |
digital poetry, e-poetry, electronic poetry |
|
Beautopia |
Laura Sullivan |
2002 |
hypertext, Java, critical new media, political, gender, beauty, subjectivity |
|
Because It's Not There: Ekphrasis and the Threat of Graphics in Interactive Fiction |
Aaron Kashton |
2011 |
interactive fiction, ekphrasis, graphics, image and text, word and image, rhetoric |
|
Because You Asked |
Alan Bigelow |
2006 |
audio, e-poetry, Flash, hypermedia, self-portrait |
|
Beckett's Bounce |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2002 |
experimental cinema, Flash |
|
Behind Façade: An Interview with Andrew Stern and Michael Mateas |
Brenda Bakker Harger, Andrew Stern, Michael Mateas |
2006 |
interactive drama, character, chatterbot/conversational character, natural language processing |
|
Being Dissolved: Erasure and Destruction in the Digital Text |
Yra van Dijk |
2008 |
|
|
Being Human |
Annie Abrahams |
|
|
|
Bembo's Zoo |
Roberto de Vicq de Cumptich |
2000 |
typography, Flash, audio, kinetic, scheduled |
|
Benchmark Fiction: A Framework for Comparative New Media Studes |
Christy Dena, Jeremy Douglass, Mark C. Marino |
|
|
|
Berlioz |
Ted Warnell |
2000 |
tone poem |
|
Between Code and Motion: Generative and Kinetic Poetry in French, Portuguese, and Spanish |
Manuel Portela |
2011 |
code, motion, generative, kinetic poetry, romance language |
|
Between Experiments and Traditions: Italian and Portuguese E-poetry |
Giovanna Di Rosario |
2010 |
experimental poetics, Brazilian concrete poetry, Italian Futurism, visual poetry, epoetry, legibility |
|
Between Page and Screen |
Amaranth Borsuk, Brad Bouse |
2012 |
artist's book, markers, fiducials, 3D, webcam, book screen hybrid, puns, paragrams, pop-up book, augmented reality |
|
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace |
|
2012 |
mediality, digitality, subjectivity, media ecology, digital literacy, digital aesthetics, education, cinema, intermediation, film, remediation, media studies |
|
Between Place and Interface: Designing Situated Sound for the iPhone |
Anders Fagerjord |
2009 |
|
|
Between Play and Politics: Dysfunctionality in Digital Art |
Marie-Laure Ryan |
2010 |
|
|
Between the Visceral and the Virtual: Navigating the Embedded Surfaces of Shelley Jackson’s Patchwork Girl |
Arnaud Regnauld |
2012 |
|
|
Between Treacherous Objects |
Jason Nelson |
2006 |
3D, Flash, poetry, hypermedia |
|
Beyond Literary? |
N. Katherine Hayles, Nick Montfort, Jerome McGann, Matthew G. Kirschenbaum, Michael Joyce |
2010 |
literary studies, digital studies, digital literature |
|
Beyond Myth and Metaphor: Narrative in Digital Media |
Marie-Laure Ryan |
2002 |
narrative, hypertext, digital narrative, digital media, metaphor, narrative interface, interactivity |
|
Beyond Play and Narration: Video Games as Simulations of Self Action |
Jochen Venus |
2010 |
|
|
Beyond Space Invaders |
Jennie Rothenberg Gritz |
2006 |
|
|
Beyond Taxonomy: Digital Poetics and the Problem of Reading |
Talan Memmott |
2006 |
poetics, reading, literary history |
|
Beyond the Book: François Bon and the Digital Transition |
Allison James |
2011 |
François Bon, daily writing, online writing, digital literature, digital textuality |
|
Beyond the Complex Surface |
Noah Wardrip-Fruin |
2010 |
|
|
Beyond the Screen (review) |
Jan Baetens |
2010 |
|
|
Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres |
|
2010 |
embodiment, locative narrative, genre, archiving, hermeneutics, interface, actor-network theory, ANT, performance, performativity, materiality |
|
Beyond Truth and Reason |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2010 |
