CFP: The Digital Subject: Questioning Hypermnesia

The Digital Subject: Questioning Hypermnesia
An International and Transdisciplinary Symposium

Labex Arts-H2H project
University of Paris 8 Vincennes Saint-Denis, November 13-15, 2012

Organizers:
Pierre Cassou-Noguès (Department of philosophy, LLCP, SPHERE, EA 4008)
Claire Larsonneur (Department of anglophone studies, Le Texte Étranger, EA1569)
Arnaud Regnauld (Department of anglophone studies, CRLC – Research Center on Literature and Cognition, EA1569)

Call for papers
Today’s digital technologies of inscription and preservation have enabled the creation of substantial electronic archives and complex databases while ushering in new ways of archiving knowledge exemplified by collaborative encyclopedias. Such technical developments have foreshadowed a radical reconfiguration of human relations to the world and knowledge at large, and delineate a probable mutation in our understanding of the human subject.

Hypermnesia, a recurrent motif in science fiction narratives, was already prefigured in H. G. Wells’ (World Brain, 1937) or Borges’ works (“Funes el memorioso,” 1944). From then on, the notion has migrated into other literary genres, be they published in traditional print or in a digital medium. Similarly, the possible externalization and extension of memory is one of the cornerstones of contemporary philosophical theories (such as that of the “extended mind”) on both sides of the border separating the analytical and continental schools of philosophy.

Right after the Second World War, machine memory, the thematization of subjective memory in reference to computer memory, the potential alteration of the very nature of human memory due to the development of machines were recurrent issues in discussions pertaining to cybernetics and they are still vivid in the contemporary diagnosis of posthumanism.

Of particular interest is the scope and typology of works featuring the theme of hypermnesia, from fantasies of omnipotence to rewritings of the Babel myth, to political, cultural and economic policy blueprints. This call for papers invites contributions from various fields and disciplines (the history of science and technology, literature, philosophy among others) which question the theme of hypermnesia and memory through the prism of the ambiguous relationship between man and machine, in a historical as well as in a more contemporary perspective.At the crossroads of philosophy, literature and the history of science and technology, this symposium is part of a broader long-term project focusing on the digital subject, a subject whose status and attributes appear to have been altered by the real or fictional development of digital calculating machines from Babbage to Internet.

The working languages will be French and English. Contributions may be submitted in either language and should not exceed 3000 characters. Please enclose a brief bio- bibliographical note.

Contact: hypermnesia@univ-paris8.fr

This symposium has received the support of the LABEX Arts-H2H scientific committee. 

Deadline for submissions: June 15, 2012
Contributors will be informed of the scientific committee’s decision by September 15, 2012.

Scientific committee:
Yves Abrioux (Université Paris 8) Noelle Batt (Université Paris 8) Maarten Bullynck (Université Paris 8) Pierre Cassou-Noguès (Université Paris 8) Claire Larsonneur (Université Paris 8) Hélène Machinal (Université de Brest) Arnaud Regnauld (Université Paris 8) Mathieu Triclot (Université de Technologie de Belfort-Montbéliard)

Touring the US with the ELMCIP Knowledge Base

Tomorrow Scott and I start our seven-university tour with the ELMCIP Electronic Literature Knowledge Base. We're visiting a string of excellent digital humanities, digital culture and visualization labs in Chicago and California, and are hoping to learn a lot about what they're doing and get lots of good ideas for how to further develop the Knowledge Base.

One of the things we're most interested in is how we can present the increasing amount of data in the Knowledge Base in even more useful ways. The KB includes bibliographic information about creative works and critical writing but also relational links to entries about events at which works are presented, organizations and artist's collectives that authors have been affiliated with, and syllabi that teach works of electronic literature.  We're interested in developing visualization modules, and in finding ways in which researchers can query the database. Right now we can do simple things by uploading a data dump to Google Fusion or Manyeyes, like this graph showing the frequency of works tagged with "hypertext" in the KB according to their year of publication:

For instance, it would be great to be able to extract answers to questions like these:

  • What are the community structures in the field? Do actors form close-knit clusters or are groupings more random and transient? Are these structures stable over time?
  • Is there a connection between productivity and particular types of position in the social network of the field (e.g. being part of a closely knit group)? What characterises the community participation of actors whose works are highly referenced?
  • What common characteristics do actors who frequently interact and thus belong to a group share? E.g. nationality, residence, age, language, gender, genre they work in?
  • Has the speed with which ideas and theoretical paradigms are developed and disseminated internationally increased with the adoption of network technologies? Can literary genres in new media be understood as “memes” which circulate and are developed virally on a transcultural basis?
  • Can necessarily reductionist, quantitative, semantically structured approaches to mapping literary and cultural practices enable richer, more expansive analyses of individual artifacts represented within an unfolding historical context?

Here are some of the places and people we're visiting:

View Chicago ELMCIP Tour in a larger map

View ELMCIP California Tour in a larger map

CFP: IRST International Conference on Electronic Literature and New Media Art

FIRST INTERNATIONAL CONFERENCE ON ELECTRONIC LITERATURE AND NEW MEDIA ART:
A Humanist Inquiry into the Digital Age

Instituto Franklin - UAH
Alcalá de Henares, Spain
October 4-6, 2012

ONLINE ABSTRACT SUBMISSION
The online abstract submission service is now available on the website. If you wish to send an abstract for assessment, please fill in the form here.

Paper submission
Instituto Franklin–UAH welcomes abstracts of up to 300 words for papers, presentations of creative works and group panel sessions related to the three main areas of the conference:
- Electronic Literature in the U.S., Latin America and Europe
- Teaching Electronic Literature
- Gender and Identity in Cyberspace

Other possible issues of interest
- Electronic literature and sustainability.
- Race in Electronic Literature/Cyberspace.
- Video-games.
- Webcomics.
- Issues involved in recording, archiving, and preserving e-lit.
- Proposals for research network activities (e.g. archiving projects, publications, establishing a journal, pedagogical resources, etc.).

Important dates 
Submission deadline for proposals: 30 May 2012
Notification of acceptance: 15 June 2012

Committees

Organizing Committee
Esther Claudio (Instituto Franklin-UAH)
Cristina Crespo (Instituto Franklin-UAH)
Ana Lariño (Instituto Franklin-UAH)
Maya Zalbidea (Universidad Complutense de Madrid)

Scientific Committee
N. Katherine Hayles (Duke University)
George Landow (Brown University)
Asunción López-Varela Azcárate (Universidad Complutense de Madrid)
Scott Rettberg, (University of Bergen)
Giovanna di Rosario (University of Jyväskylä)
Faith Wilding (Professor Emerita, School of the Art Institute of Chicago, and Visiting Scholar, Pembroke Center, Brown University)
Raine Koskimaa (University of Jyväskylä)
Laura Borrás Castanyer (Universitat de Barcelona)
Fabio de Vivo (University of Macerata)

NorStore Funds IT Consultant Position, Will in Part Support Continued Technical Development of ELMCIP Knowledge Base

NorStore, a Norwegian national research infrastructure organization, has generously funded a position for an IT consultant to work in our department at the University of Bergen (UiB). Among other projects, this person will participate in the technical development of the ELMCIP Knowledge Base. The position has been adverstised, and should be a very interesting job for developers interested in the digital humanities.

Job advertisement:
http://www.jobbnorge.no/job.aspx?jobid=81812

The Institute of Linguistic, Literary, and Aesthetic Studies at the University of Bergen announces a vacancy for a 50% position for an IT consultant. The position is financed by NorStore with Uninett Sigma. The person hired will work with technical development for research projects in the digital humanities and in establishing interoperability with the national research infrastructure in cooperation with Uninett.