experimental cinema, Flash, audio narrator |
|
Biennale.py |
0100101110101101.ORG Collective |
2001 |
|
|
Big Brother really is watching you: Literature in mobile dataspace |
Beat Suter |
2011 |
surveillance, electronic literature, locative media, locative |
|
Big Swing |
Kenneth Calhoun |
2010 |
narrative, photography, audio, video, hypertext, exploratory |
|
Biggz |
Loss Pequeño Glazier, Simon Biggs |
2006 |
javascript, HTML, scheduled, e-poetry |
|
Bindings |
David Jhave Johnston |
2012 |
video, dance, performance |
|
Biopoetry |
Eduardo Kac |
2011 |
digital poetics, poetics, biopoetry, holopoetry |
|
Birdfall |
Mez Breeze |
2000 |
static, kinetic, scheduled, HTML, audio, Flash, Shockwave |
|
Birds Singing Other Birds' Songs |
María Mencía |
2001 |
noise, sound poetry, music, sound, animality, transcription, kinetic typography, audio, representation, responsive |
|
Birds Still Warm from Flying |
Jason Nelson |
2010 |
cube, Flash, audio, responsive |
|
Bitwise: The Logic of the Digital |
Aden Evens |
2010 |
digital culture, digital technology, digital aesthetics, binary, ontology |
|
Blending the Crossword with the Narrative: An Examination of the Storygame |
Jimmy Maher |
2008 |
interactive fiction, story game, immersion, interactivity |
|
Blind Side of a Secret |
Thomas Swiss, Nils Mühlenbruch, Yoshi Sodeoka, Motomichi Nakamura |
2007 |
audio, collaboration, Flash, remix |
|
Blinding Lights |
Adrianna De Barros |
2001 |
text, sound, poem, Flash, scheduled, audio |
|
BLOGS REMEDIATION TRANSMEDIALITY FROM DIGITAL TO PAPER TO EBOOK |
Stefano Calzati |
2011 |
blogging, remediation, transmediality, printed book, ebook, Saramago, Duchesne |
|
Blue Company |
Rob Wittig |
2002 |
web, comedy, e-mail, fiction, e-mail novel, network forms |
|
Blue Hyacinth |
Jim Andrews, Pauline Masurel |
2002 |
generative, combinatorial, random, cut-up |
|
Blue Lacuna |
Aaron A. Reed |
2009 |
interactive fiction, novel, reactive characters |
|
Blue Lacuna: Lessons Learned Writing the World's Longest Interactive Fiction |
Aaron A. Reed |
2010 |
interactive fiction, natural language, natural language source code, inform 7, story game, game, character, narrrative, technique |
|
Blue Light |
Kirsten Petersen, Nicole Anderson, Page Schumacher, Kevin Diep, Allison Gray, Tyler Lundfelt, Dylan Symington |
2011 |
mobile, locative, narrative, security |
|
Blue Velvet |
David Theo Goldberg, Stefka Hristova |
2006 |
documentary, vectors, New Orleans, hurricane |
|
Blueberries |
Susan Gibb |
2009 |
hypertext, tinderbox |
|
Blurring of Public and Private Space in New Media Art |
Belinda Haikes |
2008 |
public space, private space, interactivity, social systems |
|
Bodies in Code |
Mark B. N. Hansen |
2006 |
embodiment, body, body image, body schema, technogenesis, digital art, digital technology, agency, virtual |
|
Bodies of Water |
David Clark, Nick Rudnicki |
2011 |
|
|
Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl |
Alexandra Glavanakova-Yaneva |
2003 |
|
|
Bodybuilding |
Frank Fietzek |
1998 |
interface, interaction design, installation, interactive installation |
|
Bodyless Art |
Роман Минаев |
2001 |
net art |
|
Böhmische Dörfer |
Alexandra Saemmer |
2011 |
memory, history, trauma, prezi |
|
Bokstaver i bevegelse |
Scott Rettberg |
2011 |
kinetic poetry, kinetic typography, Electronic Literature Collection |
|
Bones of the Book |
Robert Moor |
2012 |
e-books, electronic literature, hypertext, textuality, reading |
|
Boogie-Woogie Wonderland |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2003 |
Flash |
|
Book and Volume |
Nick Montfort |
2006 |
constraint, interactive fiction, city, space, work |