Ved Institutt for lingvistiske, litterære og estetiske studium er det ledig ei 50 % stilling som IT-konsulent. Stillinga er finansiert av NorStore ved Uninett Sigma. Stillingsinnehavaren skal utarbeide tekniske løysingar for forsking i humanistiske fag gjennom bruk av nasjonal eInfrastruktur i samarbeid med Uninett.

CFP: International Conference on Translating E-Literature

International Conference
Translating E-Literature
Université Paris 8 Vincennes-Saint-Denis, June 12-14, 2012
Call for Papers

The first international conference on translating E-literature will take place from 12 to 14 June at the Universities of Paris 8 Vincennes-Saint-Denis and Paris 7 Diderot Denis. The conference is organized by OTNI: Objets textuels non identifiés (UTO: Unidentified Textual Objects), a research project into the evolution of textuality in the digital age. It is supported by the Electronic Literature Organization.

E-literature is an emphatically global phenomenon. Its authors are of many different nationalities. Sometimes they write in a form of global English. The reception of E-literature nevertheless raises issues which are far from being exclusively discursive in nature. It also involves criteria that are visual (screen display, graphics, color…), dynamic (screen animations) or kinetic (reader/players’ actions and movements). These dimensions extend far beyond the competences traditionally required of readers of literary works on paper. They are often highly culture-specific. A new semiotics, a new rhetoric and a new poetics are needed if the analysis of these aspects of E-literature is to progress properly. It is impossible to translate works of E-literature without paying detailed attention to them. Thus, translation does not simply provide materials for research into E-literature. It is a research activity in itself – a form of theoretical practice.

The conference will explore a wide range of questions concerning the translation of works of E-literature. It welcomes proposals relating to:
- globalized English and vernacular languages;
- transposing screen displays from one culture to another;
- the cultural specificity of dynamical figures;
- technology and gesture in local cultures;
- digital technology as a medium of translation and/or transformation;
- other topics related to the translation of electronic literature.

The conference is open to proposals formulated in terms of poetics, rhetoric or semiotics but also to issues raised by cultural studies and science and technology studies; to theoretical discourse as well as experimentation in and analysis of actual translations; to studies of works in which translation between languages or transpositions effected by technology constitute a literary strategy.

Translation workshops will form part of the conference. Participants are invited to suggest innovative formats to enable these.

The conference will stage a multilingual program of E-literature.

The conference proceedings will be published online. They will include textual contributions and videos of the translation workshops. Experimental translations of E-literature will also be featured.

Researchers and practitioners alike are requested to send a 500-word abstract and a short bibliographical resume, before March 15, to the following address: translatingelit@aol.fr

The New River Seeks E-Lit Submissions for Spring 2012 Issue

Khalilah Boone at The New River asked me to pass this call for submissions along to ELMCIP members and e-lit authors...

The New River: A Journal of Digital Writing and Art, the oldest journal dedicated to New Media writing, published by Virginia Tech, is pleased to announce a request for submission for our Spring 2012 issue.

Submission deadline: March 26, 2012

While we place no restrictions on style or content, we welcome work that tells stories, showcases poetry, displays captivating images, and/or allows the reader audience to actively interact with the project.

To submit to The New River, e-mail a URL where we can find and review your work. If accepted, you will be asked to upload all files so we can host your piece locally on our server. Send all inquiries and submissions to thenewriver@vt.edu. Read our journal at http://www.cddc.vt.edu/journals/newriver/11Fall/.

Khalilah Boone is the editor for the Spring 2012 issue of the New River.
Responses until May, 2012 will come from MsKBoone@gmail.com

E-literature in/with Performance, an ELMCIP Seminar  (CFP: Call for Papers/Presentations)

E-literature in/with Performance, an Electronic Literature as a Model of Creativity in Practice (ELMCIP) Seminar  

Arnolfini, Bristol, UK

May 3-4, 2012

As part of the ELMCIP research project, and under the aegis of University College Falmouth, a conference is being held at Arnolfini, Bristol to investigate the relationship between e-literature/digital text and performance. Members of the ELMCIP project, international speakers and practitioners will discuss the function and understanding of performativity and its relationship to digital literature through a series of papers, presentations and practical engagements.