|
Book of Shadows |
Simon Biggs |
1994 |
documentation, interactive, animation, CD-ROM |
|
book review: not a b (pdp remix) |
Chris Funkhouser |
2008 |
animation, electronic poetry, audio, anagrammatic poem, multimedia animation |
|
Book Unbound |
John Cayley |
1995 |
hypertext, hypercard, generative, 1990s, Mac, download |
|
Bookend; www.claptrap.com |
Laura Miller |
1998 |
hypertext, hypertext fiction, reading, literature, literary history, literacy |
|
Bootstrapping Electronic Literature: An Introduction to the ELMCIP Project |
Scott Rettberg |
2012 |
introduction, ELMCIP |
|
Born Digital |
Stephanie Strickland |
2009 |
|
|
Born Digital: Writing Poetry in the Age of New Media |
Maria Engberg |
2007 |
materiality, ekphrasis, textuality, graphesis, cinematographic poetry |
|
Born-Again Bits: A Framework for Migrating Electronic Literature |
Alan Liu, David Durand, Nick Montfort, Merilee Profit, Liam R. E. Quin, Jean-Hugues Réty, Noah Wardrip-Fruin |
2005 |
preservation, archiving, emulation |
|
Brainstrips |
Alan Bigelow |
2008 |
word-and-image, visual, audio, satire, parody, irony, humor, comics, narrtive, appropriation, non-fiction |
|
Brautigan Bibliography and Archive: Digitizing a Literary Life |
John F. Barber |
2008 |
archive, bibliography, database |
|
Bread.Crumbs |
Talan Memmott |
1998 |
textual, narrative, linear, mythology, hypertext, hyperlink |
|
Breath by Breath: An Interview with Kate Pullinger about ‘The Breathing Wall' |
Dene Grigar |
2004 |
|
|
Breathing at the Galaxy’s Edges |
Deena Larsen |
1999 |
haiku, hypertext poem |
|
Breathing/Secret of Roe |
Jonathan Carr |
2002 |
depression, fighting, sadness, anger, Flash, audio, bipolar |
|
Bricoleur (Interview with David Clark) |
David Jhave Johnston, David Clark |
2012 |
|
|
Bridge Work |
Chris Funkhouser |
2003 |
science, poetry, typography, sonnet, hybrid, review |
|
Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective |
Asunción López-Varela Azcárate |
2008 |
intertextuality, textuality, digital literacy, literary studies, intermediality, multimodality |
|
Bringing the Art of Design to the National Park Service: The Fort Vancouver Mobile Project |
Dene Grigar |
2012 |
|
|
Broadening the e-learning technologies on literature: the effect of it over medieval Romance Literature |
Laura Borràs Castanyer |
2007 |
|
|
Broken |
Alan Sondheim, Barry Smylie |
2000 |
power, body, sex, sleep, imagination, Flash, audio, responsive |
|
Broméliacées: Translating Bromeliads as Transliterature |
Loss Pequeño Glazier |
2012 |
|
|
Bruno Latourbot |
Anonymous |
2013 |
twitter, bot, social media |
|
Building the Infrastructural Layer: Reading Data Visualization in the Digital Humanities |
Dana Solomon |
2013 |
data visualization, network analysis, digital humanities, cultural analytics |
|
Bus |
David Hadbawnik |
2001 |
Flash, audio, static, scheduled |
|
Bust Down the Door Again! Gates of Hell-Victoria Version |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2004 |
Flash, remix, experimental cinema |
|
Bust Down the Door! |
|
2009 |
article, gallery |
|
Bust Down the Doors! |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2000 |
narrative, audio, Flash, experimental cinema |
|
Buzz Aldrin Doesn't Know Any Better |
Jason Edward Lewis |
2012 |
iOS touch, responsive |
|
Califia |
M. D. Coverley |
2000 |
fiction, novel, multimedia, California, character, history, hypertext, multimodal, narrative, Toolbook |
|
Calling America |
Mark Cooley |
2007 |
oral history, participatory journalism, documentary, activism |
|
Camel Tail |
Sonny Rae Tempest |
2012 |
remix, HTML, javascript, static, scheduled |
|
Campbell's Soup Town |
Young-Hae Chang Heavy Industries |
2011 |
Flash, scheduled, audio |
|
Can We Help Being Creative? |
James Leach |
2011 |
creativity, community, creative community |
|
Candles for a Street Corner |
Robert Kendall, Michele D'Auria |
2004 |
Flash, collaboration, epoetry, electronic poetry, audio, city, melancholy, double entendre, sex |
|
Cannibal Dreams |
Lacy Cunningham, Justin Talbott |
2010 |
HTML, CSS, javascript, hypertext, static, responsive |
|
Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices |
Chris Funkhouser |
2009 |
creative cannibalism, remix, flarf |
|
Canonizing Hypertext: Explorations and Constructions |
Astrid Ensslin |
2007 |
teaching, hypertext, pedagogy, electronic literature, hypertext fiction, hypertext literature, canonicity, literary competence |
|
Cantoos |
Dan Waber |
2010 |
generative, javascript, responsive |
|
Canyonlands: Edward Abbey in the Great American Desert |
Roderick Coover |
2010 |
history, documentary, American studies, cinemascape, critical ecologies, activism, anarchism, cultural geography, direct action, environment, environmentalism, hypertext, interactive cinema, landscape, navigation, nonfiction, sabotage, wilderness |
|
Capped |
Andy Campbell |
2006 |
video games, dark, memories, childhood, mouse-responsive, john christopher, the tripods, white mountains, alien invasion, atmospheric, false memories, moody |
|
Car Wash |
Megan Sapnar |
2000 |
Flash, father, image and text, audio, music, death, loss, mourning |
|
Card Catalogs and Electronic Books |
Judy Malloy |
1976 |
artist books, 1970s, 1980s |
|
Careless Observations |
Robert Hudecek |
2011 |
image and text, photography, participatory, ipad |
|
carrier (becoming symborg) |
Damien Everett, Melinda Rackham |
1999 |
collaboration, audio, memoir, documentary, javascript, VRML, viral, games, Shockwave |
|
Carrying across Language and Code |
Natalia Fedorova, Nick Montfort |
2012 |
translation, digital poetry, algorithmic text generation, interactive fiction, computation, electronic literature |
|
Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism |
Annika Richterich |
2011 |
|
|
Carving in Possibilities |
Deena Larsen |
2001 |
Flash, collaboration, kinetic, animation, audio, time-based, sculpture, art, poetry |
|
Case Studies in American Creative Communities |
Rob Wittig |
2010 |
American communities, environmental factors, situation, interpersonal factors, Invisible Seattle |
|
Catalan Ergodic Literature |
Laura Borràs Castanyer |
2007 |
|
|
Catalogue: Nothingness |
Kate Armstrong |
2003 |
intervention, narrative, hypertext, consumerism, defamiliarization |
|
Catalonian Electronic Literature Communities |
Laura Borràs Castanyer |
2010 |
history, Catalonia, communities, vinaros, Barcelona |
|
Catharsis |
Pedro Valle Javier |
2013 |
hypertext, HTML, static, responsive |
|
Catharsis and Flow: Two Modes in Our Media Culture |
Jay David Bolter |
2011 |
|
|
Cauldron & Net, Volume 3 |
|
2001 |
|
|
Cave Writing: Reshaping Writing at Brown |
Robert Coover, John Cayley, Noah Wardrip-Fruin, Samantha Gorman, Rita Raley |
2010 |
electronic literature, e-lit, Robert Coover, typography, cave writing |
|
cave.cubes |
Daniel C. Howe |
2005 |
CAVE, 3D |
|
Cavewriting |
Scott Rettberg, Jill Walker Rettberg, Noah Wardrip-Fruin, Robert Coover, Josh Carroll |
2004 |
CAVE, 3D, collaboration |
|
Cavewriting: Spatial Hypertext Authoring System |
Damon Loren Baker |
2008 |
CAVE, cave writing, teaching, hypertext fiction |
|
Ceci n'est pas un Nike |
Giselle Beiguelman |
2002 |
image and text, self-reflexivity, interaction, representation, digital art |