Although the field of e-literature is rife with references to performance, they have tended to remain relatively untheorised. In the main, analysis or investigation of performance is restricted to the relationship between the text output (on the interface or projected into a performance space) and the live body responding performatively to that text, or else generating text through performance. There has been little attempt to fold digital text performance into the wider context of the ‘turn to performance’ among the humanities in recent decades. It is against this background of performance studies, ordinary language philosophy and speech act theory, the ethnography of ritual, performance of self and gender, performance writing, etc, that the conference will take place.

While continuing the investigation of live performance, we will be seeking to broaden the scope to include; interactivity, the performative gesture of the hand and fingers (digital text) on the interface, the performativity of language itself on the screen, social performance or how digital texts ‘perform’ us, the performance of codes and scripting, and the performance of the machine itself, i.e., what does an engineer mean when s/he talks about performance? In other words, we will be looking at the different modes of performance as they are manifest across the whole digital environment (dispositif) and, in order to give a fuller account of this complex of performative modes, we will also be investigating how they interact and collaborate with each other.

Conference proceedings, along with artist’s pages, will be published in a dedicated issue of the journal Performance Research (2013)

Call for papers: If you are interested in taking part in this event, please send an abstract (250 words) for a paper of 20 mins plus 10 mins addressing aspects of the ideas outlined above, or a proposal for a digital text performance/workshop, to Jerome.fletcher@falmouth.ac.uk

Invited artists (thus far): Annie Abrahams (Netherlands), Donna Leishman (UK), Cris Cheek (UK), J.R. Carpenter (Canada), Joerg Piringer (Austria).

Closing date for abstracts: Dec 30th. 

ELMCIP Seminar on Digital Poetics and the Present at the University of Amsterdam - Program

The program for the ELMCIP Seminar on Digital Poetics and the Present is now available. The seminar will take place on December 9th and 10th in Amsterdam, Holland at the University of Amsterdam. Readings and performances will be given in the evening at the political and cultural center De Balie (Friday) and the Perdu Theater (Saturday).

Keynotes will be delivered by Jan Baetens, Professor of cultural studies at the University of Leuven, Rita Raley, Associate Professor of English at the University of California, Santa Barbara, and Roberto Simanowksi, Professor at the Institute for Media Studies at the University of Basel. 

Digital literature covers a broad spectrum of creative work: from Facebook-poetry to interactive fiction and animated poems written in Flash. In recent years, both criticism and practice of digital literature have created a theoretical basis for the approach of the new artform. Ideas have been brought forward on the historical, contextual and institutional embedding of digital literature. Critics have proposed various ways to analyze the hybrid that digital literature is and have emphasised the necessity of a ‘media-specific analysis’. Now the time has come to look closer at techniques and effects of digital literary works, and at the contemporary contexts in which they are created. Digital literature does not operate in isolation: it is in all respects a contemporary artform. The seminar focusses on this question of digital ‘poetics’, understood as the question to the nature and the value of the work, both in criticism as in practice itself.

The complete program can be downloaded as a PDF file.

Coordination: Yra van Dijk  Conference website: http://elmcip.net/page/elmcip-events.

 The seminar is part of the project:  Developing a Network-Based Creative Community: Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) , a collaborative research project funded by Humanities in the European Research Area (HERA) JRP for Creativity and Innovation.

Key-note speakers:

Jan Baetens is Professor of cultural studies at the University of Leuven. He has widely published (most often in French) on word and image studies, particularly in the field of the so-called minor genres (graphic novel, photonovel, novelization) and contemporary French writing and poetry, more specifically in the field of constrained writing.

Rita Raley is Associate Professor of English at the University of California Santa Barbara and visiting scholar in the Dutch Literary Foundation program. Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language. She is the author of Tactical Media (2009), a study of new media art in relation to neoliberal globalization, has been published by the University of Minnesota Press in its “Electronic Mediations” series.