|
Changed |
Andy Campbell |
2011 |
HTML5, javascript, digital fiction, violence, experience, dreams, nightmare, dark, haunting, memories, atmospheric, moody, attack, transient, escape, teenager, girl, mobile phone |
|
changeEverything |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda |
2011 |
audio, javascript, HTML, responsive |
|
Chaos |
Eduardo Kac |
1986 |
holopoem, Eduardo Kac, Brazilian electronic poetry, spatial |
|
CHAOSity |
NIki Nolin, Wade Roberts, Karen Osborne, Maureen Seaton |
2000 |
collaboration, prose poems, audio, animation, Flash, sound |
|
Charmin' Cleary |
Edward Falco |
1999 |
hypertext, fiction, short story, sex, violence, college |
|
charNG |
Edde Addad |
2011 |
generative |
|
charNG: case study of authoring a poetry generator |
Edde Addad |
2011 |
|
|
Charting the Shifting Seas of Electronic Literature’s Past and Present |
Jessica Pressman |
2009 |
electronic literature |
|
Chasing Ghosts: Experiencing the Visual Tactility of Michael Joyce’s Electronic Hyperfictions, afternoon, a story (1987) and Twelve Blue (1996) |
Arnaud Regnauld |
2012 |
|
|
Chasing Pandora |
Allyson Cikor, Emily Devereux, Greg Turnbull, Mathew Vickery, Trent Redmond |
2011 |
hypertext, HTML, audio, responsive |
|
chatpoetry |
Nelli Rothvee |
1997 |
|
|
Chemical Landscapes Digital Tales |
Edward Falco, Mary Pinto, Will Stauffer-Norris |
2006 |
Flash, hypertext, fiction, visual narrative, time-based, photogram, collaboration, HTML/DHTML |
|
Childhood in Richmond |
Komninos Zervos |
2001 |
audio, Flash, interactive, images, spoken word |
|
Choice vs. Interaction: the Case of Online Caroline |
William Cole |
2001 |
|
|
Choose Your Own Adventure Assignment |
|
|
choose your own adventure, assignment |
|
Christopher Strachey: The First Digital Artist? |
Noah Wardrip-Fruin |
2005 |
history, blog, pioneers |
|
Chroma |
Erik Loyer |
2001 |
narrative, poetry, audio, Shockwave, games, race |
|
Chronicle of Deaths Forgotten |
Duc Thuan |
2002 |
Flash, audio, responsive, death |
|
Chu Ta |
Thomas Bell |
2003 |
animated gif, static, scheduled |
|
Cicatrix: Pain, Sex, and Dying in E-Literature |
Sandy Baldwin, Maria Damon, Alan Sondheim |
2012 |
sexuality, pain, virtual world, digital performance, interactive performance |
|
Cinema Volta: Weird Science and Childhood Memory |
James Petrillo |
1994 |
cinema, memoir, image and text, memory |
|
Cinematic Paradigms for Hypertext |
Adrian Miles |
1998 |
cinema, hypertext, hypermedia |
|
Circle |
Caitlin Fisher |
2011 |
augmented reality, narrative |
|
Circumstances |
Katie Campbell |
2011 |
Flash, photoshop, poem |
|
City of Angles and Anguish |
David Herrstrom |
1999 |
hypertext, poetry |
|
City of Secrets |
Emily Short |
2003 |
interactive fiction, espionage, fantasy, thriller |
|
CityFish |
J. R. Carpenter |
2010 |
narrative, video, panorama, identity, family, Canada, new york, maps, Nova Scotia, google maps, childhood, summer vacations, city vs. countryside, displacement |
|
CityFish |
J. R. Carpenter |
2011 |
conference, city, narrative, QuickTime, google maps, new york, Nova Scotia, panorama |
|
Cityscapes: Social Poetics / Public Textualities |
María Mencía |
2005 |
city, cross-cultural communication, calligram, collaboration, exploration |
|
Cityscapes: Thinking Through Practice |
María Mencía |
2011 |
practice-based research, process, audiovisual, interactive, performance, collage, web, inter-phonetic, multicultural, muli-linguisitc, multi-ethnicities, urban calligram, urban screens |
|
Clearance |
Andy Campbell, Judi Alston |
2008 |
video, video poetry, video art, glimpsing, dark, mouse-responsive, atmospheric, apocalyptic, apocalypse, carving, stone, abandoned |
|
Click |
John Barth |
1997 |
short story, postmodern fiction, hypertext |
|
Clippings |
Jason Nelson, Pedro Valdeolmillos |
2006 |
love, Flash, responsive |
|
Clone-ing God & Ange-Lz |
Mez Breeze |
2000 |
HTML, scheduled, kinetic, audio, Flash, Shockwave |
|
Close Reading 2.0: Reimagining Critical Practices for E-Poetry |
Leonardo Flores |
2012 |
|
|
Close Reading Electronic Literature: A Case Study of William Poundstone’s “Project for the Tachistoscope: [Bottomless Pit]“ |
Jessica Pressman, Mark C. Marino, Jeremy Douglass |
2013 |
|
|
Close Reading in the Realm of Static and Dynamic Texts |
Patricia Tomaszek |
2007 |
criticism, literary criticism, digital poetics, close reading |
|
Close Reading New Media: Analyzing Electronic Literature |
|
2003 |
|
|
Close-Reading: Digital Poetry |
Leonardo Flores |
2011 |
poetry, close reading |
|
Closed Reality – Embryo |
Andreja Kuluncic |
1999 |
interactive, experimental games, collaboration |
|
Closer again! |
Alexandra Saemmer |
2010 |
digital literature, electronic literature, semiotic model, digital discourse, semiotics, figure of animation, temporal semiotic unit |
|
Cloud #1 |
Braxton Soderman |
2007 |
scheduled, static |
|
Clues |
Robert Kendall |
2002 |
animation, audio, fiction, Flash, hypertext, hypertext fiction, interactive, javascript, mystery, metaphysics |
|
Code Movie 1 |
Giselle Beiguelman |
2004 |
animation, code, movie, inscription |
|
Code Poetry and New-Media Literature |
Steve Tomasula |
2012 |
|
|
Code, Cod, Ode: Poetic Language & Programming |
Loss Pequeño Glazier |
2004 |
|
|
Code, Cod, Ode: Poetic Language & Programming |
Loss Pequeño Glazier |
2007 |
|
|
Code, Interpretation, Avant-garde |
Roberto Simanowski |
2011 |
code, interpretation, avant-garde |
|
Code.surface || Code.depth |
Rita Raley |
2006 |
materiality, code, codework, representation, geological computing |
|
Code: Redact <Redact> |
Sandy Baldwin, Alan Sondheim |
2008 |
codework, language, performance, embodiment, 3D, choreography, psychoanalysis |
|
Codeswitch: the Transborder Immigrant Tool |
Amy Sara Caroll |
2011 |
|
|
Codeswitching 23μg |
Theodoros Chiotis |
2007 |
code, text, Dewey Decimal System, post-print fiction, protocol, database narrative |
|
codework parenthetical insertions |
Edde Addad |
2011 |
|
|
Coding the Infome: Writing Abstract Reality |
Lisa Jevbratt |
2003 |
coding, interfaces, code, visualization, infome, abstract realities |
|
COG (I) |
Loss Pequeño Glazier |
2002 |
visual poetry, interactive, combinatory, kinetic poetry, Flash |
|
Cognitive Fictions |
Joseph Tabbi |
2002 |
cognitive science, fiction, autopoiesis |
|
Coincidentally the Screen has Turned to Ink: Electronic Literature for Library Spaces |
Søren Bro Pold |
2012 |
|
|
Collaborations in E-lit |
Stephanie Strickland, Nick Montfort |
2011 |
collaboration, electronic literature, e-lit, the ecological thought, recombinant poetics, code, remix, appropriation, interactive fiction, platform |
|
Collaborative Art Experiments on Facebook |
Raffaele Pinto, Letizia Caiazzo |
2011 |
facebook, collaborative art |
|
Collecting digital literature in Europe |
J. R. Carpenter |
2011 |
digital literature, collection, Electronic Literature Collection, Electronic Literature Directory, Electronic Literature Organization, Hermeneia, databases, curation, archive, electronic literature, e-lit |
|
Collection |
Greg Philbrook |
2011 |
narrative, video |
|
Collective Memory and the Development of a Field: Building the ELMCIP Electronic Literature Knowledge Base |
Scott Rettberg |
2012 |
|
|
Collocations: Indra's Net II |