Roberto Simanowski is Professor at the Institute for Media Studies at the University of Basel, Swiss, editor of the online jounal Dichtung Digital and the author of Digital art and meaning. Reading Kinetic Poetry, Text machines, Mapping Art, and Intyeractive Installations (University of Minnesota Press 2011, Electronic Mediations” series). 

Friday, December 9th:

University of Amsterdam, VOC room, Kloveniersburgwal 48, Amsterdam

 9.30 Key-note: Jan Baetens: Hypertext revisited.  The issue of ‘non-sequentiality’ in print and digital literature.

 10.30 Coffee/ Tea break

 

10.45-13.00: Analyzing digital poetics I

Serge Bouchardon: University of Technology of Compiegne, Gestural manipulations and digital poetic.

Raine Koskimaa: University of Jyvaskyla: Playing with time in digital fiction.


13.00-14.30 lunch break

 

14.30-16.00: Analysing digital poetics II. Short presentations followed by plenary discussion.

Jerome Fletcher, University of Falmouth : Digital Text: writing with the hand and fingers.

Maria Mencia, Kingston University, London: The Poetics of Sound in e-literature and the Avant-Garde tradition.


 16.00-16.15 Coffee/ tea break

 

 16.15-17.15 Key-note: Roberto Simanowski: Warfare and Conventionality: How avant-garde computer-generated text can be,

 

 17.15-19.30: Drinks and Dinner

 

20.00-22.00: Words in motion. Digital authors from different European countries will present new work.  With JR Carpenter and Jerome Fletcher, Serge Bouchardon, Maria Mencia, K. Michel, Henk van der Waal,  and Tonnus Oosterhoff. 
Location: cultural and political debating center De Balie, Kleine Gartmanplantsoen 10. Amsterdam. 

 

Saturday, December 10th

University of Amsterdam, Doelenzaal, Singel 421.

9.30-10.30: Key-note Rita Raley: Living Letterforms: The Ecological Turn in Contemporary Digital Poetics.

 

10.30 Coffee/ tea break

 

10.45-12.30:  Creativity and Affect

David Prater, Blekinge Institute of Technology, Sweden: Flashpoints: Reading Electronic Literature as a (Neural) Metaphor for Creativity.

Eric Dean Rasmussen, University of Bergen: Significant Affects in Digital Literature

Jill Walker Rettberg and Eric Dean Rasmussen (University of Bergen, Norway): Student Research Using the ELMCIP Knowledge Base.

 

12.30-14.00: Lunch

14.00-15.45  Remediation and Relation: digital and print literature.

Kiene Brillenburg-Wurth, University Utrecht: Writing as Erasure: Book Art, Memory, and Forgetting in the Digital Age.

Scott Rettberg, University of Bergen: Revisiting Reflexivity: American Metafiction and Hypertext Narratives.

Yra van Dijk: A performance of reality. Handwriting in digital poetry.

 

15.45-16.00 Coffee/ Tea break

 

16.00-17.00: Plenary discussion of artworks demonstrated the previous evening in presence of the authors. What are the effects, promises and possible pitfalls of these works? Panel with Rita Raley, Talan Memmott, Roberto Simanowksi and Jan Baetens.

 

17.00-20.00 Drinks and dinner

 

20.00-23.00 Evening show of digital literature: Aesthetic strategies as critical interventions. New work by JR Carpenter, Renee Turner, Andreas Jacobs. Panel hosted by Rita Raley.
Location: Perdu Theater, Kloveniersburgwal 86.

Screencast: RDF enhanced search, Filters, and WorldCat in the Knowledge Base

This screencast describes several new features in the ELMCIP Knowledge Base designed to make it even more useful for researchers. With the RDF power of Drupal 7, records in the knowledge base are accessible to search engines such as Google in new machine-readable ways. We recently added some filters to make finding creative works and critical writing in the Knowledge Base easier for researchers. We are also adding links from records in the Knowledge Base to WorldCat, so that KB users will be able see if a particular book or resource is available in their local library.

Multimedia: 

Second Call for Submissions to the ELMCIP Anthology of Electronic Literature

Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP), a collaborative research project funded by the Humanities in the European Research Area (HERA) JRP for Creativity and Innovation, has extended the deadline for submissions of electronic literature from European writers and practitioners for its upcoming anthology. We are looking for innovative literary works by European authors that take advantage of digital media and computation.

Submissions for the second call will close November 7, 2011.

ELMCIP involves seven European academic research partners and one non-academic partner investigating how transnational and transcultural creative communities of practitioners form within global and distributed communication environments. Focusing on the electronic-literature community in Europe as a model of networked creativity and innovation in practice, ELMCIP intends both to study the formation and interactions of that community and to further electronic literature research and practice in Europe.

The anthology will provide a sample of Europe’s diverse electronic-literature practices. It will include around thirty works along with teaching materials from educators interested in electronic-literary practices. The anthology will be published online and on a cross-platform DVD.

All content will be offered under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License allowing the disc to be installed, duplicated, and shared by individuals, libraries, and educational institutions. The intent is to provide educators, students and the general public with a free curricular resource containing a variety of examples of electronic literary works.

Works will be selected based on the following criteria:

  • European diversity: to represent a broad cross-section of authors and artists from different European cultures.
  • Formal diversity: to represent a broad sampling of approaches to electronic literature demonstrating the influence of multiple modes of practice and different types of interdisciplinary art practice.
  • Pedagogical relevance: the committee will attempt to select a range of works appropriate for teaching in secondary and university classroom settings

Submission Guidelines:

  • Authors may submit two works.
  • Works may be in any European language.
  • At least one author should have been a resident of a European country at the time the work was created.
  • Previously published works will be accepted for submission.

How to submit your work

Submissions in response to this second call must be delivered as follows:

  1. Prepare a plain text file with the following information:
  • The title of the work, in English and in the original language.
  • The names and email addresses of all authors and contributors of the work. Please indicate the primary contact.
  • A URL where a Zip archive of the work can be downloaded (even if the work is available online).
  • Include a text file containing the items above. (Name the text file [lastname]-submission.txt).
  • A short description of the work, between 125-250 words, in English and the original language.
  • Language(s) in which the work is produced.
  • Any special technical requirements for the work (plug-ins, specific browser, etc.)
  • If the work has been previously published or distributed please indicate the date, publisher, and location or format.
  • Prepare a .zip archive including the work in its entirety. Include the text file from step (1) at the top level of this archive, and name it “submisson.txt”. If the work is available online, include the submission.txt file as an attachment to the email.
  • Upload the .zip file to a web server so that it is available at the specified location.
  • Place all of the text in the “submisson.txt” file in the body of an email and send it to anthology@elmcip.net with ELMCIP ANTHOLOGY and the name of the piece being submitted included in the subject line.
  • The work should function in current Mac and Windows operating systems. Users should not be required to purchase additional software for the work to function, but may require software that is available for free and/or is typically pre-installed on contemporary computers, such as browsers and plug-ins

    Submissions will be entered  into the ELMCIP Knowledge Base: http://elmcip.net/knowledgebase.

    The anthology is scheduled for publication in December 2012.

    If your work is selected it will be published and distributed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.

    During the fall of 2011, an additional call for pedagogical materials will be distributed, partially based on the works chosen for the anthology.

    Selection Committee:

    • Simon Biggs, Edinburgh College of Art
    • Yra Van Dijk, University of Amsterdam
    • Maria Engberg, Blekinge Institute of Technology
    • Jerome Fletcher, University College Falmouth
    • Raine Koskimaa, University of Jyväskylä
    • Talan Memmott, Blekinge Institute of Technology
    • Scott Rettberg, University of Bergen
    • Jill Walker Rettberg, University of Bergen

    Editors:

    • Talan Memmott, Blekinge Institute of Technology
    • Maria Engberg, Blekinge Institute of Technology
    • David Prater, Blekinge Institute of Technology

    Pages

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