John Cayley |
1993 |
interactive poetry, hypercard, algorithmic text generation |
|
Colossal Cave Adventure |
Will Crowther, Don Woods |
1976 |
interactive fiction, text adventure, 1970s |
|
Command Lines: Aesthetics and Technique in Interactive Fiction and New Media |
Jeremy Douglass |
2007 |
interactive fiction, ludology, game studies, narrative theory, aesthetics of frustration |
|
Commedia |
Krešimir Pintaric |
2006 |
web, HTML, computer-assisted poetry |
|
Commenting Creative Code |
Nick Montfort, Stephanie Strickland |
2012 |
BASIC, 1970s, 1980s, code comments |
|
Comments on Comments in Code |
Jeremy Douglass |
2011 |
code, code comments, paratext |
|
Common Ground: One Night in a Three-story House |
Stephen Granade |
1999 |
interactive fiction, game, character, suburbs, TADS 2 |
|
Communities/Commons: A Snap Line of Digital Practice |
Loss Pequeño Glazier |
2012 |
|
|
Communitizing Electronic Literature |
Scott Rettberg |
2009 |
community, institutional critique, digital humanities, post-processing, e-lit publishing, ELO, ELC, archiving, e-lit academia, e-lit history |
|
Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace |
Maya Zalbidea Paniagua |
2011 |
feminism, cyberfeminism, hyperfiction, digital art |
|
Completely Automated |
Samantha Gorman, Danny Cannizzaro |
2010 |
|
|
Composition No. 1 |
Marc Saporta |
2011 |
app, artist book, cybertext, nonlinear fiction, narrative |
|
Computer Game Studies, Year One |
Espen Aarseth |
2001 |
|
|
Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report |
Theodor Holm Nelson |
1974 |
hypertext, hypermedia, multimedia, computers |
|
Computer Power and Human Reason |
Joseph Weizenbaum |
1976 |
computation, reason, artificial intelligence, chatbot |
|
Computer-Mediated Collaborative Writing |
Judy Malloy |
|
computer-mediated narratives, collaboration |
|
Computers and Creativity |
Carole Spearin McCauley |
1974 |
|
|
Computers as Theatre |
Brenda Laurel |
1993 |
|
|
Computers, Cut-ups and Combinatory Volvelles: An Archaeology of Text-generating Mechanisms |
Whitney Anne Trettien |
2009 |
|
|
Con/Tact/ile |
Jerome Fletcher |
2011 |
|
|
Concatenation |
Geniwate |
|
|
|
Conceptual art: a critical anthology |
Alexander Alberrro, Blake Stimson |
1999 |
|
|
Conceptual Poetics |
Kenneth Goldsmith |
2007 |
|
|
Conclusion: Whither American Fiction? |
Jessica Pressman |
2012 |
american fiction, remediation, narrative, electronic literature |
|
Conclusions |
Terry Harpold |
1994 |
|
|
Concrete Poetry in Analog and Digital Media |
Roberto Simanowski |
2003 |
|
|
Concrete Poetry in Digital Media: Its Predecessors, its Presence and its Future |
Roberto Simanowski |
2004 |
|
|
Concrete Poetry in Portugal Experimentalism and Intermediality |
Rui Torres |
2010 |
concrete poetry |
|
Concrete Poetry: A World View |
Mary Ellen Solt |
1968 |
|
|
Concrete Poetry: An International Debate |
|
2008 |
concrete poetry, digital concrete poetry |
|
concrete_machine |
Johannes Auer |
2003 |
text picture, text-input, digital concrete poetry |
|
Confucius Say |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
|
|
Confucius Say |
Young-Hae Chang Heavy Industries, Young-Hae Chang, Marc Voge |
2006 |
Flash, experimental cinema |
|
Connected Memories |
María Mencía |
2009 |
orality, time, refugee, interview, database, narration, installation, Processing, reading, performance |
|
Connecting Memories: Contextualizing Creative Research Practice |
María Mencía |
2011 |
practice-led research, research, narrative, interactive, refugee |
|
Constructing an Aesthetic of Web Art from a Review of Artists' Use of the World Wide Web |
Alison Colman |
2005 |
|